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She's like deliquescent caramel,

the cool side of a pillow

        to lay your weary head,

subtleties of springtime &

          warmth in wintertide,

whispering hope upon lush  

        Zephyrus pipe dreams,  

    mellifluous nymph with wings

                 of a butterfly warrior,

softly determined,

    unfailingly true-hearted,

       whilst relentlessly ferocious

  Wise, yet sometimes struts

        blindly in the light,

       as dulcet tones of a cello's

           melodious marmalade

            in sentiment's tender fancy,

she's beauty, charm,

         knowledge, poetry,

               utter strength,

               & humane weaknesses,

she's twisted and ethereal,

           her aura sublimely captivating

     you may covet her body,

            you'll never possess her soul
Nigel Morgan May 2015
In a distant land, far beyond the time we know now, there lived an ancient people who knew in their bones of a past outside memory. Things happened over and over; as day became night night became day, spring followed winter, summer followed spring, autumn followed summer and then, and then as autumn came, at least the well-known ordered days passed full of preparation for the transhumance, that great movement of flocks and herds from the summer mountains to the winter pastures. But in the great oak woods of this region the leaves seemed reluctant to fall. Even after the first frosts when the trees glimmered with rime as the sun rose. Even when winter’s cousin, the great wind from the west, ravaged the conical roofs of the shepherds’ huts. The leaves did not fall.

For Lucila, searching for leaves as she climbed each day higher and higher through the parched undergrowth under the most ancient oaks, there were only acorns, slews of acorns at her feet. There were no leaves, or rather no leaves that might be gathered as newly fallen. Only the faint husks of leaves of the previous autumn, leaves of provenance already gathered before she left the mountains last year for the winter plains, leaves she had placed into her deep sleeves, into her voluminous apron, into the large pockets of her vlaterz, the ornate felt jacket of the married woman.

Since her childhood she had picked and pocketed these oaken leaves, felt their thin, veined, patterned forms, felt, followed, caressed them between her finger tips. It was as though her pockets were full of the hands of children, seven-fingered hands, stroking her fingers with their pointed tips when her fingers were pocketed.

She would find private places to lay out her gathered leaves. She wanted none to know or touch or speak of these her children of the oak forest. She had waited all summer, as she had done since a child, watching them bud and grow on the branch, and then, with the frosts and winds of autumn, fall, fall, fall to the ground, but best of all fall into her small hands, every leaf there to be caught, fallen into the bowl of her cupped hands. And for every leaf caught, a wish.

Her autumn days became full of wishes. She would lie awake on her straw mattress after Mikas had risen for the night milking, that time when the rustling bells of the goats had no accompaniment from the birds. She would assemble her lists of wishes, wishes ready for leaves not yet fallen into the bowl of her cupped hands. May the toes of my baby be perfectly formed? May his hair fall straight without a single curl? May I know only the pain I can bear when he comes? May the mother of Mikas love this child?

As the fine autumn days moved towards the feast day of St Anolysius, the traditional day of departure of the winter transhumance, there was, this season, an unspoken tension present in the still, dry air. Already preparations were being made for the long journey to the winter plains. There was soon to be a wedding now three days away, of the Phatos boy to the Tamosel girl. The boy was from an adjoining summer pasture and had travelled during the summer months with an itinerant uncle, a pedlar of sorts and beggar of repute. So he had seen something of the world beyond those of the herds and flocks can expect to see. He was rightly-made and fit to marry, although, of course, the girl was to be well-kept secret until the day itself.

Lucila remembered those wedding days, her wedding days, those anxious days of waiting when encased in her finery, in her seemingly impenetrable and voluminous wedding clothes she had remained all but hidden from view. While around her the revelling came and went, the drunkenness, the feasting, the riotous eruptions of noise and movement, the sudden visitations of relatives she did not know, the fierce instructions of women who spoke to her now as a woman no longer a young girl or a dear child, women she knew as silent, shy and respectful who were now loud and lewd, who told her things she could hardly believe, what a man might do, what a man might be, what a woman had to suffer - all these things happening at the same time. And then her soon-to-be husband’s drunk-beyond-reason friends had carried off the basket with her trousseau and dressed themselves riotously in her finest embroidered blouses, her intricate layered skirts, her petticoats, even the nightdress deemed the one to be worn when eventually, after three days revelry, she would be visited by a man, now more goat than man, sodden with drink, insensible to what little she understood as human passion beyond the coupling of goats. Of course Semisar had prepared the bright blood for the bridesbed sheet, the necessary evidence, and as Mikas lay sprawled unconscious at the foot of the marriage bed she had allowed herself to be dishevelled, to feign the aftermath of the act he was supposed to have committed upon her. That would, she knew, come later . . .

It was then, in those terrible days and after, she took comfort from her silent, private stitching into leaves, the darning of acorns, the spinning of skeins of goats’ wool she would walnut-dye and weave around stones and pieces of glass. She would bring together leaves bound into tiny books, volumes containing for her a language of leaves, the signs and symbols of nature she had named, that only she knew. She could not read the words of the priest’s book but was fluent in the script of veins and ribs and patterning that every leaf owned. When autumn came she could hardly move a step for picking up a fallen leaf, reading its story, learning of its history. But this autumn now, at the time of leaf fall, the fall of the leaf did not happen and those leaves of last year at her feet were ready to disintegrate at her touch. She was filled with dread. She knew she could not leave the mountains without a collection of leaves to stitch and weave through the shorter days and long, long winter nights. She had imagined sharing with her infant child this language she had learnt, had stitched into her daily life.

