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Valsa George May 2016
Like a toddler taking maiden steps
The narrow stream moves through the woods
Tripping and falling over pebbles and boulders
Chiming its silver anklets

Forcing itself in irrepressible flow
It thrusts and shoves its way down
Through thickets and a line of ferns
And the tangle of creepers and thorny brambles

Drowning the whisper of bamboo leaves
Its sweet murmur falls in my ears
As an eternal living melody
The cosmic song heard over eons

As the water sluices down the rocks
It becomes a frothing braided torrent
Producing a harsh grating roar
Like the crescendo of a tribal symphony

There it forms into a small pool
With its waves gently rippling
Where birds merrily come to take a dip
And sunning their feathers, fly back refreshed

Sometimes travelling unseen
It suddenly emerges into the open
Cutting its way through cracks and fissures
Never willing to surrender before hurdles

With a bearing immaculate in grace
It sends out waves of pure delight
What joy it is to watch the dilly dally
Of this sedate pilgrim moving to its destination
john oconnell Jul 2010
The sluices of the heart
suddenly open
and pour their torrents
into every atom
of my entity
filling the spirit
with an inexpressionable anguish
and drowning even the mind's
darkest and most hidden crevices
in a flood of salinity.
In the dour ages
Of drafty cells and draftier castles,
Of dragons breathing without the frame of fables,
Saint and king unfisted obstruction's knuckles
By no miracle or majestic means,

But by such abuses
As smack of spite and the overscrupulous
Twisting of thumbscrews: one soul tied in sinews,
One white horse drowned, and all the unconquered pinnacles
Of God's city and Babylon's

Must wait, while here Suso's
Hand hones his tack and needles,
Scouraging to sores his own red sluices
For the relish of heaven, relentless, dousing with prickles
Of horsehair and lice his ***** *****;
While there irate Cyrus
Squanders a summer and the brawn of his heroes
To rebuke the horse-swallowing River Gyndes:
He split it into three hundred and sixty trickles
A girl could wade without wetting her shins.

Still, latter-day sages,
Smiling at this behavior, subjugating their enemies
Neatly, nicely, by disbelief or bridges,
Never grip, as the grandsires did, that devil who chuckles
From grain of the marrow and the river-bed grains.
The time has been that these wild solitudes,
Yet beautiful as wild, were trod by me
Oftener than now; and when the ills of life
Had chafed my spirit--when the unsteady pulse
Beat with strange flutterings--I would wander forth
And seek the woods. The sunshine on my path
Was to me as a friend. The swelling hills,
The quiet dells retiring far between,
With gentle invitation to explore
Their windings, were a calm society
That talked with me and soothed me. Then the chant
Of birds, and chime of brooks, and soft caress
Of the fresh sylvan air, made me forget
The thoughts that broke my peace, and I began
To gather simples by the fountain's brink,
And lose myself in day-dreams. While I stood
In nature's loneliness, I was with one
With whom I early grew familiar, one
Who never had a frown for me, whose voice
Never rebuked me for the hours I stole
From cares I loved not, but of which the world
Deems highest, to converse with her. When shrieked
The bleak November winds, and smote the woods,
And the brown fields were herbless, and the shades,
That met above the merry rivulet,
Were spoiled, I sought, I loved them still,--they seemed
Like old companions in adversity.
Still there was beauty in my walks; the brook,
Bordered with sparkling frost-work, was as gay
As with its fringe of summer flowers. Afar,
The village with its spires, the path of streams,
And dim receding valleys, hid before
By interposing trees, lay visible
Through the bare grove, and my familiar haunts
Seemed new to me. Nor was I slow to come
Among them, when the clouds, from their still skirts,
Had shaken down on earth the feathery snow,
And all was white. The pure keen air abroad,
Albeit it breathed no scent of herb, nor heard
Love-call of bird, nor merry hum of bee,
Was not the air of death. Bright mosses crept
Over the spotted trunks, and the close buds,
That lay along the boughs, instinct with life,
Patient, and waiting the soft breath of Spring,
Feared not the piercing spirit of the North.
The snow-bird twittered on the beechen bough,
And 'neath the hemlock, whose thick branches bent
Beneath its bright cold burden, and kept dry
A circle, on the earth, of withered leaves,
The partridge found a shelter. Through the snow
The rabbit sprang away. The lighter track
Of fox, and the racoon's broad path, were there,
Crossing each other. From his hollow tree,
The squirrel was abroad, gathering the nuts
Just fallen, that asked the winter cold and sway
Of winter blast, to shake them from their hold.

