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 Jan 2018 Natalie
Benjamin
Who am I to set this scene—
an old psalm slipping from my throat
to pass along,
to float like leaves
from a stolid, ancient oak—?

Bathe, Bethesda, in the font
of our foremost human need—
to be heard, and
to be seen,
we're jet-black beacons in the dark.

Pose a query, on the tongue—
does the soul continue on,
to the source, or
to the sun,
and will we notice when it’s gone?

This chrysalis has come undone—
I am a moth, I endeavor
to seek the light,
to multiply,
and above all else,
to hope for more.
 Jan 2018 Natalie
Derek
the liquid over my eyes does not tingle
with every ****.
instead it fades.
quickly.
the snowflakes dance around my thoughts,
piercing the shadows.
i try not to stare,
but i know the enigmatic art does not exist.
saucy and treacherous,
i emit a howl that illuminates images
that only i can see.
i'm not crazy.
my heart has been permanently severed,
and it beats to the rhythm
of every pill i am forced to swallow.

let me go.
 Jan 2018 Natalie
Akemi
There was a dream here. It passed over in the night; a blur that burnt a fever into the earth. It died in the gap between. Fingers unlaced. Hand to the side. The sun runs soft tendrils through thick curtains. Or something like that.

Have you seen the new Star Wars movie? No. You’d like it. It’s the same thing all over again, but with a black guy and a chick as the main characters instead. I guess that’s what you call progress.

There was a dream here. A thick, unfurling mass of potentialities. Sartre once wrote existence precedes essence. Schopenhauer believed the essence of a chair was as much willed into being as the essence of a man. There was choice once, but it died when we chose. The breath you took before your last smoke. The air is stirred by a passing train. A woman steps off a bridge, into the mourning blue of an autumn lake. There is an empty car on fire. There is a man inside. His brother sleeps through his exam, doped up on too much codeine. There is the stench of lack. There is death passing a mirror, seeing herself in haste, but too rushed to make sense of it.

He runs fingers down the scars of her arm. A trickling, stream awakening from a long winter thaw. Vessels blue. Oceans of laughter tucked deep in the folds of her skin, so faint you can barely see them any more.

The sheets are black. The city folds itself. The sky collapses into the gutter; Jupiter bleeds into the apartment block on east side. A man leaves his home, but never reaches his destination.  There is a movie Face Off, where the identity of Nicholas Cage is challenged through the transplantation of his face. If reincarnation were possible, would we even be capable of recognising our reincarnated selves, stumbling through the visage of a billion other, unknown vessels? The skip collectors come at 4am. Metal grinds against metal until all that is left is dust.

Hands shaking a pit of coal. Shake shake. Shake shake. Your mother is dead. Shake shake. Shake shake. Jesus working at a shoe store. Shake shake. Shake shake. An atheist. Hah hah, hah.

The channels fill. Ink drops on water. Fireworks blackening the contours. There is a sun in Peru. Waste water pumps through the vessels of the city. The mayor drinks punch. The catacombs crumble like desert bones. The roads split above. Traffic stalls. Shadows stretch. Meet at the centre. A core. Slender fingers. The infinite. A hollowed heart. A heritage.

Drink your punch, says the mayor, try the grape and cheese.

There is a comic. Five or six woodland friends play grab the tail. After one round, they look over to find friend raccoon sleeping. They laugh and shout next round. Friend scorpion looks at his tail with tears in his eyes. It is funny, because death is boundless, amoral, and imminent.

A group at a party. Someone brings up the right-wing branch of their government. Everyone begins laughing, red in the face, spit flying from their mouths, arms noodling into the sky. Yeah, yeah. Hella. It is an imitation game. A laugh track on repeat. Maybe someone scratched it on purpose, or the sound guy fell asleep on the button. Now everyone is stuck, laughing. They begin to doubt themselves, but look up, reassured by the glowing sign above their heads that displays the text laughter, in bold black Helvetica. The sign is faded from heavy use, a sickly cream that looked bad before it left the factory. They were made in batches of a thousand and shipped across the country. One begins to choke, spilling her drink, bunching the cloth on the table beside her. They keep laughing. She is purple now. Another group spots them and joins in. The party next door. The whole neighbourhood. It is broadcast across the city. A wave of hysteria sweeps the nation. An online celebrity creates mugs. A famous rapper uploads himself eating pancakes. The sound guy wakes up and turns off the display, but everyone keeps laughing.

God died today. Crumpled jacket at the foot of an apartment block. Creased ticket. Crooked can rolling down suburbia. American dream wakes up. Finds herself an amnesiac in a foreign land. Catches bus downtown. Wanders vacant sun. Blood trickles from wrinkles. So many now. Creased, crumpled, crooked. Drinks from gutter. Chokes. Stumbles into abandoned church. Blood dries into grotesque mask. Hard to feel through it. Like second skin. Tired. Rests head against wall. Waits for pulse. Finds nothing.

