For every single barracuda smile.

Every apple that we didn't bite. All the dull exotic things I never had the chance to say. The way the ocean is louder at night, the glittering bones of the city, the taste of black cherries. For every paper star, and liquid street, suburban summer mattress like a shrine.

For hands like deep-sea divers through your hair.

The unknown red interior of you, the foreign countries of your thoughts. For every back of matchbook message, every finger tracing up my thighs, and for our reckless lips rubbed raw and red. For all the casual knives of conversation, the snow like stained glass underneath the sky.

For illuminated cities half-submerged.

Every exquisite impulse and grass-scented infidelity. For my heart like glass, like coal, like diamond. The salt and starless seas that crave a sailor. For the hand-grenade of lust and the ugly gardens of regret. For your eyes like earthquakes, like cigarettes, like disaster.

For every dark-haired, blue eyed boy.

doves drowning
in the storms wicked air
watch with empathy as they struggle in the
thrashing tides of the rainswept sky
watch as the fall from grace
in the warm tears of rain

bernie was waiting on
doomsdays last train
he kept his lunch in a sack
along with the face he gonna wear
when he comes up fore the good lord
but what worried him was if the other fella
had his ticket
he would toss his coin on
the hand he was dealt
a good man misunderstood
a simple man living a complex life

contortionist of the fable
she wrote her own storied life
on the back of a matchbook cover
after all its the flame of her heart
that set ablaze many a mans inner pervert
she is waiting on that last train too
with a devilish certainty of her destination
but she aint too worried
she knows hell is just like miami in july

doves nestled in the hands of time
make a soft sound that stirs the heart
sounds like a love affair
sounds like free flight on a summer breeze
feels like home

