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Nat Lipstadt May 2014
~ ~ ~
Adieu!
My Crew, My Crew!


this, our first trip,
our longest voyage,
nears completion

eighteenth of May,
a terminal date,
date of destination,
upon it commenced,
upon it,
our commencement

a terminus nearing,
a degree of latitude given,
a degree of longitude observed,
by you
mes méridiens,
witnesses to my zenith,
a degree of gratitude granted
and lovingly recv'd

adieu, adieu!
this sole~full rhyme
beats upon my lips
repeats and repeats,
endlessly looped,
Adieu, my crew!

sailor, voyageur,
scribe and travel guide
for four seasons,
a composition of one long
anno sabbatico,
muy simpatico

in the spring of '13
I sprung up here,
a Mayflower,,
a May flower,
a floral ship,
annual for a single year,
annual for a single circumnavigation

hearing now once again,
refreshing sounds,
hinting noises,
here comes his paul simonizing summery spring again,
rhyming timing reminding dylan style,
it's all over now, my babies blue

t'is season to move forward,
back to old acquaintances renewed,
sand, water and salty sun,
three lifelong friends who,
Auld Lang Syne,
never ever forget me

we get drunk on their eternity,
their celestial beauty,
and they,
upon my tarnished earthly being,
unreservedly and never judgingly,
give inspiration unstintingly,
we share,
never measuring a captain's humanity
by mystical formulae of reads or hearts

for
grains of sand, water wave droplets and sun rays,
all
only know one measure,
immeasurable

respect the
never-ending new combinations
of an old nature,
even the impoverished words he speaks,
words as they exit the
brain's grand birth canal,
whimsically announcing their poetic arrival with a:

"been here, done that,
but happy to do it,
one more time,
just ever so differently"


the only counting
that satisfies them and me,
the clicking sound be,
the sound of a
a pointer-finger tablet-clicking,
heartbeats a metering,
individual letters being stork-delivered,
and

yellow lightening
when it comes,
signifying family completion,
a poem,
a family,
comes
crackling real!

here comes spring again!
happily to shackle me,
shuckling me back to and fro,
to whence I came,
and from
whence I once
and always belonged

memorial weekend,
memorializing me,
orchestrating a prodigal son's
two edged tune,
a contrapuntal contrapposto,
a "fare-thee-well, man"
and a
"hello son, welcome home!"

that empty Adirondack chair,
by my name,
with your names
in tears inscribed upon it,
awaits

the breezes take note,
singing a duopoly:

this ole chair
needs refilling,
Rest & Recreation for your Rhythm & Blues,
your busted body boy
healing with our natural scents,
calming with common sense

with it,
will and refill,
the cracked breaches,
by phonetic letters frenetic,
drinking, then purge-spilling,
a speckled spackling paste of comfort food words
given of and given by,
given back to,
the bay's tide
and beaches
and

you, crew,

let this soul captain briefly lead,
spilling too oft his new seed,
he,
selected but unelected by a
raucous silent voice-vote...
of an unknown,
impressed-into-service crew

some of you
impressed upon
the skin of this captain man's sou!,
a cherishment so complete,
yet has he to fully comprehend,
its miracality,
the golden epaulettes upon his shoulder,
worn ever proudly

the nearest ending,
one of many.
a course of waterfall and rapids survived,
yet invisible shoals fast approaching,
a single bell tolling, warning,
here was, here comes,
yet another,
close calling

sirens shriek
forewarning,
can't abide a moment longer thus,
desperate longing
for a refuge of language loved,
not lost in lands and a sea of
ranted bittersweet journaled cant
and hashtags of sad despair

can't lengthen this sway,
grant a governor's stay,
cannot

heaven schedules our lives,
completed a time out
in a day,
twenty four hours of fabulous, fabled
and of late,
a shopworn, forlorn existence,
three hundred and sixty five times,
circularized on these pages

