Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

Dennis watched
as Miss Richie
slapped your face
and then stormed off

what was that for?
Dennis said
you rubbed your cheek
fire hot

I guess she didn't like
what I said
you replied
what did you say?

he asked
I asked her
if it was her face
or was she breaking it in

for an ape
you said
Dennis laughed
his green/blue eyes lit up

like pinball lights
what made you say that?
he said
because she would me up

and said I had a discarded look
you said
maybe you have
he said

maybe I have
but that's my face
not hers
you said

the bell rang
for morning break
and so you went down
the back stairs with him

and into the playground
and took out
your football player cards
and set down

by the far wall
and joined in the game
of flicking cards
nearest the wall

but Derek won
the first lot
and you lost
your favourite

and watched
as he handed them
into his winning pack
over in the other corner

plump Miss Richie was standing
arms folded
glaring at you
any more

for any more?
Derek said
count me in
you said

taking more cards
out of your jacket pocket
and along with Dennis
and Derek and Richard

you flicked your cards
and the game
was in play once more
Dennis's card won

and he collected the cards
on the ground
by the wall
that's me out of cards

you said
and wandered off
to where Ingrid
sat alone

by the playground steps
hair pinned back
with metal grips
her grey skirt stained

her cardigan holey
with missing buttons
her eyes brightened
when she saw you

saw you lost cards
she said
yes not my day
you said

not mine either
she said
what's up?
you said

I lost my dinner money
she said
and dad will **** me
when he finds out

where'd you lose it?
you said
don't know
I went to get it

from my bag
and it was gone
she said tearfully
you put your hand

in your trouser pocket
and took out a 2/6d coin
here have mine
you said

I can't
she said
what will you do
about your dinners?

I'll tell my mum
I lost it
you said
but she'll get angry

with you
Ingrid said
yes but she'll not **** me
or harm me

unlike your old man
you said
she took the coin
and put it

in her cardigan pocket
thank you
she said
no other boy

would do that for me
they don't like me
and call me names
she said

I like you
you said
and walked up
the stairs

to the boys' toilets
wondering how to tell
your mother
you'd lost your coin

on that Monday morning
on your way to school
as you opened the door
and entered the stall.

A orange tufted dotard and a tubby rocket man
got into a ******* match and said: “The world be dammed!”
One spoke of fire and fury while the other threatened Guam.
The World looked on in disbelief-“Who gave these morons bombs?”

Enter Dennis Rodman, a baller of renown,
His hair dyed blonde, his body inked, dressed in a wedding gown.
“Hold on there! Mister President. Don’t press the button yet!”
“Don’t give your naïve voters yet more reason for regret.”

So Dennis traveled to the East to see the Hermit King.
They drank in Karaoke bars; he heard the dread Lord Sing.
They Joked about “The Interview” They compared tattoos.
They ate Korean barbecue and listened to “The View”

Kim had so much fun with him all bombing was delayed
They went out for a quick massage and afterwards got laid.
The seventh fleet remained offshore with no invasion plans.
“A bullet was avoided. Dennis Rodman is the Man!”

Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp

Though miles may lie between us, we're never far apart,
for relationship doesn't count the miles;
it's measured by the heart.

“Don't measure the distance;
measure my love."

We are the perfect couple;
we're just not in the perfect situation.


I can’t wait for it to come to reality.  
I wish that you were here or that I were there,
or that we were together anywhere.

   Miles away and you are still right here, in my heart and mind;
Here in my heart, that’s where you’ll be;
you’ll be with me, here in my heart.

                                          


                  ­No distance can keep us apart, long as you’re here in my heart.

Copyright: Rose Dennis Rodriguez: 03-03-2011

Oh Annette Tidy, I would love to lick your ****
Show me that you like it, you **** loving ****
******* pulled beyond your hole, while kneeling like a mutt
Legs apart so far and wide, I don't want your ******* shut

Spread you cheeks across my face and open your hole wide
Pelvic thrusting on my tongue, while I'm slipping it inside
The taste of it is magical, when tongue and *** collide
I can lick your ***** too , but I'll let you decide

It's okay if your a *****, when it's ***** and bums to pluck
A Furry ***** is alright, it's still so good to ****
Soiled ******* I don't mind, they make my cockerel cluck
A touch of romance is quite fine, but so is a good ****

Oh Annette Tidy let me knock on your back door
You can show me your intentions, you filthy ******* *****
I doesn't matter that we're strangers, because our *** is raw
If your like the phone box says, then what are you waiting for?