It was Semisar of course, who voiced it first. Semisar, the self-appointed weather ears and horizon eyes of the community, who followed her into the woods, who had forced Lucila against a tree holding one broad arm and her body’s weight like a bar from which Lucila could not escape, and with the other arm and hand rifled the broad pockets of Lucila’s apron. Semisar tossed the delicate chicken bone needles to the ground, unravelled the bobbins of walnut-stained yarn, crumpled the delicately folded and stitched, but yet to be finished, constructions of leaves . . . And spewed forth a torrent of terrible words. Already the men knew that the lack of leaf fall was peculiar only to the woods above and around their village. Over the other side of the mountain Telgatho had said this was not so. Was Lucila a Magnelz? Perhaps a Cutvlael? This baby she carried, a girl of course, was already making evil. Semisar placed her hand over and around the ripe hard form of the unborn child, feeling for its shape, its elbows and knees, the spine. And from there, with a vicelike grip on the wrist, Semisar dragged Lucila up and far into the woods to where the mountain with its caves and rocks touched the last trees, and from there to the cave where she seemed to know Lucila’s treasures lay, her treasures from childhood. Semisar would destroy everything, then the leaves would surely fall.

When Lucila did not return to prepare the evening meal Mikas was to learn all. Should he leave her be? He had been told women had these times of strange behaviour before childbirth. The wedding of the Phatos boy was almost upon them and the young men were already behaving like goats before the rut. The festive candles and tinselled wedding crowns had been fetched from the nearest town two days ride distant, the decoration of the tiny mountain basilica and the accommodation for the priest was in hand. The women were busy with the making of sweets and treats to be thrown at the wedding pair by guests and well-wishers. Later, the same women would prepare the dough for the millstones of bread that would be baked in the stone ovens. The men had already chosen the finest lambs to spit-roast for the feast.

She will return, Semisar had said after waiting by the fold where Mikas flocks, now gathered from the heights, awaited their journey south. All will be well, Mikas, never fear. The infant, a girl, may not last its birth, Semisar warned, but seeing the shocked face of Mikas, explained a still-birth might be providential for all. Know this time will pass, she said, and you can still be blessed with many sons. We are forever in the hands of the spirit, she said, leaving without the customary salutation of farewell.
                                               
However different the lives of man and woman may by tradition and circumstance become, those who share the ways and rites of marriage are inextricably linked by fate’s own hand and purpose. Mikas has come to know his once-bride, the child become woman in his clumsy embrace, the girl of perhaps fifteen summers fulfilling now his mother’s previous role, who speaks little but watches and listens, is unfailingly attentive to his needs and demands, and who now carries his child ( it can only be a boy), carries this boy high in her womb and with a confidence his family has already remarked upon.

After their wedding he had often returned home to Lucila at the time of the sun’s zenith when it is customary for the village women to seek the shade of their huts and sleep. It was an unwritten rite due to a newly-wed husband to feign the sudden need for a forgotten tool or seek to examine a sick animal in the home fold. After several fruitless visits when he found their hut empty he timed his visit earlier to see her black-scarfed figure disappear into the oak woods.  He followed her secretively, and had observed her seated beneath an ancient warrior of a tree, had watched over her intricate making. Furthermore and later he came to know where she hid the results of this often fevered stitching of things from nature’s store and stash, though an supernatural fear forbade him to enter the cleft between rocks into which she would disappear. He began to know how times and turns of the days affected her actions, but had left her be. She would usually return bright-eyed and with a quiet wonder, of what he did not know, but she carried something back within her that gave her a peculiar peace and beauty. It seemed akin to the well-being Mikas knew from handling a fine ewe from his flock . . .

And she would sometimes allow herself to be handled thus. She let him place his hands over her in that joyful ownership and command of a man whose life is wholly bound up with flocks and herds and the well-being of the female species. He would come from the evening watch with the ever-constant count of his flock still on his lips, and by a mixture of accident and stealth touch her wholly-clothed body, sometimes needing his fingers into the thick wool of her stockings, stroking the chestnut silken hairs that he found above her bare wrists, marvelling at her small hands with their perfect nails. He knew from the ribaldry of men that women were trained from childhood to display to men as little as possible of their intimate selves. But alone and apart all day on a remote hillside, alone save for several hundred sheep, brought to Mikas in his solitary state wild and conjured thoughts of feminine spirits, unencumbered by clothes, brighter and more various than any night-time dream. And he had succumbed to the pleasure of such thoughts times beyond reason, finding himself imagining Lucila as he knew she was unlikely ever to allow herself to be. But even in the single winter and summer of their life together there had been moments of surprise and revelation, and accompanied by these precious thoughts he went in search of her in the darkness of a three-quarter moon, into the stillness of the night-time wood.

