This is now. Now is. Don't
postpone till then. Spend

the spark of iron on stone.
Sit at the head of the table;

dip your spoon in the bowl.
Seat yourself next your joy

and have your awakened soul
pour wine. Branches in the

spring wind, easy dance of
jasmine and cypress. Cloth

for green robes has been cut
from pure absence. You're

the tailor, settled among his
shop goods, quietly sewing.

next to you
the knot of my hands suffer
from the ermetism of dawn
they can be no more than they are
I download fresh dreams
into breathing
it's hard to leave the bed
puzzled by perfume & body fluids

you have some sour cherries smile
left on the pillow
be the one
that easy -
like a premeditated sonata

next to you
Love is enough

I'm not quite sure
when the dark thought
first came to me;

it crept up softly
and quietly, like a black cat
in the garden of night;

like a light through a crack
in a door opening slowly
and too soon; or perhaps

a drowning man in the deep
waving back at the moon;
too far over his head.

for Richard, the boy who narrated life*

Today, leaves are falling.
“One day Aaron will watch the falling leaves.”
The first day of school arrives.  
“One day Champ’s mom will take him to school.”

Life is the story of life, says the narrator.

Life expands. The story lengthens.
The intertwined threads begin to pull apart.

Life is surface and sheen,
laughter, tears, opaque signs.
The story strains after fictive frames,
the hero’s epiphany, the villain’s inner pain,
and undreamt creatures beyond human sense.

And so myth and magic
give form to stories
that we no longer star in.  
New worlds take shape
where the story creates its own life,
an escape from "the shock of recognition."

In time the threads converge again.  
Life’s pattern breaks and needs a new plot.
The stories yield their human meaning—
maybe we were in them all along.

The story ends and life goes on.
Life ends and the story goes on.