How she sat there
with movement in her head.
A churning of learning
the ways to get ******
and slaughtered by
other people's
sons and daughters.

And how I sutured a gust
of her brain exhaust
into my chest, into my lungs--
I breathed her like I was
******* the end of a
tailpipe.

Her hands ran like busted tires
as she massaged my temples,
revving her voice,
my ears on her
suicide door lips.

There is no green light
in her red light country.

Random dates.
Random times.
Useless words.
Stupid rhymes.

It's not cool being
less than you can be
so I urge you--
urge you--
to be happy.

Because there was a man
who was a clown
and he danced for the children
as they were being lead
to the gas chamber.
And it was 1943.
And it was
**** Controlled Germany.

The clown wept,
each time the lever
was pulled
and when the children
became silent.

To stop crying,
he told himself
that existence
is just random dates
and random times.
There was no meaning
in reason
and no order
in lines.

All he could do
was all he did know,
and that was to give
happiness
before they'd go.

Everyone sat
criss-cross-applesauce
in our hearts.
Perfume is made
with dead things, right?

I try hard to sound
important,
when I write *******
because
there are bodies
reading this *******.

And bodies grow and wither.
They thrive and survive.
They get married
and die alone.
They die.

To become dead.

Perfume is made
with dead things, right?

When I was little
I played with plastic toy knives
and dragged them across
my brother's throat
saying, "You're dead!
You're dead! You're dead!
I swear, you're dead!"

And we pretended
kool-aid was blood,
letting it drip down
my chin and neck,
down my chest,
past my pec.

I wrecked my bike
and ran for days.
I was stung by bees and swore,
"Nothing could hurt more
than this."

And when I turned twelve,
I learned how to ******* to dreams.
The grip on my skateboard
wouldn't let go of me.
I ollied over plastic bags
and stared at lottery tickets
sleeping in the garbage.

She and I played with fireworks
faster than shooting stars.
We waded in the lake,
being a cliche.
She and I rolled on the grass, naked.
I don't know where she is, now.

I don't know.

I asked her why she cut herself,
and she said,
"Because death has an edge
and life is pointless."
She asked that I not
write a poem
romanticizing suicide,
just a poem about
how hard it can be
to celebrate life.

Part of a mud-caked quilt,
between the city walls
and the tornado path,
*******--not at all.
Because he's a voice
in the crowd.

If I could shave
your burnt hair from my arms.
And hear the sirens blare
through cross-stitched alarms.
I would give until
the water leaves
the copper cuffed canyons
in my sleeves.
I want to want something
more than what I'd give.
Just to blend into the sky.
You and I.

Silenced.
Voice no longer heard,
Heart no longer sings.

Quiet.
She had sang before,
Fear grew deep within.

Magic.
She feels it in symphonies,
Dancing in the streets.

Sacred.
Music is to her,
The earth no longer moves.

Present.
Today she sings alone,
Like a Siren lost in the deep.

-Kathia Mariana Landeros

We used to make paper planes
as flimsy as our confidence.
Nothing ever flew the same,
smothered by the thawing sky.
We counted the seconds
until rain ate their bodies,
"5,6,7,8".

Too afraid to go outside,
mom and dad are gone.
Hovering hips beside
the holes in our walls.
Staring out the window
as foggy breath falls.

Seaweed salad and water
before we sleep.
Thinking about
if the paper graves
are as deep  
as the cheap cliches
in our head.