Ah Lucilla. We might think that after the scourge of Semisar, the physical outrage of her baby’s forced examination, and finally the destruction of her treasures, this child-wife herself with child would be desolate with grief at what had come about. She had not been forced to follow Semisar into the small cave where wrapped in woven blankets her treasures lay between the thinnest sheets of impure and rejected parchment gleaned surreptitiously after shearing, but holding each and every treasure distinct and detached. There was enough light for Semisar to pause in wonder at the intricate constructions, bright with the aura of extreme fragility owned by many of the smaller makings. And not just the leaves of the oak were here, but of the mastic, the walnut, the flaky-barked strawberry and its smoothed barked cousin. There were leaves and sheaves of bark from lowland trees of the winter sojourn, there were dried fruits mysteriously arranged, constructions of acorns threaded with the dark madder-red yarn, even acorns cracked and damaged from their tree fall had been ‘mended’ with thread.

Semisar was to open some of the tiny books of leaved pages where she witnessed a form of writing she did not recognise (she could not read but had seen the priest’s writing and the print of the holy books). This she wondered at, as surely Lucila had only the education of the home? Such symbols must belong to the spirit world. Another sign that Lucila had infringed order and disturbed custom. It would take but a matter of minutes to turn such makings into little more than a layer of dust on the floor.

With her bare hands Semisar ground together these elaborate confections, these lovingly-made conjunctions of needle’s art with nature’s purpose and accidental beauty. She ground them together until they were dust.

When Semisar returned into the pale afternoon light it seemed Lucila had remained as she had been left: motionless, and without expression. If Semisar had known the phenomenon of shock, Lucila was in that condition. But, in the manner of a woman preparing to grieve for the dead she had removed her black scarf and unwound the long dark chestnut plaits that flowed down her back. But there were no tears. only a dumb silence but for the heavy exhalation of breath. It seemed that she looked beyond Semisar into the world of spirits invoking perhaps their aid, their comfort.

What happened had neither invoked sadness nor grief. It was as if it had been ordained in the elusive pattern of things. It felt like the clearing of the summer hut before the final departure for the long journey to the winter world. The hut, Lucila had been taught, was to be left spotless, every item put in its rightful place ready to be taken up again on the return to the summer life, exactly as if it had been undisturbed by absence . Not a crumb would remain before the rugs and coverings were rolled and removed, summer clothes hard washed and tightly mended, to be folded then wrapped between sprigs of aromatic herbs.

Lucila would go now and collect her precious but scattered needles from beneath the ancient oak. She would begin again - only to make and embroider garments for her daughter. It was as though, despite this ‘loss’, she had retained within her physical self the memory of every stitch driven into nature’s fabric.

Suddenly Lucila remembered that saints’ day which had sanctioned a winter’s walk with her mother, a day when her eyes had been drawn to a world of patterns and objects at her feet: the damaged acorn, the fractured leaf, the broken berried branch, the wisp of wool left impaled upon a stub of thorns. She had been five, maybe six summers old. She had already known the comforting action of the needle’s press again the felted cloth, but then, as if impelled by some force quite outside herself, had ‘borrowed’ one of her mother’s needles and begun her odyssey of darning, mending, stitching, enduring her mother’s censure - a waste of good thread, little one - until her skill became obvious and one of delight, but a private delight her mother hid from all and sundry, and then pressed upon her ‘proper’ work with needle and thread. But the damage had been done, the dye cast. She became nature’s needle slave and quartered those personal but often invisible
Nico Julleza Nov 2017
∙∙∙◦◦•◎•◦◦∙∙∙
Shut the doors
and drift the words away
we act like rascals
toiling with our frays
weakening to the knees
idyllic river feels,
reaching an ominous sea
longing our moments
as our tale would breathe

She adores many
may it be pretty in pink
or baby in blues
but I like most a lot
how she paints prism hues
unfailingly she tells me
—that she's in love
and I could tell
in her gleaming smile
extending up above

She's the Juliet
I would never trade
the starlight in between
my midnight eyes
the snow I would trail

A poem and A prose
everyone's dying to sigh
a binding might
our hearts of ribbons tied
and we sat to an oriel
—above the bedroom floor
touching hands
grasping each other’s core
a common connection
the afterglows of love
a better reason
as we left kisses to depart
#Eternally #Inspired #Love