now
no forevermore, no forestalling,
only the truth,
a grizzled, unprimped,
mirror'd recognition

flutes,
sad low whistle,
trumpets,
wild maimed moan,
violins,
jenny jilted wailing tears, groan,
and harps and guitars,
each pluck single notes plaintive,
long and slow their disappearing reverberation,
but end it must

none can deny or fail to ascertain,
port of our joint destination,
pinpointed on maps as
"the last curtain call,"
just over the nearby horizon line,
demarcating the finality
of the days of glorious,
and the quietude of
a storied ending

my crew, my crew,
forever besided,
forever insided,
bussed, bedded, and bathed,
with me,

wherever I write most,
wherever I write eyes moist,
my crew
of all captains,
whose fealty I adore
and to whom,
my loyalty unquestioned sworn,
upon righteous English oak
an oath unstained,
an American bible, an American chest,
blood sworn here forever to
my
brothers, sisters and children
many who by title me addressed
this man as,
grandfather,
yet friends
from foreign-no-more-lands

this is only a poem,
this is only the best I have

This to me given,
and now to you returned,
encrusted with trust

for
we together,
were
a new combination
all our own

my crew, my crew,
for you:
my seasonal Yule log-life burns
every day,
all years of my life shiny shiny
copper-burnished teapot whistling
you, your names
a tune of the past,
and the yet to come

I care,
burdened more
than than you ere known,
dare I bear
to bare-confess

for and by you was I,
my restlessness lessened
my unrest less,
so comforted by an out-louded,
deep-welcome-throated reception
let it end thus,
no whimpers or cries,
no misunderstanding

in a Wilderness of Words,
sought you out,
your name and lands,
yours, purposely hidden,
disguised and unknown,

while I placed before you,
my name
my birthplace,
the poetry of my truths,
the jagged laughing,
the cryptic crying,
at myself,
foibles, pimples and the
the insights inside,
mine own book of revelations
all clear in the
drippings of my clarifying
cloudy tears

stranger to friends to chance,
all by chance,
sharing nodules, capsules,
even tumors and ill humors

your affection and simple heroism,
left me both gasping,
and leaves me now,
grasping

your hearts sustain
and are sustainable,
in ways the word,
organic,
not even remotely
adequate, sufficient

in ways
that can be secreted here,
in sharing,
private messages,
snippet exchanges,
that are valored above the rubies of
public hearts that
claim attention
but are gold bonded hand cuffs,
nonetheless!

my left, what is left,
to your strong right,
by rings married we are,
you and I,
a secretion on our kissing lips,
a perfumed essence called
No.365
"secrets of us..."

Wit I were a man
who could advance
his essay further,
but this voyage,
closed and done,
but a steamer approaches
where they need a third mate,
no questions asked,
no names exchanged,
no counting the change in his heart and the,
holes in his heart pocket

asking not,
are you friend long term true,
or just a fly by night,
short-winded trend

so onto
ports that are nameless,
needy for discovery,
perhaps,
they will have a fruitfulness
unripened,
awaiting verbal germination
so yet again,
when he wipes away
with back of a hand,
his fresh fears,
moistening those dried,
those crack'd lips

underneath will be yet found
a perhaps,
a
fully formed, yet to be shared,
new poem,
that gives value
standing on its own,
and perhaps, rewarming, reawakening,
his gone cold and pale,
yet quivering moving,
his almost stilled silenced spring,
but not quite,
lips...


--------------------------------

My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
                         Exult O shores, and ring O bells!
                            But I with mournful tread,
                               Walk the deck my Captain lies,
                                  Fallen cold and dead.