FORTUNES READ the sign displayed
TRINKETS, CHARMS AND SPELLS
The store had not been here yesterday
shades of candles, books and bell
Drapes were hung from side to side
The windows all were dark
Where was this place a day ago?
Just yards from Salem Park
Gothic kids sat on the stoop
Waiting, hoping to get in
Were they wishing for an audience
Or to confess a mortal sin
The door was red, it's number black
The name of M. Laveau
Was etched into the window pane
It stood out like fresh, new snow
I thought "how kitsch", M. Laveau
New Orleans voodoo Queen
four hundred years since she had died
The best witch the world had seen
don't worry though, the address was
Not numbered 6 6 6
That would have been too hokey
Even my poems aren't that slick
My spider senses tingled
Just a line, not something real
But every now I get sensations
It's just something that I feel
I chose to pass the goth kids
pale, lethargic on the stoop
I figured something's coming
And I'm jumping through it's hoop
Something wicked this way comes
I thught as I went in
But, I was greeted by a little man
About four foot tall and thin
the bell rang loud behind me
As the door closed there behinda
and as the light diminishd
I was standing, slightly blind
The man just stood there staring
then he spoke, a tiny voice
"I know just why you've entered"
"Welcome, Billy Boyce"
I stood there, then I backstepped
How did this many know my name?
I knew it wasn't magic
It was just a parlour game
As my eyes became adjusted
I saw nothing in the room
Just this tiny little elfling
And some shelves, there in the gloom
I said, "I saw your sign, sir"
FORTUNES TOLD, and I'm intrigued
"Can you really tell my fortune?"
"Or are you playing on folks needs?"
"Not me sir, I'm just waitng"
"You see the mistress is not here"
"But, if some silver hits the counter"
"I am sure that she is near"
I thought again of M. Leveau
The Witch Queen, so long dead
But, the way he spoke about her
Seemed to fill me full of dread
I thought of charms and trinkets
But, the empty shelves displayed
Not a bell, a book, or candle
Just a scarf, just slightly frayed
"She can answer all your questions"
"Take the doubt away from life"
"She will open up your minds door"
"She will remove all of your strife"
He could see that I was pensive
I turned and saw something was wrong
Where I knew that I had entered
The front doorway, now was gone
He bade me sit, prepare my thoughts
The Mistress would soon show
I would not have to ask my questions
He said The Mistress, just would know
I thought, Ok, I'll play along
someone's gone to lots of work
But, there was no rooms or doorways
For the Voodoo Queen to lurk
He lit a candle on the counter
Not the window, like Elton John
He told me turn with eyes closed
And when I finished, he was gone
The man left just the candle
Some small match book and a key
Then the wind blew out the tiny flame
And I knew, I had to see
So, I funbled for the matchbook
Lit the candle once again
When the room was now alighted
I had that feeling once again
I knew I was not here alone
Someone else was here, but who
"would you like to take a seat dear sir?"
I just froze, what should I do?
I turned to face the speaker
A young lady, all alone
I just stood there, dumbstuck, staring
Like I had just been turned to stone
I sat as she requested,
In a chair, not there before
she said, "I'll tell your fortune"
"And if you want, I'll tell you more"
She said "you've many questions"
"I can read them in your mind"
"But, you must sit down and focus"
"This is going to take some time"
She spole to me of angels,
both the bad kind and the good
She told me of my watchers
Some who lingered closely in the woods
She told me things no one would know
Unless they'd seen them done
I felt like I'd been torn apart
Shot with a bullet from no gun
She said, "I am the one you think"
"Marie Laveau, the Voodoo Queen"
I said "I don't believe you"
She said "can you explain, what you have seen?"
I told her no, she had me there
But, why had she picked me
She said, "you have it backwards sir"
"It was your choice to see me"
Paul Prudhomme, New Orleans
The Saints and Dr. John
Katrina and a second line
All the people that were gone
She said "those thought have called me"
"You are someone who believes"
"You will bring life to my city"
"Before you make your choice to leave"
"through task and deed you will bring back"
"New Orleans from the dead"
"You will breath life to this wormy corpse"
"You will help her move ahead"
I told her "your'e mistaken"
"I believe you've got it wrong"
She said "I know of what I'm talking"
"You were singing my favorite song"
The Witch Queen of New Orleans
laughed and said I'd know just when
to start the resurrection
When to build this town again
The wind came up, the room went dark
I was alone in here once more
I again lit the old candle
Saw the thin man and the door
He said "you saw the mistress?"
I told him, she was here
He said " I always miss her"
I said "she'll be back I'm sure, no fear"
He said "you got your answers?"
I told him that I  was not sure
She told me things about me
That I did not know before
I said she laid a challenge
To bring NOLA from the brink
She gave me more questions than just answers
And I needed time to think
He said "I know...she works that way"
And then he bade me well
And the front door slightly opened
And I heard a tiny bell
I walked to it and turned around
I was the only one inside
Had I really seen this little man?
Was the Witch Queen just a lie?
I left the store, the goth kid was gone
I was on the street alone
Was this my imagination?
Or just a story I had known?
I walked a bit and turned to look
Down the street back to the store
FORTUNES TOLD was out of sight
M. LAVEAU was gone once more
I don't know how I'd bring it back
Would the Saints come marching in?
I think it's just up to the people
To breath life in this town again
Blues and Louis Armstorng
The French Quarter, savoir faire
Laissez les bons temps rouler
Listen to Marie Laveau and enjoy all that is there.

Hiro was such a clever guy.
he always said the funniest little jokes, even when he was Hiro-chan, to me.
he used to act like a cat when he was frustrated and, and-
remember what he said to the mailman that day, in like june?
about how he looked like an angry Hotei-osho?
we all laughed and that mailman, that man’s face went radish red.

he was such a good lawyer, Hiro.
i mean, he wasn’t rich and powerful, no
but he did good things, though.
like Sayotoma’s lease –
without Hiro, he would’ve lost the store!
and then where would we get our tempura? huh?


oh, Hiro, you are so much fun to talk about.
and i hate that all i have of you now is smoldering incense and an expired passport.
i poured a cup of water on your grave today, you know.
it was a hurting kind of hot under summer’s sun – it’s august, after all.
some steam came off, and it sounded like you sighing
and i said more loudly than i cared no problem, Hiro
and my wife looked at me, with a misting eye,
while my son kept flicking matches
from that cheap matchbook we got at Sayotama’s place.

all the failed matches collected between his sneakers
and i thought that i wish Sayotama didn’t make all his matches
so **** fragile.
they burst and blacken in a second,
and you don’t have the chance to really light something,
and they just end up falling between the sneakers
of some kid who can’t even remember you, Hiro.

