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"unheroic" poems
To the many readers, I ****** off with my poem about Bukowski. I don't loathe Bukowski. My point is that he is a cult writer. His cult seems to be made up of people who are ignorant of other much better writers of his time. If they read the Beats (in particular Gary Snyder) or others like Richard Brautigan, Jim Harrison, Wendell Berry and many others, they would see how poorly his writing stands up to comparison. Bukowski's persona is what seems to attract people. He knew that and cultivated it. It was his meal ticket. The poor, drunken, uncouth, outsider, loser who was scorned by the literati of his time. In truth, he was a writer of pulp poetry. What he needed was a good editor. You could take all of his books of poems, cut out the rambling, self-serving, tedious, self-glorifying ******** and cut them down to maybe two books of decent poetry. His prose is better, but not that much. Young people, lacking better poetry for comparison, are mainly attracted by this cult of personality. Young people are attracted to rebels, even bogus ones. He himself said he didn't write, he just typed. Some hero. He portrays himself as a big, tough *** willing to fight the whole world. Actually, he was a fat drunk barely six feet tall. That's why I laughed at him when he threatened me. I was 20, just three weeks back from Vietnam. The thought of fighting an old drunk seemed pathetic to me. I could have easily killed him. Who goes to a poetry reading for that? There was also his attitude toward women. I believe he really hated women. He saw them as receptacles for his ***** nothing more. He used his fame to **** a good many young admirers. He's not alone in having done that, but he was obsessive about it. Women were a perk, nothing more. In the end, his cult status will remain, but he will never be taken seriously as a writer, because - by his own admission - he wasn't. There is much excellent poetry out there by better writers of his time. Do yourself a favor, read them, educate yourself. If you only read mediocre poetry, you'll only ever be a mediocre poet. Even at his most unheroic, he is the hero of his stories and poems, always demanding the reader’s covert approval. That is why he is so easy to love, especially for novice readers with little experience of the genuine challenges of poetry; and why, for more demanding readers, he remains so hard to admire. Please: Join in. Tell me why I am wrong or right. Mike Essig
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Jan 20, 2016
Jan 20, 2016 at 4:28 AM UTC
A Reply
To the many readers, I ****** off with my poem about Bukowski. I don't loathe Bukowski. My point is that he is a cult writer. His cult seems to be made up of people who are ignorant of other much better writers of his time. If they read the Beats (in particular Gary Snyder) or others like Richard Brautigan, Jim Harrison, Wendell Berry and many others, they would see how poorly his writing stands up to comparison. Bukowski's persona is what seems to attract people. He knew that and cultivated it. It was his meal ticket. The poor, drunken, uncouth, outsider, loser who was scorned by the literati of his time. In truth, he was a writer of pulp poetry. What he needed was a good editor. You could take all of his books of poems, cut out the rambling, self-serving, tedious, self-glorifying ******** and cut them down to maybe two books of decent poetry. His prose is better, but not that much. Young people, lacking better poetry for comparison, are mainly attracted by this cult of personality. Young people are attracted to rebels, even bogus ones. He himself said he didn't write, he just typed. Some hero. He portrays himself as a big, tough *** willing to fight the whole world. Actually, he was a fat drunk barely six feet tall. That's why I laughed at him when he threatened me. I was 20, just three weeks back from Vietnam. The thought of fighting an old drunk seemed pathetic to me. I could have easily killed him. Who goes to a poetry reading for that? There was also his attitude toward women. I believe he really hated women. He saw them as receptacles for his ***** nothing more. He used his fame to **** a good many young admirers. He's not alone in having done that, but he was obsessive about it. Women were a perk, nothing more. In the end, his cult status will remain, but he will never be taken seriously as a writer, because - by his own admission - he wasn't. There is much excellent poetry out there by better writers of his time. Do yourself a favor, read them, educate yourself. If you only read mediocre poetry, you'll only ever be a mediocre poet. Even at his most unheroic, he is the hero of his stories and poems, always demanding the reader’s covert approval. That is why he is so easy to love, especially for novice readers with little experience of the genuine challenges of poetry; and why, for more demanding readers, he remains so hard to admire. Please: Join in. Tell me why I am wrong or right. Mike Essig
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10
I’m not remotely close to having control. My fingers slip, but I don’t want to go down that hole. Temptation at the tip of my nose with her eyes opening up my soul. My resolve is low, but I’m trying to make it last. Sometimes in this race, I feel like I’m coming in last, even though I stick to the goal, and I’m skating so fast. I just wish to feel whole, but that’s evading my grasp. It would be so easy to give up, to lift up, the regret and hating the past. Holding on is so hard, is this what life leads to? The anger and grief bleeds through my words, hurting him, her, and me too. Is it sad to plead to the unknown when euphoria actually sees you at your lowest? When you’re unheroic and have never been stoic? When you’re unnoticed yet devoted but you can’t keep focus because you’ve lost all motive? It’s sobering to deny the malice but what if you’re too weak to avoid the chalice? Will falling into euphoria break the chains on my talus?