So come on now get naked, and I will do the same
let me have your **** hole and a **** ******* game
According to the writings your a filthy kind of dame
I've read that your an **** ****, so your be glad I came

Oh Annette Tidy, I am on a real *** hunt
I would be so happy, if your proper ***** ****
Whether your a posh girl, or just a ******* munt
You need to get your knickers off, and I'll give it a punt

I'll be grabbing onto your ****, and It would be devine
Vigorous ******* may result, in hearing your **** whine
If your a cheater that's okay, it really is quite fine
As long as your cheating with me, and you are ******* mine

So push your **** upon me, let my **** slide in
I'd **** without a rubber sheaf, it's better on bare skin
I'm sure that you'll enjoy it, when your sitting on my pin
And **** old Dennis Richmond, cos I don't give a **** about him

Oh Annette Tidy, I fancy a real good ****
I am really hoping, your a ***** ******* ****
It doesn't matter if your good looking, or a dried up hag
***** lips are free to flutter, when I **** your fleshy flag

**** ******* is so good, what a fantastic feeling
The tightness squeezing on my rod, that's what I find appealing
Doing **** would be great, bent over or just kneeling
An ******* that is spread wide, is really quite revealing

So when my **** is hard enough I would stuff it in your ***
Fingers up your ***** and your ******* under thumb
A frigging is in order, because I want to feel your ***
******* in your tight hole, I would really give it some

Oh Annette tidy, let us have some ****** fun
Let me see you naked, and I will ***** your hot cross bun
I also like a wet ****, but these things must be done
For you squirt me with your juice, just like a Capri Sun

I hope that you like big *****, cos I have a nine inch ****
Because I'm not hung like those fellows, who are in Hong Kong
So I won't put it all in, in case it is too long
But if you want the whole lot, I'll make sure that it says strong

Are you such an **** *****, well I don't really know
You could be a real ***** ****, or just an average joe
If your not that kind of girl, then somewhere else I'll go
Because I'm looking to get ******, and a **** and blow

You maybe such a nice girl, and you get home by ten
So you might not be interested, in ridding my big ben
I'm sure there's **** ladies, who'd like playing in my pen
A **** time they can have, if I went round to their den

Are writings on walls true, you don't have to sit there idly
If you want an arrangement, I could ******* every Friday
Unless you are a nice girl, and your a bit like Heidi
And your up in the mountains thinking . . . . Oh Annette Tidy!

[Intro: Honey *******]
You ******* ******* stink
Go take a ******* shower
Schwag. Asian *******

[Verse 1: Honey *******]
******, I ain't got time for a stupid broad
Cause bro I'm 'bout to beat a ***** and probably lose my job
****, I'm a bubble
Listen, *****. I tell you cool it off
Cause acting smart'll get you deaded
*****, I rule the spot
Now, homie, I ain't ******* down to catch a charge, bro
Now her body found the same place she had parked, bro. (Whoops! [x3])
I forgot my ******* ride for me
Cause these ******* that drive for me
Are these ******* flying for free
I gain mine. There's a difference. You remember that
Cause I'm always hungry for the **** that I ain't never had
This here is baby food and be all like, "*****, **** a snack! "
See ****** who said I'm crap is asking me to hit 'em back
*****, **** that!

[Hook x2: Honey *******]
Now, I ain't got time for *******
If I ain't getting mine, then that's *******
Why you all up in my face with this *******?
Ew. *****, you smell like *******

[Verse 2: Honey *******]
Oh, here I go. There they go in this here game again
Now these ******* praying they gon' never hear my name again
But look, I'm a stay around even although they acting like I can't
I don't sleep at all cause it'll always be my time again
That means I work hard, homie. I don't play around, dawg
Better cut this ******* or your face'll meet the ground, dawg
But after all, it's for the haters and the groupies, though
Find me at the studio
The smart ***** with a stupid flow
**** delivery. Got fans who in the dance
Now my enemies got plans
They just searching for a chance
**** friends cause I'm married to the music
*****, cause I gained the world and die before I lose it
So cool it

[Hook x2: Honey *******]
Now, I ain't got time for *******
If I ain't getting mine, then that's *******
Why you all up in my face with this *******?
Ew. *****, you smell like *******

[Verse 3: Tyga]
***** back, back. Why your *** so flat?
Tell your best friend I want that
I don't pretend, *****, and I don't act
Why you all up in my chat?
Telling people that you know him
If I lend you all on my back
Criss-cross, you wiggedy-wack! (Aghh!)
Duplicating my racks
Introduce you to my life
Yeah, my gold heavy metal
You can't rock out on my level
Yeah, yeah. That's a red Ferarri
And I'm dancing with the devil
***** testing me, you get answers
**** a ***** quick fast, like cancer. (Aghh!)
(Well, well) Make a ***** rubbin money on my **** till it swell, swell
And ya money, money shorter than a elf, elf
And I keep cool J's like LL
(Hell yeah) I don; t wanna start nuttin' *****, lemme finish
All in a ***** net ***** mouth like a dentist
(Dennis) Rodman. Come on, come on
*****, is you with it, with it?
Cause I ain't

[Hook x2: Honey *******]
Now, I ain't got time for *******
If I ain't getting mine, then that's *******
Why you all up in my face with this *******?
Ew. *****, you smell like *******

