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Even as the sun with purple-coloured face
Had ta’en his last leave of the weeping morn,
Rose-cheeked Adonis hied him to the chase;
Hunting he loved, but love he laughed to scorn.
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor ‘gins to woo him.

“Thrice fairer than myself,” thus she began
“The fields chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee with herself at strife
Saith that the world hath ending with thy life.

“Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know.
Here come and sit where never serpent hisses,
And being set, I’ll smother thee with kisses.

“And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety:
Ten kisses short as one, one long as twenty.
A summer’s day will seem an hour but short,
Being wasted in such time-beguiling sport.”

With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth’s sovereign salve to do a goddess good.
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.

Over one arm the ***** courser’s rein,
Under her other was the tender boy,
Who blushed and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens—O, how quick is love!
The steed is stalled up, and even now
To tie the rider she begins to prove.
Backward she pushed him, as she would be ******,
And governed him in strength, though not in lust.

So soon was she along as he was down,
Each leaning on their elbows and their hips;
Now doth she stroke his cheek, now doth he frown
And ‘gins to chide, but soon she stops his lips,
And, kissing, speaks with lustful language broken:
“If thou wilt chide, thy lips shall never open”.

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks.
He saith she is immodest, blames her miss;
What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuffed or prey be gone;
Even so she kissed his brow, his cheek, his chin,
And where she ends she doth anew begin.

Forced to content, but never to obey,
Panting he lies, and breatheth in her face;
She feedeth on the steam as on a prey,
And calls it heavenly moisture, air of grace,
Wishing her cheeks were gardens full of flowers,
So they were dewed with such distilling showers.

Look how a bird lies tangled in a net,
So fastened in her arms Adonis lies;
Pure shame and awed resistance made him fret,
Which bred more beauty in his angry eyes.
Rain added to a river that is rank
Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he lours and frets,
‘Twixt crimson shame and anger ashy-pale.
Being red, she loves him best; and being white,
Her best is bettered with a more delight.

Look how he can, she cannot choose but love;
And by her fair immortal hand she swears
From his soft ***** never to remove
Till he take truce with her contending tears,
Which long have rained, making her cheeks all wet;
And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave
Who, being looked on, ducks as quickly in;
So offers he to give what she did crave;
But when her lips were ready for his pay,
He winks, and turns his lips another way.

Never did passenger in summer’s heat
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get;
She bathes in water, yet her fire must burn.
“O pity,” ‘gan she cry “flint-hearted boy,
’Tis but a kiss I beg; why art thou coy?

“I have been wooed as I entreat thee now
Even by the stern and direful god of war,
Whose sinewy neck in battle ne’er did bow,
Who conquers where he comes in every jar;
Yet hath he been my captive and my slave,
And begged for that which thou unasked shalt have.

“Over my altars hath he hung his lance,
His battered shield, his uncontrolled crest,
And for my sake hath learned to sport and dance,
To toy, to wanton, dally, smile, and jest,
Scorning his churlish drum and ensign red,
Making my arms his field, his tent my bed.

“Thus he that overruled I overswayed,
Leading him prisoner in a red-rose chain;
Strong-tempered steel his stronger strength obeyed,
Yet was he servile to my coy disdain.
O be not proud, nor brag not of thy might,
For mast’ring her that foiled the god of fight.

“Touch but my lips with those fair lips of thine,
—Though mine be not so fair, yet are they red—
The kiss shall be thine own as well as mine.
What seest thou in the ground? Hold up thy head;
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?

“Art thou ashamed to kiss? Then wink again,
And I will wink; so shall the day seem night.
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight:
These blue-veined violets whereon we lean
Never can blab, nor know not what we mean.

“The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted.
Make use of time, let not advantage slip:
Beauty within itself should not be wasted.
Fair flowers that are not gathered in their prime
Rot and consume themselves in little time.

“Were I hard-favoured, foul, or wrinkled-old,
Ill-nurtured, crooked, churlish, harsh in voice,
O’erworn, despised, rheumatic, and cold,
Thick-sighted, barren, lean, and lacking juice,
Then mightst thou pause, for then I were not for thee;
But having no defects, why dost abhor me?

“Thou canst not see one wrinkle in my brow,
Mine eyes are grey and bright and quick in turning,
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve or seem to melt.

