Memory of sun seeps from the heart.
Grass grows yellower.
Faintly if at all the early snowflakes
Hover, hover.

Water becoming ice is slowing in
The narrow channels.
Nothing at all will happen here again,
Will ever happen.

Against the sky the willow spreads a fan
The silk's torn off.
Maybe it's better I did not become
Your wife.

Memory of sun seeps from the heart.
What is it? -- Dark?
Perhaps! Winter will have occupied us
In the night.

Sleep, darling
I have a small
daughter called
Cleis, who is

like a golden
flower
I wouldn't
take all Croesus'
kingdom with love
thrown in, for her

---

Don't ask me what to wear
I have no embroidered
headband from Sardis to
give you, Cleis, such as
I wore
and my mother
always said that in her
day a purple ribbon
looped in the hair was thought
to be high style indeed

but we were dark:
a girl
whose hair is yellower than
torchlight should wear no
headdress but fresh flowers

What can you say about Pennsylvania
in regard to New England except that
it is slightly less cold, and less rocky,
or rather that the rocks are different?
Redder, and gritty, and piled up here and there,
whether as glacial moraine or collapsed springhouse
is not easy to tell, so quickly
are human efforts bundled back into nature.

In fall, the trees turn yellower-
hard maple, hickory, and oak
give way to tulip poplar, black walnut,
and locust. The woods are overgrown
with wild-grape vines, and with greenbrier
spreading its low net of anxious small claws.
In warm November, the mulching forest floor
smells like a rotting animal.

A genial pulpiness, in short: the sky
is soft with haze and paper-gray
even as the sun shines, and the rain
falls soft on the shoulders of farmers
while the children keep on playing,
their heads of hair beaded like spider webs.
A deep-dyed blur softens the bleak cities
whose people palaver in prolonged vowels.

There is a secret here, some death-defying joke
the eyes, the knuckles, the bellies imply-
a suet of consolation fetched straight
from the slaughterhouse and hung out
for chickadees to peck in the lee of the spruce,
where the husks of sunflower seeds
and the peace-signs of bird feet crowd
the snow that barely masks the still-green grass.

I knew that secret once, and have forgotten.
The death-defying secret-it rises
toward me like a dog's gaze, loving
but bewildered. When winter sits cold and black
slumped between its two polluted rivers,
warmth's shadow leans close to the wall
and gets the cement to deliver a kiss.

In my Times column Thursday, I reviewed a new generation of LED light bulbs. They last 25 times as long as regular bulbs, use maybe one-eighth the electricity, work with dimmers, turn on instantly to full brightness and remain cool to the touch. A big drawback has always been cost, but now, I noted, the prices have fallen.

This column generated a lot of reader e-mail, probably because LED represents change. And change is always scary. Here are some excerpts, with my responses.
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* For LED bulbs, the biggest issue that most consumers will notice is the color. You correctly point out that you can get different colors, and also different shades of white, from warm white, to cool white, to daylight. However, not all white is the same. Two bulbs, both of which measure 2700K (warm white) color may create a completely different impression in the room.

The difference is C.R.I. (Color Rendering Index). Incandescent bulbs have a C.R.I. of 100. Really bad LEDs have a C.R.I. of 50; average ones (most of them) have a C.R.I. of 80 to 85. The really good ones have C.R.I.’s above 90.

C.R.I. is a way of expressing how many colors in the rainbow are actually contained in the white light. Incandescent bulbs contain every color in the rainbow, all in equal measure.

With LED bulbs that have low C.R.I.’s, the color of objects looks wrong, and everything “feels” ghostly. It is not a subtle effect.

Wow. Well, I’d never heard of C.R.I., and it certainly isn’t listed on the package.

I can say only that I’m completely happy with the light color of the Cree bulbs. They look nothing like the weak, diluted light of the compact fluorescents they’re going to replace. I don’t perceive anything ghostly or wrong about them.

But if you’re worried about C.R.I, maybe try out one bulb at home before you replace the whole house’s bulbs.