My wish for you is that you have a neverending series of dreams and a             furious desire to realize a few of them. My wish for you is that you love what must be loved and forget what must be forgotten. I wish you passions. I wish you silences. My wish for you is that you hear the songs of birds and the laughter of children at your awaking. My wish for you is that you resist the downtroddenness, the indifference, the negative virtues of our era.My wish for you especially is that you be YOU!(translated from the French by Dennis O'Connor)

A silent silhouette.
He stands starkly in private corners behind his privet hedge.
The silhouette is that of a deceased poet,
recently passed.
Felix Dennis.
He was an amazing poet.
Filled with magical words,
I will miss our one sided conversations,
the ones that hundreds enter into,
maybe someone will keep his spirit alive.
Honoured Sir,
so honoured.
May your dreams not be as vivid as your words.
For as all poets seem to do.
The words flow in while resting,
and you may not get any rest.
(C) Livvi

Last night I dreamt that I was pregnant
It was yours
And I was happy
I walked around with a cute round bump
Attached to the front of me
I was going to give birth that evening
To a baby who weighed 5 pounds 7 ounces
It was going to be premature
Like I was
I was dress shopping with my mother
Trying on gowns
Not for a wedding
But for an announcement of our child
I wanted to feel beautiful
But nothing fit over that cute round bump
I didn't get frustrated
I kept trying on dresses
Thinking about how happy you would be
With how I looked
Once our baby was born
But still with all of the extra weight
I hoped it was a boy
And I planned to name him Dennis
-- Even though it wasn't one of the names
I picked out long ago --
That's what he would be called
Because that was your middle name
And I wanted our baby
To always be a reminder of you
Even when I found a man
Who was willing to be the father

This day we lay the universe to rest:
behind this pair of eyes that lived and died
a mirror-image, faithfully expressed,
reflects a mirror-universe inside
all memories. This day we thank the Lord
for all these shining moments held within
this mind where human memories are stored.
And this shall be the moment they begin
to shatter, to become ten thousand stories
reflecting human life in all its beauty:
each smile, each poem, every sunset's glories,
that call to those remaining of their duty
to see this story speaks and never fails;
to call, recall again ten thousand tales.

Deaths Of 2013

My third year doing this.

Paul Walker, Texas ranger,
driving fast leads to danger.
Matt Osbourne was Doink The Clown,
Paul Bearer always wore a frown.
Dennis Farina and James Gandolfini,
always played a mobster meany.
Peter O'Toole, famous actor,
Prime Minister, Margaret Thatcher.
President Nelson Mandela,
Dennis Burkley, was a famous fat actor fella.
Lou Reed, is now on the wild side,
took all the colored girls for a ride.
Conrad Bain and Bonnie Franklin,
tv actors who had white skin.
Paul Blair and Stan The Man,
playing baseball, when they can.
Marcia Wallace and Lisa Robin Kelly,
both had ***** that bounced like jelly.
Tom Clancy wrote famous books,
not much on having good looks.
Cory Montieth and Patti Page,
one died young, other of old age.
Jean Stapleton, was Edith Bunker,
Archie always put her in the dumper.
Pat Summerall and Deacon Jones,
played football and broke some bones.
Dr. Joyce Brothers and Pauline Phillips,
they both gave good and bad tips.
Ray Manzarek, from The Doors,
Jeff Hanneman knew all Slayers chords.
Chrissy Amphlett, liked to touch herself,
Caleb Moore's trophies are on his shelf.
Mindy McCready and George Jones,
both hit those country tones.
Chris Kelly from Kris Kross,
Ed Koch is a New York loss.
David Frost and Roger Ebert,
always had words to insert.
Anneitte Funicello from Mickey Mouse Club,
Eydie Gorme almost got a snub.
Jonathan Winters, was very funny,
to come from Mork's egg, made him money.
If you don't know who these people are,
look them up, internet not very far.
For the ones that I missed,
please don't get to ******.

Two inches was the measure, of young Stevies blunder,
Digging out concrete, not knowing whats under.
He felt a nugget, that wouldn't yield to the Pick,
So he used the Jack-Hammer, until he got that "kick".
Caught fire on the spot, looked at me, shocked,
Died in flames, got a days pay docked.
Cut the main cable, Fifty millimetres, metric,
I know you hate to ask, but Friends aren't Electric.

Dennis stepped back, pleased with his graft,
Fell two hundred foot, down an unguarded shaft.
Been on the Grinder, cutting out steels,
So the Elevator boys could fix , their cogs and their wheels.
Never said a word, no shout or no fuss,
Dennis died like he lived, just one of us.

Me and Baz on a roof, we knew was asbestos,
Brittle like toffee, temperamental as Kate Moss,
Had no crawling boards, so we tip-toed like burglars,
Clinging on tightly, think Ivy on Pergola's.
I heard the crack, leapt to the hip-tile,
Baz clawed and scraped, resistance was futile.
They spread out the sand, where Baz hit the deck,
To mop up the blood, from a broken neck.
Health and safety, if's and but's,
Shoddy workmanship, taking short-cuts.
We have no say, we try our best,
Hard hats, harder boots and high-visibility vests,
Are all that we leave, not Time-Shares or Merc's,
Just daughters in tears, Dads not home from work.