foo
step right this way
stripes
the curly haired whispers of long ago
dirt on the steppes of Maui
life and death
the boldness of breath
tea sets invented
natures idea of hooking
the falsehood of feelings
since you can sense the release of chemicals
into the gut from the gut
art is an effort
all roads are connected therefore lead nowhere
snowflakes
glaciers
the impossibility of a paper bag
well that’s why you got the people you do
blistered surfaces
invert
divert
subvert
magical marketing
lost time is all its good for
crawl
other beings
the past is as real as the now
the future not so much
look for answers under slimy rocks
headlights
mark the trail with crumbs
holiday pay eligibility
pig latin verse
loose lips sinks fish
headlines of tomorrow list all your deeds
originality pounds it out
a ground game if there ever was one
marginalized in a riotous way
burned
turned
spit shined shoes laced real tight
if you stayed this long you must get it real good
explanations spellchecked edited cast aside
meaning lost found lost and lost again
bury your words
measure the sun as a star
triangulate emotion in order to set free the main ingredient
the Bosporus the smallest gap imaginable
a wayward telephone number listed
a matchbook
adding depth to the photograph by controlling aperture
roulette craps poker slots Chinese checkers
numbers never end
gymnasium antics
mans best friend is a meateater
fall follows autumn in the southern hemisphere
three dimensions are all you need all you require
bomber
deny both the entity and the substance found ahead
synchronize your watch with mine
sand as a tonic baby oil pine
money buys packaged happiness
there was this guy named Shakespeare
opinion calls for differences version 2.0
you find the zoo to lead so very far
swing for the fences
jump rope skip sidewalk
ease
mow the concrete lawn from here to horizon
jump rope skip sidewalk
learn forget then act dumb
exit stage left
what is behind animal eyes big mystery
exponential units forge toward the final group session
king me
did the butler do it with the maid
how often is crying necessary
pound for pound the best boxer in the mid century bout of pneumonia
digital meanings end in analog discussions
legions of admirers blinded
where to turn when the lights are forever out
invest in mystery
disappoint those who will never know you
you know it
there is a dogma in need of a collar out there somewhere
temptation looms
the holy word of snowflakes delve into deep philosophy
but I always got along with everybody
why work
pituitary gland
announcing for the first time on record
prince spaghetti and salad extraordinaire
the alphabet ends in z
puddles form on distant planets that orbit toothless suns
men
loud music still comforts the savage beast
years like a tape measure stills the ragged poor children
never to be found never ever ever
solvent says eat thou peas
silo bag deliver us from the tall neighbor police
sidestep any issue involving toys
mounds of troubles can be climbed
Kansas wind also flows down the plain
think about it the sea is mostly under itself
plow
most things look better from behind
a major felony on your record
knowledge in the form of easy chew tablets
hounded by creditors bobby laid low
actors actresses chumps
results are mixed as the queen leaves daring long behind
punctuation fits into softly lit areas of the mind
stay loose
breakdown the door then apologize some more
I left home for this
mistakes are what we call experience
the smiles on bubblegum cards just as real
twenty dollars invested in nothing
pin air to itself
buy time sock it away watch it grow grow grow
cool is always enough for matty
god that guy could drink ant sanitation member into the ground
margins
leaves are raking themselves these days
so long in the past stood there with sled in hand
photographed by a grandfather clock
black envelopes glued by hand in an everlasting jump off point
poetry bound and gagged for fun and zero profit
movable type static feasts
in the groove piled high with the color that represents lament
fifty thousand big ones aint so big anymore
the river left town
cannon at the gate corded shot ingenious ways to destroy people
support the troops
he say one thing then did another wow does that hurt
memory votes early and often
nobody knows the troubled bean
it all hinges on my word being accepted
china feels so very close
the sea full of carp moistened in salt water ** boy o boy
Vermeer at the loom
the bronze age must have been heavy
time waits around the corner selling amphetamines
queer beings exit the saucer and head right for the local hobby shop
end game
paint as a medium large
pine scented maple trees win the prize
in my book the covers speak for themselves
close up to the camera waterfall
find the picture inside the cavity send help
amid ship is the place amid
of course some things are missing
ghost register to vote
went fishing came home with a tummy ache
spend your last dime see the world as it truly is
between avenue b and c there lies a small wombat
fend off the high climbing stairs that offer busy bees
mind the gaping hole that leads to oblivion ny
fog in my ear
steam punk can you believe it had to be invented
the f drive taketh away
sing a song about the street we used to chug a lug at
view my elbow rock
know thyself from the middle ages on toward the detail
love pander both you know
mom became tonnage displaced and torpedoed
you are very astute now quit it
this meeting is over like so many before it
collapse my finger into red colored dust
round up and whittle down the masthead
toothpick sized brains
its no bother at all fire away with logical pounds
page that squire knight the tree stand hunter in velvet horn
live as the yo yo
beat it now not later now before the sun sets far into the Japanese
planning a child check our bargain bins first then decide
overtime halts the easy chair
tiny
mounds clopping at the level of good mine
piles of good old fashioned nonsense
home grown
sunny side up way up
carry a friend everywhere you travel
knock
catch a rising star and keep it there
an alarming increase
happiness is a warm puppy
many are called but few are winners
put in your time split and repeat
wrinkles seem to be catching on
break the law go to *******
now is the time smack in the middle of touchy feely
mountain of jelly
pound of brown
highway exits in turning lane
polished sayings die in mid form
butterfly of course
bank on it twice
inform the theologian that grace is universal
one unit is enough to bounce the basket ball
larcenies are a regrettable offense for jumble minded
loud is the hammer of life by golly
inside
far away lies the land of nod no wait mod
never saw it coming
mud in your minds eye
clean up before the mess is tabled
throw away all hits
kong king
mondo longo pongo in delicate dancing
bear in mind that bares the soul to influence
set up the new roux
pint sized followers found via radio
fell asleep in wonder fat
knives sharpened better get a move on
loudly express a final punt
line one line two line three
when did farming become cold
newborn
disease jumps as the trampoline handles wind jammers
night can be fun but girls are more down there
love me back
mindful of the garter you can relax next year
backwards as a mean average statistical oops
venting hot gas adds to the thrill
is this thing on
swell
and and and and and and and
call the water department I am ready to fly
listen the goat will never know what hit him
long on flavor short on towels
company insists on a quaint meal of posies
behind a successful man is a chair of some kind
got milk
my friend can be talkative but never mind
rounded surfaces slip into nothingness a modern age affliction
we will escape scot free
badness baldness daily princess
puzzle in mind he left his denial on the riverbank
on the reindeer hoof we ride
specialty
how can it be hey baby that’s what we are here for right
the plays is not the thing
work your **** off then find the instruction manual
beep buzz bop
it appeared right there but is gone now
foo