                    
Walt Whitman
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
And the words that are used
For to get the ship confused
Will not be understood as they’re spoken
For the chains of the sea
Will have busted in the night
And will be buried at the bottom of the ocean

A song will lift
As the mainsail shifts
And the boat drifts on to the shoreline
And the sun will respect
Every face on the deck
The hour that the ship comes in

Then the sands will roll
Out a carpet of gold
For your weary toes to be a-touchin’
And the ship’s wise men
Will remind you once again
That the whole wide world is watchin’

bob dylan

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

We'll meet beyond the shore
We'll kiss just as before
Happy we'll be beyond the sea
And never again I'll go sailing

I know beyond a doubt
My heart will lead me there soon
We'll meet (I know we'll meet) beyond the shore
We'll kiss just as before
Happy we'll be beyond the sea
And never again I'll go sailing

No more sailing
So long sailing
Bye, bye sailing...

Jack Lawerence
looking for me in other names, other places
an explanation someday writ, not yet complete....but my poetry no longer gives
no satisfaction...
Hibernating in the summer, not merely resting my voice, but more than that, much more...will repost older stuff only...
take care of the newbies
~~~~~
Should old acquaintance be forgot,
and never brought to mind?
Should old acquaintance be forgot,
and old lang syne?

For auld lang syne, my dear,
for auld lang syne,
we'll take a cup of kindness yet,
for auld lang syne.
And surely you’ll buy your pint cup!
and surely I’ll buy mine!
And we'll take a cup o’ kindness yet,
for auld lang syne.

We two have run about the slopes,
and picked the daisies fine;
But we’ve wandered many a weary foot,
since auld lang syne.

We two have paddled in the stream,
from morning sun till dine†;
But seas between us broad have roared
since auld lang syne.

And there’s a hand my trusty friend!
And give me a hand o’ thine!
And we’ll take a right good-will draught,
for auld lang syne.
Brett Houser Apr 2013
Brown oak leaves underfoot, last year's sodden
reminders that newness always ends. But
not today

while the creek, silent in summer, chortles
about last night's rain, full of spring vigor
far below

the limestone bluff edge where
I stand, chert nodules and fractals
peeking through

springy new undergrowth, broke down
limbs, leaf litter and dark soil.  I came
for morels


but it's too early, too chill yet. Tomorrow's
predicted sun may bring them out. Early
mayapple

sprouts fool me, draw me to admire other
understory plants: trillium, maidenhair fern,
spring beauty,

johnny jump-up and more whose names
I knew once but forgot. I came alone and
I don't need

names. Names mean nothing without
voices and other ears. I love the silence
I bring here.
Nat Lipstadt Apr 2014
for you

Never have I seen you,
or touched thy breeze-smoothed skin,
caressed the rounded angles of thy cheekbones,
with the worn~smooth heel of my thumb

it matters not

for long and forlorn,
have I come to love you

fat or pretty,
your physicality is inconsequential,
we have bound and blind~binded
our visible connection
by oaths and contemplations,
all codified in worthy action verbs
whispered in each other ears

we have spent our nodules of time
silently caressing,
word gentling,
and falling in love

this night has brought me
no sleep,
this day has brought me
no pecuniary relief

but words embellish me with hope,
dress and drape my face with
coming attractions,
for that alone,
as if more were
even possible,*
I tell you this
straight out and unconfused,

I adore you

we are a lyric, a harmony,
an aesthetic unique,
for you have never seen my face,
yet this night,
thy comeliness has
stirred and up lifted,
thy tone and tiny gasps
my sundered parts
refilled and reattached with our own esprit de corps,
ethereal, ephemeral, yet so real,
I raise them,
to my lips,
and feel you as I do so,
gentling my cheeks
with your breathes breeze,
asking me live with joy....
tho never have I seen you
Andrew Drummond Sep 2015
flourishing man twigs
your skin binder
seperating into
live lizard leather

you voice is making broken mouth noises

too much suction
FROM OUT THE

choir nodules
limpid eye spokes spin

in a humane wood grain
in
calliper, or in plurale tantum

knee cap tattoos
of crawling skunk stars
toggle cap vegetable yoga
in giant pollen helmets

sports magnets
in half wi fi marathon

what kind of *** uniforms
are they hiding in the cenotaph
sunday war things perhaps
JV Beaupre May 2019