* Why I don’t have LED bulbs: I have yet to see one that puts out close to the same lumens of an incandescent bulb rated at 75 or 100 watts offered for sale in my area.

Many of you made this point: that the 40- and 60-watt bulbs I reviewed are not bright enough for aging eyes, reading, detail work and so on.

That really is a good point. You can buy 75- and 100-watt-equivalent LED bulbs — online, they’re plentiful — but they’re still expensive ($30 to $45 each).

* At my home, CFLs don’t last half as long as stated on the box, and when CFL electronics flame out, they leave that nasty burnt electronics smell, strongly disliked by my wife. A few friends have reported CFL flame outs that have set things on fire.

Sorry to hear that! However, my column was about LED lights, not compact fluorescent light bulbs. Compact flourescents are basically curlicue tubes filled with gas that lights up. LED bulbs use tiny light-emitting diodes, of the type you have seen in some flashlights and the “flashes” of smartphones.

* Why didn’t you write up the LIFX bulbs on Kickstarter? Are you some kind of paid shill for the light-bulb industry?

Mainly, because I hadn’t heard about LIFX bulbs. Now I have!

Looks like it’s a lot like the Philips Hue kit I reviewed, in that these are LED bulbs you can control from a phone app: brightness, timing and color. The beauty of LIFX, though, is that there’s no router box required. The networking electronics are right in the bulb.

And the LIFX does more, too: changes color in time to the music, for example, or notifies you when you have new e-mail.

These bulbs did super-well on Kickstarter, so they’ve obviously captured the public’s imagination. I’m in touch with the creators, and they’ve promised to send me one to try out when it becomes available!

* You have done what many before have done: Praise LED light bulbs — without touching on the quality of light.

It doesn’t matter whether the light bulb is $200 or 50 cents. If the light is ugly, and it hurts your eyes to read, then why should I buy it?

Compact fluorescent lights have an austere blue tinge. Some give a “warmer” shade of yellow. But the quality of light they produce is atrocious.

I did, in fact, mention the quality of light; in my opinion, it’s wonderful. You can choose “daylight” (whiter) or “warmer” (yellower). With some, like the Philips, you can dial up any color you like: white with a touch of blue or yellow, say.

But I’m not sure why we keep talking about compact fluorescent lights. LED technology is completely different. There is zero relationship between a compact fluorescent light bulb’s light quality and LED’s light quality.

* You neglected an important point: because of heat issues, you’re not supposed to put LED bulbs into enclosed fixtures, like ceiling “cans.”

Actually, I asked Cree specifically about this. The representative says the bulbs are fine in ceiling cans. “The Cree LED bulb can be used in any application that would use an incandescent bulb. As long as there is an opportunity for air to circulate, the bulb is designed to work properly.”

I’m aware that not all bulbs meet this criterion; I’ve seen warnings on 3M and Philips bulbs, for example, not to use them in ceiling cans.

* Is there a potential issue with RF (radio frequency) interference from the circuitry? I know someone who put the LED bulbs in his garage door opener and then had trouble with the remote control.For more information, please visit cree led flashlight

250

I shall keep singing!
Birds will pass me
On their way to Yellower Climes—
Each—with a Robin’s expectation—
I—with my Redbreast—
And my Rhymes—

Late—when I take my place in summer—
But—I shall bring a fuller tune—
Vespers—are sweeter than Matins—Signor—
Morning—only the seed of Noon—

1676

Of Yellow was the outer Sky
In Yellower Yellow hewn
Till Saffron in Vermilion slid
Whose seam could not be shewn.

