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A Math Plans
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Alpha Tan Ms
Alpha Ant Ms
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A Lap Sam Nth
A Lap Mas Nth
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A Alps Am Nth
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A Slap Am Nth
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Ha Plan At Ms
Ha Alp Tan Ms
Ha Alp Ant Ms
Ha Lap Tan Ms
Ha Lap Ant Ms
Ha Pal Tan Ms
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Ah Alp Ant Ms
Ah Lap Tan Ms
Ah Lap Ant Ms
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Hat Alp An Ms
Hat Lap An Ms
Hat Pal An Ms
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La Ma Asp Nth
La Ma Spa Nth
La Ma Sap Nth
La Am Pas Nth
La Am Asp Nth
La Am Spa Nth
La Am Sap Nth
La Amp As Nth
La Map As Nth
La Sam Pa Nth
La Mas Pa Nth
Lam Pa As Nth
Alp Ma As Nth
Alp Am As Nth
Lap Ma As Nth
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Pal Ma As Nth
Pal Am As Nth
Las Ma Pa Nth
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I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
Jerry Desbrow Nov 2013
OLD HOUSE

They retain precious memories,
intimate feelings of inhabitants
passing through its sagging doors.

Romantic are seekers of forgotten times
memories encased in hard wood floors;
as lath plastered walls ooze remnants of a
history while we; when inclined listen.

We don't go very often, to abandon houses,
perhaps on a dare, or at Halloween.
Are we passed enjoying extremes into this
another world, musty energy a curious child.

That was the yesterday
which now waits behind
musty, dusty, derelict halls.

I stand I stand at paint chipped banister,
a faded worn carpet once carried dancing feet,
children playing before they sleep. The
broken coat tree on the floor.

From the third floor murmuring,
a wind storm jars
loose fears, of time
once lost to dreams.

Echos billow from
each room, curtains hanging
yellowed by a sun where
dancing light through holes in damask lace.

Mice gremlin's artful droppings,
tracks of nature on dirt strewn floor.
Broken shards from window
panes, confetti after New Years day.

Branches scratched
etched paths, tracks like graffiti
on sill its unread words, a glif
eerily cast shadows trigger echos from the past.

Jagged memories protrude from every corner
mixing with new, enriching our fantasies
bringing us closer renewed;
these musty memories long forgotten.

Like waves rushing back;
flooding a mind like broken
dikes they crash into our world,
Rembrandt's paintings on canvas fading.

Silent footsteps outside a door,
we hear laughter from bedroom walls;
a smell a whiff of hot butter ***, silent
conversation coming our way.

Old Doc Masters listened at my chest, as
I read all by candle light, Sherlock detective stories
or the Tell Tale Heart of Poe or
Othello; all masters in the past.

A Grandfather clock
stands silent, keeping time,
lost its tick yet still striking,
it stands tall, upon a clueless floor.

Knowledge lost to a past
in a house so worn,
births, deaths, wars, wrapped
forgotten, encased by neglect,

I visited a house besotted,
neglected waiting to be
remodeled into another century
moving it to present times.

Ajerry
Archival Jan 5, 2011
Edited and rewritten Nov 1 2013 / ajanon/ Jerry
Nienke Oct 2014
a wooden lath
before my nose
i take it
and the world is gone

another lath
above me
i take it
and start climbing

and climbing
to somewhere
on my way through
a sky full of stars

up there, love
i see your hand
but it's not just a hand
a hand full of hope
Sharon Talbot Apr 2022
A Beautiful and A Bitter Shroud