(NCJ)POETRYProductions. ©2017
Now when Morning, clad in her robe of saffron, had begun to suffuse
light over the earth, Jove called the gods in council on the topmost
crest of serrated Olympus. Then he spoke and all the other gods gave
ear. “Hear me,” said he, “gods and goddesses, that I may speak even as
I am minded. Let none of you neither goddess nor god try to cross
me, but obey me every one of you that I may bring this matter to an
end. If I see anyone acting apart and helping either Trojans or
Danaans, he shall be beaten inordinately ere he come back again to
Olympus; or I will hurl him down into dark Tartarus far into the
deepest pit under the earth, where the gates are iron and the floor
bronze, as far beneath Hades as heaven is high above the earth, that
you may learn how much the mightiest I am among you. Try me and find
out for yourselves. Hangs me a golden chain from heaven, and lay
hold of it all of you, gods and goddesses together—tug as you will,
you will not drag Jove the supreme counsellor from heaven to earth;
but were I to pull at it myself I should draw you up with earth and
sea into the bargain, then would I bind the chain about some
pinnacle of Olympus and leave you all dangling in the mid firmament.
So far am I above all others either of gods or men.”
  They were frightened and all of them of held their peace, for he had
spoken masterfully; but at last Minerva answered, “Father, son of
Saturn, king of kings, we all know that your might is not to be
gainsaid, but we are also sorry for the Danaan warriors, who are
perishing and coming to a bad end. We will, however, since you so
bid us, refrain from actual fighting, but we will make serviceable
suggestions to the Argives that they may not all of them perish in
your displeasure.”
  Jove smiled at her and answered, “Take heart, my child,
Trito-born; I am not really in earnest, and I wish to be kind to you.”
  With this he yoked his fleet horses, with hoofs of bronze and
manes of glittering gold. He girded himself also with gold about the
body, seized his gold whip and took his seat in his chariot. Thereon
he lashed his horses and they flew forward nothing loth midway twixt
earth and starry heaven. After a while he reached many-fountained Ida,
mother of wild beasts, and Gargarus, where are his grove and
fragrant altar. There the father of gods and men stayed his horses,
took them from the chariot, and hid them in a thick cloud; then he
took his seat all glorious upon the topmost crests, looking down
upon the city of Troy and the ships of the Achaeans.
  The Achaeans took their morning meal hastily at the ships, and
afterwards put on their armour. The Trojans on the other hand likewise
armed themselves throughout the city, fewer in numbers but
nevertheless eager perforce to do battle for their wives and children.
All the gates were flung wide open, and horse and foot sallied forth
with the ***** as of a great multitude.
  When they were got together in one place, shield clashed with
shield, and spear with spear, in the conflict of mail-clad men. Mighty
was the din as the bossed shields pressed ******* one another-
death—cry and shout of triumph of slain and slayers, and the earth
ran red with blood.
  Now so long as the day waxed and it was still morning their
weapons beat against one another, and the people fell, but when the
sun had reached mid-heaven, the sire of all balanced his golden
scales, and put two fates of death within them, one for the Trojans
and the other for the Achaeans. He took the balance by the middle, and
when he lifted it up the day of the Achaeans sank; the death-fraught
scale of the Achaeans settled down upon the ground, while that of
the Trojans rose heavenwards. Then he thundered aloud from Ida, and
sent the glare of his lightning upon the Achaeans; when they saw this,
pale fear fell upon them and they were sore afraid.
  Idomeneus dared not stay nor yet Agamemnon, nor did the two
Ajaxes, servants of Mars, hold their ground. Nestor knight of Gerene
alone stood firm, bulwark of the Achaeans, not of his own will, but
one of his horses was disabled. Alexandrus husband of lovely Helen had
hit it with an arrow just on the top of its head where the mane begins
to grow away from the skull, a very deadly place. The horse bounded in
his anguish as the arrow pierced his brain, and his struggles threw
others into confusion. The old man instantly began cutting the
traces with his sword, but Hector’s fleet horses bore down upon him
through the rout with their bold charioteer, even Hector himself,
and the old man would have perished there and then had not Diomed been
quick to mark, and with a loud cry called Ulysses to help him.
  “Ulysses,” he cried, “noble son of Laertes where are you flying
to, with your back turned like a coward? See that you are not struck
with a spear between the shoulders. Stay here and help me to defend
Nestor from this man’s furious onset.”
  Ulysses would not give ear, but sped onward to the ships of the
Achaeans, and the son of Tydeus flinging himself alone into the
thick of the fight took his stand before the horses of the son of
Neleus. “Sir,” said he, “these young warriors are pressing you hard,
your force is spent, and age is heavy upon you, your squire is naught,
and your horses are slow to move. Mount my chariot and see what the
horses of Tros can do—how cleverly they can scud hither and thither
over the plain either in flight or in pursuit. I took them from the
hero Aeneas. Let our squires attend to your own steeds, but let us
drive mine straight at the Trojans, that Hector may learn how
furiously I too can wield my spear.”
  Nestor knight of Gerene hearkened to his words. Thereon the
doughty squires, Sthenelus and kind-hearted Eurymedon, saw to Nestor’s
horses, while the two both mounted Diomed’s chariot. Nestor took the
reins in his hands and lashed the horses on; they were soon close up
with Hector, and the son of Tydeus aimed a spear at him as he was
charging full speed towards them. He missed him, but struck his
charioteer and squire Eniopeus son of noble Thebaeus in the breast
by the ****** while the reins were in his hands, so that he died there
and then, and the horses swerved as he fell headlong from the chariot.
Hector was greatly grieved at the loss of his charioteer, but let
him lie for all his sorrow, while he went in quest of another
driver; nor did his steeds have to go long without one, for he
presently found brave Archeptolemus the son of Iphitus, and made him
get up behind the horses, giving the reins into his hand.
  All had then been lost and no help for it, for they would have
been penned up in Ilius like sheep, had not the sire of gods and men
been quick to mark, and hurled a fiery flaming thunderbolt which
fell just in front of Diomed’s horses with a flare of burning
brimstone. The horses were frightened and tried to back beneath the
car, while the reins dropped from Nestor’s hands. Then he was afraid
and said to Diomed, “Son of Tydeus, turn your horses in flight; see
you not that the hand of Jove is against you? To-day he vouchsafes
victory to Hector; to-morrow, if it so please him, he will again grant
it to ourselves; no man, however brave, may thwart the purpose of
Jove, for he is far stronger than any.”
  Diomed answered, “All that you have said is true; there is a grief
however which pierces me to the very heart, for Hector will talk among
the Trojans and say, ‘The son of Tydeus fled before me to the
ships.’ This is the vaunt he will make, and may earth then swallow
me.”
  “Son of Tydeus,” replied Nestor, “what mean you? Though Hector say
that you are a coward the Trojans and Dardanians will not believe him,
nor yet the wives of the mighty warriors whom you have laid low.”
  So saying he turned the horses back through the thick of the battle,
and with a cry that rent the air the Trojans and Hector rained their
darts after them. Hector shouted to him and said, “Son of Tydeus,
the Danaans have done you honour hitherto as regards your place at
table, the meals they give you, and the filling of your cup with wine.
