Old Pantaloons, a Chiasmus
by Michael R. Burch

Old pantaloons are soft and white,
prudent days, imprudent nights
when fingers slip through drawers to feel
that which they long most to steal.

Old ***** loons are soft and white,
prudent days, imprudent nights
when fingers slip through drawers to steal
that which they long most to feel.

Keywords/Tags: chiasmus, pantaloons, *****, loons, *******, pun, wordplay, underwear, fetish, lingerie, pervert, perverts, *******

Chickens
clucking
white
feathered
pantaloons
Cute
I don't want to eat you
cute chickens
in crisp pantaloons
Not hungry
Drumsticks
Wings
Two ******* please
Cole slaw
Biscuits and honey
Mashed potatoes and gravy
Confused
I don't want to eat you
Chickens
clucking
white
feathered
pantaloons
Cute
I don't want to eat you
Popeyes,Lee’s, KFC-
Are your chickens this pretty?

1.        Eugene And the Pumpkin Pie

Wee Eugene's but a lonely boy
(arrayed in cap and corduroy),
has Jungle Jim (a ragged toy)
and fancied Friends his only joy.

Well, Jim appears from time to time
behind a pane of pantomime,
a charmed mirage, or dream sublime
inside a Cuckoo's nursery rhyme.

Still Eugene always finds a way
(while riding on his magic Sleigh)
to meet with Jim somewhere halfway
between the Moon and Yesterday.

When Jim brought Eu to Timbuktu
to kiss the Queen (a Kangaroo)
and tweak her tail (bright shiny blue),
Eu sneezed instead “achoo, achoo”.  

The baby Roo, surprised, awoke
and thought 'twas but a funny joke
beholding Eugene cough and choke...
well, sounding like old Froggy's croak.

Said Jim to Roo "Eu has a cold,
we mustn't laugh, we mustn't scold
instead we'll let the tale unfold
and frolic in the marigold".

With runny eyes and mighty sniffle
Eu could hardly get a whiffle,
climbed a hill to reach the cliffle ,
searched the sea for ship or skiffle.

Behind the breeze, some sloops were seen,
a grand delight that pleased Eugene,
and Jim, and Roo, and yes, the Queen;
they then set sail for Halloween.

Above the sea, below the sky
they saw a skinny Scarecrow fly -
within its beak (one couldn't deny),
surprise, surprise, a Pumpkin Pie!

The Scarecrow wore a veil and shawl
so really couldn't see at all
and swooped too near the sunny ball,
got grilled and let the pastry fall,

which bounced upon the waves below,
then slid beneath the undertow.
"Why did it fall, where did it go?"
cried Eugene with a gasp of woe.

Roo wondered would it reappear
(for where it went was certainly queer),
but where it went became quite clear
to Eu and Jim while standing near

the Queen who, hungry, hopped awhile
observing Crunch the Crocodile
come floating down the river Nil
with belly full and toothy smile.

2.        Eugene and the Wolverine

Within the sandbox played Eugene,
as well, his little friend named Dean,
a simple-minded Wolverine.

But yesterday was Halloween
when they collected sweets unseen,
all stuffed inside a sad Sardine.

And making sure their hands were clean,
they shared a snack - a tangerine,
a cantaloupe and big fat bean.

But they forgot the Sandbox Queen
whose hungry name was sweet Pauline -
with no invite she felt so mean
and woke the naughty Sand Machine.

Sand trickled in their fine cuisine
which scratched their gums and set the scene
to brush their teeth and in between.

Poor Dean was sad he hadn’t seen
the sandy specks with sparkly sheen,
all hidden like a submarine.

Eu sold his cookie magazine
And bought a brand new limousine
To flee the naughty Sand Machine.

Next time their food they’ll try to screen
from something hard and unforeseen
while tapping on a tambourine
to sooth the hungry Sandbox Queen
and trick the naughty Sand Machine.


3.        Eugene and Antoine

Eugene awoke and looked upon
his Mirror in the morning Dawn.
He saw himself and stopped to yawn
then saw instead his friend Antoine.

Well Antoine said ‘come in, come on
I’ll whisk you with this Magic Wand
then we can journey to the Pond
and sail astride the Silver Swan’.

