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 Jan 2016 Molly Hughes
Morgan
there were soap suds on the living room floor the day i got the call
it's such an insignificant detail, but i can't get it out of my head
some nights i dream of clouds
that slowly morph into soap suds
and a blue sky
that slowly morphs into hardwood
and i am melting into sheets,
melting wide awake

i was dripping wet all over the couch
in a pink bath robe
sipping whiskey from a mason jar
that you left on my bedroom floor

i heard his voice break
when he said your name the second time
and i tried to pretend
my heart wasn't breaking to the tone of his decline

i broke a nail fastening my seat belt
the following day,
and cried so hard
i had to pull over

it's the little things in grief
that hit the hardest

you are faking
just fine
until you're not
and then one day
you look into a mirror
that you are passing by,
and you are struck by
the tragedy in your eyes
and you pray you're the only one
who can see it
but you know you're not

dark red circles
under tired brown
and white hope,
you are veins
extended
you are ribs
caving
and smeared
mascara
you are
pink lips
and
pale skin
and you are
dull
in a city
full of
magic

and that makes you angry-
angry is a new feeling
so it knocks the air
from your lungs
as you pretend to type
on a black keyboard
in a tan office building

you swear some
invisible force
is pressing it's elbow
to your chest
and you're not sure
if you want it to
let up

you were
vibrant in the night,
lime green
and electric blue hues
illuminating my pillow cases

this place is gray-
when did the fog
dim the street lights,
seep into the coffee shops,
wrap it's calloused hands
around studio apartments,
and lines to registers
in grocery stores
for miles?

or was it there all along-
you, with bright yellow words
and hot pink kisses,
were perhaps only a distraction,
a white light
in a sea of navy blue darkness-
when they came to shut you out
the colorlessness
of weekday living
between subway stations
and bus terminals
was suddenly visible
to the naked eye?

for the first time, maybe
i was just another
naked eye

this is the terminal
the point of connection
and disconnection
this is the terminal
the irreversible end
of something greater
than whiskey in a mason jar
this is the terminal
im waving goodbye to something,
as it exits the city,
im not sure what
but i know
it's never coming back
I.

I’ve swallowed too many I love you’s
to be afraid of coughing up blood.
They cut you on secret.
Who knew it was drinking gasoline
and sawdust and every little inflammable thing
and then sitting down cross-legged
in the heart of a howitzer; soft.

II.

You are a soft explosion.
You are streaks of a rebel orange
in a sky that is supposed to be blue.
You are steel rods in the curve of my spine,
holding me straight.

III.

I love you’s are like death notes written in ash:
you’ll have to smoke your way to it.
Smoke cigarettes, journals, curtains,
and yourself to get that much ash in your lungs;
trying to blow smoke rings into your finger;
my ceiling knows more about my sadness than you do.

IV.

Saying an I love you once will have you
chanting “don’t leave me” on a rosary;
love will take your bones and leave you
lusting for somebody whose back
is the last thing you’ll see, and whose
skin you’ll think you left your keys in:
and now you’ve locked yourself out
of your own house, in a storm
whose sirens wail in your ears and remind
you, you’re hopeless and homeless.

V.

I love you’s leave no exit wounds,
no shell casings, and when the time comes
you’ll be telling them all how his bullet
ricochets in your ribs,
but emotion never made up for evidence
in the court of settlements for a broken heart.

VI.

Telling someone you love them is like cutting your jugular
and not expecting to bleed out.

VII.

I love you like the pages of a mad girl’s journal.

VIII.

The moon turns from an ally
to the haunting image of science and realisation:
you share the same sky, but no longer the same bed.
And astronomy keeps ******* you over
when you look up at the sky
and no longer understand constellations.

IX.

Love makes it more getting-back-at-you
than getting-back-together-with-you.

X.

Every time you taste blood,
you’ll know you kissed somebody
with teeth like needles
and they cut you everywhere; they
bit you, they bit you, they bit you
and you kept letting them.
22/12/2015
3:11AM
 Dec 2015 Molly Hughes
Amanda
Eggnog
 Dec 2015 Molly Hughes
Amanda
So,
there we were under december lights and burnt out matchsticks,

looking like we've fallen in love tonight.

It was all eyelashes and hastiness drawn out.
You braided secrets & warm murmurs into my hair;
then a smirk into my left shoulder blade.

Your lips tasted like something,
someone

I wanted more of.
Oops?
A little cheekier than usual?
;
A very merry christmas, sunshines.
<3
 Dec 2015 Molly Hughes
Morgan
i was a graveyard,
especially between four & six
in the morning
and at night

a graveyard,
awakened

empty water bottles
and half smoked cigarettes
like tomb stones
marking the places
where my veins broke off
and flooded my bedroom floor

the labels
printed on them
read like the names
of all the ghosts
that like to dance
at the foot of my bed
when sleep is
the end to a 90s
hip-hop song,
fading out,
slowly
slowly
quietly
quietly

three out
of seven
nights,
the dancers
are ex-lovers
with my flesh
still stuck between
their razor sharp teeth
& they smile at me
but there's this manipulation
hidden in their pupils,
screaming warning calls
about track marks
and bruised knees,
not from me,
not from me,
they're ghosts of infidelity

four out
of seven
nights,
the dancers
are friends
who met
tragic ends;
blonde hair
decorated in
dried blood
from smashed glass,
by a telephone pole
on a rainy night,
and pulsing veins,
if i focus in close enough
i can see the liquid
chemicals coursing through
beneath that electric blue,
just a little more
& he's passed out on
some ******'s basement floor

i've been a graveyard
since i was 14

but now things are changing,
dirt is kicking up,
dragging those ghosts
back under the soil

i think
your green eyes,
your pale skin,
your flourescent teeth,
and the way your voice
travels from the kitchen
on gentle waves
to your bedroom
is the storm
that's burying
the dancers
again

please don't leave me,
wandering around
with dying flowers
in my palms

i like the way the tip
of your nose
is cold
and soft

i like the way your sheets
feel around my
boney ankles

i've gotten used to
the rhythm of your
upstairs neighbor's
spanish rock,
it lulls me now

i've gotten used to
the rhythm of your
roommate's
snoring,
even in the afternoon,
it lulls me now

i've gotten used to
the creaky floors,
the dripping water,
the hum of the radiator

i've gotten used
to your breath on my ear,
your lips on my neck,
the way your voice
melts down into
a puddle on the floor
when you talk about
your sadness,
i don't even
step over it anymore,
i cup it in my hands,
and let it slowly
drain through
my shaking fingers

please don't leave me,
i'm not safe yet,
but i'm getting there,
i'm safer here
than anywhere
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