like a man
i packed tobacco
into my pipe but
i don’t own a yellow hat

in Shadowlands
C.S. Lewis told me
marriage is for life and
i never forgot that

i struck fire
from a Sahara Club
matchbook
that Carissa gave me
back in ’98

she took her clothes off
dancing
for a living but i didn’t
meet her that way

we used to drink
newcastles, smoke
menthols and walk
Newport’s back bay

we laughed
a lot
and did drugs
at raves

i used to tell her
“when i make it
i will take care
of you everyday.”

i never made it
and tonight
i cleared
my pipe with

one hit

one match

one woman

I wrap my arms about my torso and brush my thoughts 'gainst you,
crying.

Rainwater best cures a torn-soul
when boiled in a *** atop
a burner left burning all night.

Crying,
the sky giveth us wonders and taketh the wonders away.

O' the water's down a'boilin'.
Ye' it all boils down to you.
To you and how you go.
Ye' when you go, you go.
O' where you a'goin' too?

See that go-getter go-gettin' his girl–
Good for him. Good for him.

Send some good for the man with a will when he wills his will to be.
And good for the fingers who first feel a fortune 'fore the fortune is seen.
And good for the addicts relapsing in attics with kisses of dopamine.
And good for the thoughts of you that brush against my skin,
that for days on will hold–

Eighteen! Eighteen! I say eighteen years is the bridge,
the forest fires will forever forget to burn!

I say give it a year and call him on that telephone and
he will answer on that telephone and
you will beg his heart come home, beggin' a'bargainin'–

Eighteen! Eighteen! I have missed you for some time,
bent-to-bet a century's pass'd since we last kissed.

