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Jeff Raheb Aug 2014
Bosnia, March, 1994, from an NPR interview with a 15-year-old Muslim girl.  Serbian forces were shelling the area we occupied. We tried to persuade her it would be safer to lie on the ground, as we were doing. She was indifferent and seemed to ignore us. She stood and talked freely amidst the  noise. She told us she liked country music and that school was getting boring and in the same casual tone asked us, ‘How long are people going to watch us die?’



She said she liked country music

Exploding sky, color of death
Exploding bodies
Men, children, women
Terror pounding ears like the heart beats
of a four legged veal marsala waiting to die
Putrid flesh, burning houses, torched spirits
15-year-old girl
Steel eyes melting under the heat of genocide
Imploding mind, split into a thousand screams
Only war
By whatever means
Deafening anguish
Running, deafening heart in throat, running
She said she liked country music
24, 41, 32
15 years old
This one here
82, 12, 7 years old

Said she liked...
Tie her wrists
Neighbor, aunt, niece
Liked count---try music
Tighter
Grandmother, sister
Spread her legs
And that school was getting boring
Spread her legs
Daughter, mother, wife
And that school was getting...
Tears running down the blood
           running down the legs
           running down the
Savage streets filled with broken Coke bottles
Wider, shove it, shove it
Coke bottles
shove it
Spread them wider
Shove it
Shove it ….  in
15-year-old girl
13, 7
Faster, faster
Knife in hand on throat in blood
All the way,   IN
Who cares
Fear disguised as hatred
Turning ***** into bullets
Piercing flesh

Piercing humanity
Just a female, just a body, just a toy
Was getting boring
No life, no more, no more
Then she turned to us and said how long...
Exploding wombs, death
Eyeballs peeling off in horror
How long...
She said...
Blood, legs, open, ******, open
She said...
Point of knife, ****** in
****** in center
Center of humanity
How long will...
******, who cares?
Piece of meat
Feed our revenge
Feed our war machines
Feed our weakness for power
Shove it in

The NY Times today stated that the UN council on human rights abuse has agreed that systematic **** is possibly being used by Serb forces as a tool for genocide against the Bosnian Muslims and that as such, may be viewed as a violation of international law.  A warning will be issued to the...
A warning will be issued to the...
A warning...

She said how long...
After two years

Brutal rapes
After two years
20,000 30,000
Systematic rapes possibly being used
50,000
Before, who cares
International law
Only now they decide to act  
Genocide, So what
How long will...
That systematic ****...
***** like lead bullets
Is possibly being...
Harder
****** the ******* thing all the way in
Then she said...
Wider
And then she...
Wider, Wider *****
And then she...
Get another, she’s dead, get another
And then...
Get another ******* *****
And then she said...
******* *****
She said
******* *****

She turned to us and said......
  
How  long are people going to watch us die?
Jeff Raheb Aug 2014
Dal Lake

I float on Dal Lake
Suspended
between the thick soupy crisp air of soldiers
water lilies, Kashmiri bread
and the Muslim prayers
that penetrate the hardness of war
chanting Allah Bismallah
Floating Islam
Holy words drenching the air
Drenching the green cloth of Hindu soldiers
Sliding down the cool metal of a rifle
9 years of war
1,000 houseboats lie empty
in the Himalayan fog
Intricately carved furniture
Thick with dust
and the powder of blood and bullets

Himalayan silhouette etched black
against the song of lotus gatherers
Foggy voices like cloud of moon
Lotus lake
Gray of war and desperation
Children beg
1 rupee
1 rupee
1 rupee
Endless monologue
Parched like lotus shaped paddle
They throw flowers to me
endlessly
I throw them back
endlessly

Time passes slowly
like smoke on a lizard’s tail
trailing in the thick, rancid air
of burning meat and maple leaves
Like a shikara
moving over the glass of Kashmir

The sound of a dozen Bangees
floating over the water
Hollow, solemn and mournful
Echoing against the hardness
of the surrounding mountains
The circle of Himalayas
Like a womb
around the prayers of Pachin

In the middle of the lake
I hear the call to prayer
Azan Nemarz Suba
Azan Nemarz Pashin
Azan Nemarz Degar
Azan Nemarz Sham
Azan Nemarz Koftan
From dawn till dusk

Azan
4 mosques
4 singers
4 directions
staggered by a breath
like an imperfect echo

Azan slips into the pockets of island soldiers
Waters the impatience of soldiers on the shore
Steals into the vacant eyes of soldiers in the Mosque
They want to go home to their wives and children
They want to leave the place of prayer, which is not theirs
The place of prayer, which has seen death
The place where God was pushed out
In order to not see the killing
To **** what they don’t see
The place, which was no longer a refuge

Outside

Dal Lake turns to the color of red lentils
cooking in a dented metal ***
In the Shikara boat we eat dal and rice
and throw scraps into the silver water
where it washes up
onto the ***** boots of a soldier
I hear the dull gray click, click of his rifle
as it touches the ground