I remember it as if were yesterday
VE Day...well, not exactly
but, close enough for me
The actual surrender of Italy
May 2, 1945....but the **** Americans
Always the Americans wanted May 8
So, it's May 8th, but I'll always remember the second
We were in Milan...I love Milan
****** was dead, Mussolini was dead
I was alive, and in Milan
Rumours were out that the war in Europe was almost done
Nobody had told the Gerry's that though
Word came from Lubeck that they'd surrendered
I was twenty one years old, going on 50
War ages you...and not in a good way
I was in 6th Airborne and ready to go back
When the word came down
I remember kissing the waitress at our cafe
I kissed her hard, and with as much passion as a 21 yr. old can have
I didn't want to let her go
It was over
I kissed her for myself, and everyone in Milan
I kissed her for my folks in Clapham
I kissed her for her folks, wherever they were
I kissed her because we were free, they were free
I kissed her for my Uncle, who we lost early in 1941
Lost him during the blitz in London
England lost 430 people, we lost Uncle Cyril
That was enough, I was signing up
Now, it was over and I was moving on
I kissed her for everyone still waiting for the news
But, most of all, I kissed her for Leslie Testro, Rfn (18yrs)
Lance Cpl Thomas Wray (22 yrs), Lt. Dennis Edmonds (21 yrs)
and all the others attached to 6th Airborne
Who wouldn't know it was Victory in Italy
They were lost, not forgotten, never forgotten
Forever in our minds, our roll of honour
We celebrate them annualy
Few of us left now, but, those that are
go back to Italy every two or three years
back to Milan, and we toast them all
My waitress, Rosa Testrini
She was there as well, every year
Until five years back, we lost her
Now we toast her as well
We all have our honour roll
She was on mine
I found her again in 1950
We were on our second trip back
She met my wife, and I her husband
He's still there, and we talk
My Italian is better than his English
But, we talk as well as we can
I miss her, and the others
But that day, that glorious day in May
I've never kissed like that since
And my wife knows it
Sometimes she reminds me...
I laugh, and remind her....
What that day means...if it hadn't happened
We may not be kissing now
so, she'll never get that kiss
Only Rosa
Rest In Peace my waitress

Dennis was a citizen
A denizen, a resident
Of somewhere near a motorway
A hideaway most opulent
Ensnared amid the railway
And trail ways for motorcars
A haven from the modern day
The takeaways and trendy bars

But shattered in the summer morn
His rest was torn by hammering
Invading what was once inert
So to his curtains clamouring
He banished each to either side
He threw them wide with knuckles white
And saw in front of his abode
Across the road, a building site

A certainty within his mind
Did slowly wind his purpose tight
And with a grim determined jaw
Across the floor he took to flight
Descending stairs without a care
His morning hair resembling
A dandelion set to seed
In need of disassembling

He strode across his dining room
And snatched a broom which lay by chance
Against the table by the door
And held before him like a lance
He mounted his beloved bike
A cycle like no other made
And on a builder set his sight
With all his might and unafraid

He charged his foe at quite a rush
And with his brush, the builder smote
And leaping from his trusty steed
He did proceed to stop and gloat
Before resuming in his spate
The builders mate did turn and run
To raise the dragon, JCB
It roared with glee and wheels spun

So Dennis, though his ears resound
With just the pound of noble heart
Did firmly stand and face the beast
His brow was creased and feet apart
He struck the creature savagely
And stubbornly with just his head
And that, according to the news
Was what the paramedics said