Henceforth they will despise you, for you are become no better than
a woman. Be off, girl and coward that you are, you shall not scale our
walls through any Hinching upon my part; neither shall you carry off
our wives in your ships, for I shall **** you with my own hand.”
  The son of Tydeus was in two minds whether or no to turn his
horses round again and fight him. Thrice did he doubt, and thrice
did Jove thunder from the heights of. Ida in token to the Trojans that
he would turn the battle in their favour. Hector then shouted to
them and said, “Trojans, Lycians, and Dardanians, lovers of close
fighting, be men, my friends, and fight with might and with main; I
see that Jove is minded to vouchsafe victory and great glory to
myself, while he will deal destruction upon the Danaans. Fools, for
having thought of building this weak and worthless wall. It shall
not stay my fury; my horses will spring lightly over their trench, and
when I am BOOK at their ships forget not to bring me fire that I may
burn them, while I slaughter the Argives who will be all dazed and
bewildered by the smoke.”
  Then he cried to his horses, “Xanthus and Podargus, and you Aethon
and goodly Lampus, pay me for your keep now and for all the
honey-sweet corn with which Andromache daughter of great Eetion has
fed you, and for she has mixed wine and water for you to drink
whenever you would, before doing so even for me who am her own
husband. Haste in pursuit, that we may take the shield of Nestor,
the fame of which ascends to heaven, for it is of solid gold, arm-rods
and all, and that we may strip from the shoulders of Diomed. the
cuirass which Vulcan made him. Could we take these two things, the
Achaeans would set sail in their ships this self-same night.”
  Thus did he vaunt, but Queen Juno made high Olympus quake as she
shook with rage upon her throne. Then said she to the mighty god of
Neptune, “What now, wide ruling lord of the earthquake? Can you find
no compassion in your heart for the dying Danaans, who bring you
many a welcome offering to Helice and to Aegae? Wish them well then.
If all of us who are with the Danaans were to drive the Trojans back
and keep Jove from helping them, he would have to sit there sulking
alone on Ida.”
  King Neptune was greatly troubled and answered, “Juno, rash of
tongue, what are you talking about? We other gods must not set
ourselves against Jove, for he is far stronger than we are.”
  Thus did they converse; but the whole space enclosed by the ditch,
from the ships even to the wall, was filled with horses and
warriors, who were pent up there by Hector son of Priam, now that
the hand of Jove was with him. He would even have set fire to the
ships and burned them, had not Queen Juno put it into the mind of
Agamemnon, to bestir himself and to encourage the Achaeans. To this
end he went round the ships and tents carrying a great purple cloak,
and took his stand by the huge black hull of Ulysses’ ship, which
was middlemost of all; it was from this place that his voice would
carry farthest, on the one hand towards the tents of Ajax son of
Telamon, and on the other towards those of Achilles—for these two
heroes, well assured of their own strength, had valorously drawn up
their ships at the two ends of the line. From this spot then, with a
voice that could be heard afar, he shouted to the Danaans, saying,
“Argives, shame on you cowardly creatures, brave in semblance only;
where are now our vaunts that we should prove victorious—the vaunts
we made so vaingloriously in Lemnos, when we ate the flesh of horned
cattle and filled our mixing-bowls to the brim? You vowed that you
would each of you stand against a hundred or two hundred men, and
now you prove no match even for one—for Hector, who will be ere
long setting our ships in a blaze. Father Jove, did you ever so ruin a
great king and rob him so utterly of his greatness? yet, when to my
sorrow I was coming hither, I never let my ship pass your altars
without offering the fat and thigh-bones of heifers upon every one
of them, so eager was I to sack the city of Troy. Vouchsafe me then
this prayer—suffer us to escape at any rate with our lives, and let
not the Achaeans be so utterly vanquished by the Trojans.”
  Thus did he pray, and father Jove pitying his tears vouchsafed him
that his people should live, not die; forthwith he sent them an eagle,
most unfailingly portentous of all birds, with a young fawn in its
talons; the eagle dropped the fawn by the altar on which the
Achaeans sacrificed to Jove the lord of omens; When, therefore, the
people saw that the bird had come from Jove, they sprang more fiercely
upon the Trojans and fought more boldly.
  There was no man of all the many Danaans who could then boast that
he had driven his horses over the trench and gone forth to fight
sooner than the son of Tydeus; long before any one else could do so he
slew an armed warrior of the Trojans, Agelaus the son of Phradmon.
He had turned his horses in flight, but the spear struck him in the
back midway between his shoulders and went right through his chest,
and his armour rang rattling round him as he fell forward from his
chariot.
  After him came Agamemnon and Menelaus, sons of Atreus, the two
Ajaxes clothed in valour as with a garment, Idomeneus and his
companion in arms Meriones, peer of murderous Mars, and Eurypylus
the brave son of Euaemon. Ninth came Teucer with his bow, and took his
place under cover of the shield of Ajax son of Telamon. When Ajax
lifted his shield Teucer would peer round, and when he had hit any one
in the throng, the man would fall dead; then Teucer would hie back
to Ajax as a child to its mother, and again duck down under his
shield.
  Which of the Trojans did brave Teucer first ****? Orsilochus, and
then Ormenus and Ophelestes, Daetor, Chromius, and godlike
Lycophontes, Amopaon son of Polyaemon, and Melanippus. these in turn
did he lay low upon the earth, and King Agamemnon was glad when he saw
him making havoc of the Trojans with his mighty bow. He went up to him
and said, “Teucer, man after my own heart, son of Telamon, captain
among the host, shoot on, and be at once the saving of the Danaans and
the glory of your father Telamon, who brought you up and took care
of you in his own house when you were a child, ******* though you
were. Cover him with glory though he is far off; I will promise and
I will assuredly perform; if aegis-bearing Jove and Minerva grant me
to sack the city of Ilius, you shall have the next best meed of honour
after my own—a tripod, or two horses with their chariot, or a woman
who shall go up into your bed.”
  And Teucer answered, “Most noble son of Atreus, you need not urge
me; from the moment we began to drive them back to Ilius, I have never
ceased so far as in me lies to look out for men whom I can shoot and
****; I have shot eight barbed shafts, and all of them have been
buried in the flesh of warlike youths, but this mad dog I cannot hit.”
  As he spoke he aimed another arrow straight at Hector, for he was
bent on hitting him; nevertheless he missed him, and the arrow hit
Priam’s brave son Gorgythion in the breast. His mother, fair
Castianeira, lovely as a goddess, had been married from Aesyme, and
now he bowed his head as a garden poppy in full bloom when it is
weighed down by showers in spring—even thus heavy bowed his head
beneath the weight of his helmet.
  Again he aimed at Hector, for he was longing to hit him, and again
his arrow missed, for Apollo turned it aside; but he hit Hector’s
brave charioteer Archeptolemus in the breast, by the ******, as he was
driving furiously into the fight. The horses swerved aside as he
fell headlong from the chariot, and there was no life left in him.
Hector was greatly grieved at the loss of his charioteer, but for
all his sorrow he let him lie where he fell, and bade his brother
Cebriones, who was hard by, take the reins. Cebriones did as he had
said. Hector thereon with a loud cry sprang from his chariot to the
ground, and seizing a great stone made straigh
Still Crazy Jun 2014
The Whys of My Briefcase

