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 Aug 2018 E M Rubey
Sydney Ranson
I would crack it open over the sink.
I would split
               first, the stiff, waxy skin
               then the inner membrane, papery and white and fleshy
and reveal a thousand rubies, nestled in their pulp.
And as my hands glossed, sticky and scarlet,
I would press my index finger to the center of my tongue
and **** the sharp juice with such ardency
that you would become
               the pink in my spit
               and the thick in my mouth.
I would take careful notice not to lose a single jewel,
but to fully consume.
I would not mind your seeds
lodged between my molars.
Perhaps I would even keep them there as long as I could
               because you are my favorite flavor.
And perhaps after your juice has spilled and painted maps on my arms
and dripped from my elbows,
I would piece the shell back together,
tuck it in your chest behind your ribs, and close you up.
And perhaps then,
               when I had licked its walls clean
               when I had emptied its insides,
then there would be room for me.
 Aug 2018 E M Rubey
Sydney Ranson
In September's salt-crusted skin
and vermillion-tinged drop cloth,
when the air boiled
with the double-winged helicopters
of the sugar maple, we spent the night
projecting barking dogs and mice
with grins onto your bedroom wall
with our hands. Streetlight fell on us
in stripes of Egyptian blue
through the window--your body a figure four
and mine sneaking a sweetheart's cradle--and even now
in mid-February it's still September.
 Aug 2018 E M Rubey
Orange Rose
I wrote a poem when I died...
Another at my birth.
A brand-new sonnet when I cried.
And again when there was mirth.

A song for my confession...
A story for my pain...
A painting for depression...
And nursery rhymes for rain.

My creations live inside my heart.
I keep them there in shame.
Yet you looked around and saw my art,
And smiled all the same.
479

She dealt her pretty words like Blades—
How glittering they shone—
And every One unbared a Nerve
Or wantoned with a Bone—

She never deemed—she hurt—
That—is not Steel’s Affair—
A ****** grimace in the Flesh—
How ill the Creatures bear—

To Ache is human—not polite—
The Film upon the eye
Mortality’s old Custom—
Just locking up—to Die.
1748

The reticent volcano keeps
His never slumbering plan—
Confided are his projects pink
To no precarious man.

If nature will not tell the tale
Jehovah told to her
Can human nature not survive
Without a listener?

Admonished by her buckled lips
Let every babbler be
The only secret people keep
Is Immortality.
505

I would not paint—a picture—
I’d rather be the One
Its bright impossibility
To dwell—delicious—on—
And wonder how the fingers feel
Whose rare—celestial—stir—
Evokes so sweet a Torment—
Such sumptuous—Despair—

I would not talk, like Cornets—
I’d rather be the One
Raised softly to the Ceilings—
And out, and easy on—
Through Villages of Ether—
Myself endued Balloon
By but a lip of Metal—
The pier to my Pontoon—

Nor would I be a Poet—
It’s finer—own the Ear—
Enamored—impotent—content—
The License to revere,
A privilege so awful
What would the Dower be,
Had I the Art to stun myself
With Bolts of Melody!
148

All overgrown by cunning moss,
All interspersed with ****,
The little cage of “Currer Bell”
In quiet “Haworth” laid.

Gathered from many wanderings—
Gethsemane can tell
Thro’ what transporting anguish
She reached the Asphodel!

Soft falls the sounds of Eden
Upon her puzzled ear—
Oh what an afternoon for Heaven,
When “Bronte” entered there!
1637

Is it too late to touch you, Dear?
We this moment knew—
Love Marine and Love terrene—
Love celestial too—
128

Bring me the sunset in a cup,
Reckon the morning’s flagons up
And say how many Dew,
Tell me how far the morning leaps—
Tell me what time the weaver sleeps
Who spun the breadth of blue!

Write me how many notes there be
In the new Robin’s ecstasy
Among astonished boughs—
How many trips the Tortoise makes—
How many cups the Bee partakes,
The Debauchee of Dews!

Also, who laid the Rainbow’s piers,
Also, who leads the docile spheres
By withes of supple blue?
Whose fingers string the stalactite—
Who counts the wampum of the night
To see that none is due?

Who built this little Alban House
And shut the windows down so close
My spirit cannot see?
Who’ll let me out some gala day
With implements to fly away,
Passing Pomposity?
1002

Aurora is the effort
Of the Celestial Face
Unconsciousness of Perfectness
To simulate, to Us.
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