When I was little, I found a magic box,
tucked under the eaves where
we were told not to go.
Something compelling about the
forbidden, triangular space,
sealed off by lath and plaster,
made me resolved, beyond curious.
I kicked and pulled until plaster shattered
and wood cracked, delightfully.
The large box was filled
with silk, organza and tulle,
the proud-worn gowns
of my mother's college days.
At those ***** she danced
in them, hair coiled up
and earrings sparkling.
It was not about the men, I knew,
but her need to be admired.
I don't recall a punishment
for opening the box
but she relented and allowed
my sister and I to put on
her finery and pretend.
We wrapped them round us
and twirled to imaginary waltzes,
stepping on long hems so many times
that  the gowns all came undone.
The rags were put away
and the room sealed up.
In my youth I recall but a few
times Mother gave in
and let us be children
or fairy princesses for a while.
Now she is old and finally
trying to wrap me in her shroud,
to make resentment drag me down
and envy of me, crippled with self-hate.
But that no longer works
and I tell her, finally grown
that this is not allowed.
I summon up pity and vague sympathy,
even if love left long ago.
I tell myself that
everyone dies alone.
Get thee behind me. Even as, heavy-curled,
Stooping against the wind, a charioteer
Is snatched from out his chariot by the hair,
So shall Time be; and as the void car, hurled
Abroad by reinless steeds, even so the world:
Yea, even as chariot-dust upon the air,
It shall be sought and not found anywhere.
Get thee behind me, Satan. Oft unfurled,
Thy perilous wings can beat and break like lath
Much mightiness of men to win thee praise.
Leave these weak feet to tread in narrow ways.
Thou still, upon the broad vine-sheltered path,
Mayst wait the turning of the phials of wrath
For certain years, for certain months and days.
There was an old person of Pinner,
As thin as a lath, if not thinner;
They dressed him in white,
And roll'd him up tight,
That elastic old person of Pinner.
Caroline Grace Mar 2012
“What kind of life is this?”
Pradesh offers his hands in supplication.
“We should warn them there's nothing here.
My family sold land for the journey.”

Here in a back street
eager to disclose his inner space
Pradesh drags clear a square of chipboard
distressed corners shedding altered wood.

He breast-strokes through a gap
kicked into crumbled brick,
swims in against a thankless tide,

Imagines he's safe here in this place
veiled with yellowing plastic,
the stench of decayed waste crawling  brittle walls.

“Others venture here too – in their thousands.”

“We are the Nameless Treaders of Earth.
We share the same contiguous roots,
the same seed, the same flowering.
We share the same goal – survival,
even the unscrupulous....
even you my friend.

Mindful of dissolving into prickly cynicism
he slumps onto his lath-thin mattress,
draws up his knees foetus-style....

and slips into half-sleep, submerged in dreams
of a home to which he can never return.



copyright © Caroline Grace 2012
Olga Valerevna Sep 2012
We made our way through the sunflower field
I watched you collect all the seeds you peeled  
Their shells like a light in my hands I sealed 
So I'd never unsee what we are

As you moved along down the dainty path
I stayed behind, found a wooden lath
Its walls became host to the brooding wrath
That had forced you to wander afar

See, somewhere amid our excursion here
Came a moment that dimmed what had been made clear
We polluted ourselves with the atmosphere 
Of the mimic that hid in the air

But even if odds are stacked to the sky 
And we find ourselves in a cloud just as high
I have held on to the specks of our shine 
You'd entrusted inside of my care


I'll wait, you will see what we are
In Russia, the color yellow is associated with every kind of goodbye; a temporary absence, the end of a relationship and even a death.
Paula Swanson Aug 2010
Musty, salt smell, of a deserted home,
sitting by the seawall, viewing sand and foam,
assails the nostrils when you open the door.
See dust motes fly, spiders scurry on the floor.
Curtains hang as tattered rags and swaying,
in the breeze, through the cracks, like old flags waving.
As if wearily, signaling for a truce,
between the sea and the decay induced.
Sand comes down from ceiling beams as proof,
as to the storm worn holes, in the roof.
Of shingles blown off, during cold winter blasts,
sand trickles down, as if from an hour glass.
Time and the elements have dulled the shine,
of the woodwork and trim of knotty pine.
Cast iron water pipes, rusted out in places.
The claw foot tub, rest on it's Eagle braces.
Porcelain surface, chipped and cracked,
lath and plaster of the walls needing patched.

The little house sitting by the seawall,
that leans to the left and ready to fall.
Bulldozer sits ready, engine at idle,
to be let loose, push it into a pile.
Along with others like it in a row,
that once held town folks and saw children grow.
A new hotel made of metal and glass,
sterile exterior, no style nor class.
Will take their place, sitting by the sea wall.
Years ago, an oil spill caused the fall,
of this sleepy tourist town full of charm.
No one realized, the long arm of the harm.
They filtered the sand, skimmed off the water,
it was to late, the economy faltered.
Waiting out there, like vultures that scavenge,
was the Corporations, watching it happen.
When the town gasped, gave it's last dying breath,
in they did swoop, living off a towns death.
A Castillo Jun 2013
Below my feet are holes in a row
And through them swerves the thread.
My shadow, silently sewn to my sole,
Lays stretched on the road ahead.

So intricate the weave of the path
As her soft bed of hair,
My mind already beneath her lath
Had found her seated there.