“Bid me discourse, I will enchant thine ear,
Or like a fairy trip upon the green,
Or like a nymph, with long dishevelled hair,
Dance on the sands, and yet no footing seen.
Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.

“Witness this primrose bank whereon I lie:
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky
From morn till night, even where I list to sport me.
Is love so light, sweet boy, and may it be
That thou should think it heavy unto thee?

“Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

“Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use,
Herbs for their smell, and sappy plants to bear;
Things growing to themselves are growth’s abuse.
Seeds spring from seeds, and beauty breedeth beauty;
Thou wast begot: to get it is thy duty.

“Upon the earth’s increase why shouldst thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live when thou thyself art dead;
And so in spite of death thou dost survive,
In that thy likeness still is left alive.”

By this, the lovesick queen began to sweat,
For where they lay the shadow had forsook them,
And Titan, tired in the midday heat,
With burning eye did hotly overlook them,
Wishing Adonis had his team to guide,
So he were like him, and by Venus’ side.

And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His louring brows o’erwhelming his fair sight,
Like misty vapours when they blot the sky,
Souring his cheeks, cries “Fie, no more of love!
The sun doth burn my face; I must remove.”

“Ay me,” quoth Venus “young, and so unkind!
What bare excuses mak’st thou to be gone!
I’ll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun.
I’ll make a shadow for thee of my hairs;
If they burn too, I’ll quench them with my tears.

“The sun that shines from heaven shines but warm,
And lo, I lie between that sun and thee;
The heat I have from thence doth little harm:
Thine eye darts forth the fire that burneth me;
And were I not immortal, life were done
Between this heavenly and earthly sun.

“Art thou obdurate, flinty, hard as steel?
Nay, more than flint, for stone at rain relenteth.
Art thou a woman’s son, and canst not feel
What ’tis to love, how want of love tormenteth?
O, had thy mother borne so hard a mind
She had not brought forth thee, but died unkind.

“What am I that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute.
Give me one kiss, I’ll give it thee again,
And one for int’rest, if thou wilt have twain.

“Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue contenting but the eye alone,
Thing like a man, but of no woman bred!
Thou art no man, though of a man’s complexion,
For men will kiss even by their own direction.”

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and fiery eyes blaze forth her wrong:
Being judge in love, she cannot right her cause;
And now she weeps, and now she fain would speak,
And now her sobs do her intendments break.

Sometime she shakes her head, and then his hand;
Now gazeth she on him, now on the ground;
Sometime her arms infold him like a band;
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.

“Fondling,” she saith “since I have hemmed thee here
Within the circuit of this ivory pale,
I’ll be a park, and thou shalt be my deer:
Feed where thou wilt, on mountain or in dale;
Graze on my lips, and if those hills be dry,
Stray lower, where the pleasant fountains lie.

“Within this limit is relief enough,
Sweet bottom-grass and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain:
Then be my deer, since I am such a park;
No dog shall rouse thee, though a thousand bark.”

At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple.
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple,
Foreknowing well, if there he came to lie,
Why, there Love lived, and there he could not die.

These lovely caves, these round enchanting pits,
Opened their mouths to swallow Venus’ liking.
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!

Now which way shall she turn? What shall she say?
Her words are done, her woes the more increasing.
The time is spent, her object will away,
And from her twining arms doth urge releasing.
“Pity!” she cries “Some favour, some remorse!”
Away he springs, and hasteth to his horse.

But lo, from forth a copse that neighbours by
A breeding jennet, *****, young, and proud,
Adonis’ trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud.
The strong-necked steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ‘tween his teeth,
Controlling what he was controlled with.

His ears up-pricked; his braided hanging mane
Upon his compassed crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.

Sometime he trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say ‘Lo, thus my strength is tried,
And this I do to captivate the eye
Of the fair ******* that is standing by.’

What recketh he his rider’s angry stir,
His flattering ‘Holla’ or his ‘Stand, I say’?
What cares he now for curb or pricking spur,
For rich caparisons or trappings gay?
He sees his love, and nothing else he sees,
For nothing else with his proud sight agrees.

Look when a painter would surpass the life
In limning out a well-proportioned steed,
His art with nature’s workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one
In shape, in courage, colour, pace, and bone.