And once inside the Looking Glass
amazing conquests came to pass
before the midday hourglass
released its sands upon the grass.

Well, first they sought and found the Pond
and hypnotized the Silver Swan
to sail them to the edge beyond,
to Charles, the Froggy Vagabond.

Well Charles was said to be ‘a King’
(whose Crown was hanging from a String)
while hopping with a golden Ring
just waiting for a Kiss in Spring.

Now Antoine said he’d kiss ‘the King’,
(or better said, ‘the Froggy Thing’)
but Eu refused to do such thing
unless the Frog removed the Ring.

The Ring transfixed poor Froggy’s Nose
instead of round his tiny Toes
to keep away the Midnight Crows
(as far as anybody knows).

When Froggy’s Nose was finally free
there was a sudden kissing spree
with Ant and Eu (and Swan made three)
to fix old Froggy’s Destiny.

The Rest is rather imprecise.
As to the trio’s Sacrifice,
the facts alone should now suffice -
the Pond and Froggy turned to ice!

And Swan became a Toucan Bird,
the strangest thing I ever heard,
instead of chirp she only purred
and even then she sometimes slurred.

Though Charles the Frog was mighty cold,
upon the Pond he stiffly strolled
behind the The Ring that slowly rolled
in search of one more nose to hold.

Well, Eu watched Antoine set the Pace
when beating Toucan in the Race
to seek and find a warmer Space
in front of Mother’s Fireplace.

So Antoine waved his charmed Baton
and whisked Eu back to Mum’s Salon -
But looking back, Eu’s friend was yon
behind the silvered Amazon.


4.            Eugene and the Milky Way

Eugene stayed in to play today
inside his secret hideaway;
he laughed and ate a Milky Way
with little fear of tooth decay.

But Dean, his friend, was far away
just driving in a Chevrolet
and didn't wish to disobey
so hurried home with no delay.

What took so long, I couldn't say
but Dean came late, in disarray -
he'd lost, alas, the Milky Way
that he had hidden Yesterday.

When asked, Eugene led Dean astray
about the missing Milky Way,
blamed Pauline in her negligee
who'd fed her little Popinjay.

Then Dean said sadly, in dismay,
"It was a gift for your birthday".
Well Eu felt bad, no longer gay
and offered Dean ice cream frappé.

Soon afterwards they romped in hay
beside the forest near the bay;
but when the sky turned somewhat gray
they flew back home to hide away.

At home, with all his toys at play,
Eugene confessed to Dean, to say
"Dear Dean, look here, I can't betray,
I ate the sweet, it made my day."

Said Dean, "I knew it anyway,
I saw the traces straightaway,
your chocolate lips, the giveaway;
but we're best friends, so that's OK."


5.         Eugene and the Gold Doubloon

Eugene took his nap at noon
and dreamt about Loraine the Loon
reclining in the long Lagoon
adorned in birdie pantaloons.

Then Eu suggested to the Loon
“Let’s pay a visit to the Dune
we’ll search and seek and very soon
we’ll find a shiny Gold Doubloon.”

But naughty Sand Machine typhoons
arrived and whisked them to the Moon
and left the playmate pals marooned
where gold of pirate ships was strewn.

Pale moonbeams played a mystic tune,
and touching on a magic rune,
Wee Eu, he found a pink harpoon
and in his hand a Gold Doubloon.

Instead of sitting on cocoons,
Loraine, she hatched the Gold Doubloon
when suddenly popped a blue Balloon
revealing Royce the red Raccoon.

Well Eu, awaking from his swoon,
was sad he’d lost the Gold Doubloon.
Instead he found a Macaroon
and munched and munched all afternoon.


6.        Eugene and the Dragonfly

When Eugene climbed a mountain high
and wandered down a dale nearby,
he came upon Doug Dragonfly
asleep beside a Tiger’s eye.

Soon Eu was thinking “Now’s the time
to take a rest from my long climb
and waken Doug to tell him I’m
about to pick a bunch of thyme”.

But Doug was quite a grumpy guy
when woken from his dream whereby
he’s dancing with a Butterfly
in magic realms that mystify.