And every thing my eyes lit upon
Was laced with golden hue:
The terrace, folding fields, oh! the dawn,
The sunbeams shining you.
Marye Minstrel Jun 2017
The dirt of dusty decades
Lies upon the lath
Beneath a piece of plaster
I found a photograph

They smiled from the centuries;
Those mysterious three
Sent the musty memories
A message meant for me

Sara’s grave is gone, I guess
So long since laid low,
Yet, despite her ancient death
She smiles and waves ‘hello’

I cannot tell Annie’s age,
The words do not say
The owner wrote only names
Her face has frayed away

The baby in the buggy
Lifts a lively hand
She sits between her sisters
Beside the shining sand

This will be the only piece
From the dust so brown
That preserves their memory
Once we tear this house down
The story of an old daguerreotype I found inside a wall. The house was being demolished.
Diandra Pratama Jul 2016
Thin as a lath; eyes of the prairie,
Forsythia the colour of your crowning glory.

Mouth tastes like chalk; touches resemble to an art.
When will I realize, this creature's spell only comes out before dark?

Heed I will, halt I won't.
Your grace deserves an enticing adventure:
a dip into the pool of the lament ocean, a climb to the mountain of forgotten sorrows.

O', my sorcerer-- or are you not?
The final hour has come again.
Until then, a kiss for my chagrin will justify my yearning.
And not one second, I won't miss that tulip smile of yours.

But my sorcerer-- or are you not?
Don't let the night succumbs you to the oblivion,
don't let the cold bites your warmth to bits, don't let the wasp seizes the sweet taste of your honey dew.
For this is neither a goodbye, nor a calling.

This I promise.
Wk kortas Jun 2017
I knew a couple, in that once upon a time
Where fecundity was a going concern in our circle of friends,
Who’d lost another child mid-pregnancy
(It may have been the third time,
As such evils, oddly enough, tend to arrive as a trinity)
They’d fiercely, defiantly given the child a dozen names,
Including each of their saints’ names
(A finger to the eye of certain relatives,
Who’d implied and occasionally outright sniped
Recreation without procreation is the darkest of sins.)
They had, after a fashion, made a certain piece with all that transpired,
God’s will or vagaries of chance or something in-between,
But some weeks down the line the distaff part of the equation
Began to experience something akin to pure madness,
Finding evil portent and intent and all and sundry
Which they’d touched upon during pregnancy:
Doctors, in-laws, her spouse,
Even the fables they’d read to her unborn child
(The tale of the Three Little Pigs singled out for particular scorn;
We live in a ******* house made of brick, and what did that get us?
She all but screamed at her beleaguered husband.)
This all passed after a time, the ceasing of the episodes
Due to the end of some delayed post-partum depression, perhaps,
Or the grim realization that raging against some deaf deity
Is a fruitless, pointless, fretful strut across the stage,
But, in any case, life returned to normal, more or less,
Though her husband found it somewhat disconcerting
How, in the process of doing some semi-necessary remodeling
(Keep her busy, their pediatrician had told him in an aside)
She attacked the old walls in an unused bedroom upstairs
With something very much approximating fury,
The plaster-and-lath flying hither and yon,
The dust hanging in the air everywhere you looked,
Leaving a taste like ashes in their mouths for days afterward.
It's when you get old that the monsters you thought were long dead take a hold
again
and I wonder if all that pain was worth it or worth ****,

Paul with his Nembutal woke up in the hospital and died five minutes later.

It's always later when we think about it and then sometimes it's too late to think.

They told me that Cath' who smoked crack and was as thin as a lath could **** down that pipe and blow smoke out of her ***,

urban myths

I never miss the things I used to think I'd miss
thinking about, but I see it in my dreams, the roundabout,
the swinging doors, the ****** and the street *****
selling more than they had for some more of what more they could get.

Jackson and his chemicals
made it look industrial
which in a way it was
because
it poisoned us all.
Wk kortas May 2018
i. “…THE SAME FORCE AND EFFECT AS AN ORDER OF FILIATION…”