  But Winter has yet brighter scenes,--he boasts
Splendours beyond what gorgeous Summer knows;
Or Autumn with his many fruits, and woods
All flushed with many hues. Come when the rains
Have glazed the snow, and clothed the trees with ice;
While the slant sun of February pours
Into the bowers a flood of light. Approach!
The incrusted surface shall upbear thy steps,
And the broad arching portals of the grove
Welcome thy entering. Look! the massy trunks
Are cased in the pure crystal; each light spray,
Nodding and tinkling in the breath of heaven,
Is studded with its trembling water-drops,
That stream with rainbow radiance as they move.
But round the parent stem the long low boughs
Bend, in a glittering ring, and arbours hide
The glassy floor. Oh! you might deem the spot
The spacious cavern of some ****** mine,
Deep in the womb of earth--where the gems grow,
And diamonds put forth radiant rods and bud
With amethyst and topaz--and the place
Lit up, most royally, with the pure beam
That dwells in them. Or haply the vast hall
Of fairy palace, that outlasts the night,
And fades not in the glory of the sun;--
Where crystal columns send forth slender shafts
And crossing arches; and fantastic aisles
Wind from the sight in brightness, and are lost
Among the crowded pillars. Raise thine eye,--
Thou seest no cavern roof, no palace vault;
There the blue sky and the white drifting cloud
Look in. Again the wildered fancy dreams
Of spouting fountains, frozen as they rose,
And fixed, with all their branching jets, in air,
And all their sluices sealed. All, all is light;
Light without shade. But all shall pass away
With the next sun. From numberless vast trunks,
Loosened, the crashing ice shall make a sound
Like the far roar of rivers, and the eve
Shall close o'er the brown woods as it was wont.

  And it is pleasant, when the noisy streams
Are just set free, and milder suns melt off
The plashy snow, save only the firm drift
In the deep glen or the close shade of pines,--
'Tis pleasant to behold the wreaths of smoke
Roll up among the maples of the hill,
Where the shrill sound of youthful voices wakes
The shriller echo, as the clear pure lymph,
That from the wounded trees, in twinkling drops,
Falls, mid the golden brightness of the morn,
Is gathered in with brimming pails, and oft,
Wielded by sturdy hands, the stroke of axe
Makes the woods ring. Along the quiet air,
Come and float calmly off the soft light clouds,
Such as you see in summer, and the winds
Scarce stir the branches. Lodged in sunny cleft,
Where the cold breezes come not, blooms alone
The little wind-flower, whose just opened eye
Is blue as the spring heaven it gazes at--
Startling the loiterer in the naked groves
With unexpected beauty, for the time
Of blossoms and green leaves is yet afar.
And ere it comes, the encountering winds shall oft
Muster their wrath again, and rapid clouds
Shade heaven, and bounding on the frozen earth
Shall fall their volleyed stores rounded like hail,
And white like snow, and the loud North again
Shall buffet the vexed forest in his rage.
WAGON WHEEL GAP is a place I never saw
And Red Horse Gulch and the chutes of ******* Creek.

Red-shirted miners picking in the sluices,
Gamblers with red neckties in the night streets,
The fly-by-night towns of Bull Frog and Skiddoo,
The night-cool limestone white of Death Valley,
The straight drop of eight hundred feet
From a shelf road in the Hasiampa Valley:
Men and places they are I never saw.

I have seen three White Horse taverns,
One in Illinois, one in Pennsylvania,
One in a timber-hid road of Wisconsin.

I bought cheese and crackers
Between sun showers in a place called White Pigeon
Nestling with a blacksmith shop, a post-office,
And a berry-crate factory, where four roads cross.