Round-hoofed, short-jointed, fetlocks **** and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide;
Look what a horse should have he did not lack,
Save a proud rider on so proud a back.

Sometime he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a base he now prepares,
And whe’er he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feathered wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind:
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love, and scorns the heat he feels,
Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume,
Cool shadow to his melting buttock lent;
He stamps, and bites the poor flies in his fume.
His love, perceiving how he was enraged,
Grew kinder, and his fury was assuaged.

His testy master goeth about to take him,
When, lo, the unbacked *******, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Outstripping crows that strive to overfly them.

All swoll’n with chafing, down Adonis sits,
Banning his boist’rous and unruly beast;
And now the happy season once more fits
That lovesick Love by pleading may be blest;
For lovers say the heart hath treble wrong
When it is barred the aidance of the tongue.

An oven that is stopped, or river stayed,
Burneth more hotly, swelleth with more rage;
So of concealed sorrow may be said.
Free vent of words love’s fire doth assuage;
But when the heart’s attorney once is mute,
The client breaks, as desperate in his suit.

He sees her coming, and begins to glow,
Even as a dying coal revives with wind,
And with his bonnet hides his angry brow,
Looks on the dull earth with disturbed mind,
Taking no notice that she is so nigh,
For all askance he holds her in his eye.

O what a sight it was wistly to view
How she came stealing to the wayward boy!
To note the fighting conflict of her hue,
How white and red each other did destroy!
But now her cheek was pale, and by-and-by
It flashed forth fire, as lightning from the sky.

Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels.
His tend’rer cheek receives her soft hand’s print
As apt as new-fall’n snow takes any dint.

O what a war of looks was then between them,
Her eyes petitioners to his eyes suing!
His eyes saw her eyes as they had not seen them;
Her eyes wooed still, his eyes disdained the wooing;
And all this dumb-play had his acts made plain
With tears which chorus-like her eyes did rain.

Full gently now she takes him by the hand,
A lily prisoned in a gaol of snow,
Or ivory in an alabaster band;
So white a friend engirts so white a foe.
This beauteous combat, wilful and unwilling,
Showed like two silver doves that sit a-billing.

Once more the engine of her thoughts began:
“O fairest mover on this mortal round,
Would t
Ottar Aug 2013
Loose clouds, sink dreams of sunny days and sunny ways,
They are the front runners the fore tellers, driven
before the wind of the next wave of water falling
from the sky and from my eye.

It is a SIGN, It is a SIGN, I tell you don't wear a target out
when Scuds are about, It is a sign of bad weather and my doom.
DOOM I say!  Falls fool and Winters wimp, blown in my haggard face!

Seeing Scuds (a loose vapory missile, leading the bad weather)
at my doorsteps, dampening my foot falls, scud after scud,
more bad weather, dark clouds, I bend into the wind
head down so I won't drown and the Scuds can't see my eyes,

That I have given up, hide oh hooded head
and given in, I use my umbrella to hide behind,
will I or it survive the wind?
until spring rings in, with summer.
.
Tom Spencer Jul 2018
white clouds swell up
anvil bloom

a lowering gloom
scuds by

stacatto drops
on the windshield

punctuate  
powerline sway

radio crackle
sparks

sheets of tenor sax
and blunt

gusts of cool
I lower the window

and steer
into the storm


Tom Spencer © 2018
You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;
Seemingly tired of all the frisky breezes,
They carp at every gust that stirs them up.
At one side of my house a big wheelbarrow
Is rusting; and before me lies the vast
Horizon, all its notches filled with ocean blue;
***** and hens spread their gildings, and converse
Beneath my window; and the rooftop attics,
Now and then, toss me songs in dialect.
In my lane dwells a patriarchal rope-maker;
The old man makes his wheel run loud, and goes
Retrograde, hemp wreathed tightly round the midriff.
I like these waters where the wild gale scuds;
All day the country tempts me to go strolling;
The little village urchins, book in hand,
Envy me, at the schoolmaster's (my lodging),
As a big schoolboy sneaking a day off.
The air is pure, the sky smiles; there's a constant
Soft noise of children spelling things aloud.
The waters flow; a linnet flies; and I say: "Thank you!
Thank you, Almighty God!"--So, then, I live:
Peacefully, hour by hour, with little fuss, I shed
My days, and think of you, my lady fair!
I hear the children chattering; and I see, at times,
Sailing across the high seas in its pride,
Over the gables of the tranquil village,
Some winged ship which is traveling far away,
Flying across the ocean, hounded by all the winds.
Lately it slept in port beside the quay.
Nothing has kept it from the jealous sea-surge:
No tears of relatives, nor fears of wives,
Nor reefs dimly reflected in the waters,
Nor importunity of sinister birds.
Zulu Samperfas Aug 2012
The UN was all abuzz
Everyone was talking cuz
Saddam has got a bomb