The End

The comfort of my home is perhaps the one thing I miss the most. The protection of a grand, two-story house stocked with food of all sorts was replaced by an old, abandoned shack that held the same warmth our house once had. This house only had a fireplace as a source of light and heat.
     One day, my boyfriend, Jeremy, ran into our room in the midst of one of my naps. His dark hair was a mess, his white t-shirt torn and his blue jeans soaking wet. He shook me awake, and before allowing me to sit up and respond, he whispered instructions in my ear.
     “We have to be out of here within three minutes. Food, soap, anything, go, I’ll explain soon, we need to leave, let’s go,” He said, speaking faster than I could understand.      
     I grabbed the comforter that was folded at the foot of the bed, some pants and sweaters for each of us, then booked it down the hall to the bathroom to get soap and toothbrushes, and shuffled downstairs to the kitchen.
    What is happening? He is never this serious... Maybe it’s the drugs speaking; I could **** his stupid brother for doing this to him. What do I use every day, what can’t we live without, how long will this last, what is going on?
     “Jeremy, what is this about?” I screamed to him, wherever he had disappeared off to in the house. My hands were shaking as I tried to collect a series of food, panic driving through my body.
     “Shhh,” he whispered in my ear behind me. I spun and screamed. I dropped the collection of food I had gathered in my arms. He dropped two hiker backpacks at my feet, one landing with a loud thud noise, a heavy object inside. “Don’t ask about that,” he kicked the bag with his boot, then picked up the empty one and held it open to me, “fit everything you can into this bag.”    
     Tears sprung to my eyes as I quietly dropped the necessities from upstairs into the bottom of the empty bag. I collected the food off the floor and threw it in the bag with the mysterious object inside.
     He kissed my forehead gently and he held my face in his hands. A strong smell wafted off his hands. I winced at the sour odour. “What did you—” My voice cracked, tears spilling down my cheeks.
     Jeremy hung his head down, and I saw a tear drop run down his face. “We have to go. I’ll tell you on the way. Just, promise you’ll stay by my side. I need to protect you, I love you, Becky.” He whispered.
     This is the man who has seen me and promised me he would stick with me through everything. I can’t possibly deny him this one thing. But I’m so scared, what has he done…
     The heavily wooded area was a maze that was easy to get lost in. We ran in silence for three kilometres to the tree line. The leaves were almost completely detached from the trees, making it easier to see far deeper, though the same brown-black bark was confusing to separate from each tree. Unfamiliar territory was much harder for me to feel comfortable in, and my stomach was already flipping and turning from the news that my boyfriend would soon tell me.
     Once we had a clear idea of where we were going—a dirt path that looked to be a driveway had met the middle of a thick tree line—our nerves seemed to settle. I was ready to hear whatever he had to tell me, and I knew we could work together. What scared me the most was the seriousness he had instructed me with; that we had to leave the comfort of our home and run away.
     “Okay. You know the Mortimer’s always had something against me, right?” I nodded at the thought. The man who lived four houses away from ours, Josh Mortimer, had a strong dislike for Jeremy. “I was coming out of work today, and Josh and his bulky brother, Dennis, were waiting by my car in the parking lot. They looked pretty ******* about something, so I asked them what was going on, and Dennis grabbed me and pinned me against the car.” Jeremy sat down on a log, trying to catch his breath. His head rested in his hands, avoiding the concern written on my face. “I, uh… A fight broke out…” He rubbed his eyes with his ***** hands, and he looked up at me with a mixture of emotions, from fear, to regret and remorse, and such a deep, looming sadness. “…I killed them…”
     My heart started to skip. His eyes never looked away from mine as we held the stare that lasted for eternity. My knees wobbled and buckled beneath me. The back of my head hit the ground with a loud crack and darkness washed over me.