So Doug complained “My dream's now gone
of dancing to the carillon
with Butterflies upon the lawn,
which won’t come back until I yawn.”

Then Eugene said “Well I know what!
A mug of tea and hazelnuts
served with a chocolate Buttercup
will surely help to cheer you up!”

Thereafter, picking tufts of thyme,
they heard the distant bluebells chime
and watched the Fairies pantomime
and dance till Eugene’s suppertime.


7.        Eugene and the Eskimo

Not so very long ago,
a bit before the morning’s glow,
Wee Eugene met an Eskimo
while trudging through the windblown snow.

Bedecked in boots and winter fur,
the Eskimo said “I’m Jack Spur.
Or call me Jack if you prefer,
it might be somewhat easier.”

Soon Jack was passing by to say
“Well could you help me find my way
back through the door to Yesterday,
to where I left my silver Sleigh?”

So Eugene said “I’ll come along,
but listen, hear the breakfast gong,
my Mama’s made the porridge strong
and chocolate milk, if I’m not wrong.”

So, filled with porridge to the brim
and feeling vigor, full of vim,
Wee Eu called Jack and said to him
“Well now we’ll travel on a whim.”

While seeking Yesterday and more
they searched an unseen corridor.
Somewhere behind the mirrored door
was Yesterday, the day before!

Without a fear they slid within,
with Jackie playing violin.
And Moon above was seen to grin
’cause Jackie’s tune was kind of thin.

Though searching long to find the Sleigh
they heard instead an echo stray
quite sounding like the Donkey’s bray,
the Donkey’s bray of Yesterday.

The Donkey’d left to find some food -
well, something fresh and not yet chewed
by Fran the Cow that always mooed
(and sometimes burped when she was rude).

The Sleigh was at the Donkey’s back
and nowhere’s near the railway track,
so Jack took Eugene piggyback,
just stopping once to eat a snack.

The Donkey heard the munch of chips
and wondered if his hungry lips
would ever taste some bacon strips
before the midnight Moon Eclipse.

Well Fran and Donkey, unforeseen,
found Jack at lunch with Wee Eugene
and shared a mighty fine cuisine,
provided by the Sandbox Queen.

Well ,Franny chewed her little cud
and Donkey ate a shiny spud,
and Jacky said “Now we must scud
before the coming springtime flood".

So Jack jumped back upon his Sleigh,
the Donkey droned a farewell bray,
(and Franny burped, need I to say?)
while Eu returned from Yesterday,
surprised to hear his Mother say
“Well, now it’s time for you to play!”


8.        Eugene and the Christmas Tree

Eugene awoke on Christmas morn
to find the Christmas Tree'd been shorn
and presents strewn around, forlorn,
midst bows and tinselled paper torn.

So blowing on his little Horn,
Eu called Eunice, the Unicorn.
The duo flew away airborne
(straped to Eu's side his Sword, a Thorn).

Escaping back to Yesterday,
in search of thyme and Santa's Sleigh,
Eu sought to brave the grinchy Fay,
reclaim the joy of Christmas Day .

Then Eunice and the Reindeer Corps
chased fey Fay to a sandy Shore
where Santa banned forevermore
the Fay to mop and scrub the floor.

Then Santa iced the windowpane
(thus waking Eu from dreams again),
left gifts arrayed, and candy cane,
beneath a Tree with candled mane.

A birthday party,
I turn as I lift this velvet curtain
unveil this night for you,
Sixty circus freaks unravel down the hill
like a coloured handkerchief
of liquid laughter,
all singing the circus theme.
The only tears are drawn on
and the smiles cut up to the ears,
a tap dance in a bathroom,
manic movements,
a tumble back up the hill.
Cherry liquor is juggled, smuggled around the room
to a clown sporting harlequin pantaloons.
I laugh, drink, talk,
like a mime I copy the idea of human.
A sudden disconnection of sometimes weirdness envelops,
I become an audience member,
able only to watch the show,
a speechless mime with my face in shadow.
A desire to shout into empty biscuit barrel silences
I test ringmaster reactions,
to get back in I perform in a freak show.

But my eyes catch eyes, a timed grasping on a social trapeze,
we swing above a net of old ties.