Oh, no way, the French they say
and that crazy El Baraday
Sitting out in some Paris cafe
All they say is he ain't got a bomb

But back in America, they know best
Cuz we're a better country than all the rest
And everyone there knows Saddams got a bomb

I'm in Israel on that day still in danger
just like yesterday
And the last Gulf war Saddam threw some Scuds our way

My husband, we argued
that week before you left
I said I'm afraid I agree with the French
You said better watch out
Cuz you got to stay and see
And they'll be Scuds landing right here on our street

Then with great courage you said " I can't stay,"
Got important business in the next days
And for two we really cannot pay
and I say "oh, that's OK"
I'm getting more Israeli every day
When it comes to bombs I'm quite blase
And besides I've always been really, really strong
But deep inside my mind there's something wrong
What if Saddams really got a bomb?

So off you flew to the United States
Where everything was peachy keen and safe and sound
And I was in the path of Scud that could hit the ground

Back in Haifa I'm up late
Patriot missiles up on the mountains those days
Aiming high, pointing out to Saddam's way
And I watch the TV nearly all day
over and over the UN they say
Saddam he really, really ain't got no bomb

My friends tell me they'll be a help to me
If the bombs fall we'll have a party
and we'll drink and laugh and eat cookies
all inside the bomb shelter, it will be fun you'll see

I waited in Haifa and watched TV
Listened for the sirens but none reached me
And watched a night time shock and awe Iraq block party

It looked kind of like a pretty morbid fourth of July

And daily life went on that day
even in the Jewish state
And you'd never know that a war was going on

And then they say he got away
And when the awe had gone very far away
And the shock and the blood were very, extremely dry

The coast was clear
You could dare to come near
My hero man
I see you don't give a ****
So you flew back to our fair city
and you have to face up to me and say
You're right, Saddam ain't got a bomb

No mushroom cloud
No cheering crowd
Just a dusty state
crumbling at a rapid rate
No bomb in sight, they looked with all their might
No matter where they went the couldn't find the scent
just the scared and the saved and really dead bodies
And all of us scared Israelis

And then the world it had to say
The French were right and so was El Baraday
Saddam doesn't really have a bomb

I went through all this
Without you to kiss
To be scared with
Or be calm with
And I realize now
if I can do this
without you by my side
with you I really don't need to hide
cuz I can really make it on my own
I think this is more of a song.
(Sitting and drinking in the chair made out of the relics
of Sir Francis Drake’s ship.)


Cheer up, my mates, the wind does fairly blow;
  Clap on more sail, and never spare;
  Farewell, all lands, for now we are
  In the wide sea of drink, and merrily we go.
Bless me, ’tis hot! another bowl of wine,
  And we shall cut the burning Line:
Hey, boys! she scuds away, and by my head I know
  We round the world are sailing now.
What dull men are those who tarry at home,
When abroad they might wantonly roam,
  And gain such experience, and spy, too,
  Such countries and wonders, as I do!
But pr’ythee, good pilot, take heed what you do,
  And fail not to touch at Peru!
  With gold there the vessel we’ll store,
  And never, and never be poor,
  No, never be poor any more.
Zulu Samperfas Jan 2013
Haifa, Israel, a Saturday before the Second Gulf War
The Iraq War, the Shock and Awe War, the war with embedded journalists traveling in
tanks across dusty deserts the smart way with no bulky supply lines following them
And they arrived and it quickly became apparent the supply line was a good invention

The beach is filled with people, enjoying their last few days of peace
People color the beach a kind of brown, moving brown, like ants wandering around a hill the entire beach is their hill right now in that moment a respite of the stress to come
Funny how War could be on some kind of timeline, with everyone waiting for it
like a Super Bowl game, or the second coming or a tornado or flood or nuclear bomb
Breathe this fresh air now, for tomorrow will find you smothered in a bomb shelter
crammed into small spaces with strangers even, or people you don't like, and screaming children