She’d said she wasn’t expecting or demanding a ******* thing
(It’s probably your kid, she said, But I wouldn’t swear to it)
And his buddies swore he was crazier than a ******* rat
To even think about going along with the whole idea
After she all but given him a Get Out Of Jail Free card,
But he’d gone ahead and signed all the paperwork
Which, in the eyes of the state and the child-support folks,
Made him the one true father of this baby-to-be.  
He couldn’t begin to explain
Why he hadn’t fought the notion tooth-and-nail,
Save for the occasional muttered Baby oughtta have a father,
But there was more to it that; he had a vague notion
That knowing half of who you were was worse
Than having no knowledge at all, your whole reason for being
Becoming the exploration of odd hunches and unrealized fears,
The study of every man that crossed your mother’s path
In the hope (or, more likely, the absolute and utter dread)
That you were glimpsing a part of your genetic destiny,
Though such a line of thought was probably just *******,
A product of Genesee Cream Ale philosophizing.
When the time came, he’d agreed
(An idea which reduced his friends
To mute amazement and slow, sad head shaking)
To be present at the birth,
And, after certain undertakings
He’d just as soon not have seen were complete,
The nurse (saying It’s a boy.  A big, beautiful healthy boy.)
Handed him a black-mouthed, screaming little mass,
Fists clenched tightly, entire body tensed
As if it realized just how inadvisable the whole situation was.
Faced with this tangible evidence of his ostensible patrimony,
He found himself unable to say anything except
*******.  **-lee ****.

ii. As The Old Joke Goes, “In The Morning?  
*****, I Don’t Respect You Now.”

He had, of course, forgotten her name,
Assuming he’d ever known it,
And so it had been chica and hija and amada all night,
Though, to be fair, she couldn’t remember
If he was Juan or Jhonny or Jesus;
She simply remembered that he was Colombian,
All dark hair and bright smiles and quite tall
Although that could have just been a trick of the eye,
As his friends were all compact squatness,
Which she had pointed out  while they were dancing,
To which he’d subsequently horse-laughed out loud.
Chica, he’d fairly shouted over the music,
The best way to be good looking is to have ugly friends.
He’d come to Batavia to hunker down for winter
After the wineries had buttoned things up for the season,
Spending his time catching odd jobs here and there;
Anything to get by, he’d said with the most outrageous of winks.  
She’d had no intention, none whatsoever, of taking him home,
But anything to get by takes in any multitude of sins,
Venal and otherwise.
She woke up about two-thirty or so, all damp with sweat
And the remnants of *******,
To see him awake and getting dressed.
Before she could say a thing, he put a finger to her lips.
Shhh chica, he said softly and soothingly,
Like he was trying to hush an infant,
I got some stuff I really need to take care of;
Look, we’ll get breakfast, OK?
You know the Bob Evans out by the highway? Six o’ clock, eh?

And with that, it was a quick, almost brotherly, peck on the cheek,
Then he was gone, so stealthily that she was briefly unsure
That he’d ever indeed been there at all.
Breakfast, can you imagine she thought
As she rolled over to get some sleep,
Like I’m even awake at such an hour.

iii. We Don’t Ask For Directions, And We Sure As Hell Don’t Make Lists

There had been no blowup, no volcanic incidents of infidelity
No grotesque financial stupidity;  
The china and glasses had remained unbroken,
The plaster-and-lath not displaced
By the seismic slamming of doors.
It had been slow, subtle,
Like the slow unraveling of a thread here in there
Opening up a gaping hole in a old comfortable sweater,
Or how the unhurried seeping of water
Would occasionally cause an outcropping of rock
To tumble into the gorges over at Letchworth.  
Oh, there had probably been the proverbial last straw:
Maybe the new refrigerator that didn’t fit through a single door
In the entire house (and who in hell bought something like that
Without taking measurements anyway)
Or the foolhardy extended warranty on the Volvo,
Which had **** near a hundred and fifty thousand miles on it
And had no more trade-in value
Than a Matchbox miniature of the model,
But it any case, the immediate cause
Was probably more symptom than disease, anyway.
He’d packed a couple of bags with the basics
To ****, shave, shower and dress,
And jumped into the ancient but well-protected wagon,
Heading to God only knows where:
His brother in York, maybe,
Or his mom’s place way the hell up in Tupper Lake,
(Not that he had the stomach for the questions and sidelong looks That particular destination entailed)
But about ten miles out he realized
He’d forgotten his ******* bike.
****, ****, stupid **** he said,
Pounding the steering wheel in rhythm;
The notion of going back like some dumb-*** eight-year-old,
All hang-dog look and tail between his legs
Was not particularly appealing,
But the notion of having to **** time
Without the prospect of a bike ride
(Wind in what was left of his hair,
The barking in his calves as he climbed an incline,
The whole **** freedom of the thing)
Was simply too much to consider,
So he swung the car around and headed back.
She was, as he knew she would be,
Waiting in the doorway with the bike
(**** near sharing a brain after all this time, to be sure),
Her face hung with a look not really a smile or frown
Or anything that fit a definition,
But endearing all the same, and he heard a voice not quite his ask
Well, is it OK if I come in for a few minutes?