don't know where you keep yours,
mine, immediately resigned,
to my black briefcase

the bills I cannot pay,
the notices that I knew
would unfailingly come some day,
the letters to my children,
signed, sealed but never to be
delivered till much later, maybe,
by someone else's hand

and so,
I carry my briefcase
every day,
an appendage human,
opens only for additions,
never any subtractions,
many reminders included,
for letters previous posted, sent,
and stamped~marked
past, way past, overdue

the authorities demand satisfaction,
at the very least they want my
whereabouts

the doctors asks,
what's wrong,
you never filled that essential
prescription~poem I wrote for you,
that was even writ legible
so you could not deny its
existing urgency

that **** briefcase is so heavy,
tempted to chuck it into the Peconic,
but it was a loving gift from her,
not realizing that I carried no case,
just so burdens invisible
were imagined lighter, or extinct,
but easily ignored

where do you keep yours?

the forget~me~knots that you
don't want but can't crush
legally or courageously

when they open that unhappy pandora,
they will wonder why nothing was e'er said,
but they won't ask twice, but understand,
for who among us
does not have a black briefcase?
a true story...once upon a time when on the edge of edges,
I opened it and dealt with every one of its contents,
I felt relieved,  and was ready to re-live
in another shape unknown
Q  Feb 2015
"Nadia."
Q Feb 2015
"Nadia"
"Hope," it means.
"Beautiful," they say.
"Kind," she is.
"Caring," they are.

"Nadia."
She is the ever-hopeful,
The triply beautiful,
The very kindhearted,
The infinitely caring.

"Nadia"'s.
They are the unendingly positive,
The unfairly lovely,
The unduly affable,
The unfailingly kind.

"Nadia," oh, how she shines
So brightly, so comfortingly.
"Nadia," oh, how she loves
Without judgement or favor.
But I am not "Nadia."