Your plane was due to leave for Florida the next day, but there was no seat for me.
At first that bothered you, that we had no money for me to go anywhere, only you
but now you took any chance you got to leave this place that was our new home
"We're making cookies," a couple said who we ran into down there.  
If there's an air raid, you can stay with us they said to me.  
And I imagined the pleasant aroma of butter
and sweet and nuts filling a windowless room with a Hebrew TV station crackling quickly in a language I still couldn't keep up with while we munched until we were like full balloons
in a land with the bus driver turning up the news updates on the radio every hour really loud so everyone could hear them, day in and day out, because this was part of life here. And most of what I could follow after so many hours of study was that most words at the end of a sentence on the news ended with -eeem.  Usually in threes, -eem, -eeem, -eem, which is maculine plural and sometimes there was MemShalah, which is Prime Minister.

It was your most noble hour, coming shortly after you rampaging up and down the hallways
of our cement apartment building, just a box but a nice one with a view of Haifa Bay saying Saddam does too have a bomb, and you just wait when the scuds start falling. You just wait.
But you weren't waiting.  You were going home.
And no I didn't believe Saddam had a bomb although I've never met anyone who agreed with me since then and that is getting to be a long time ago.  
Even though there were Freedom Fries now and a ban on French wine and I don't particularly like the French in many ways, still I believed them and Mahomood El Baradei
because he was a very smart man except American don't believe there can be smart, effective individuals and people working very hard in places filled with dust and ignorance and lacking
so many comforts and conveniences
And how could you check a whole country anyway?  
With connections, by being an insider and by being very clever and that's what I thought sitting in the living room watching CNN International being piped for free into our living room.
And you were terrified and you left in a sweat and a day or so later the War began

and I watched the War on CNN International in our living room after you were gone, and it was just mass destruction from great heights like someone's ridiculous plan of Urban Renewal from way too high up and I felt sorry for all the
people who would soon be called "collateral damage" and I felt ill at our Generals bragging about this mayhem, this obscene, idiotic pounding of a city without intelligence or sensitivity or perceptions and I felt no shock and awe, but only horror and sadness
and I, by myself, an American living in Israel, who now had dual citizenship of course,
you see, but Americans are never dual, we always leave.  We are only American.

I saw my country as something angry, and violent and dumb and ugly
And you waited in Florida for the WMD, and I watched the story unfold
and there were still no WMD by the time you got back and the Patriot missiles were lowered from their mountain top heights.  And there were still no WMD when paper plans for a bomb were unearthed underneath rose bushes in a scientist's back yard and I felt sorry for the rose bushes
and hoped they were re-planted.
And like my country, you slipped down a notch in my eyes,
Running away from nothing telling me there was danger and leaving me
when it was only you who believed I might die.  Only You.
I saw him; I saw an Israeli committing ****,
In the Gaza strip the former land of Arabs,
The eye of Palestine, a beacon usurped away,
By the sons and daughters of God, the Hebrew Yahweh,
I saw there the sons of God committing ****** horror
Of all lethal horrors, they brutally ***** Arab women,
***** Arab girls and lame women, grand mothers
And others in the brudah as their male loved ones,
In askance standing to look, their face tearfully a gape,
Sons of God from the house of Israel **** brutally,
They wound, mayhem, do every thing murderously,
Other than mass ****** in rounds, a lesser punishment
Perhaps; they mete as a show of forgiveness, show of ruth,
Sons of God have an evil nemesis; they siege humanity like a devil,
They unashamedly **** young children, sexually and homosexually
Lesbians from Israel, the house God also brutally **** and ****,
They **** forlorn Arabs and Africans, for no other reason,
But the race, faith, ethnicity and weapons of their victims
Are no match to the evil and satanic ploys of house of God; Israel,
Israel Please, stop ****, stop; ****** and civil casualties,
Against the desperate and the armless, they are forlorn,
Israel listen, your Gaza Culture is crime against humanity,
You maliciously habour weapons of mass de-creation; Nuclear,
You have fierce most segregation camps, to detain African
Refuges, o! No you call them black illegal immigrants,
And in those camps you brutalize them more than the visitors
And the   inmates of Guantanamo prison, you really torture,
And you leave them to die of hunger in the open field,
As your head boy Benjamin Netanyahu gives an OK.
Israeli you are liars; you are not the sons of God,
All humanity reflect divinity, But Israel reflect terror,
Israel you are liars, god never gave you Palestine,
Those are your fables that fuel racism and terrorism,
It the weapons you get from America that gives you
Palestine your evil acquisition, an eyesore to the just,
Israel you played a decoy and bombed the twin towers,
In New York on the 11th date of September,
To stunt the American bulls to goof in their folly
To attack Iraq of Sadam with drones and scuds and
Patriotics, as you stand aside in self-congratulation,
Israel you are bad, your heart is anti-human and satanic.
Who made other nations to be gentiles?
Other than your malicious conscience,
That breeds hatred inherent in you
For those who confess different faiths?
And subscribe to different nationalism,
O Israel! The dweller of Jerusalem
If God created you alone, then who
Created Negroes the dweller of Congo forest,
O Israel the forced dwellers of Jerusalem
Why is it difficult for you to stay, mix and intermarry?
With Asians, beggars, gravediggers, Muslims, Africans,
To intermarry with humanity, how fragile and
Self suscipicious is your testicles and vaginas,
So that you uppishly shun humanity, by denying the poor
Their natural right of ***; *** that only  prevents war.
Stefan Michener Mar 2016
Pyramid's mania
Languid pink lotus-eaters
Ominous and luminous
Faded to darkened scars
Eternity held the stars

