Submit your work, meet writers and drop the ads. Become a member
 
  Jun 23 guy scutellaro
Mike Adam
Watercolour,
Two tears of rain-

Coppered silk dissolves,
Hanging over time.

If Fuji remains
Tell me when

She is a bubbling crater
Steaming lake, fisher,
Cormorant
And all
If one believes something they should have proof .
If one does not believe they should have proof as well .

Don't hide behind your protasis .
May all your "ifs" sink into the sea .

Stand firmly on the waters of your apodosis .
Ease your mind and set your spirit free .
I woke up this morning
with a thought that said
I think I can I think I can  

I woke up with the sun
making swirlies in the sky
How high, how high ?

I woke up believing
I could change the world
and so I did !!!
I'll see you in the ever after.
We'll drink with laughter.
Remember when you froze
and she broke your nose?

Giant  black green trees
feel the growling wind
purple haze starts to freeze
calls for my dying friend.
One can say : "Tell us the truth!"
And I long to want to
but how is it best to do ?

I find it residing deep inside
But my ability is lacking to make it come alive

So I cast out examples
that lay alongside
Heavenly meanings
with Earthly ties

Proverbs , riddles , and saying so wise
Make it easier to see and feel the truth that's disguised

Sometimes it hard to separate the truth
Then one must turn into a quizzical sleuth

But for the one that knocks on the door
A new world opens for them to explore
  Jun 19 guy scutellaro
badwords
A call not about
Sweepstakes I never entered
Just a wrong number
In this minimalist yet emotionally layered haiku, the speaker recounts a seemingly mundane event: receiving a phone call that turns out to be a wrong number. However, the poem uses this incident as a metaphor for the larger emotional experience of entering new relationships—particularly the hopeful, uncertain space where romantic potential lives and often dissolves.

The poem opens with “A call not about,” a line intentionally left incomplete, evoking a sense of open possibility. It invites the reader into a moment of suspended expectation, paralleling the anticipation often felt when meeting someone new. This expectation is expanded in the second line, “Sweepstakes I never entered,” which cleverly captures the irrational hope for sudden emotional reward—desire without groundwork, love without history. The speaker knows the odds, yet still yearns.

The final line, “Just a wrong number,” delivers an understated but poignant turn. What initially felt like fate or connection is revealed as coincidence—an impersonal glitch mistaken for meaning. In doing so, the poem critiques the human tendency to romanticize beginnings, projecting possibility onto strangers, only to face the quiet disillusionment that follows.

Through everyday imagery and restrained language, the poet reflects on the fragility of expectations in modern connection. The piece resists melodrama, instead presenting romantic disappointment with irony and emotional clarity, suggesting that in love—as in life—what feels destined is often accidental.
Next page