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Melissa Blair Apr 2013
I can't stop to chat
Sorry, I'm really busy
There's so much to do
I'm getting quite dizzy

Wallpapering, painting
And a whole lot of chores
Along with scrubbing and replacing
Handles on doors

Carpentry's enjoyable
A skill that I relish
But it tires me out
So for a break, I'll wish

Got a five minute break
Rush a quick cigarette
And a well-earned coffee
Then back off to work I set

Packing my boxes
And many a bag
Put them all in the attic
So tired, it's a drag

Hoovering all day
Kitchen needs cleaning
For the fourth time today
Then the garden needs preening

Make something to eat
To recharge energy
Sit down for a moment
With another coffee

Then it's time to go shopping
For food, drinks and more
Come back to yelling
As I walk through the door

"Mel, help me out!"
"Mel, pass me that!"
"Mel, clean the carpet...
The pup crapped on that!"

"Mel, make a coffee!"
"A sandwich might help!"
"Then get back to work!"
I can't help but yelp

Back to more painting
And scrubbing the halls
Cleaning the windows
And papering more walls

Then rest for a while
With a lovely big meal
To end the working day
And help muscles to heal

I'm aching all over
And I can't seem to sleep
So restless and sore
The job-pile's too steep

Toss and turn all night
I'm going insane
But I have to get up in the morning
And do it all again
Colm Nov 2017
The real wallpaper isn't plastered
It's ongoing and expressed
Pulled out of the nothing of tongue and cheek
And unknown until it finds itself
At home at last
Surrounded on these four sides
The walls which we keep

*No thought is heard until it is spoken
spoken thought word mind inside speak speaking to understand poem poetry poet verse rhyme sean scribbles lol
J Sep 2018
I have become
a caricature
of all the people
my mama told me
were wicked

day drinking
at the edge
of the world

putting
on a smile
for a few
extra dollars

until I'm
wallpapering
the living room
with them

suspended
above the
horizon
by the noose
I myself
have made
of beach vibes
and mistaken
identity

drag me
out to sea
and scare
the masses
with me

we can stay
the old men
or we can be
the sea

and toss
these chains
with the anchor
9/22/18
Alyson Lie Jan 2022
—How are you?
—Gettin' by
—Good
—Yep
She was on her third bourbon as they exchanged texts. The smell of it wafted in her face as she held the snifter up to her nose. The sweet syrupy smell of cheap bourbon. She dangled a cat toy in her free hand while the black and white and tabby thing watched the feather sway back and forth in the air. Head turning with each pass like the cat wall clock they used to have when she was little. The clock's eyes glowed in the dark. And it was really dark at night back then when they lived out in the middle of a farming settlement in western Pennsylvania. The interior of the single-story ranch house was decorated in classic fifties kitsch: braided rag rugs clashing with the Oriental lamps, green leaf wallpapering, and glow-in-the-dark cat wall clocks. She took a sip of the room temp bourbon then set the glass down. The cat had lost interest in the dangling feather cat toy so she set that down as well. She got up and walked down the hall to the bathroom. She peed, washed her hands in the sink, then steeled herself for the obligatory glance in the mirror. What she saw: an image of a woman that didn't immediately plummet her into an abyss of self-loathing. She would settle for that. She reflexively opened the cabinet door: hair clips, tweezers, baby oil, alcohol, cotton swabs, dental floss, Zoloft, Estradiol, acetaminophen, double-edge razor blades, no razor. She closed the door then said to her reflection: "We should get out of here. Dontcha think?" She looked away, then back again, flounced her hair, and said: "Or dontcha?"
Yes, I have the keys,
my coat pocket, left-hand side,
you know this was quite pricey
and I don’t usually go for pricey clothing
but I think the bedroom light’s still on
so I’d better check. We’ve lived here
going on for fiveyears now, the wallpapering
was the biggest issue, the light’s off remember, not
the actual slather-on-paste-job-done, no, choosing
what felt right, said ‘play it safe’ so a light blue
is what we went for my keys are gone,
they’ll be in the bowlby the door. The game
will be a *******, relegation battle, it usually is
with us, I’ve been saying for ages the kitchen
window might be open sorry, relegation
and we’ve needed a twenty-goal-a-season
striker with thebedroom light’s stillon
my keys might be in there too. If we sign
somebody in the transferwindow’s shut, I knew
it was, the link-up play’s tight, wecan move up
towards mid-tablemediocrity I think
lightisoff
mustremember that now keys
noideathough ah the bowl. I’lljust grab fastfood
for my window’s keys
fordinner, not healthybuteasy I did shut
the window I knewIhad was it bowlforkeys,
no sillyofme coatpocket, notcheap no not atall
healthy comeonhow often doIeatburgers chips
notevenvery tasty bowl, rightthen
I’mreadyifonly lightisoff
knewI’d remember.
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.

— The End —