On the Pecatonica River near Freeport
I have seen boys run barefoot in the leaves
Throwing clubs at the walnut trees
In the yellow-and-gold of autumn,
And there was a brown mash dry on the inside of their hands.
On the Cedar Fork Creek of Knox County
I know how the fingers of late October
Loosen the hazel nuts.
I know the brown eyes of half-open hulls.
I know boys named Lindquist, Swanson, Hildebrand.
I remember their cries when the nuts were ripe.
And some are in machine shops; some are in the navy;
And some are not on payrolls anywhere.
Their mothers are through waiting for them to come home.
crescendo on crescendo
the ***** of the brine
calming soothing stroking
the eye the troubled mind

cogitate contemplate
a blue enthralling thrill
blueness into whiteness
back to blue and never still

thoughts reach to horizons
beyond the vast expanse
which stretches out forever
to study look askance

a calmness washes over
weary eye and wrinkled brow
the soul soaks in the soothing bath
of salt and fresh air now

what mysteries does such
a watery world secret
from land bound human frailty
considering as asleep

the depths spread out before us
the life contained therein
oh what a wondrous sight it is
to sight a shining fin

at evening time to lie in bed
and hear the peaceful hush
which rushes up to carry one
far from daily crush

the murmur of the wave
as it sluices sand so free
exciting hissing gurgling
the power of the sea

fact cannot be denied
from seaside comes a calm
inexplicable by most
and pleasant as a balm

to find a safe and lonely nook
somewhere along the coast
for some life's full ambition
unlikely there to boast

in solitude and with close heart
forever then at peace
no troubled inhibitions weigh down those
who take in beach
Martin Trahbeg Apr 2010
Parched and wanting, I search out the aquifer
My soul longs for a drenching, let it wash over  
I reach out to accept its’ comfort
I want to immerse myself in the glorious flood
It envelops me in warmth and placates me
Soothes my muscles, and settles my heart
The calming flow sluices over me, cleansing my spirit
It relieves the stress of day to day life
My wrinkled skin cries out to absorb it,
To be caressed by it, at one with the flow
Pour it on, the stream never gets cold
The rapture and glory, never grows stale or is wasted
It’s love, of course, I wish would rain on me so readily
May I never again be in a barren wasteland without a drop to behold
Ariel Taverner Sep 2016
There is always somebody taller...somebody darker, more mysterious, better body, better kisser...
"Where do I fall short?" You ask yourself a hundred times. "Wherr is it that I was not good enough for you?"
You shout to the Angels, to heaven, to God, to nothingness. You shput because 1: you hope that maybe she will hear you and 2: Emotions such as this just aren't compatible with a calm quite and civil voice. You shout because a whisper cannot properly contain the pain you feel. A cup cannot hold the water destined for a jug.
Then, when nothing shouts back,  you liquify your pain...condense your emotions into tears and pour them into a chamber in your heart labelled: Heartache. Unfortunately that room is broken...Unfortunately that room leaks. And despite all your 'manly' efforts to not let your emotions betray you, the tears leak out of your hands and onto a page,  into a poem, onto a painting, interwoven into a drawing. Art depicting the day you heal; a distant dream... And as long as your hands are more porous than your eyes you shall never heal. As long as your eyes remain painfully Dry and your smile sincerely deceptive you shall never heal. So you wait...You wait till your pencils become blunt and your brushes obsolete. You wait until the emotion pushes against your being do violently a smile seems to tear into your very reasons for living. You wait until happiness seems a dream. And you know that these emotions are not meant to be within you... a cup cannot hold the water destined for a jug yet you hold what you know is not meant for you. So you collapse... physically, emotionally, mentally and in every conceivable way...You collapse. You break. You become a shell, a shdow of the man you used to be as the sluices in your eyes finally open and you cry. Your pain cascades down your face and mixed in between the heartwrenching sobs and the muffled choking you find a new emotion. One you've never felt before. Yet you know that it was there all along, waiting to be released. And as the personified memory of her swaying figure walking away from you appears so does the emotion. Written, nay, Burned in big red letters above her shrinking figure.
ABANDONED!
And you snap! A broken man snaps. He cries now more viciously than ever before. He stumbles to the cupboard to get a drink and proceeds to drink until those painful red letters disappear in a haze of inebriation. In a drunken stupour you grab the word and wrestle it into submission. You chuck the cursed word into another chamber in your heart labelled: Latet. Meanwhile the jagged A split your skin. The pitiless B ripped open your muscles. The cursed word is subdued, but not defeated. The cursed word left you with wounds and they are clear to the world around you. They expose/subject you to humiliation...To cruelty...To despair......
And all of this caused by a single girl. A girl who...Did not mean to hurt you. She did not mean to break you. Yet you sit on the floor, the wine mixing with angry mutterings of how much you miss her. Then you cry. Again. But this time you heal. This time the tears flow into the cracks in your soul and convince you that you'll be okay. They convince you that there will be a better day after this...That one day you will find the girl that will have another word burned above her head as she walks towards you....
*LOVE
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Wade Redfearn Dec 2017
Perfect, white, and uniform
the snow that fell
the morning it fell on.
That isn’t accurate. It fell overnight.
It just belonged to the morning.