iv. The Bob Evans Out By The Highway

…the **** am I doing here anyway, she thought,
Staring down at the table, chunky taupe-ish coffee mugs
And logo plates, fine china for everyone and no one,
Set for two (she hadn’t ordered, she was waiting for someone)
The restaurant more or less empty,
Only the odd trucker or  some senior citizen
Who was still on rat-race time.
The clock had hit six-fifteen when she,
Eyes cloudy and threatening to ambush hastily applied mascara,
Was ready to flag down the waitress to let her know
That she was just a coffee, thanks, when he walked in,
No, burst in, like a madness of chrysanthemum
Where there had only been undifferentiated greenery
Mere moments before.
I’m sorry, chica, he said, bending over to kiss her cheek,
This whole life thing gets in the way sometimes, eh?
He sat down, slapping the table with both hands
Man, he said, all but snorting, I could eat a horse,
And what better place than this, mmm
?
Wk kortas Sep 2017
It was the season when a young man’s fancy
Turns to hunkering down as the land around him locks,
When the envoys of the abyss
Stalk elderly relatives and spindly late-born calves.
He’d happened upon her
At Aubuchon’s Hardware over in Gouverneur,
Picking up bits and bobs to tie up those projects
(The endless caulking, the pitched battles with plaster and lath)
Which had trickled over the spillway of spring and summer
When she more or less materialized,
Like the sudden bloom of some ill-timed crocus
Popping up through fallen leaves.
She’d quizzed him on the merits of levels, cup hooks, and spackles
(The story being she’d leased a gerrymandered third-floor studio
Over the Rent-A-Center on Clinton Street)
They’d chatted in the middle of an aisle for a half-hour or so
When she tittered You know, I could really use a beer about now,
Which became several, then burgers, then his house and bed
Where she settled in for the duration
(She’d had her suitcases in her trunk, and he came to surmise
That an apartment hadn’t been in her plans at all.)
He’d learned about her what little she chose to share:
A nut allergy, a borderline prodigal capacity for whiskey,
Certain boudoir practices and positions,
But her whos, whats and wherefores an admixture
Of carefully chosen quarter-truths and outright fictions;
He’d noticed, inadvertently,
That she had a half-dozen driver’s licenses in her purse,
And she’d been furiously tight-lipped
About where’d she been and come from,
Save one drunken mention of how she’d lived down near Ithaca
Just long enough to stand on the very precipice
Of one of the town’s plethora of gorges
Before deciding not to go headlong over the edge,
‘S no real point, she demurred,
In anything that puts a period on sumpin’.

There was no question of some Snow White happily-ever-after;
She melted away as abruptly as she’d arrived,
Leaving on an implausibly warm late-February day,
A deceit of sunshine and southerly breezes
Which belied the month-plus of hard slog ahead.
He’d cherished no illusions
Of going after her, of tracking her down:
There was small chance she’d given him her real name,
Assuming she knew it at this point,
And she’d changed her cell number in a matter of hours.
He’d done his best to simply chalk it up as a lesson learned
Or a hell of a hell of a story to share with the boys at Nina’s Hotel,
But she had become (or, rather, the notion of
What she might have become,
As all faithless acts require acquiescence to the existence of faith)
A giant hogweed in his very sinews, invasive and implacable,
All but impervious to destruction and subsequent reclamation,
And the throes of her remained as confabulations
In his mind and heart and groin
All through what turned out to be
The longest of long North Country winters,
With flurry and sleet enjoying dominion over new blooms
Until well into the middle of May.
David R Jul 2021
He dipped a pen into the ink
and let the letters flow
like running a finger down a mink
forming blackbirds in the snow
the liquid flowed in courses deep
betwixt the fibrous path
on either side an ivory heap
as plaster 'tween the lath

the letters had a life their own
glinting in the sun
as shiny beads or poppy seeds
sprinkled on iced bun
and then, as corn, newly sown
choreographed as one
the letters marched, in unison,
as soldiers with a gun

each distinct, they swayed together
as wing compos'd of feather
the harmony of black and white
milk stars on velvet night,
and then, just when, all was right,
they vanished all together,
as all at once, they took to flight
and flew into the ether.

