1235

Like Rain it sounded till it curved
And then I new ’twas Wind—
It walked as wet as any Wave
But swept as dry as sand—
When it had pushed itself away
To some remotest Plain
A coming as of Hosts was heard
It filled the Wells, it pleased the Pools
It warbled in the Road—
It pulled the spigot from the Hills
And let the Floods abroad—
It loosened acres, lifted seas
The sites of Centres stirred
Then like Elijah rode away
Upon a Wheel of Cloud.

436

The Wind—tapped like a tired Man—
And like a Host—”Come in”
I boldly answered—entered then
My Residence within

A Rapid—footless Guest—
To offer whom a Chair
Were as impossible as hand
A Sofa to the Air—

No Bone had He to bind Him—
His Speech was like the Push
Of numerous Humming Birds at once
From a superior Bush—

His Countenance—a Billow—
His Fingers, as He passed
Let go a music—as of tunes
Blown tremulous in Glass—

He visited—still flitting—
Then like a timid Man
Again, He tapped—’twas flurriedly—
And I became alone—

1672

Lightly stepped a yellow star
To its lofty place—
Loosed the Moon her silver hat
From her lustral Face—
All of Evening softly lit
As an Astral Hall—
Father, I observed to Heaven,
You are punctual.

1261

A Word dropped careless on a Page
May stimulate an eye
When folded in perpetual seam
The Wrinkled Maker lie

Infection in the sentence breeds
We may inhale Despair
At distances of Centuries
From the Malaria—

470

I am alive—I guess—
The Branches on my Hand
Are full of Morning Glory—
And at my finger’s end—

The Carmine—tingles warm—
And if I hold a Glass
Across my Mouth—it blurs it—
Physician’s—proof of Breath—

I am alive—because
I am not in a Room—
The Parlor—Commonly—it is—
So Visitors may come—

And lean—and view it sidewise—
And add “How cold—it grew”—
And “Was it conscious—when it stepped
In Immortality?”

I am alive—because
I do not own a House—
Entitled to myself—precise—
And fitting no one else—

And marked my Girlhood’s name—
So Visitors may know
Which Door is mine—and not

748

Autumn—overlooked my Knitting—
Dyes—said He—have I—
Could disparage a Flamingo—
Show Me them—said I—

Cochineal—I chose—for deeming
It resemble Thee—
And the little Border—Dusker—
For resembling Me—

i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body.  i like what it does,
i like its hows.  i like to feel the spine
of your body and its bones,and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the,shocking fuzz
of your electric furr,and what-is-it comes
over parting flesh….And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new

Virtue runs before the muse
And defies her skill,
She is rapt, and doth refuse
To wait a painter's will.

Star-adoring, occupied,
Virtue cannot bend her,
Just to please a poet's pride,
To parade her splendor.

The bard must be with good intent
No more his, but hers,
Throw away his pen and paint,
Kneel with worshippers.

Then, perchance, a sunny ray
From the heaven of fire,
His lost tools may over-pay,
And better his desire.

The park is filled with night and fog,
The veils are drawn about the world,
The drowsy lights along the paths
Are dim and pearled.

Gold and gleaming are the empty streets,
Gold and gleaming the misty lake.
The mirrored lights like sunken swords,
Glimmer and shake.

Oh, is it not enough to be
Here with this beauty over me?
My throat should ache with praise, and I
Should kneel in joy beneath the sky.
O beauty, are you not enough?
Why am I crying after love
With youth, a singing voice, and eyes
To take earth’s wonder with surprise?

Why have I put off my pride,
Why am I unsatisfied,—
I, for whom the pensive night
Binds her cloudy hair with light,—
I, for whom all beauty burns
Like incense in a million urns?
O beauty, are you not enough?
Why am I crying after love?

1654

Beauty crowds me till I die
Beauty mercy have on me
But if I expire today
Let it be in sight of thee—