Blades of grass and shrubs reached up
and hauled it snug over their flanks -
covering themselves, not being covered.
Made the most of a single inch: a bare quilt
so when you woke in the morning
the even sky, with no sun, equal gray
shrugged blamelessly -
it wasn’t me! -
and the frost settling
on shorn lawns and dying ones
was nobody’s fault,
was even imaginary,
would be gone soon.

I drove through it listening
to the sound of wheels slipping,
the exhaust freezing out of the air
to fall again in glassy flakes behind.
Everything crunched like a tumbleweed
and white is not a Texas colour
but I remember snow is water - it soon reverts,
and sluices down curbs, ***** gray.

From this and other colours I made your youth,
put wallpaper never seen into your house,
like faces in a dream, and listened.

I was a smudge of teal lipstick on the mirror.
I was the steam behind the shower curtain,
the draft in the attic. I had no colour
and you looked right through me.
I remember by description only, but still I remember.
It all runs together, these strong colours,
like a fainting plaid, out of size.

I know the hot furrow in the clavicles of women,
but not of men. I dive into the known hollow, breathe the leavings
of the unknown. If you hold me firmly, perhaps,
I will know what it is like to be held firmly.

Curry simmers on the stove.
Lemongrass creeps along the floor, snakes beneath the doorjamb.
Behind it is frost, knocking, dragging its heels: heavy with winter.
Just ask me if you plan on any funny business.
scooby Dec 2017
Illusive elev plotted
in lieu of
illicit missives
eleve and glossy
ellipses loosely eluted
diffusive sluices
immersing Ulua
a lucite looping in
effusive illusions and
recluses.
Alas! Ill
and useless,
all is longer
mill listing lo
lacy lessening for lost-
loved occlusives.
sound study, read aloud for best effect
(AfterTintern Abbey”)

Years have passed under
The aegis of tedium.
Years have passed with
The lamentations of time.
And again I behold
The ancient sentinel
Spanning the shallow straits
Of the Gardon River.
The arches rise stalwart
And stolid, standing in
Mire against history’s
Gentle currents.
Rising high above the handful
Of tourists who have come to
Gawk and play.
Once carrying water as far
As Nimes, the troisieme etage
Still flows, spilling spirit.
We walked across it alone
In years past. The aegis
Of memory.
Pont du Gard beams in
The late, slanting sun,
A monument to engineering,
Ingenuity. Block packed on
Block, supported by the art
Of eternal geometry.
Euclid’s legacy; mortar
No necessity.
Sluices slide past skimpy
Sandbars and reeds.
Brilliant blues, silent
Witnesses to the genius
Of Rome-conquered Gaul.
Pont du Gard is a Roman aqueduct that still stands intact over the Gardon River in Provence in southern France. When you visit it, you can marvel at the mastery of Roman engineering. Beaming in the late-afternoon sun, the aqueduct is a wonderful sight.
Ben Klash Dec 2019
heard it from a friend you were messing around
Grapevines and Central Valley heat
Cumular columns standing guard
The desert beaten beneath

Thunderstorms and
lightning caught by the horizon
distance makes it safe
and beautiful