The prayers have ended
Jeff Raheb Aug 2014
Zu Twa Szi

(Don't Mind Me I'm Just The Wind   - African saying)

Don't mind me
I'm just the wind
You can scream into me if you want
I'll just toss the sound around
until it wallows into melody

You can dry tears by me if you need
I'll just carry their saltiness back to the sea
You can try to keep me from your skin
with all the skill of a master builder
But I'll search out every opening there is
and rub against all your privacy
without a second thought

I have no manners
or morals
or modesty
or inhibitions
or judgments

I won't reveal your whispers
I'll dissolve them
I won't discuss your secret doings
I'll scatter them

I won't scorn your libidinous thoughts
I'll caress them
If you rail against me
or try to beat me with your fists
I'll just part like the Red Sea
and move to both sides
of where your fists have been

You can spit at me when you're angry
I'll just spray it back in your face
You see I'm just the wind

I don't hold your happiness when you laugh
Or your loneliness when you cry
I don't hold your anger when you scream

I'm just the wind, a traveler
With no baggage or destination
With nothing to see
and nowhere to be seen

Seemingly nothing

You are the absence of space
that merely hinders
my journey
Jeff Raheb Aug 2014
Havana, I arrive
in the sweaty thickness of July
caliente y picante
steamy sidewalks, steamy women
chocolate brown, tan and
black against the lemon-yellow walls
strolling through La Plaza de Armas
slurping thick café through weathered lips
in La Plaza de Francisco de Asis
dancing on the pregnant gray stones in La Plaza Vieja
timba, rumba, salsa and son
Cristo, Maria, Yemaya and Obatalá

Havana, I arrive
in the intoxication of your breath
between the acrid fumes
of insecticides and 1957 Chevy's
stepping past the dark grime of your slums
streets plush with tight round bodies
beautiful and sensuously swaying

I arrive snaking past the converted palaces
con las turistas ricos
and the buy-me-a-dress-and-a-ring ******
with their enchanting full-tooth smiles
and undulating earthquake-tremor hips
I hear your beat
the machine-gun laughter of your feet
on the hot cobblestones
with the jinateros and street musicians
chants of Santería drifting from pane-less windows

Havana, I smell your heat
under salty faded sheets
smell the long, tobacco-stained nights
with your hips swaying
to the pale drops of ***
spilt from red lips
and the red drops of blood
spilt from your revolutionaries
spilt from the gorging of Machado and Baptista
and 500 years of foreign dominion

In Paseo de Marti
banners of Che Guevara
flapping in the moist tear-laden breeze
Fidel, cigar in hand
tirelessly raging in black and white
on a Russian 1960's TV

Cuba, I can see the green in your eyes
the peeling-paint bedroom dreams and
dirt-poor joy of your richness
laughing out the despair and desperation
dancing out the oppression and the paucity
the aching of your past
the battles of Castillo De Los Tres Santos
of  the revolution
of living
and as I stand on the steps of El Capitolio
looking out at the decaying grandeur
I understand why
I will be back
Jeff Raheb Aug 2014
I arrive in Lima
The sweat-sogged poverty
lumped onto concrete
pushes at my heels
The tight black air
swallows the nakedness
of prostitutes and thieves
Pockets empty like a traveler’s stomach
growling beneath the world of Los Incas

In Cusco
My head throbs in the thin air
with the sound of boys
trying to shine my boots, my sandals
my bare feet
no problemo
women sell fresh papaya and guava
sweaters and trinkets
Hawkers surround me
like a tightly stitched T-shirt

Cusco
The Navel of the Earth
A bulging belly
throbbing
digesting
living

Sunset
I spread my toes
over the evaporated flood waters
of the Rio Urubamba
where it once flowed
from the fingers of Manco Inca
over the fleeing conquistadors
at the top of Ollantaytambo
Momentary brilliance
before you retreated to the jungle
Spain, always gnawing at your heels

It’s a mouth-full-of-coca-leave’s journey
to Macchu Picchu
I enter the dream
spitting wet leaves
on the silence of a dead kingdom
Gasping for air that once filled lungs
of Inca messengers
carrying news of defeat and conquest
over the great Andes
Los Incas Caminos
The cloud-dripped mountains
spread green across my eyes
I see ghosts
a steady move of feet through the depleted air
Porter, takes my backpack
carries it against his brown crusty skin
ancient, sun-baked descendant
of the Earth’s naval
A toothless, painless smile
It must have been different
before we came
with money the color of unpicked rice
Now I hear your belly-groan
Between the perfectly fitted stones
of Sacsayhuaman
My voice bounces circular
off invisible walls
because your magic has survived you

Macchu Picchu
Unknown and majestic
Hidden from blood
from the stink of vultures
No more
Black raven feather
drops on my skull
floats on the shiny gray stone
under my feet
which are wrapped in dried, brown skin
naked, without a heartbeat

It’s past sunrise
the tourist bus has arrived
and the flat shadow of the crowd
blocks the light of the ascending sun
that tries to penetrate
the perfect holes
of a perfect wall
in an imperfect dream

— The End —