The bongo drums of his thought carrom across the cosmos,
revenanting across the dawn with nodules of coltan from beyond.
A clear channel for reading the universe:
"When you come to a fork in the road, take it."
"Thank you for making this day necessary."
"It's déjà vu all over again."
"You can observe a lot by watching."
“Ninety percent of the game is half mental.”
“Pair up in threes.”

The smell of a quantum of disconnect,
the taste of the magenta of non-sequitur,
the  sight of logic colliding with chaos,
the touch of an insightful short-circuit,
the music of senseless syntax that says it all.

Coinciluckily, the saving grace: "I really didn't say everything I said."
"Always go to other people's funerals; otherwise they won't go to yours."
Who else would say, “You’ve got to be very careful if you don’t know where you are going, because you might not get there.”
Que sera, sera - "It ain't over till it's over."
In remembrance of Yogi Berra, American League catcher for 19 seasons, 3 times MVP, 10 World Series, Hall of Fame and arguably the best baseball catcher ever. But perhaps best known for his demands on the English language.
Shalini Nayar Sep 2014
The vein bleeds into routes on the flower,
Spreading rivers of nodules and colours,
Fastidiously opening up its body
To receive the ravenous bumblebee.

It is the beginning of a friend ship, a love
Consummated wholly with carnal desire
And mutually symbiotic congress.
The bee drinks up the nectar like its last supper.

This connection doesn’t demand anything.
They give and receive, void of expectations and desire.
The animal and the flower exist in their au naturale state
Long after the romance of spring **** them by.

Shalini Nayar
© 2005
Zefian; Butler of the greater demon, he would be forced to make the main stained glass window of the Castello del Horcondising, he will continue to put himself on the posts in each hermit tree to recruit from the horsemen lordships of the autumnal massif, towards an eternal wailing of birches in harmony. Pay attention to the words and challenges of presence in the Vernarthian Sub Mythology in Horcondising. Everything will be for the creative principle of a new world, where the materiality that will be useless on the surface, is of value and prosperity ubiquitously in any space where the human race degrades to eternity levels of consciousness.

Biological goal, codes of life, material works beyond a life that reconciles organic life and ethereal life. The evolutionary codes of life go further from the super existence, creating transformations that alternate life in spiritual memory, based on multidimensional spiritual intelligence. The consequence and serial of future ideas or captures of fruitive life,  which will be continued in storage links of gospels of remembrance, to preserve our bio-evolutionary trajectory codes. Super microscopic particles will be decomplexed by Zefián, more withdrawn from the demonicity that is rooted in our faith codes, procreating from there to our filtering mechanics of the dogma of existence, to be applied as perfectible memorization tools, allelomorphic from Tsambika to Horcondising. Creating codes of life and experiences between the creation of God and the creation of the superficial world, in such a way that between both canons, the emergent and fleeting guideline of experience contained in the threshold of death is issued. To go further away from the light itself that does not invade us with diseases correlative to the decomposition and corruptibility of the human born and steely spirit, heading towards an ethereal biological goal. .

Says Leiak: “As the spirit of the Vernarth forest in Horcondising, I have been a multi-parasitic organism in the barks of hyper-spaced oaks, beyond all vanity of large volumes of knowledge and extensions of knowledge. My possible genomes change, each time I blink for a longer time, than the short time I have when resources mutate in such a silent time, which I have been able to measure mathematically. The adaptations of nature to threatening changes also endorse the soul of plants, endowing them with the property of resurrection. The comparative sequences make the evolution of the divine being go beyond the biodegradable sequence, to the point of biological balance of constituting a new life, in the plane of selectivity proper to the particles that carry and attract towards the receptacle of a new life, under the code of a transition from one to one that is reborn in another. Each microscopic element functions as a totalitarian entity in Vernarth submythology, harmoniously linking the chaos and concretion of the world of Genesis with the world of the polytheistic worldview.

