i is small and breathless
to wit when gazing at sunsets
or a tiny reflection in those green eyes
may cause a lapse in
correct english that glance may
pause my second favorite *****
from beating
I get a lot more short
or longer more
off key poetically
and gasp breath holding
when you hold me.

I drip the way condensation does
down ice cold beer in a TV commercial
when she looks at me.
I'm soaking up cardboard coasters,
sweating labels off bottles
until she wraps her hands around me again,
kissing me with those flower petal like lips,
drinking me all in.

I know I'm not what she needs
but right now I'm what she wants.
Not to stroke my own ego
but I am a good time,
I'll get you to undo that top button
even make you laugh
and maybe, just maybe
I'll even get you to dance
but no matter what I promise
or what I deliver,
I know at the end of the day
when the fun is done
and the headaches fade,
I am poison.
And when she's had too much of me
I'll make her sick.
***** spit in bathroom sinks
because she's too beautiful
to have her head in the toilet.

I'm the answer to feeling sad,
I'm the easy late night phone call
that never goes unanswered
but I am not the man
she marries, no not at all
because as sweet as I taste
or as gently as she may kiss my face
I am going to disappoint her.
The way I have disappointed
all the others before her.

It was like we were wrenched from Morpheus' grasp and shaken, until our eyes adjusted to the harsh light and our bones stopped their clattering. We make like tea bags and steep in hot water, letting the dregs of the past day settle at our feet.

We drag our feet through the quicksand pavement and trudge through the black-tar roads to work. War is rampant in the world and in people's hearts, we see murders on screen and deceit in the streets, we're observers to the horrors of humanity. All we can do is watch with pained eyes.

Our minds are barraged with arguments and advertisements, ethics have been defenestrated, our worries overpopulated, our patience stretched thin and beaten cacophonously. Our consciousness is beaten down with pessimism, our thoughts devoid of hope.

Our souls weep at the state of things, the martyrs gather in drones at St. Peter's gates. We do good only so people will be good to us, we greet each other with half-smiles, and half-truths. At the end of the day we drag home, our consciences heavy with the burden thrown upon us.

But we meet again, we kiss, we embrace, and we join hands and strip ourselves of these mundane garments, we’re a mass of hands and skin and long sighs and worn-out smiles,

and with tired eyes, tired minds, tired souls, we slept.

Could’ve would’ve should’ve…
Didn’t…wouldn’t…couldn’t…
Ultimately…will you, won’t you?

If it doesn't keep you up at night
You probably don't love it enough.

he came to the door one night wet thin beaten and
terrorized
a white cross-eyed tailless cat
I took him in and fed him and he stayed
grew to trust me until a friend drove up the driveway
and ran him over
I took what was left to a vet who said,"not much
chance...give him these pills...his backbone
is crushed, but it was crushed before and somehow
mended, if he lives he'll never walk, look at
these x-rays, he's been shot, look here, the pellets
are still there...also, he once had a tail, somebody
cut it off..."

I took the cat back, it was a hot summer, one of the
hottest in decades, I put him on the bathroom
floor, gave him water and pills, he wouldn't eat, he
wouldn't touch the water, I dipped my finger into it
and wet his mouth and I talked to him, I didn't go any-
where, I put in a lot of bathroom time and talked to
him and gently touched him and he looked back at
me with those pale blue crossed eyes and as the days went
by he made his first move
dragging himself forward by his front legs
(the rear ones wouldn't work)
he made it to the litter box
crawled over and in,
it was like the trumpet of possible victory
blowing in that bathroom and into the city, I
related to that cat-I'd had it bad, not that
bad but bad enough

one morning he got up, stood up, fell back down and
just looked at me.

"you can make it," I said to him.

he kept trying, getting up falling down, finally
he walked a few steps, he was like a drunk, the
rear legs just didn't want to do it and he fell again, rested,
then got up.

you know the rest: now he's better than ever, cross-eyed
almost toothless, but the grace is back, and that look in
his eyes never left...

and now sometimes I'm interviewed, they want to hear about
life and literature and I get drunk and hold up my cross-eyed,
shot, runover de-tailed cat and I say,"look, look
at this!"

but they don't understand, they say something like,"you
say you've been influenced by Celine?"

"no," I hold the cat up,"by what happens, by
things like this, by this, by this!"

I shake the cat, hold him up in
the smoky and drunken light, he's relaxed he knows...

it's then that the interviews end
although I am proud sometimes when I see the pictures
later and there I am and there is the cat and we are photo-
graphed together.

he too knows it's ******* but that somehow it all helps.

I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn't fight.
He hadn't fought at all.
He hung a grunting weight,
battered and venerable
and homely.  Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green **** hung down.
While his gills were breathing in
the terrible oxygen
--the frightening gills,
fresh and crisp with blood,
that can cut so badly--
I thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes
which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
of old scratched isinglass.
They shifted a little, but not
to return my stare.
--It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
--if you could call it a lip
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader
with the swivel still attached,
with all their five big hooks
grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts,
the oarlocks on their strings,
the gunnels--until everything
was rainbow, rainbow, rainbow!
And I let the fish go.

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

--Even losing you (the joking voice, a gesture
I love) I shan't have lied.  It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.