My how you spoof yourself
Your puerile ferocity
Scuds' untamed velocity
'neath fearsome thunderstorm
Loving before you were born

Now you've gone too far
You're caught in vertigo
Spinning with nowhere to go
No one here you can call,
Nowhere else to hide at all

How's it feel all alone?
Just two inches tall, you stand
Onstage in a cold, strange land
Singing in a silver thong
Quirky tunes grace the throng

Laughter, hisses and boos
Chorus of ridicule
Pomposities of smug cool
Blinding radioactive rage
Taught in a tight cage onstage

You're clamoring now
Your timid voice starts to crack
Look to sky, no one looks back
Blood and sweat fuel the swarm
Furious scuds preview the storm

You ***** a mumbo
APOLLO Coventry hail
The Black Pharaoh wields his flail
Advent of El Diablo
Swiftly comes the deathblow

Aroused by gravity,
****** ground spins before you
******* tingle tango for two
Nobody is calling
You're fearlessly falling

The wind roars in your ears
Ridicule's easing winnow
Distorted faces in windows
Adagio Eternus
Virtue and Disgrace Opus

Beadle cleans the sidewalk
Of a Swan-song's human rubble
Whistling, he's forming a riddle
Dangerous timeless Sphinx
Bested by the modern Kings
Chris Saitta Jul 2019
Come home from eagle-throated distance,
The canoe-tip of the crescent moon scuds
Into the silted, mud-bed of heaven.
Her face-dream beside the pine trees
The mollusc of purpled wampum beads shining.  

Bury my hands, ninidji, in the eagle’s nest,
Carry my feeling words to her on wings.
Let her mix roots, berries, clay
and the feather of my hands
To paint her face with my words and these trees.

Or let my hands ripple like flat-fish
Above the silt-bed of her slim stomach,
Held there in radiant scaled warmth.
Lappihanne, the rapid water of our river heart,
Like an arrow that glides from the bow,
My people where the tide ebbs and flows.

To us both, the dark, golden edge of woods whispers, kuwumaras
And the water arrow will never land,
But carried in my eagle’s hands,
I say kuwumaras, my love, and pierce through all darkness
To the empty path made full with the ripples of all who have passed.
My nika, swan of the woods, let us dive into the dark, golden sea
Of forever in the hills.
All italicized words are Algonquin.
"Wampum" is well-known as the colorful beads made from whelk shells and later used as currency in trading with New World explorers.
"Lappihanne" was the basis for the word Rappahannock, which is also the name of the tribe known as the "people of the ebb and flow tide"
"Kuwumaras" means "I love you"
All other words are self-explained in the above.