     I awoke to a wooden, white washed ceiling that was lined with two by fours, and the walls were built of thick tree trunks, stacked horizontally. The floor was similar to the ceiling; various types of trees were cut down into two by fours and laid together.
     I was lying on a *****, scrapped mattress, my hiker backpack sat at my side. Wrapped in the comforter from home and laying in front of a fireplace with the crackling sound brought me some sort of familiarity in this unknown place. The fire produced enough light to illuminate the large room with a lack of furniture. Across from the fireplace was a large window that had no view really; it just faced dozens of trees.
     Gathering some energy, I raised my head, which pounded with pain. Discomfort washed over me, as well as confusion. How did I get here? Where the hell am I? What is this place? It’s eerily frightening. Are we trespassing? It looks as though no one has lived here for years, though. Ugh, what is that smell!
    An unpleasant stench had found its way to me. It smelled like iron—that hard, unique smell that… Wait. I felt the back of my head, where I had hit the ground. My fingers twisted through my matted hair to an oozing cut that stung to touch. I pulled my hand away immediately and looked at it. My stomach flipped again. My fingers were almost dripping with thick crimson. The stench overtook me, causing me to fall back on my injury and immediately cry out in pain.
     Suddenly, an echoing series of tapping noises came from behind me. It was a hollow tapping sound, with a steady beat, like a pencil tapping a desk. The sound travelled through the wall, near the ceiling of the wall, all the way to the doorway.
     “Jeremy?” I whispered. My head spun as I climbed to my feet. The mattress was wedged in a corner, against the wall where the noises were contained, inside the two rooms. The tapping subdued, and summoning up the courage, I walked along the wall for support towards the door. I grasped the wooden stump used as a doorknob, counted to three slowly and turned it open, expecting the worst.
     The light of the fireplace danced against the door and reflected into the room. It was empty, except for the navy blue curtain that framed the window. The curtain was billowing in the wind, as the window was open wide. I crossed the poorly lit room to the window, my footsteps almost silent on the floor, and shut it.
     In the next room over, I heard a slam against the outside wall. I jumped, terrified of what could be in that room. Calm down, I need to calm down. It’s a windy night. Maybe it’s Jeremy trying to scare me. It was awfully unsettling to tell me he killed someone, and disappear without a word…
     I shuffled back to the fire, where I felt the most comfort. My eyes were fixated on the doorknob, as I was just waiting for it to turn itself and the door to creak open, inviting me in. Jeremy would wait on the other side of it; emerge from the darkness with the gun he hid in the bag, the one he told me not to worry about earlier, that gun he shot the Mortimer brothers with.
     I drew my legs towards my chest and started to cry quietly. I’m in a strange place, no idea where I am, or how to get home. My boyfriend is a murderer. He’s on the run. He wants to **** me because he couldn’t not tell me what he did. He would just tell me and **** me to get it over with, and he could live alone forever with the secret in his mind, and no one else will know.
     My mind cleared as my eyes got lost in the pattern of the flames. I checked my watch for the time, but there were about seven more hours until daylight. I was unaware as to how long I had been awake, but my nerves had calmed completely. I needed to go the bathroom.
     There was bound to be an outhouse around the outside of the cabin. I was reluctant at first, but I had to venture out into the darkness. I fished a sweater out of my backpack, and cautiously walked outside.
     The full moon was right above me, breaking through the tree cover to offer some light. Curious of its location, I tiptoed around the corner of the cabin, trying to find a path to the outhouse. Owls perched high above me hooted, and a weird screech echoed throughout the trees far away. I felt my way along the outside of the house, around the other corner, and stopped suddenly where I stood.
     A dark figure swayed through the moonlight, hovering just above the ground. My heart jumped into my throat as I heard the sound of the rope rubbing on the tree branch. Squealing, swaying, dancing in the darkness. I fled, unable to run from whatever was going on. I couldn’t trek out into the forest—I was trapped.
     Tears blinded me as I ran, completely defenceless. I’m going to die. The pounding of my heart was deafening. I need shelter, I need light. I ran inside, the last place I really wanted to go. There is something wrong with this place. An owl’s dark shadow fluttered and silhouetted outside of the cracked window. Need to keep the fire alive..
     I tripped and fell onto the mattress, sliding up against the gate that protected the fire. The gust of wind blanketed the fire momentarily. No! It can’t go out! I held my breath until the fire continued to flicker and pop.
     From behind me there were voices—whispers coming from the broken window. The forest was coming alive and was going to **** me like it killed Jeremy and no one would ever find us.
     A rustling noise occurred from the other side of the wall in the unexplored room, and soon it climbed around the outside walls. I need to hide myself where there are no windows. The doors seemed to lock from the inside. I need to lock myself in a room, somewhere safe, quiet, away from whatever is outside. The screeching continued to gain pitch until it buzzed inside of my head and the pain was excruciating.
     I grabbed the backpack of food and ran to the door that I hadn’t tried to open before. The doorknob didn’t open the first time. The noises got louder. My palms were slippery with sweat as I attempted to turn the **** clockwise and counter-clockwise in quick motions.
     “Open, ******!” I shoved my weight against the door as I turned it. The door gave about an inch and stopped, as if there was something on the other side of it that disabled the door from swinging open any further.
     Suddenly, for the first time since I left home, there was silence. There was no wind blowing through the cracked windows, nothing rustling through the trees, the buzzing noise had stopped. My heartbeat skipped once, as I stared through the crack in the door.
     A soft cry escaped from the other side. Wait, is there someone else here? How did she get in past me? Maybe I am trespassing after all, and this girl is scared because she heard someone screaming in her house.
     The little girl’s cry caught in her throat, and then she coughed. I couldn’t see her at all through the space in the door. “Hello? Can I come in, please?” I pushed the door again, this time it shifted, allowing me full view of the room.
     The only furniture was a dark wooden bed, draped with a black sheet. A young girl, dressed in a white nightgown, with choppy black hair kneeled facing away from me. Her breathing was heavy, and when she heard my voice, she perked up from the slouch on her knees.
     “Who are you?” Her small voice twisted, and she cocked her head to the side and swung it around to look at me. The whites of her wide eyes were yellow, and her face was covered in gashes and black bruises. The front of her dress was soaking with fresh dark, red blood.
     Slowly, I closed the door, and leaned back against it, letting out a few deep breaths. The fire was almost completely burned out, leaving the room extremely dark. The desire for comfort washed over me, so I trudged through the plants that covered the forest floor, towards the hanging body.
     I reached for the rope that was slung tight around Jeremy’s neck, standing on the ***** of my feet. Color was drained from his face, except for the precious blue of his eyes. Using all my strength, the knot came undone on the second pull, and the body dropped to the ground into a collection of bushes. Gently, I unravelled him from the tangled bushes unscathed. Preparing to pull, I wrapped my arms around his forearms and dragged him around the corner of the house. His weight had felt as though it had doubled; I had to stop a few times to catch my breath.
     The sun had just broken the horizon, an orange glow seeping through the trees. Songbirds had started to sing. “Do you hear that? Isn’t it beautiful?” I whispered in Jeremy’s ear, holding his hand in mine. The comforter had kept us both warm while we slept, as the fire was completely burned out when Jeremy and I had come inside in the night. “I like it here; I want to stay forever.” I smiled.