I am Nadia.
Fake Knees Sep 2014
Unfailingly unsure and uneasy at the thought of a God but I begged the sky for direction last night.
Bawling on the shoulder of the Big Dipper like it's my long lost mother,
biding my time for an answer and scrutinizing for a sign,
I still can hear nothing in return.
I'm prying open it's mouth to hear it say that I am not bad and I am not slipping away
but she is silent and
I can feel that I am.
Looking down towards the ground I cannot help but think that
this is the fate that my stars have left me;
between home and where I live.
SO I SURRENDER.
I'm giving up the bottle before the bottle gives up on me.
Wanting something more than the intoxicated chemical romances and I've grown sick and tired of chewing people up and spitting them back out.
Wanting something more for my own sake because I don't want to be a good for nothing any further and I've grown sick and tired of killing myself just like you've killed me in your brain.
Unfailingly unsure and uneasy at the thought of "Me" but I begged the sky for direction last night.
Nigel Morgan Jan 2013
It was the eve of the mid-autumn festival. Day had followed day of clear skies but ever-lower temperatures had brought crisp and chill mornings. Zuo Fen began to fear that a first frost would damage her late flowering plants, the delicate tea flowers of the osmanthus. She was already aware of the seven grasses of autumn now present in her garden and would recite standing amongst them the traditional seasonal poem:
 
Flowers blossoming

in autumn fields - 

when I count them on my fingers

they then number seven.

The flowers of bush clover,

eulalia, arrowroot, 

pink, patrinia, 

also, mistflower 

and morning faces flower.

 
Oh the whiteness of Autumn, the season of courage and sadness, a time for the lighting of white candles against the dying of the day. Upon rising Zuo Fen would stand in meditation facing west, the seasonal direction of dreams and visions. Again and again her mind state visited a habitation in the distant mountains, a sprawling summer palace seemingly empty but for the slightest echoes of recent occupation or maybe a caretaker’s attention. In her recurring vision she would walk from room to room, each kaleidoscopic in colour of hanging silks and elaborate murals. Eventually she would find her way outside into a neglected garden that dropped in gentle terraces to a lake where she would observe the ‘thousand colours of water, brilliances and blues.’
 
One morning a young chamberlain sent from her Lord visited her court. He had remained rapt at the sight of the courtesan of the Purple Chamber standing trance-like in her garden. Meng Ning had often positioned himself in the undertaking of the Emperor’s duties to communicate with Zuo Fen, whom Meng Ning admired and was secretly enamored. A few well-chosen words of respect and critical admiration for the poetess had been all it took for Emperor Wu to summon Meng Ning as courier of his express command to his most favoured concubine. Unfailingly gracious towards the formal attentions of the young man Zuo Fen had come to feel at ease with this respectful figure who had succeeded in charming both her cats and Mei Ling her maid.
​       As she stood motionless, attired in her gardening robe and clogs, she became aware of Meng Ning’s presence and, before turning to acknowledge him with a greeting, allowed a thought to form in herself. She would seek his help to identify the summer palace of her waking dreams.
       ​Yes, he knew of such a place, sixty li distant, a hard path it was said, but ladies of the court had once graced its many linked pavilions in the third season. The lake held a restless spirit and it was said no boat had ever sailed its surface. How did he know this, she had asked. A petition from a recluse, a former minister of the treasury, had been received at court requesting its occupation for the winter months. It had been refused, indeed dismissed without further consideration. Meng Ning had been curious as he had once viewed the lake from its western end, but from which the habitation was entirely hidden. Did the Honoured Lady know of the mysterious Red Slate Path said to appear briefly from out of a cave in the steep wooded hillside, cross a bowl-like glade and disappear into the lake depths? The Honoured Lady did not, but was nevertheless caught by Meng Ning’s description which, when he had delivered his message from Emperor Wu and retired, she fell to placing inside her already rich vision of property, lake, and precipitous woodland whose trees and bushes she was busy mind-painting with autumn leaves and berries.
 
After a day of thought and planning Zuo Fen developed an intricate strategy to visit the palace and environs of Eryi-lou. She told herself that she was searching for inspiration to compose an autumn sequence for her Lord that would recall the days of his esteemed father. She had discovered in the palace archives that in his declining years he had summered in this remote place, had filled its pavilions with only his most favoured concubines, its guest apartments with poets and musicians. She asked for Meng Ning’s services as guide and protector.
​      She had expected a blunt refusal, but to her astonishment, her request was granted, but only during the twelve days surrounding her monthly courses. She had smiled at this condition having been almost entirely free from her natural cycle for several years, something not unknown for a woman who had never been with child. Mei Ling dutifully made apparent false evidence of this charade.
​       It was a small party that left the Eastern Gate on a day that promised rain and high wind; seven in all, four to carry Zou Fen’s sedan. But this was to be understood as a matter of protocol rather than necessity, as within 6 li of the palace a pair of ponies for Zou Fen appeared in the road. Drawing back the curtains of her sedan she stepped out dressed as a male traveller, her movements and manner in such a disguise confidently rendered from her months searching for her brother Zuo Si in the wilderness of the Tai Mountains. Meng Ning was both astonished and alarmed as he had not been forewarned of this way of things. It seemed that Zuo Si had probably made all the necessary arrangements.

(to be continued)
d n Apr 2013
y'know,
                                                        ­             *i wanted to tell you,


i started keeping a dream journal.  it was pretty mundane at first (well, mundane for dreams).  flying through buildings, rooms melting into other rooms, people giving speeches in their underwear. i wrote it all down in my shaky, scribbly, half-awake catscratch haptic handwriting and gleamed when i filled the lines with dots and scribbles that only my mind could translate back to english, radio waves making music from garbled slush.  scribbles flooded into my mind in the days and months after, though everything was unfailingly crystal clear like diamonds pressed in forms and tucked away to giggle and fawn over later.