Says Borker: “My vaporous voice of the curse, guide that heralds a new one that is leading in Tsambika. Everything bad tends to resurrect in the arms of goodness, where it provides nourishment for those who need to incubate new chains of organic and inorganic adaptability, evangelized and not evangelized, because the light that carries them from the top of the oaks that I pass through the mornings, they always greet me, to proceed like Borker, son of nothing and father of nobody. Here I will be to lead together with Vernarth, the emancipation of the stagnant eco-systemic chains that are stranded in the mud of the administrative power of the supposed super intelligence, which relativizes everything and intervenes. Not knowing that the great super reason by itself recreates itself, making new chaos or riddles, overcome by itself”
Zefián says: “Originally, thousands of cells have been condemned to encompass the density of matter and life on the planet of the experiments called Earth. What is between heaven and earth is in the sub mythology of both poles. Eurydice was in the Orphic world given her romanticism with Orpheus Himself, now she is in our tracóntero, in the mask where she leads the forces between heaven and earth. Right here the Horcondising, which fills us with high associative density. Our populations have to live in the temples of evolutionary austerity and meekness, after events of three-dimensional changes, ours here in Horcondiing has already been mentioned, which is the same as now in Tsambika, for all the parishioners decomposing, but biologically mutating to reborn in a useful life reborn from the seed of sweet death "
  
The Vernarthian sub mythology is the one that perfectly communes with the genesis of the first light and sound, amplifying each other, adapting nobly with the amplitude of momentum exerted, to settle in plans of management of history in thick episodes that have not written by mortal hands in real or fictitious transition which we also conform. Each character that intervenes in the Verthian world ..., here something or someone has complementarity with all the heroes and titans that have existed in our collective memories, making them the anti-heroes or titans that still do not know each other.

Ingratia mol de petal says: “even after being purified, everything must be re-purified; we all owe it to thanks to the constant variability of the notes of the cosmos and its generation. The auras of action surpassed those that add up by thousands of years. I am a liquidator of cancer circles of carcinoma and sainete nodules”

Spermazoid fable is presented to everyone: “Serous plasma runs through the grasslands, before the supra-human count in Horcondising. We are all invisible liquid, that speaks crawling and feeding back its wounds, that do not fit with words that speak further of the rigor of well-being. As a heretical pro, he advanced in the roughness of all the ravines and abandoned reliefs, but when he advanced I do not retreat! I am more vile than time, because time passes and retraces the protozoan memory, moving me away to memories that live and are avant-garde of a mortal, but I have nothing everything. When I have these roughness, I am time and its atomic mass dimension stops time, and attached me to its extermination and nihilistic empty concavity”

Orfilia and Aranhis say while dancing: “a sylph and a naiad appear dressed in white, auguring the feminine aspect of the majesty of the elements. They dance through all the co-rugosities of Verthian sub-mythology, with the support of annulling the hieratic intervention of the spermatozoid fable, for this purpose of relativizing the chromatics of the mythological beings that made a dialogue wheel, peripatetic, even being actors having only audience of those who do not know each other. They dance and dance through all the estuaries and stands of the aristocratic families, who went more than three thousand meters to be judged by themselves, to be redistributed to the chilling of the simile *** bei Hinnom, which is at the top of Horcondising, where all the hallucinating timid flashes of all the re-born flowers of the spring of love whistle fiercely contained in the rosy tones of the Trisolate "