The foretold episode is ripe
And the childless dawn is now flowering,
The awesome parrots of Africa
Have began swimming in the heavens

And singing the verses of the paraded bees,
For the warrior of South Africa
Has ultimately impregnated the Godsbaa
Without violating her divine virginity,

The black star arouse from Ghana,
Journeyed gorgeously through Zimbabwe
And has decisively descended on South Africa,
Bu this is just the divine seed

Yet to grow into a full black African moon,
For the black star of the black man
Is the religious light yet to radiate on
The colourless naivete of mankind,

Ah, the premise behind this
Exhibition makes a perfect sense,
We did begin it all,
Pilgrimage through it all
And shall end it all,

For the wreckage of
Humanity flies with time
And the megapower status
Of the African is a fact of life,

Today, a new voice has been
Added to the joy of the black women,
Causing the dry bamboo flutes to buzz
With the pantaloons of the ancestors,

Adorn our emerald embryonic pride with
The ambrosial smiles charms of the sunrise,
For he pelts of the peerless mid-night
Has been remodeled with our dark gore.


© PRINCE NANA ANIN-AGYEI
Email: nanaspeaks@gmail.com

There once was a man
Who wore pantaloons
His exotic tastes also
Included baboons
He took them to the city
To make them look pretty
Now he's locked up with the loons

Sewer rats bottleneck into a Carnival of Depravity. Due to the bizarre circumstance of their fingers, they allow their limbs to become limp. As Valkyries, they are aware of the juxtaposition of their clown pantaloons and their hobnailed mudboots. In this benefit carnival, a ferris wheel runs amok. Within it, GI’s holler their way through the vermillion skyway, zippoing the dented carapace with their M16s. In a true practice of youthful bliss, the 5.56 returns to the cosmos. However, the bullets, streaming out and homewards, are soon constrained to the circular path of the wheel itself.
“Centripetal farce!” goes Lance.
“Hey what, man?” whimpers Mr. Clean.
“Well, y’see: centripetal fOrce makes an overwhelming amount of sense. So much so, that when superimposed on the Carnival Cavalcade™, it must make no sense, for it’d shake us all up something mad.”
“So, the bullets aren’t real?”
“Oh, they’re plenty real. Just touch it, it’d melt you, starting with the neurons, cat. Other than little blue reality though, it’s out there. Its dancers are not chained to any concrete block of nature.”
“Oh, they’re sufferin’?”

If I start to write a poem, will I finish it this time
Or will I give up midway through, because there aren't enough rhymes
In this old dreadful, awful language born of brutal feudal swine
Wearing wigs and pantaloons, and saying words like 'thee' and 'thine'?

If I have a hazy thought, will I succeed in making clear,
That murky bit of intuition felt, or will it disappear,
The minute I put ink to paper and begin to toy around
With all the scattered bits of insight that implicitly abound?

If I find myself inspired all the sudden by a muse,
Will she hastily retire before I can spread the news
Of all her wondrous gifts to me, that I so luckily did capture
In a transcendental state of exaltation, joy, and rapture?

If I have a vivid vision, flowing freer than the stream
Of a river, clear as crystal, and as dazzling as a dream
Will my will be of such power that I'll succeed to convey
It, or just fall flat in defeat and then retreat into dismay?

If I see sumptuous fruits that hang atop the mighty tree
That's down the road of human intellect and creativity
Will my reach extend sufficiently to gather them and bring
Them back into...into... oh, **** it! I can't think of anything.

                                                (╯°□°）­╯︵ ┻━┻

A bee whistles past his ear
He feels the sound . . he doesn’t care
Averts his eyes in case there’s others
Raises his hands to fix his hair

Divorced from reality somewhat: from feeling.
Or at least extremes of:
Never exceeding amounts unfeasible:
Pertaining to the limits thereof:
Plateaued at governable levels in present:
Exempt from enth
Kept in check
His whistle wet & he’s well fed

Real words strewn along the ground
Discarded leaves fallen
Left decaying: mostly forgotten

His pants look to him pantaloons
For the good they do representing him
the man chases an end necessary; resenting
not waning, he feigns stoicism
then his creeping cynicism clouds his eyes