                                           but recently i haven't been able to write some of it down

because
you started making appearances.

at first the cameos were confusing; i ignored them and assumed your roles in my nonsensical night visions were coincidences (metaphorical you couldn't possibly hold more meaning than metaphorical math teacher or metaphorical adam from class the previous day).  and the scribbles were as detailed as before, every moment jotted down with unending diligence.

(but one night you were right
there
next to me.
as close as the last time i saw you,
your hip against mine.
i could feel you.
i couldn't see your face but i knew it was you.
i knew with the
pit
of my stomach.
i felt it in every part of me and it
hurt.)


and then the cameos came more frequently.
and then the scribbles came out a little slower.
a little more calculated.
i wondered if i wanted to remember everything i saw in those dreams,
if it was all going to be as fun as jumping from mountain to mountain.
why were you sitting next to me in the theater seat when i got called on to recite lines
that i never learned?
why were you smiling next to me like you did on those days i could do no wrong?
why
were
you
next to me when my stomach turned into a pit of rotten, nervous train wreck?
the curtains closed and the lights shattered and dimmed,
the pit became heavier than the buildings (now wrecked) that i used to leap with no fear
condensed,
******* in everything i could conceive in those slumbering hours,
swallowing the world and turning to caked ebony the world i built up as my playground.

(daniel awakes to find his playground is a sandbox no more;
he awakes with a heavier pit than he's ever known before.
today, when by passing glance his former lover he beholds,
the pit of dreams in life now endlessly unfolds.)


[ENTER PIT, SWALLOWING HIS THOUGHTS IN MURKY BLUE,
A MUFFLED SCREAM FROM BEHIND THE CURTAINS RINGS TRUE!]


f i n a l l y
i t   r e c e d e s.
but even when i see your name (with my eyes or in my mind's eye),
it explodes into being, shifting the balance of the universe onto the pit of my stomach.  i can FEEL it, pounding through every inch of me until i'm physically reeling, elbows on knees, hands on face.
and. . .
i'd carve my stomach open in between staggered, screaming heartbeats faster than the concentrated swill could spill out if i thought for a second that i could purge this pit that's plagued me for longer than
i'd ever admit.
4/15/2013
9:51pm
the pit has been emptied for now
if it's any consolation
Cal Ashiq  Jul 2022
Silver Lining
Cal Ashiq Jul 2022
With the ocean drift away
From this world led astray
With sands in your hand
As if everything is by your command

By the gentle wind that went by
Be taken far to the heavenly sky
Tis this feeling of freedom
For all sufferings you shall overcome

Let the stars lead you right
My dear lovely sight
Always here by your side
Till our worlds collide

Never shall you be alone
Nor shall be left forlorn
With my prayers unfailingly
Holding your hand till eternity

For we are bereft of separation
As this heart knows no distinction
For our mirrored souls will never part
As i held you dear from the very start

May God hold you close
Be His beloved most
Blessed with His warm embrace
For all the rest of your days

May He smile always upon you my Rainbow
Such Silver Lining i'll never let go
May thy Hereafter be filled with His Love
As angels welcome you to His kingdom above

May God hear this silent plea
May He see you as I see thee
Forever shall I be
A blessing to you by the Almighty
Badshah Khan Mar 2019
Rubayiat Al Thurab (Verses of the Dust) - 64

BismillahIr RahmanIr Raheem

Oh the Loved one, Who is my Beloved!
In the deserted land, there is a Sacred Mountain’
Fondly, called as The Mountain Of Light’s (Jabal Al Noor) '

Where my Divine Creator Imitate His Own Light'
And carefully guarded by the Numerous Angels,
Towards the Sacred Mountain (Jabal Al Noor)!

My Beloved visits daily towards the Peak (Jabal Al Noor)
Where his rest place Cave (Hira) itself based.
He climbs at rosy dawn, towards the sacred peak,
To freely meditate towards his Divine Creator!

Allow me, to unfailingly follow you;
Until the Cave (Hira) entrance,
And comfort Your attractive Paws as your feet dust.

I devotedly follow You, Oh my Beloved!
Towards the Cave (Hira);
Upon the Peak (Jabal Al Noor)
Don't look down for stack of crude stones,
Or don't be worried about any cruel thorns.

At Dawn, Very difficult to track the visible path,
I dearly want to live as his dainty shoes'
Hence, He can climb carefully every glorious day.

Let my Beloved’ peacefully sit and Meditate
Let Him recite, The One and Only (Iqra Bismi Rabika)
Thru the Dear Angel (Jibreel),
Therefore, He can reveal the Divine truth!

I will wait respectfully outside,
Until He solely speaks, the divine truism.
Therefore, I can correctly grasp;
Through My Beloved the eternal truth (Noble Quran)!

The unknown truth of the Divine Creator (Allah)
And His Eternal Existence (The Noble Throne)
Upon the sacred Mountain Of Light’s! (Jabal Al Noor)!

Allah Khair..... Khairul Rabul Alameen Yah Arrahmanur Yah Raheem

Ummah Thurab - Badshah Khan.
©UT-BK 2019
Rubayiat Al Thurab (Verses of the Dust)

— The End —