Roots, berries, clay, and sometimes feathers were used for face paint.
Warren Gossett Sep 2011
Praying on still more
of the man-made nectar,
it's a hooded monk on the wing
and it kneels at the bright
blood-red throne
swaying just shy of heaven,
genuflects several times
while vocalizing its disdain,
sips hurriedly of my offering
and then scuds away without
so much as a blessing save
for the assurance of its
repeated appearances.

--
But not on a shell, she starts,
Archaic, for the sea.
But on the first-found ****
She scuds the glitters,
Noiselessly, like one more wave.

She too is discontent
And would have purple stuff upon her arms,
Tired of the salty harbors,
Eager for the brine and bellowing
Of the high interiors of the sea.

The wind speeds her,
Blowing upon her hands
And watery back.
She touches the clouds, where she goes
In the circle of her traverse of the sea.

Yet this is meagre play
In the scurry and water-shine,
As her heels foam--
Not as when the goldener ****
Of a later day

Will go, like the center of sea-green pomp,
In an intenser calm,
Scullion of fate,
Across the ***** torrent, ceaselessly,
Upon her irretrievable way.
Hannah Morse Feb 2014
The scent of wild garlic plumps the air
in the narrow, deep valley of the brook.
The oak trees either side
reach across, clasping hands,
trapping the heat and the smell.

A trout ***** up stream,
jumping the shallow current.
Crouching on the pebble beach,
two children watch it land,
plunk,
in the depths further up.

'Fish! That's what we need, fish!'
He blunders up the river,
hands outstretched,
as though to catch the trout in his palms.

Deepening the rock pool,
scuds scurrying out of sight,
the girl notices the thin, black water slug
stretched out on her chalky forearm.

Pincering it off with her fingers,
she doesn't scream until
spotting the ****** mark,
as the leech reaches up
to wrap itself round her finger.

With a flick of her wrist,
it splacks onto a dry, flat rock.
She crushes its body with a pebble,
and the smell of iron mingles with the garlic.
K G Aug 2016
The steaming beam from the shower floods cheaply
Pen ink always drips of limerence and scuds deeply
Painting the getaway in a never ending mess
Lead a life of vast nothingness in a shrunken head
Learn, regret piece by piece is de bene esse
A can with my brain in it is capped and set aside
Black-hole thoughts flit when rapt attention died
Nothing in this universe is real, along with my morsel pride
All I know is that this planet's soul is our goal to find
Penning about something abysmally meaningless, with only a speck of heart
Passing all the signs of the slow decline, whilst lonely with my flecks of art
If I stood in front of a speeding car, in circles I'd potrude or be flexed apart
taste this blossom-sung wind
with your tongue of a thousand songs.
forget how to speak by this window,
this window of a dozen softly dreaming springs.
allow this cooling fire to refine your visions
like an icy birdsong in the machinery of noon.
breathe, sigh, shut your eyes to the light;
fear nothing of that gold-dusted dawn,
that rose-tinted glass of tomorrow’s words,
for simplicity favours them;

nothing but the hills of emerald wind,
a solemn birdsong; a tune of half-seen reflections in windows,
a distant blossom tree; its petals plucking themselves
one by one from the sundewed branches,
a rooftop reflecting light; a smokeless chimney
stretching high beyond the peak of bricks,
a sky of spring-soaked blue; scuds of white
streaking the azure vault of heaven
in little here-and-there places.

dream high into this endless sky,
dream windless and green into the eternity of earth,
dream sunny and freely; dream as freely
as those blossom petals.

reach the crescendo of this precious springtime;
let it blossom,
let it bloom,
sing forgetful into the waxing days
like a goldfinch in the waning darkness
of winter’s ice-forged grip.
summer’s god-warmed arms are almost here;
sit and dream, sit and sing,
and taste that blossom-wind
with a mouth of eternal life.
The X-Rhymes Nov 2021
THE WOLFMAN


'neath full white moon, from wolfsbane bloom
there came a gloomy cry
this haunting tune of doom and tomb
made Tom assume he'd die

at first a growl and then a howl
what prowled beyond his sight?
the noise had fouled the evening's cowl
and scared an owl to flight

as if a hound was gaining ground
somewhere around the trees
these kinds of sounds can make hearts pound
and blood's been found to freeze

and though the thud of feet on mud
said likelihood a dog
still there Tom stood, scared in the wood
in scuds of misty fog

but who'd have guessed, a man, quite stressed
would crest atop the hill
who's vest did wrest, 'til bare of chest
and undressed, fell dead still

then with a moan, a snout was grown
while other bones constricted
just as was shown in films he'd known
or Twilight Zone depicted

like wolfman lore from days of yore
claws tore through finger tips
then paws to floor, down on all fours
teeth poured from jaw through lips

and with fur grew, transition through
it's blue eyes flew Tom's way
to seek a clue, accrue a view
if Tom knew what to say