‘u know what buddy, u can honestly get ******’ he says ‘the 1st world cries the loudest; but is softest.  Thinks it is toughest; it is weakest, smoothest, creamiest.’
‘u know what buddy u are honestly right’ he says to himself not wanting to admit to himself that he agrees with himself,
but despite this all, his gaze’s focus still lowers
the edges become softer
& he does what he does

he wraps up in his blanky
with his bottle; safe under cover
among some big ******* to feel warm
but the swarm of bees they circle
twitching fever; rippling waves

hope to god that they don’t sting you
as u hide & feel their sway
lapping closer swooping hawk like
collective wind; they rearrange

and then

they push left !swoop! they raise u up,
( a cloud of black and brown and yellow arches and hums, hums like a razor on steroids, seeping potent purpose, pushing, coming: close your eyes for impending hell)
leaving bumps that swell and burn, they grab, they encase, they consume, they drive, they raise and they push
and they deliver u
and u obey them
and u relinquish; u fold enslaved
they push u forward  !the buzz! it wakes
it makes u groan,
u can’t ignore it
u know u need it
u’ve got to do it
u need to go


toil on & reap the spoils
another set with the walking beige

go here go there: be happy
u have no reason to not this day
just keep on going, mate my mate
lulling deep into the beige

Let us sink and seek the miraculous,
steal from the clothesline of nostalgia.
The crushing weight of a pith helmet.
The quandary that every exit out opens in.
What is not remembered still exists;
the song never plucked rings still.
Cease stifling epistemological *******.
In the end, very few will comprehend.
Hard feet on a bare-wood floor. Then flush.
Iced sausages and cold blood for breakfast.
French toast boasts an aftertaste of paper.
Sign on cafe: Enter ye and be devoured.
It is always eat up or be eaten up.
What is the reference of it in that sentence.
Converse with horses in a dingy sushi bar.
Horoscopes promise passionate promiscuity.
Sometimes cigars can act like ******.
Two hours of smoke an extended ******.
Purchase a pack of Godzillas. Enjoy.
You are responsible for whatever you read.
Do not assault my ears for explanations.
Pluck pantaloons from that nostalgic rope.
Wear them well where you will wear them.
Feel the miraculous swell and understand.

I said it was not meant for me,
But what did I mean?
For any youth, any love,
Whose prey who might be,
On whom you’d lean,

In your semi-corseted skirt,
Or dressed full fig.,
Stalking into town,
Shocking men in wigs,
Luring them into false love,
As others had been?

Would you capture me,
Chaining my soul to your heart,
So I must carry on playing
At your command?
I see your dress under the piano,
And your boots and pantaloons;
The piano is not my voice,
Though you insist it is.

I shot a drunken man for you,
Which made me more your slave.
You woke urges I suppressed,
Too strong for one so frail.
With words you pushed me
But caused music to pour
From me as love did.

A storm of disapproval raged all round
Our Paris nest of love and art,
You came and went like a soldier, shielding us,
And at home you urged me on,
To impromptu inventions,
Yet causing us to depart.

Packed into a cabochon,
You shanghaied me,
Away to Majorca
And the wintry sea.
Your searing love and the island’s cold
Were too much for me,
And I escaped with my art.

From the moment I first saw her
I knew she was the girl for me.
Sun freckled skin and auburn hair;
Her eyes laughed Merrily .
Intelligent and focused
with a smile forever young.
I doubted not a moment
that she would be "the one"

"I love thee, I love but thee
With a love that shall not die
Till the sun grows cold
And the stars grow old." -
I'll be your special guy!

She looked at me, perhaps askance,
When I had said those lines.
I think she knew their provenance
was another place and time.
" Unless you're wearing Pantaloons
and have a balding pate
don't be quoting Shakespeare at me
if you expect a second date."

Unabashedly ashamed was I-
caught stealing others' lines.
I longed to be her Romeo
with balconies to climb.

To lie with her beneath the stars
to share Love's sweet delights-
these days its but a memory
that keeps me warm at nights.