One match done been lit in the county matchbook.
Such is the click-click of a gas stove igniting,
I call that rip-exciting, torn-enticing, fates be a'dicing–

*Eighteen! Eighteen! It was another day–
It was another life.

Anything All of the Everything

Events of Summer quickly ensue, it takes hold of you quickly, while the police drive thru. You cannot find it half-way into the night, you could hold up on a park bench or lay your blanket on the slough. Perhaps when your dreams kick, your asterisks will come, build a map of your defense and then head for the sun. Some foe outwit the wounds of life, furry blister-like faces, when they take up the star dust diamonds, the trail guides take after hurrying up paces.

The festivities of fear are living oaths inside of marbled starve rocks, they harvest shoots and ladders, and keep tabs on wild beasts and livestock. There's no match throughout the campgrounds. There's no matchbook light to find us. If you're quick enough with your 70s, then perhaps you'll follow the nightness that's arrived us.

In aide of her lift-gate, shredding pensive miens and speeding mimes, taking ward of one thousand fathomed depths, assumes courageous anti-hate isms. She can come quickly with a syzygy, her van packed with fresh woes of Sunday, then around Monday humbly hides her stuff in the small hems of her bed linens. You can't outwit the governess who preys on handicapped children's thrift finds. She makes clothes and keeps her hands to bed. She bares new graves for time's new roman epithets and moving pictures. She  unplugs her bleeding tongues under some new sone for her monarchic archetypical audiophile party.

While the umberphiles sleep, nyctophiliacs stalk grizzlies. Mosquitos quaff at human blood, while their offspring keep drinking. The idle bugs throes, misanthropic and useless, teach electric lusters' mouths to grow into fiery hoops with which to slip past all the clueless.  The arachnids might dance, the haunting verbs they might fray. The Egyptians at first glance, try to hide their heroine pyramids away.

So hush little violet dormant flowers, fake your fertility and keep your skeptic drink. Keep each one you might meet, within one hundred feet of where you sleep. Keep your arms length's supine, your supplies out of reach, practice wrapping yourself up inside boxes where the souls can sleep.

If you only once catch a fool, avoid the plague-speak certain lips might tell. Each uttered word commanded with too much ******* across the bandwidth. Mortal courses can't be taught, human voices can't keep the draught, ferocious abstract engineered humanity has escaped this truant absence and immorality. You, you catch a fool, she could preach hurts and djinns, it could dot the I's of when, and unfurl the sighs of men. Berthed earthlings that the **** ascribes, hurts the worthless and sours true purpose widths of curfews and its curses, all these biomes perfervidly reserve the fury for their furtive perversity, elements to obscure the telemetry that has coddled such a dark conflagration of immensity, it's the cluelessness of these transgressors that forces the abhorrence towards all-white-everything professors.

Betty Coutu drives a mean Rambler
takes us public school, heathens
to catechism on Saturday morn
Smokes a cigarette like a prima-ballerina
Shifts three on the wheel
drives that clutch to the floor
with her thick leg
Makes the engine roar
a little
“to warm it up”

Turns with the grace of swan
Pavlova or belladonna
Something of beauty
just to watch her
three-finger the wheel through a turn around
all while taking a drag
exhales to ceiling
to music on the radio
Elvis? Roy O, Patsy Cline
circa 1959
Betty's hair is short, uncombed
but she's not without lipstick
lights her smoke with amazing matchbook skills
Calm
like a woman who does it often
takes on wear
with I'm in love, and I don't give a care
She shifts and turns
cigarette balanced like gossip on lips
or between
those first two fingertips
Smoke swirling
amid kids squabbling and whining
in the back seat
No belts back then
till Dad got home
to keep them in line
But, I bet on Betty every time
to get us there
I want to drive like her, so badly!
I sit beside her-- ossified
watching
her smoke and handle
like a total expert
I am distracted
and will surely fumble
my catechism answers
for the nuns
cataclysmically

She drops us off by an icy foot slide
I swear to God to stop back later when we're done
...with prayer and penance  
recitation... and resolvings
to sin no more
Once we're out the door--

back to that forbidden foot-slide

Always had a plan for fun
So did Betty's son
the hemophiliac
Bless myself like an Olympian
and pray for Johnny
before he joins me for a run


hemophilia:
a medical condition in which the ability of the blood to clot is severely reduced, causing the sufferer to bleed severely from even a slight injury. The condition is typically caused by a hereditary lack of a coagulation factor, most often factor VIII.