and now, each night, when all is still,
they visit me in my dreams,
those raven-black letters of quill
dance wisdom in moonlight streams
as homing pigeons coming to roost
coo mysteries in the dew
as prancing horses newly hoofed
flashing waves of sea-green hue,

and as young maid new seduced
'neath heavens of sky-blue
where rainbow colours introduce
soft butterflies flying through,
wherein conception, zen-induced,
old friends appear as new
i lend my ear to hear produced
their music i once knew

when pen in hand i sought to spill
the secrets hidden 'n true
of why the very highest hill
is home to lowly shrew
and why from ash beneath the grill
a phoenix wakes anew
and why the soul allows its will
to bivouac in corpse shoe.
BLT's Merriam-Webster Word of The Day Challenge
#bivouac
(house sand zero, and own nine)

Wine hot ja... jes... justa bead devout
boo... boos...***** hound 'n
frog *** (hic cup) bout...
new yea ears rez: hill loo... dang

(burp) louche huns, eh an...,
and beg... agh hen ah nee new wheel 'ear
as zha roosting gadabout
fra... fru... froom this ska...
ski... skid... row... man hunk scout,

ah so... sub... sober chip... er ...,little
tea...poe... *** short and stout
er... chap, cuz in necks stay...hm...
here...ism handle, and thar hiz muss spout
oh...ha rill lee odd doubt

y'all 'member wha...whi...
whoa, what 'prom says 'eed shout
th... hiss hex 'spurt advice
fro...fru...framed dis lout, yea?

What a difference (in meaning), clear
as hub ba hell...(belch) bell jar quake
obvious, (when one not pull lath ta heard) ,
my...er re... rev vol ting... lush 'n not be opaque,
one alphabetic character doth make
duff France sans, the nineteenth versus twenty

first letter of English... lake
really awesome man, how dog nabit,
I could hood **...hu... hoof accomplished...
rather steal piece o'@$$ er...rather tastykake
alm high ghouls when hide goot awake!

As somewhat (hmm...) not so evident,
one need not be a rocket
surgeon, or brain scientist
visa viz mastercard ****
at effect of one sprocket...
nor a judge explaining gobbledygook

of law to witness in docket,
cuz this po boy haint moost
richly endowed in his pocket,
nor talented ska, rocksteady,
or reggae tunesmith
never earning any moolah, but forced to sell
off each dreaded locket.

Fellow Americans, this poetaster
lacking hocus pocus
not merely here tubby chiefly
as time waster, with locus
of airy mission to plant sole

lee seeded to shift your focus
from aimining to satisfy reVolution verse us
impossible mission couched
as reSolution lest ye be deemed
moost laughable joker, who makes major fuss!
Say it is coming, flying in the wind,
say it is rolling, following the path,
say it is running, simpathy, grind,
say it is there, blurring a lath.

Say, what is heard,
say, what is said,
say, what is led,
but, what is...?
... Just can't miss.
sandra wyllie Jan 2022
the sun
blanket it in billowing clouds
drape the grey on jeering crowds
but I’ll still waltz in moonbeams
flittering under the evergreen
in fields that glean

They can take away
the songbird
cut all his notes
so, none are heard
slash the humpback whales
drowning their song
in a blood sea bath
wearing a sarong
but I’ll still swim thin as a lath
making a wake in the aftermath

They can take away
the flowers
pulling up their roots
no perfume showers
or bearing fruits
but I’ll still lie in the dandelions
waving and bobbing
as the bearded dragons
The Fire Burns Aug 2017
Ancient artifacts warehoused,
dilapidated memories of yore,
unsealed time capsules scattered,
as cardboard and tape give way.

Dusty tchotchke avalanches,
spill remembrances haphazard,
photos curl as chemicals expire,
recollected thoughts stored in pencil.

Edges of old diaries eaten,
rodents and roaches survive,
on forgotten verse and rhyme,
and feelings of love and loss.

Pages scatter like leaves
blown about by the wind,
as it passes through gaps
in roofs and plaster and lath.

Needed no more, exhaust rises,
excavation equipment and bulldozers,
push it all in a hole, under urban renewal.
sealing it forgotten, in a concrete topped grave.
The Fire Burns Aug 2017
Floor boards wiggle,
springs zephyr invades,
through plaster and lath,
and under pier and beams.

Sunlight squirms through,
illuminating dancing motes,
dripping dew taps out a beat,
in the middle of the room.

Once full of life and colors,
now empty and drab,
the only inhabitants now,
are memories and pests.
sandra wyllie Aug 2023
He Left a mark
on fervent breast.
Was just a spark
he combed and pressed.

It lit a path
into the wood.
A row of lath
no backing stood.

A rose
with no trellis.
To pose
with no pelisse.

Footprints ebb
In April snow.
A spider’s web
to snare her woe.

— The End —