I dragged my weary horse to your court martial
thirsting for one drop of cactus juice to rejuvenate
our lathered lips and barking skin sick from
carrying cracked carcasses that had been
bouncing behind his withers while
riding through the scrub brush briars
We ride right past her cabin where she tells her
scissor tall tales in her canning pantaloons
Right past the trough of yellow fever dreams and
no whiskey chicken wire fences that beg us in
Onto the Comanche's lawless land in a mirage
that the badge don't matter and over the
Hico no water river west on broke down
mounds of dirt with a barrel full of bad memories
but I can say they ain't never been enough of 'em
to keep a good man and his equine down

Written by Sara Fielder © July 2015

Oh joyous noise!

Slam the door
loud as you like,

the old Finn
is awake again.

Let language
like rivers,
only deeper, flow
in torrents
upon sidewalks
of sound.

We are hereby
delivered from
the tyranny
of definition.

Measure your moons
in red pantaloons.

Let fat pigeons
feed breadless
old men
in lost parks.

Clarity is but
self-abuse.

how hathfanespanned
most high heaven
the skysign of
soft advertisement!

Where mystery is
find mirth also.

Steer by
your ears.

Oh joyous noise!

Come on now,
make some...

Quiet now, settle down
there is a test to take
I look around with a frown
from a tummy ache

I know I need to use the loo
so I politely raise my hand
I wonder if she'll construe
my need without command

Look up she does, but ignores
my look of desperation
Returning to her desk drawers
adding to my frustration

I stretch my arm as high as I can
and begin to wave and bounce
She lifts her head, another scan
and cares not one ounce

***** this I think, I need to go
and that's just what I'll do
As I stand my bowels say WHOA!
and let loose right on cue

Leave I did, straight out the door
for now I must get clean
To the office I implored
to call mom for my hygiene

She arrived, straight away
with questions myriad
Once in the car she did survey
"You started your period!"

I hung my head, face all red
embarrassed through and through
I had to let her know instead
I shat my pantaloons

blooms of daffodils petunias roses red
as autumn days shrink shorter
closing in the cold
like the pantaloons
fell to the floor in June
hot passion wafted to the ten-foot ceilings
fan slowly spinning
blades knifing air cutting sexes
scent making it incense
as we drifted into
fall
fell apart like orange red leaves
blown to the
distants
everywhere
spread
showed displayed
for an instant
glory
and then...

all the Ivy leagues –
Yale, Princeton and Harvard
No one could say I was a coward
I told them my story
Sent it in a video
Wrote it in a paperback
Willing to enlist every high-brow’s flack
Put it out on YouTube
About his abuse
It’s called ******
Some go to jail for it
It’s masked as love
It’s made in the shade of shame
Hidden in the therapy room
Buried with the dust –
Under his couch
Crouched in the woman’s pantaloons
In the heads of the best –
Of all who swoon
And lied to defend
Those ****** afternoons

Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Teach me to love:
to fly beyond sterile Mars
to percolating Venus.
—Michael R. Burch



What is life?
The flash of a firefly.
The breath of the winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
—Blackfoot saying, loose translation/interpretation by Michael R. Burch



Privilege
by Michael R. Burch

This poem is dedicated to Harvey Stanbrough, an ex-marine who has written eloquently about the horror and absurdity of war in Lessons for a Barren Population.

No, I will never know
what you saw or what you felt,
****** into the maw of Eternity,

watching the mortars nightly
greedily making their rounds,
hearing the soft damp hiss

of men’s souls like helium escaping
their collapsing torn bodies,
or lying alone, feeling the great roar

of your own heart.
But I know:
there is a bitter knowledge

of death I have not achieved,
and in thankful ignorance,
and especially for my son

and for all who benefit so easily
at so unthinkable a price,
I thank you.



Mending
by Michael R. Burch

for the survivors of 9-11

I am besieged with kindnesses;
sometimes I laugh,
delighted for a moment,
then resume
the more seemly occupation of my craft.

I do not taste the candies;
the perfume
of roses is uplifted
in a draft
that vanishes into the ceiling’s fans

that spin like old propellers
till the room
is full of ghostly bits of yarn . . .
My task
is not to knit,

but not to end too soon.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?

What parodies of irony
does the jay espouse
with its sharp-edged tongue?