It's 11:11 make a wish
Look out the spotty window
See all the frowns
And boring towns
See how powerful the words we use are
They can cut deep
Deeper than the most violent assault
Buildings and obelisks of befuddlement
Pressed for time
Lemon scented tiles
Scrubbed
No mold
Personal preference
Common courtesy
And common sense    
Scarce but invaluable
A face only a mother could love
And a father can lie to
Coulda
Woulda
Shoulda
Didn't
Searching for carrion
Give way
To the wayside
ECNALUBMA
In the rear view
The worms eat us
The early birds catch the worms
The cat nabs the worm
After being resurrected by satisfaction
And the night owl writes the tell-all
Put the ear to glass
Put the glass to the door
And listen closely
To sound of knuckles cracking
And the chattering of coffee shop patrons
Indian givers going back on their word
Fingerless gloves
Prim and proper
Promptly pummeling
Tunneling to tomorrow
Well done
Slim to none
Fat chance
The local native's tongue
Sold fresh and farm raised
On any given day
You can find demi-gods
Playing a a pick up game
Matchbook
Matchbox
Mismatch socks
Pick up sticks and stretchmarks
Just stay the night
So we can wish this all away together
It's 11:12 open your eyes

"A lightning flash... then night! Fleeting beauty
By whose glance I was suddenly reborn,
Will I see you no more before eternity?”
-Charles Baudelaire, "To a Passerby"

The material of the scene burns and
grays, burns and grays in my mind:
City soot in the frost. Cracked plastic.
Broken glass. Cheek creases where you
said your name. Salt stains on a denim cuff.
Scruff. Tartan scarf. Navy wool. Feather
down, laces, leggings, a buckle. Teeth,
fleece, a crumpled hotel matchbook.
No heat lamp here, where we wait and
meet, wait and meet on the windiest
night. Would you scoff if I said
"Love is two strangers trading fire.”

Smaller matter, now, an Altoid tin of
cherished ashes. I have it, and it murmurs
your lines to me, when I crave that kind of burn.
A familiar ice cube down the back of the neck.
These thoughts have sunken—a bag of pennies
in my gut like a phantom step on a dark staircase,
or the imitation of death in a dream.
Saying something about the lateness of the 16,
You cupped your hand, to shelter the flame.

I try to remember the melody.
The harp strings at the nape of
my neck sang mid-shiver, and you
said something else, which I couldn’t
hear over the choir under my hat.
This missing line is my mind’s one
sound conception of Infinity.
And that’s enough for flint.

A lightning flash…then night!*
A flame frustratingly lit, but profoundly felt.
A gasp, a gust like a god's grace, like a song.
Like just enough time for a quick addict’s fix,
like the length of a single, ****** matchstick.

Will I see you no more before eternity?
And do you by chance have a light?

When I was little, I stuck scissors into the electrical outlet
something I never would have had the urge to do if my parents hadn't told me it was dangerous
I was a rocket pop, always standing too close to the edge,
always carrying a matchbook in my pocket

I'm not the only one who flirts with death
Death is the quarterback, death is the prettiest ******* the cheerleading team
Death is popular at parties
And when someone seems so out of my reach like that, I tend to romanticize them

So I fantasized about pills that shone like pearls
I envisioned ribs sticking out from my skeletal frame, finally frail enough to ****** the object of my desires
I thought about razor blades scattered like flower petals on the bathroom floor
Etching memento moris into my skin
I dreamed of fenders and pavement rushing up to meet my lips for one last kiss

God, I had the biggest crush on death
But so did everyone else
And I saw them falling further in love as if they were tumbling from a skyscraper
This is not a love poem, this is a goodbye
Because I have instead become infatuated with beautiful things
I am a creator, so I must stop destroying myself

Dear death
I don't want to be just another girl who doesn't look when she crosses the street, hoping to meet you on the other side
I will be okay on my own, and I'll keep the scissors locked up in the craft cabinet