added to the fact that guns 'n' roses cite the Texan twang that can't be New Orleans in their song civil war from the album use your illusion pt. 2 from this film.

i play tricks with my father, rather i insinuate a strategy,
he's a worker of manual tedium,
we watch movies together and play the game:
what year, what actor, what other film was he in.
it paid off today... i sat watching *gentlemen prefer
blondes, oh god the American Renaissance
between the 50s and 60s and all that poetry...
where normal women would be considered fat
by today's standards of beauty-torture -
those thighs! those legs! then i started watching
cool hand luke... the man spotted Dennis Hopper!
playing Babalugats... the madman, sing-along...
a truly broken man, with such a defence membrane
that he escaped reality altogether, not the sort
of reality that cool Luke tried escaping from by
stealing one truck and taking the keys from the other
vehicles of the chain-gang in the deep south...
Babalugats did the real escape, he went mad, he said:
**** it, give me the extinguisher of ego, i'm
in a burning building, scortch my insides but
leave me immune to the fire of labour and iron bars
and that ******* routine of prison life!
he truly did escape, his threshold for enduring pain
increased to the point that he purred, clocked a chicken
strut and fellow prisoners took a pity on him to
the point of protecting him... the thing is...
i didn't spot Dennis Hopper... my father did... finally
the game i was invoking when watching movies:
the odd reference here and there paid off, i turned
my father into looking for cinematic patterns,
face recognitions, because of his manual profession
and his abhorrence of reading anything but the newspaper:
visual tactic... i'm seriously about to cry, and to not
vocalise it i pinch my nose as if snorkelling and then
no sound is made but the tears flow...
the game paid off, he became better than me at the game
of face-to-face association... i'm guessing this was
Dennis Hopper's debut... well after Blue Velvet he made
a name for himself... but like my grandfather said:
it takes great skill to play a Dostoyevsky idiot...
imagine Rowan Atkinson playing Mr. Bean or
the Antichrist playing Jesus of Nazareth - antimatter
and quantum physics and all to boot as
the rational cinematography allowance for people to
stomach such an eventuality.

Charles Dennis


I was in my den, in my favorite chair with its
walls of wood and its shelves filled with wares from an
excursion I had taken to a far away land, and collected
these items to place where they stand.

I could hear the clock ticking, hear the wind howling outside,
while I held on to this shotgun, I had by my side.

I glanced out the window and all I could see
were blowing branches and leaves
that fell from the trees.

Wind blew in gusts, the rain started to fall, as I heard a
child's voice beginning to call. I could not make out just what
they said I had strange visions of ghosts in my head. As the rain fell harder
it came down in sheets like ghosts that move without any feet.

As night was waning, the flames started to rise in the
fireplace right in front of my eyes, as witches, goblins and
ghosts started to fly doing loops and dips
and spectacular dives.

My shotgun fell to the floor and right at that time I
heard a knock at the door, just as those witches, goblins
and scary old ghosts passed by. I opened the door as
scared as I was and there stood a goblin not quite
four foot one. It opened its mouth as I shook on
my feet and out came a phrase

“Hi, Trick or Treat.”


© 2009 Charles Dennis

www.charlesdennispoetry.com

Hello, my name is Dennis Drain, I am 17 years old and currently attending Silver Creek High School as a junior. My school has officially made changes to its curriculum to fit a big picture school. In this form of schooling students explore there interests and gain high school accreditation threw the real world work they do in the community. In speaking to my advisory teacher Mr. Topp we have found that having an interview with a musician who knows the business would positively impact my career. I have great interest in the rap industry. I have allot of lyrics that I have wrote and would like to start recording. As part of my semester goals I would like to start to build a foundation of musicians, lyricists, company leaders, and producers. You can contact my advisory teacher Mr.Topp during the hours of 9:00 Am and 3:30 Pm at the schools number (208)-578-5060 or through email at ttopp@blaineschools.org . I would be able to do the interview via Skype, Facetime or Googlechat.  Please help me in attempting to chase my dream through hard work, persistence and the community you belong to. You can contact me personally via email at ZtickZblaZiN@yahoo.com facebook or by phone at (208)-720-0961 ask for Dennis. Thank you for your attention to this email, I look forward to speaking with you in the near future.
                                                         ­                                                                 ­                  - Dennis Drain
                                                           ­                                                                 ­                  ZtickZ

sugar plum
apple pie
an cherry pie
an blossoms of my heart
once upon a time
at christmas time
she is the sugar plum
of my heart.
an apple pie of my eye
on this christmas day
hear the song of song
sugar plum
sugar plum
don't break my heart
in two because i love you
true.
you my cream puff
of my heart .
an apple sauce
of my dream.
my little sugar plum
on this christmas day.
sugar plum
an gum drop
dream of heart
cherry pie what a delight.
on this christmas day.
she is my sugar plum
the apple of of my heart
my sugar plum
on this christmas day.
my sugar plum dream.