What instinctual memories
lend stunning brightness
to the strange dreams

of the dull gray slug
—spinning its chrysalis,
gluing rough seams—

abiding in darkness
its transformation,
till, waving damp wings,

it applauds its performance?
I am done with irony.
Life itself sings.



Shock and Awe
by Michael R. Burch

With megatons of “wonder,”
we make our godhead clear:
Death. Destruction. Fear.

The world’s heart ripped asunder,
its dying pulse we hear:
Death. Destruction. Fear.

Strange Trinity! We ponder
this God we hold so dear:
Death. Destruction. Fear.

The vulture and the condor
proclaim: The feast is near!—
Death. Destruction. Fear.

Soon He will plow us under;
the Anti-Christ is here:
Death. Destruction. Fear.

We love to hear Him thunder!
With Shock and Awe, appear!—
Death. Destruction. Fear.

For God can never blunder;
we know He holds US dear:
Death. Destruction. Fear.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable ...

but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,

sometimes we still touch,

laughing, amazed,
that our flesh
does not despair
of love
as we do,

that our bodies are wise

in ways we refuse
to comprehend,
still insisting we eat,
drink ...
even multiply.

And so we touch ...

touch, and only imagine
ourselves immune:
two among billions

in this night of wished-on stars,

caresses,
kisses,
and condolences.

We are not lovers of irony,

we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves ...

and so we laugh
at our predicament,
fumbling for the ointment.



Revision
by Michael R. Burch

I found a stone
ablaze in a streambed,
honed to a flickering jewel
by all the clear,
swiftly-flowing
millennia of water . . .

and as I kneeled
to do it obeisance,
the homage of retrieval,
it occurred to me
that perhaps its muddied
underbelly

rooted precariously
in the muck
and excrescence
of its slow loosening
upward . . .
might not be finished,

like a poem
brilliantly faceted
but only half revised,
which sparkles
seductively
but is not yet worth

ecstatic digging.



The Trouble with Poets
by Michael R. Burch

This morning the neighborhood girls were helping their mothers with chores, but one odd little girl went out picking roses by herself, looking very small and lonely.

Suddenly the odd one refused to pick roses anymore because it occurred to her that being plucked might “hurt” them. Now she just sits beside the bushes, rocking gently back and forth, weeping and consoling the vegetation!

Now she’s lost all interest in nature, which she finds “appalling.” She dresses in black “like Rilke” and murmurs that she prefers the “roses of the imagination”! Intermittently she mumbles something about being “pricked in conscience” and being “pricked to death.” What on earth can she mean? Does she plan to have *** until she dies?

For chrissake, now she’s locked herself in her room and refuses to come out until she “conjures” the “perfect rose of the imagination”! We haven’t seen her for days. Her only communications are texts punctuated liberally with dashes. They appear to be badly-rhymed poems. She signs them “starving artist” in lower-case. What on earth can she mean? Is she anorexic, or bulimic, or is this just another phase she’ll outgrow?



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
    This I vow. This I aver.
If she shows me her grace, I will honor her.
    This I vow. This I aver.
Her grace flows freely, like her hair.
    This I vow. This I aver.
For her generousness, I would worship her.
    This I vow. This I aver.
I will not **** her for what I bear
    This I vow. This I aver.
like a most precious incense–desire for her,
    This I vow. This I aver.
nor call her “wh-re” where I seek to repair.
    This I vow. This I aver.
I will not wink, nor smirk, nor stare
    This I vow. This I aver.
like a foolish child at the foot of a stair
    This I vow. This I aver.
where I long to go, should another be there.
    This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
    This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
    This I vow. This I aver.
And then, if she stays, without stays, I swear
    This I vow. This I aver.
that I will joy in her grace beyond compare.
    This I vow. This I aver.



Old Pantaloons, a Chiasmus
by Michael R. Burch

Old pantaloons are soft and white,
prudent days, imprudent nights
when fingers slip through drawers to feel
that which they long most to steal.

Old ***** loons are soft and white,
prudent days, imprudent nights
when fingers slip through drawers to steal
that which they long most to feel.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.



