The voice, the bell-yellow
voice plays on.
Under the mind like a layer
of canvas lie the brushes
and strokes, the arms and legs
of memory.  The arrival on the
skin of sound is the moment
of love.  The unfurling of
the pallette.

You say, listen, the wail of
breath on brass is mine.  No,
it is yours.  The voice, no
longer alone, even when
unaccompanied, falls from
the blues of evenings or the
reds of afternoons, approaches
with footprints in sand.  We
are castled in music, our
colors unfurled.

Our fingers on the keys.  We
see the archetype of design in
the sound
the movement in the fabric of
stripes.  The sound’s colors
draw us to each other.
Listen.  The wail of breath
on brass is everywhere.
Listen.


Caroline Shank
Revised 3 28 2023

coloring inside the lines is impossibly bleak,
with a hissing noise
atomic locomotive
rounds the bend,
extrasensory perception is not
a mindless gift,
it's a train station in the clouds,
tracking all my starting points to you,
nothing in the middle,
nothing at the end.

you leave in opera
with secrets and grievances
under the radar,
and your ready-made
wings catch in the power lines,
you're coiling like smoke
in the arches of my cathedral,
a sense of elegant decay
while sweeping up the debris,
committing arson
with the paraffin of my temporal lobe.

yesterday's fairground waltzes,
ghosted lullabies,
and woodland hymnals,
set in a context not of
resolution and closure,
but of contradiction and assimilation,
break the bond,
away they float on purveyor belts,
one too many molecules,
one too many departures,
always on the surface of everything,
nothing in the middle,
nothing at the end.

She got him all wrong, the strong
arms gone to brittle.
Clay is troubled to form the
impression.  And longer the
art of your dented and salted
mire.

For nothing like a walk in the
boneyard of the cheap motel
of her imagination.  

You are Rant and Ruin.  The
Remains crust and smoke
Tomorrow of her old age is
the rat trails of her poetry

I know this because she told it
to the murk and creep of your
deteriorating smoke.  The last
**** was unimaginable.

Run far and away from the
wrinkled visage of memory.
You are red and ruins in a
slot of yesterday.

Today runs through her like
wine and bread.  The table
is set for never again your
chair is broken silt.

Caroline Shank
3.22.2023

Tomorrow

There is no forever for me
The pulse of death stopped
and I am limping, I am
stammering.   You took
forever from my catalog.

Tomorrow issues from out of
a cauldron.  There are no voices
in the wilderness.  St Paul
come to me. I am short of
goodness and love.

Teach me oh Lord to skip
stones across the Jordan.
I will drink tea in a mug with
your name on it.

Brown is the color of my true
love's hair.  My white hair
shapes the Ganges on
your chest.  I told you I

would write.

Tomorrow's fortunes feature
you in some farther

field.

I awake from this deep dream
of sleep Abou

Where there is no wind, for
tomorrow never ever

comes.

Forever and ever
(Saecula saeculorem.)


Caroline Shank

There's an elephant in the room.
(Don't you ******* hate cliches)
It's growing around the furniture
up and over the years of careful

coaching.

I can't pretend at last.  You need
to ride the carnival behemoth
out of here so we can breathe.
The pink lady waits for her

automobile.

I want to go to that place where
emotions are colored and the
candy is not cotton. Where the
taste of chocolate rides my

mouth.

Another dime in the juke box
please.  The circus is pulling
out and all the cliches mount
up to the wedding of Miss

Haversham.

Nothing else makes

sense.


Caroline Shank
3.9.2023

Okay Country green and faire,
the rival feathers of America,
the soft shells of Siesta Key
Beach, the roar of the freight
train as it turned belly up in
the anxiety of a post qualude
weekend.

Marriage was the script of
the Land and grass the dress
the smaller stately Maples
wore spitefully as the red and
black Muscovy waddled up

looking for the crisps of bread
that Jim threw out every day.
The gospels of Sand Hills
displayed in the Red hills
colors.

The citizens of the Back Yard
smoked the tender joint while
I ran to the top of the hill, Jean.
The score my devastation wrote
on the billious worn sofa.  Green
toile soldiers armed with the
nets of armaments.

Toile was the pattern of my
tru loves coat.  Green were the
dresses flirtatiously spilling my
*******.

Then you lay my sorry self on the
deck of the ship Wisconsin.
My chair was missing and
we made clumsy love in
spite of the sway of the
floorboards.

Oh feature with me,
man of sorrows, to
the end of the play.
I will dance at the middle
and musk the top of my old
bear.

Bare my top and I will,
saucy,
be the selfsame

sinner after all.


Caroline Shank

I used my last chance, a ride
on the solar system of emotions.
I fell off and sat for a minute
on the eyelash of memory.

The long rope of my only
last and forever temptation
unkind and undone.

It's not true.  It takes a minute
to unravel the sinue wrapped
around the idea of you.
Wrought around the music

is you struggling forever,
trying to unravel the speed
of memory.

The seed of yesterday,  The
bed of undoing.  Red and
ripped I cling to the
final appointment.

Tomorrow is the kaleidoscope
you feared. The colors
patterns solidify and the habits
reveal the dead solid center.

I surround myself with the
sunflower blanket. The
synapse of yesterday tugged

before I knew you.

and dragged
the moon's light mine.


Caroline Shank