Tom felt a chill, a deadly thrill
his heart stood still, a while
but soon wolf's will seemed to distill
and was to **** it's style?

it had not leapt or even crept
just kept Tom in it's eye
a slight misstep would be inept
it said "accept or die"

this lycanthrope was out to scope
how modern dopes react
how would Tom cope with this tightrope?
his only hope was tact

and thinking through what best to do
Tom soon came to this sense
where once was due a scream or two
might now construe offence

should Tom address it's differentness
and call it pest or clown?
or treat as guest this man cross dressed
with no thoughtless pronoun?

a quick brainstorm then Tom got warm
how he'd perform it's test
accept the norm that folks transform
to which form suits them best

a gypsy spell or silver shell
could mean death knell incurred
now Tom could tell how to do well
- just yell all the right words

best not hold with thoughts of old
be controlled by the past
forget what's told in books once sold
don't scold it an outcast

Tom did not dare to curse and swear
turn to the air his nose
was well aware it's wrong to stare
at men who wear wolf clothes

he'd tow the line, not undermine
so opined joyously
'if you define yourself lupine
or canine, fine by me'

the tension eased with wolf appeased
so pleased it wagged it's tail
it's test not breezed with expertise
he'd teased a pass from fail

so off Tom skipped (more likely, slipped)
his hat tipped in 'goodnight'
and though equipped with puns and quips
to stay tight lipped felt right.
I liked writing it.
John okon Jan 2019
The Morning Sun ©


               Stanza 1 :

The short hand of my big,round clock
Diligently whirred the hour of nine,
And the unfailing sun - faithful to her calling,
Rose again to shine.

               Stanza 2 :

Arghh ! The tendrils of her luminous rays
Sprayed discomfort - exceptionally piercing,
The moment of silence aided the voices of
Chirping birds perching the leeward side of
A neighbouring roof,
Adding somewhat a lustre, to the
Unwavering heat that fortunately found a
Path through the holes of my crisscross net.
Unbidden,I refused to adore her glistening
Grace,
Wallowing in selfpride,I declined my warm
Expression of gratitude for all of her
Kindness during the rainy days.
With overwhelming disdain, I let low the
Fringes of a yellow transparent curtain.

               Stanza 3 :

Nevertheless, undeterred as ever, she
Increased the dazzling filament of her
Toturing flame,
And all I ever did was gawk intermittently,
At the grandeur of her charismatic display
As she waxed and waned delightfully.
Causing tiny,glints to appear on the
Edges of swaying tassles that adorned the
See - through veils of my living room.
Arghh ! There she goes again - her
Untouchable forelocks made me scoff : they
Were as deadly as those oily,boiling,spittles
Dripping down from the cut - tops of
Long-lived vulcanoes,
Which no man ever dared tame.

                Stanza 4 :

The sweeping swish of daytime into
Noonshift, shapelessly radiated those lines
Of light through the scuds of sheepish grey,
As indifferent as ever : no soul, dead or
Living has ever been fortunate to wear her a
Royal crown - oh nay !
I marvel in awe as I unwillingly did watch,
My poor, sullen eyes could droop at some
Point,
Inwardly jealous of her daily, scorchy, touch.


Jahmenmuze.
I drafted this poem three times. A great piece.
O Sopranist! How could you sing like this?
I offer th'aural sense to thee in peace.

Of music of thine does scatter aura bright,
And scuds the wave of cadence to a height.

As tho' piercing boulders, sweet melodies float-
Like a winding stream of nectar-note.

O Sopranist! How could you even sing like this?
I offer th'slurry flames of drunken whispers, to thee,
in peace.

Of endless happenings which may question th'soul,
O Sopranist ! would you be always there to condole?

O Sopranist! How could you sing like this?
I offer th'aural sense to thee in peace.

O Sopranist! How could you sing like this?
....
.......
.........

— The End —