Trisolate: “I am and will be the great conductivity of great energy. Symbolism with a premise today to not think and know words with symbolism of speaking oak barks, where this oak says in itself (I say, later you say), the pronoun must be mutated to the sixth plane, where now we will say or that has never been heard. Only by naming the one that is no longer in the associative language of linguistic clans subject to the sixth pronoun of oaks that live and will live with the code of the language that we have never heard, but starting today if, as a point of reference already bet in the ears of the tree and not the deixis protozoan man! "
  
Vernarth says: “When I try to sleep at night resting my head on the understory of oaks, I sleep painlessly because of the vertebrae that urge to rearrange me, because the roots of his ego on the sixth plane make me consciously independent of the references of my fantasies, It will not be long before my wing comes around the metaphysical corner. Here at the Castello del Horcondising the blocks are not square, they are baldons of the memory of the natural ego, which takes the tram through which my shoes came without clothes that condition it or allow it to express itself tetraplegically handicapped, rather more validated by being trapped by the ghostly essence of oak that is never born or dies, but knowing that it has no Ego”
Vernarthian Sub Mythology
Mary Correia Dec 2015
One needn’t know the nodules of my
secret self
to clasp to my
super nova-
The ballpoint pen bears meaning beyond the plastic
even after extensive efforts
you can't expect to be the one
to ceremoniously break it
but broken, does it matter which beaten,
battered guise it takes?
Consider the others like it:
a million pieces of shattered sharpness, still producing ink.
No matter the tired efforts of your fingers,
extensions of the brain which aches for escape,
ragged nails picking at that plastic piece--
the potential remains.
Consider the ink: succinct
reserved, and well.
Clem Feb 2017
By 3 months a fetus has developed its own
unique set of fingertips and by 10 it's supposed
to have developed a sense that s is loved--

so why am I 12 years old and feeling
like no one could ever love a body
as scarred as mine? I am a flower and I

am my own sun but I'm 12 and I haven't found that
yet. You're the fat clouds that drop
hot rain on my forehead and I do not

realize that too much water bogs roots down,
severs the nodules that keep it down. Rips
it from the ground so that I have no earth.

I am 12 and I have my first F and I'm
sick deep down because I know that it's
all I'm worth. My mother has

taught me how to love--with poisoned fire,
with words that speak of anything but.
And I scramble to avoid blaming you

for the 4-foot child that thinks
death is the ultimate prize, I refuse to
face your cruelty and call it abuse.

You'll never be out of the rain, they would
say--you'll find a dry patch, friends,
love but you'll never be out of the

downpour, hand-me-down hate cascading
in rivulets so much like blood.
"Family" is a bad word that turns my veins cold

but I will tell you that I love you, and I'll
get the words back, sandwitched between
bouts of rage and nights of crying myself awake.

I may never leave the shadow of your claws but
I will cling to this semblance of me that I've dusted
off of filthy bookshelves, piles of clutter, and sunlight,

do anything to keep it from crumbling
under the force of our years. I
am my own mother. I am my own sun.
meant to be read aloud
this one is also old, and not good
mike dm Aug 2016
death crept up my back
and fingered each one
of my spine's nodules

breathing icy wisps
into my left ear

laying me
deeper into my bed
dread penetrating
Mark Wanless Apr 2018
"Sonnets From a Conversation With a Friend XXVIII "

Trying to love the reflection      riddles
Abound      purely from the brain perceiving
As best it can particles pieces lumps
Aggregate nodules worded in the
Beginning of humanity      grass leaves
Pond finger on up to various worlds
Entire infinitely manifesting
Wave after wave form sentient beings
Conscious i ego ***** movers shakers
Of god stuff      psychic unity of kind
Compassion hate greed mind river just us
Together      birth flow death      to the sea
Never away from except the incomplete
Image reflected we're trying to love
James R May 2018
The breeze brews black as Jason's ewe beats bold and blue.

At first glance - second even - past I
Rushed; brushing you from sight.

But now the mind drifts to nooks and nodules only the most desecrated synapses wake.

Soon I am distracted by the sight that sits before my eyes as they cast themselves left; find

Change. Monochrome shades; which have known each and every blade.

None alone, they condone propensity
Whilst surviving, prone. Unknowing,

Of what is yet to come. For what fun