A SONG READ THREE TIME AN SING THAT A SONG
                                 THANK YOU DENNIS GUNSTEEN

Censored
Copyright@2018 Dennis Willis

Goodbye my uncle Dennis Randall
It is sad to see you go
But you died in January
So you return in November
To your new family
I knew you invented oil
Burning tyres and ****
But what’s up woods will
Welcome you to their family
A month before Christmas
You see you will have a lively
Family, just like you would like
You see I don’t care, Dennis
How many people liked or hated you
But this family will love you
You will be a little girl
A bundle of joy for your mum
And your dad loves you
Just like we did
Ommmmmmm goodbye Dennis
Ommmmmmm have a good next life
Ommmmmmm what’s up woods is for you
Ommmmmmm every year you will celebrate in November
Ommmmmmm near thanksgiving
Ommmmmmm you will celebrate that to
Ommmmmmm I can’t wait to hear your new name
Dennis Randall
Goodbye from the Allan’s and gimberts
And others
Enjoy what’s up woods

A vengeful Vers of death
As you lay your final breath
I may be gone'
But it will carry on
No way will it let you win'
It is what i held within
Broken you are nothing as i tare into something
I will be the savior
holding up the weaker '
And i wont let you win
When i protect the broken
Maybe you could run just make it fun
it will be your time '
ill be at the front of the line '
I will not let you tare us down
never again will another hit the ground
Broken but we will not make a sound
When we burn the world to the ground

Mr Fin
thin
moustached

and grey suited
talked
of the Plague of London

in 1665
and people dying
and red crosses

on doors
and rats and ships
and BRING OUT

YOUR DEAD
being yelled
through

the narrow streets
we sat enthralled
taking in

the history lesson
Dennis drew a cross
on his palm

in red ink
(he had a job
to get that off

in recess)
and said
I bet he was there

old Fin
bet he was a kid
back then

it was almost
three hundred
years ago

I said
this is 1956
Dennis shrugged

his shoulders
and kept
to his theory

I watched the teacher
and how his hand
wrote so neatly

on the board
and drew a picture
of streets

with doors
with red crosses
and shadowy people

hanging round
Janice sat to my right
her eyes glued

to the board
as Mr Fin
wrote and drew

her chin
in the palm
of her thin hand

scribbling
in her exercise book
with her right hand

I liked her fair hair
the way it flowed
over her shoulders

like water
over rocks
the way her fingers

touched her cheek
as her palm
held the chin

another girl
sat next to her
some fat girl

with black hair
and a thin
faint moustache

and earrings
I liked Janice's
pink ear

showing through
a gap
in her hair

then Fin said
next time
we'll talk

of the Great Fire
of London
in 1666

Dennis stuck gum
under his desk
Janice closed her book

and gave me
her engaging  
young girl look.

Hail in peace wherever you abode now, dear Nadine Gordimer
You white daughter of Africa, the pen-mistress of July’s people,
You are the lover of July, your holy months of literature
That similarly gave a ****** grave marriage to Maziz Kunene
The African saint of orature; And Okot P’ Bitek, the lion of Gulu,
July have wedded you to the sombre grave in the Jo’burg,
As its apparatchik, the menacing jaws of death feel humdinger!
O! Dear little daughter, cursed are the jaws of death
They have kept on wooing and wooing you relentlessly
They have yearned for your betrothal with mad jealous,
For your iconic position in white African literature,
In which you stand with soldierly embrace a Nobelite,
They have now taken you to their inner chamber nuptials in death,
Before anything; let them now pay dowry to your bothers;
J M Coetzee, Alex La Guma and Dennis Brutus,
For there’s is a competent herds boy, a black shepherd;
Ezekia Mphalele, his living soul will keep the cows
Off down Corner B of the troubled African Image.
Say hello for those you are with in the current realm,
Say hello to foremen and fore daughters of Africa
Those that chose to visit the realm of ancestor precociously;
Say hello to them; Angelo Maya and Doris Lessing,
Let their caged birds and blooming grass sing uproariously,
Marriama Ba and Margaret Ogola, African girls,
They had a long letter and the source of the river from black dialectics,
O! Dear old baby Nadine Gordimer, stand firm in face to face with nothing
Other than the present time you’re in; the Africa’s realm of living dead
To sing the ballads of anti-apartheid both in heaven and on earth,
The only true testament of your footprints on the global sands of times
That Nadine Gordimer, July’s white-African daughter is deadly alive!

you have good days
                         and bad ones
                             mostly bad ones it feels like
  
     a good day:twisted smile
                      dimples
                      bright eyes crinkle
                      golden hairs
                      i want to touch you
     but a bad day
curved over your long limbs as you stare blankly down and hunch over and you look so dead as you frown and your eyes are dead and you are dead.you’re ******* dead.a dead angry deer run over in the street.its eyes are still open and it stares out with hatred and resentment,it isn’t natural why are you so dead

I still want to touch you