Under the cover of a train station platform
with the drying redolence of ozone
recently flashed and deluged earth
ephemeral sluices and pools sopped
quicksilver in vanishing retreat

put me there with today’s brain
just for a snap
and that’s what memory is.
Overwriting the initial experience
always with the fog of distance
and the clarity of apparent wisdom gained

does that sunfilled drizzly moment remain
because of what I was thinking precisely then?
or is it copied into crazy contortions
distorted from the original cut

hazy reverb
autotuned into absolute pitch
by time’s perfect ear
a greatest hit engineered by millions
of tiny producers?
TJ Struska May 2020
If were lucky, it's all a terrible time.
Tattered goldfish smearing the bowl.
Its more a failed distraction,
An instinct driven drama,
It's like fish swimming in anxious sleep,
It's lame excuses and narcotic visions,
All these trippy hours.
Chopin lurking in shadow.
It's the all organic experience,
I brought nothing but light off the levee,
The stink of Reynolds Aluminum,
Copper and mud.
A thousand noxious cars passing the window,
I don't mean to meddle,
Like a drunk hag hanging on your sleeve-
But where the hell is Shambhala?
It's such a drag doing penance in a bathrobe,
I hear Pharisees and jailers are there,
Doing straight time in Purgatory,
Tinkling like a million bad dreams.
It's rusty bells in little black cups.
Sorry about the clock tower,
It warbles electric.
It's use to substandard time.
I'll perch a Screwtape Letter.
It's obtuse when hungover.
Baal and Beelzebub boogied for the coast.
It's a pestilence of petunia,
A trip to the triage,
The same lame reaction.
Assuage with me to the vat of ammonia,
Its a train leading to Leipzig,
It's Brahms Nocturnal Dream In A Minor,
It's a mansion on the moon,
An olfactory schism of the senses,
Stealing time in half-hour segments,
A volatile mixture metered for meltdown.
Eponymous splotch of illustrious nails,
Railed to the cross one by one
Pilate washed at the sink,
He was clocking in overtime.
I've assembled mirrors to my hobnail boots,
It sluices the sunlight
Gets the light dancing every which way.
Its like being at the circus,
It. So captivating.
What hour is it?
I come awake to a tomahawk tapping.
I'm historically hysterical,
An unknown tangent.
The factory affiliate controls the production.
He measures the sunshine in fabulous droplets.
Let's grab the Metro for a ride through the ghetto,
While you draw designs on lovers faces.
Counting backward from zero to one.
I wrote this poem this week. This is truly my style. I pray someone reads this
Evan Stephens Dec 2021
"And the light shineth in darkness; and the darkness comprehended it not." -John 1:5

I find whisky grammar in the cold sluices,
in the curve of the thickened glass-ash.

The bourbon cask gave its woody soul
to the barley spirit, to the amber shadow.

The New Year comes but I reject it;
the sun-ball drifts yellowing like an old page,

the moon rises like a bleached skull.
Ireland came and went, full of green iron secrets.

My life was full, but now it is empty.
I live in a high room full of guitars,

full of alcohol, full of deathly ulcers,
full of Plath and her sweet ether.

The air is seared. The water boils.
The witch shakes her hazel wand,

& demons sigh in resignation - why bother?
Humans move the darkness in little pieces.

Somewhere in Sicily, in Silesia, in Kent,
my blood is moving without me. My blood -

it's loving another. It's never had a headache.
It actually lives a full life, somewhere else,

that good red life. But not here: Here,
I drink in the old cemetery, with the blurry pebbles.
Evan Stephens Dec 2020
The sun sluices in -
the light just won't
stop breaking.
Birds are weeping
in trees full of dawn,
& poets run to the streets
to scribble out a heart.
The sun pulls away
from a neck of night.
Dennis Willis Aug 2021
You keep wanging
**** **** ****
away away at it all
and then stumble back

this beaten earth roils
in red clay sluices
you would have
my gold wouldn't you

shallow traps and gullies
work together to wash
and hold me still
when I would wreak

oh I would wreak
on all of you something
that would leave  you feeling
you'd gotten it

and just wouldn't believe
what you held in your hands
and then I must stop
'cause I don't know
Michael Perry Oct 2020
DOWN BY

all the signs lead to a river, crested by a bank
deep in the wood, so look for a path
that will lead you there, or listen close for the
gurgling water as it sluices through winding ways
made from the top of the mountain down
you will know then, missed by countless others
a view underappreciated by most, unsurpassed

by Michael Perry

— The End —