Will it be to see them run and flee

Foresaking the rest without pause for breath, after all we are what is left

Each new lot an unruly and cumbersome hoard of faked shock and dross

Guised cynically as truth. Perhaps not a surprise to see that their starless faces are to me of more value than you.
A poem inspired by a field of sheep.
Mark Wanless Nov 2017
"Perceived In Passing"


The great great mystery of you scours
       my brain for answers to your self
A million shiny buttons in the mind
       ten understood and admitted
       to the first level the rest nothing
       but the soul rationalized to war
       prejudice greed stealin
       money ******* the neighbours
       better half with guilt to make
       you feel good about it
Screaming the personality right into
       your kids brain neurons impregnated
       with your pain past from one
       generation to the next so secretly
       you don't even know it
Wake up in the morning already formed
       and hungry for yesterdays flashes
       deep remembered only urges lift
       the hand to shove the happy food
       in happy wantin to be face
       smacking mental taste buds yum
       yum as it turns the body into
       toxic waste dump what do you think
       those little nodules are
Getting what's desired stimulates pathways
       leading to Pavlov's realm over and
       over we fear what is
       conditioned to fear ****** relatively
The truth hurts when there's pain
       without cure we're right in
       the middle of it and see such
       possible beauty with freedom
       joy love kindness health yet here
       we are playing in the **** pile
       throwing knifes at each other
       some wanting to stop some not
Time heals all but so what death
       is coming on one way or the other
       coming on swifter than the change
       in humanity perhaps
       we are the
       missing link searched for
       look in the mirror
What now to be in?       halfway twixt
       mindless and mind full of what
       dreams are made of with no way out
       but live it as it is and try
       to not be animal a little bit
       anyway try a little bit not to
       be animal help the cause to be
       a little bit and be other than
       animal for a moment
Definitely a group effort we are
       and then we're gone but the
       fragrance of our thoughts lingers on
       perceived in passing by sentientness
It will soon be over
Blessed this year, without a jacket
An hour of sunshine gilding
The leaves that autumn left behind,
Silence broken now and then
Soft breaths of breeze
In bright-lit houses families feast
There is laughter and babble
Turmoil and tension duly swell,
Break, or averted, swell again
Back and forth, back and forth
The great and much-feared Christmas tide
As turkey curls and crusts and dries
And milk hoarded too soon will
Sour in fridges that it may
Make slimy nodules
On Boxing Day.
Here's something that almost happened to me about 6 to 10 years ago give or take 6 to 10 years. I was working the day watch out of Hot Dog Division, my boss was Captain Wiener, my name's Wiener {no relative to Capt. Wiener} & I carry a bun.
   Slipping into my shorts after a long, hot shower...****! Using my special cup as catapult...Stupendous! Freeing the wacky Iraki people...Outstanding! --- It's with pig eyes what I see through.
   I dropped my pants in a dramatic gesture of boy scouting & cut one to scare off southerly attack. My nodules were hardened, my crisp zones fried toasty, my nasal cavities full of oxygen. If only ****** could be here I thought.
   Part of the problem with the government generally, the central part specifically, is their gentle, generous & forgiving nature. I never seen an official more so or special than one agent of specialty. Take the many, damage the few.
   “Help!” Yelled the frantic woman into the telephone.
“I've just been attacked by Conrad Nagel!”
   “Conrad Nagel? Are you sure?!”
   Nobody could ever be sure again. 700 Conrad
Nagel attacks later: “Help, I'm a reap victim!”
   “Who did this?!”
   “Cyrus McCormick: the reaper man!”
   --- 6 of 15 ***** agree: The anti-semitic writings of ****** bolster ****-eros. Some day I'll be appreciated for what I really am: a multi-faceted he-man. 14 agree: Lincoln's melancholia did nothing to curb his penchant for blood baths. In all the blue Earth & other violet planets of deluge there are droughts & set-backs. Cries of “a sand storm killed my mother” & “my grill friend can't get enough” {chef related} can be heard far & again.

— The End —