Darkness
as black as your eyelid,
poketricks of stars,
the yellow mouth,
the smell of a stranger,
dawn coming up,
dark blue,
no stars,
the smell of a love,
warmer now
as authenic as soap,
wave after wave
of lightness
and the birds in their chains
going mad with throat noises,
the birds in their tracks
yelling into their cheeks like clowns,
lighter, lighter,
the stars gone,
the trees appearing in their green hoods,
the house appearing across the way,
the road and its sad macadam,
the rock walls losing their cotton,
lighter, lighter,
letting the dog out and seeing
fog lift by her legs,
a gauze dance,
lighter, lighter,
yellow, blue at the tops of trees,
more God, more God everywhere,
lighter, lighter,
more world everywhere,
sheets bent back for people,
the strange heads of love
and breakfast,
that sacrament,
lighter, yellower,
like the yolk of eggs,
the flies gathering at the windowpane,
the dog inside whining for good
and the day commencing,
not to die, not to die,
as in the last day breaking,
a final day digesting itself,
lighter, lighter,
the endless colors,
the same old trees stepping toward me,
the rock unpacking its crevices,
breakfast like a dream
and the whole day to live through,
steadfast, deep, interior.
After the death,
after the black of black,
the lightness,-
not to die, not to die-
that God begot.

I sat in my veranda
A mellow sun shining above me
Its light, blinking - still drowsy from a restful night
Clouds, like cars of cotton rushing past - going who knows where...
The trees creaking and sighing, dancing a hypnotic dance
The birds singing their ballad, of times long gone
Suddenly - a scent caressed my nose
Like a cruel flirt, touched me and vanished
Leaving me breathless
I heard my heart beat - thum.......thum...thum
It got louder - thum! thum! thum!
No! not my heartbeat, I heard drums
Drums, playing a primal song
I saw...I saw mountains high and mighty
Decked with vivid paintings
Of a different way of life
I saw streams, rushing past
The cold water sprinkled my face with soft kisses
I saw forests, dark and deep
No doubt home to Wood Elves,Nymphs, Wizards and Witches and beasts with wings and horns
I saw silver ruins, fallen walls
Vines and ivy creeping over them, vein-like
A lonely banner hung on one of the walls
Old and tattered, yet still regal and proud
Fluttering in the wind, it spoke to me
Of horse's hooves, armour clad knights, oaths being taken, oaths being broken,
Clashing of swords, a time long gone...
Suddenly - a scent hit my nose
A scent, rough and urban
And there it was - a metal beast
Yellower then the summer sun
Groaning with indignation
It rushed past
Leaving a trail of black smoke and dust
And there I sat, in my veranda
Searching frantically for another glimpse
Of that wonderful land
In vain...

A dilapidated
high school bathroom
all white tile
and despair
rubbed into the grout
yellower than my
stained teeth

There's boys *******
in the stall next to me
I try to quietly
read the news (of your assassination)
but walls are being torn down
whether I like it
or not

I pay the attendant
in nickels and dimes
when I say I'm sorry
I see it's been your face
this entire time
I'm tired of looking
for things not there

You raise a single
slight finger, pointed
to the showers
I cannot even imagine
the pain held within
the walls of your home
I concede

Closing my eyes
inside this dream
I use my hands
to find the corners
my fingers looking
for a way inside
I thought I found something

I did.

You
sitting, naked, cowering
hands hiding your eyes
from the reality
of everything unfolding
before you.
This sordid game of peek-a-boo.

Have you noticed
How throughout the day
The light changes?
In the morning
It is pale.
Somewhere around noon
It becomes
Warmer
Yellower?
After that
It becomes more
And more
Orange
Finally ending at night
With the orange street lights.
It's like a lifetime.
It starts
Young
And Innocent
Yet cold
And unforgiving.
It keeps going
And becomes slightly warmer
Learning about others
Accepting
But with slightly less energy.
As it reaches twilight
It is vibrant
At its peak
Loving
Caring
Learning
Hoping.
It proceeds to
Nighttime
It is the warmest
The most accepting
But like the cold, dark air
Death looms
Constantly threatening
To overtake this light
Which took a lifetime
To mature
And become itself.

milbrightlions of sky
where the brindled Maya
begins its escape
from the wind's seething hands,
O, celestial machine
of pompous working:
when the day breaks
its shell and births
a yolk yellower than
all dandelions,
the world from
its shell will rend
the horizon and there shall
be forever the two Suns
stamping the raze
minting in the livery
of the world, each to
our tenderness sings
   humanity, purely—