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Jan 11, 2021
Jan 11, 2021 at 9:11 PM UTC
Liberation
there are so many of them   and there is only less   of me — gondola in Venice,   H-bomb and the knife of Bach; a steady collision in Q. Ave as the fizz of the afternoon mirage settles with the ides, the torn elephants of   Chiang Mai the red blood of Golden Gates    the froth of the repeated wave at the lip of the ocean,   city buoys lacerating the skyscape and your coming in here   ransacking all; appeasements and   trivialities — there are so many of your photographs here   and only less of me, looking at all of you   and weeping it later. sounds like these sounds hanging by the edge of the bed reducing woes to a hair-trigger. i look outside and there are women, cat-called by peddlers, stopped by cabs, inside and outside   of cars with sometimes lovers hot legs and all that, simmering in the highway glancing at them now    lamenting them later, what's a dull boy to do in a dull town   with clothes dull wielding the dull word? meanwhile, there's so many of you and there is only very scant of me left. light voyeurs through the interstices    of the huddled masses, panic screeches through the maddened   streets of Vito Cruz.    the night is all black and stark and the heavy behemoth of existence   prods underneath where rats, rodents and vermin run   plodding the highway with sleek varmint     demeanor. a lady passes by with a string of fragrance dangling upon   her shoulder-blades. what's a dull boy got to do in a dull city   with a dull heart? there are so many of them for my    territorial hands cannot name and there's only one of me:      unheroic         impinged small         half-drunk and half-believing   that there's something a dull boy ought to do    in this dull city with dull words but it comes    with an exorbitant outlay. dog-leashes are expensive,     moonless hoots through opened windows hefty with price.    moon-blooms again and again, missing all hurt trying to repair    the ravaged — i look at young girls, old women, fine and complete   and this thing of being me      on the market marked: sun-stifled. there's so many of them there's only a sum of me that's often small and burgeoned bringing the question    what's a dull boy to do in a dull city underneath a dull moon        within a dull crowd?
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Nov 4, 2015
Nov 4, 2015 at 12:44 AM UTC
Hairpin Loves
there are so many of them   and there is only less   of me — gondola in Venice,   H-bomb and the knife of Bach; a steady collision in Q. Ave as the fizz of the afternoon mirage settles with the ides, the torn elephants of   Chiang Mai the red blood of Golden Gates    the froth of the repeated wave at the lip of the ocean,   city buoys lacerating the skyscape and your coming in here   ransacking all; appeasements and   trivialities — there are so many of your photographs here   and only less of me, looking at all of you   and weeping it later. sounds like these sounds hanging by the edge of the bed reducing woes to a hair-trigger. i look outside and there are women, cat-called by peddlers, stopped by cabs, inside and outside   of cars with sometimes lovers hot legs and all that, simmering in the highway glancing at them now    lamenting them later, what's a dull boy to do in a dull town   with clothes dull wielding the dull word? meanwhile, there's so many of you and there is only very scant of me left. light voyeurs through the interstices    of the huddled masses, panic screeches through the maddened   streets of Vito Cruz.    the night is all black and stark and the heavy behemoth of existence   prods underneath where rats, rodents and vermin run   plodding the highway with sleek varmint     demeanor. a lady passes by with a string of fragrance dangling upon   her shoulder-blades. what's a dull boy got to do in a dull city   with a dull heart? there are so many of them for my    territorial hands cannot name and there's only one of me:      unheroic         impinged small         half-drunk and half-believing   that there's something a dull boy ought to do    in this dull city with dull words but it comes    with an exorbitant outlay. dog-leashes are expensive,     moonless hoots through opened windows hefty with price.    moon-blooms again and again, missing all hurt trying to repair    the ravaged — i look at young girls, old women, fine and complete   and this thing of being me      on the market marked: sun-stifled. there's so many of them there's only a sum of me that's often small and burgeoned bringing the question    what's a dull boy to do in a dull city underneath a dull moon        within a dull crowd?
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82
Beneath my feet Lys green grass A ball approaching from a distance hesitating, thinking should I catch or ignore it but I think fast and react just before it passes my vision I look up and there lyes a child smiling with joy Her mother following closly behind like a fumble at a football game She smiles and thanks me for my unheroic deed As she walks away my heart beggs me to ask her stay So I reacted quickly "saying" please mistress would please join me on my lonly read in the park She answers well I would hate to intrude but I will if you insist She sits closely enough to where her hair brushes my face The suns beautiful rays of sunshine brings out her beautiful eyes Dark and brown where the color of her eyes Her skin so soft like sleeping on air suspended by nothing but love........ Part 2 Coming soon
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Aug 28, 2014
Aug 28, 2014 at 9:19 AM UTC
love has found a mate
There's always that moment in a movie when the hero finally triumphs; when someone seemingly ordinary does something exceedingly extraordinary and the audience has a simultaneous thought, "Maybe that could be me" but the world is not a romantic, we find we are not truly fearless. We realize we don't all throw ourselves in the way of the barrel of a gun, don't run into the fire instead of out. Some of us only drop out of school to support our family, take off work every Wednesday to visit a parent who doesn't remember us, become a full time mother to our child with Down syndrome. Does that mean we're unheroic?
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Mar 19, 2014
Mar 19, 2014 at 9:19 PM UTC
Unheroic
And in the morning I awoke, sleep wearied and bloated by experience, to find all just as it had been but nothing the same... The pale cast of nihilism hung limp over the morning's hillside where an inconspicuous mist had once resided. Bless my mother's innocent attempt to patch up my Mind's muddied terror with a strong tea in her best china by the bedside. My boyhood mattress began a demented laughing in the face of brothers with graves for beds as I was, once again, swamped with guilty memory of the unheroic dead. Those gentle youth with minds full of the names of wild flowers and the rules of garden cricket wrenched from the safe musk of mothers to the mud and shrill choir of the shells. The Air she would weep for the loss of another pair of lungs she'd never inhabit again. All the while, the Earth rejoiced at the return of her creation. That clay that once grew tall. Outwards from the rib. All for some fantasy and trick of the flame.
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Sep 5, 2019
Sep 5, 2019 at 6:22 PM UTC
For the Unheroic Dead