Reason Without Rhyme
by Michael R. Burch

I once was averse
to free verse,
but now freely admit
that your rhyming is worse!

But alas, in the end,
it’s a losing game:
all verse is unpaid
and a crying shame.



jesus hates me, this i know
by michael r. burch

jesus hates me, this I know,
for Church libel tells me so:
“little ones to him belong”
but if they touch themselves, so long!
     yes, jesus hates me!
     yes, jesus baits me!
     yes, he berates me!
    Church libel tells me so!

jesus fleeces us, i know,
for Religion scams us so:
little ones are brainwashed to
believe god saves the Chosen Few!
yes, jesus fleeces!
yes, he deceases
the bunny and the rhesus
because he’s mad at you!

jesus hates me—christ who died
so i might be crucified:
for if i use my active brain,
that will drive the “lord” insane!
     yes, jesus hates me!
     yes, jesus baits me!
     yes, he berates me!
    Church libel tells me so!

jesus hates me, this I know,
for Church libel tells me so:
first fools tell me “look above,”
that christ’s the lamb and god’s the dove,
but then they sentence me to Hell
for using my big brain too well!
     yes, jesus hates me!
     yes, jesus baits me!
     yes, he berates me!
    Church libel tells me so!

Keywords/Tags: Defense, Defenses, Defenseless, Picket, Pickets, Gate, Gates, Gated, Fence, Fences, Wall, Walls, Barrier, Barriers, Protection, Civilization, Outpost, Fort, Home, House, Castle, Barbarian, Savage, Savages, Intruders, Invaders, Sentinel, Sentinels, Guard, Guards, Guardians, Danger, Dangerous, Threat, Threats, Border, Helpless, Helplessness, Guardrail, Guardrails

Sometimes a change is an upgrade
For a better existence we crave
And thus we now live in a warm house
And don’t shiver inside a damp cave

Or maybe we tire of fashion
And yearn for a day very soon
When we cast off the custom of corsets
For breeches and pantaloons

The new normal might come some gusto
That’s embraced with an unbridled glee
Ditch gramophone records and big bands
As we rush to get colour TVs

Other times change is unwelcome
Its just something we have to embrace
Politics, illness, bad neighbours
Or wearing a mask on our face

Our life will have only one constant
Which I shall now pass on to you
The only thing certain and for certain
Is the change that we have to live through

It might not be something we long for
But before long it will stop being new
To have a new normal is normal
Because its normal to have something new

blue as aqua man and tide

You are the wind
pushing through my pantaloons
in the middle of the afternoon
embarrassing me
as you play your flute
with a toot, toot, toot

You are the leaves
a fallen souffle
as a crater
no one would savor
crackling
crumbling
as a stale cookie
left out
you might
entice a mouse

Think me a think
tell me a tale that I can't swallow
get it fresh from the asylum of the thoughtless thinkers
for thirty and more I see the uncovered racists
set free to plague and blunder

I watched mesdames le guillotine all cackling in witless throes
knitting laces of viperous lies strung tight in wicked untruths
seen solid bridges of sweat and honest toil
rumbled and ravaged and strewed with chalky muck and dust

I have in alas, witnessed translucence sirens
peel of caricatures to reveal deadly serpents belly crawlers
and watched dishonourable 'mothers' painted in clouds
rip into a kind and loving heart
searching for the lion within to spear its life-force asunder

they showed me teachers un-teaching
and the hypocrisy of the vicar's wife who bangs the good book
they laid my tomes before leaders to be torn and burnt to ashes
they took my cloak and furs and rendered me out
in the alpine desert as their likes and kin roasted fattened hogs
up close and personal they revealed their rancid underbelly
and the stink of putrid vapours from cascading snows

now hear the height of the ridiculous saga
from the battlements of the asylum at common ground
perhaps based on my utterance of liking contrast in vivid hues
purely i might add, only in artistic or fashion sense
what beats a jet black pantaloons paired with blinding white tunic
definitely not a Scandinavian maiden with bosoms to spare
I have seen the evil of blue eyed monsters
and the sick rotten innards of sleeping beauty with golden tresses
how can I write heart songs to daggers in my heart
I work with sincerity honesty truth and loyalty, not fakes
its all I know.......