A joke to break the gloom. Two crows are perched opposite one another, partitioned by a one-way mirror. Both break into laughter.

No, wait. Maybe tears.
January 2016

(Crows are one of the few birds capable of self-recognition.)
 Jan 2018 Natalie
Akemi
Tsubaki
 Jan 2018 Natalie
Akemi
Lily marked the gravestone. A white streak across grey cobble, the crumbling visage of a turning sky reflected in the puddle beside her. New dusk brimmed grey gold, a heady dust galloped with the rising easterly winds, a white streak across grey skies. Lily marked the edge of her notebook, nine-past-ten, the end of second period, a break in consciousness, then a tang of blood from her swollen gums. Lenin rose above the rooftops, a hand brushed her forehead as the paramedics left, a black bag.

The answer was heat death, compartmentalised energy, like fireworks falling into darkness. Burning rice, spilt coffee, Ain’s smile. Nights on counter, pad paper, day old rain. Lily fell into a nightmare, smooth black, a single light dissipating as the universe died. She spat blood, missed the bus and collapsed on the walk to school.

It was the anniversary. Setting sun, plumes of white, the exit sigh of a wasted day. Lily woke hours later. She returned to an empty home, suffocated in a dream and rose four hours too early for school. Climbing the roof, she watched the sun rise, grey and formless.

There was ash in the hallway to class, the remnants of the incense from yesterday’s memorial, pencil shavings from the forest, fingers blurring out of definition like the trees around her, the soft empty breath of loose soil. Ain came to the store on a night like this, wind gathered silent around her frame. They found themselves atop a bus shelter, lights rising from a sea of nothingness.

Eight-forty-five, the chalk felt heavy in Lily’s hand, white dash across infinity, city blackout. Everyone went to see the dam, cracked pavement, Ain dripping blood, Lily wreathed in ravens. Below the river, forest spirits wove among power lines, bird bones cracked beneath the soles of children, motes rose. Lily lost sight of Ain, the dam broke and children cheered.

Time passed. Ceaseless time.

Lily drifted through petroleum smoke, dashi, the burning husks of gods. She watched the river ryū sweep through her street, turbid with the broken heads of graves, mad with phantoms. She visited memories yet to form, nurseries of dust, cosmic return of the infinite perceiving itself. She cried, remembering everything, the smell Ain’s wet hair, ricochet of a glass bottle, Lenin’s dirt-smeared skin, the birth and death of the universe; mother unable to afford pad paper, sakura bursting the sky pink, couples riding past on too expensive bikes, father drunk on sake. Ribbons of light danced around Lily, a playful susurration, feeding her more and more memories.

Isn’t it beautiful? Existence burning through itself? A departure with no ending, no beginning, no becoming? Haven’t you lived a full life? Won’t you live it again?

Lily screamed. Split dam flooded the empty grave. The same smell of soy, dust and sweat every day. Lack birthed in the space between, like teeth, lacuna bleeding. Nightmares and old memories pouring out like a knife. Ryū stiffened, red streak across the sky, tail burying into the earth. Rice steam filled the air, a passing train carried Ain and Lily into the city, crowds of smoke, her crescent eyes reflected in a storefront, the eyes her mother loved. April awakening of the forest gods, cool spring rustled the hair around her neck, a humid breath descended from the mountain to the lake. Warm rain fell in sheets, city smudged out of focus, bokeh lights departing, Ain’s wet skin—

The city retracted; a whimper escaped her mouth; her fingers passed through power lines, wood smoke, pavement; seasons collapsed, superimposed like holograms, snow and humus; gyoza steamed, air sirens blared beneath the shadow of foreign planes; kodama rose as ancient trees reclaimed the land; volcanic blasts shook the ocean, AI sped to singularity; reality vanished like light falling off a mirror and Lily ceased to feel.

Space is illusory.

Lily.

It travels ceaselessly through itself.

Lily, stop.

And we don’t exist.

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, squirming on the ground. “Lily, stop!”

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, squirming on the ground. “Lily, stop!”

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, grabbing Lily’s wrists. “Haven’t we done this enough?”
[3] time is a flat circle perceiving itself
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[1] hellopoetry.com/poem/1554623/the-end-came-a-long-time-ago
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[2] hellopoetry.com/poem/1798516/an-echo-of-ain
/
 Jan 2018 Natalie
Heart of Silver
Leaping from foot to foot he mockingly calls
to my blind parents "I'll catch, I'll catch your daughter"


and every night I don't sleep he laughs in glee
and announces "I got her! I got her!"
"Do you see? Look, I've caught her"

— The End —