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DB Sullivan Sep 8
The Ruins of Whitby Abbey - by D. B. Sullivan


Hear now the tale of this grand and great structure of Whitby by the sea.
Down through the ages this abbey has stood on the cliff on this headland,
Silently watching and looming, its spires and belfries high above,
Over a town of such import that Stoker himself paid a visit.
Gothic, majestic, this beacon of glory entices the darkness.

Haunted by time, and the lashing of wind and the storms of the North Sea,
Whitby and Abbey have weathered the decades and centuries of yore.
Here, at the mouth of the river -  the Esk, where it joins to the ocean,
Seafarers sail from the wharf to lands distant and fishing for haddock,
Whaling, and building of ships and the berthing for Earl of Pembroke.

Harkening back to the time of when Oswig was throned in the kingdom,
Land for a convent was sanctioned and deeded in Six Fifty Seven.
Hild was the Abbess who founded the cloister. Monastics there were both
Women and men, an unusual system, but charity and peace,
Virtues she championed, characterized the community at large.  

Stories were told of the monks and the nuns and their saintly compassion,
Such that the size of the village kept growing as supplicants arrived,
Seeking a life of devotion and service to God. But tensions were
Mounting and growing between institutions - of Rome and of the Celts,
Each with assertions of how they should promulgate pastoral issues.

Representations of each of the factions convened there at Whitby
Abbey to stake their positions and argue the merit of their views.
This was the Synod of Whitby, and Roman conventions were chosen,
Further cementing the power of Rome in the churches of the land.
Codified rules under Rome was the fate - year Six Hundred Sixty Four.

Tragedy struck then two hundred years later when Vikings invaded.
Pillaged and plundered, the abbey was gutted, abandoned, crumbling,
Desolate, wasting away on the cliff in the harsh elements there.
Not until Normans had conquered the land and regained governance there,
Would our fair abbey become resurrected to prominence again.

Ten Seventy saw a soldier of Norman named Reinfrid visiting
Whitby and Abbey and remnants of structures that long ago were lost.
He was the one who brought forth resurrection and started to rebuild
Chapels and dwellings for monks to be sheltered in, here upon the cliff.
William de Percy ensured that the land would be properly endowed.

Humble beginnings with simple monastical organization
Started the earnest improvement. Development fostered the growth of
Village, society and Benedictine monastics’ hermitage.
Early, the site was adorned with a beautiful Romanesque abbey,
Serving the needs of the monks as they rendered their holy duties there.

Then, in the year of our Lord Twelve and Twenty Five, Gothic rebuilding  
Vitalized Whitby with purpose and passion, a captivating sight.
Masons and craftsmen who labored and struggled brought forth upon the hill,
Brilliant workmanship, intricate, stone carving artistry in the
Choir and transepts, the nave and the narthex, the altar and rib vaults.

Stone after stone that was brought to the Abbey was placed higher, higher.
Reaching for Heaven and towering over the waters down below.
Columns and arches of gothic construction were built into the bones.
Vaunted by townsfolk and all in the kingdom, magnificent in its
Grandeur. A Masterpiece rising like God was himself lifting it up.  

Up to the sky went the walls of the abbey with spires rising up,
Buttresses flying and tracery gracing the windows and panels.  
William the Conqueror pictured together with Jesus and Mary,  
Scenes of the scourging and Stations of Cross there in the stained glass windows.
Objects and relics lent rev’rence and sanctification to its soul.

Thriving for centuries, here on this headland, the abbey attracted
Scholars and pilgrims, both laymen and clergy to celebrate their Lord.
Such, was the thriving community, rooted in mutual respect,
Working and striving, affording their neighbors a tranquil way to live,
Here, where the blood of the ancestors seeps into the mudstone shale.

Henry the Eighth was the king who suppressed it in Fifteen Thirty Nine.
Papal authority blocked and dismantled, absorbing all assets
Unto the Crown and the new Church of England for total control of
Faith and of fortune. Now hobbled by edict and Parliamentary
Actions the abbey was emptied and shuttered, the occupants exiled.

Soon the monastic endowments were forfeited, leaving no legal
Authorization for maintenance, groundskeeping and renovation.
Absent the caretaking given by stewards, the elements took hold.  
Nature’s relentless advances of time and corrosion battered,
Weakening columns and arches that shouldered the weight of the structure.

Thundering storms carried bolts of bright lightning, while gales blew the roofing
Off of the parapets, towers and belfries. And decade by decade,
Ravaged by wind and relentless erosion, the graves of the churchyard
Started to topple and fall down the cliffside. And incrementally,
Buttresses broken, collapsing and crumbling, nature reclaims her.

One hundred ninety nine steps link the town with the ruins up the hill.  
There on the cliff in the fog is the shell of what stood for God’s glory.
Under grey clouds you can still hear the echoes of choirs and chanting.
Slowly the structure is falling away and in solemn decaying,
Watching the centuries passing as generations lived and died there.

Nowadays visitors come to the East Cliff to marvel and wonder.
Strolling the ruins, the fields and the churchyard, nostalgic hearts; women
Clad in black dresses and lace and pale faces, clutching their parasols,
Sauntering dandies in tophats and waistcoats accompany lovers;
Wistful of romance and darkness, they call to the ruins of Whitby Abbey:

Etiam in morte vivas.
Copyright ©2025 by D B Sullivan. All rights reserved. This work may not be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the author.
Harvesting the past
Examining every chunk
Swallowing mudstone after mudstone
That compete to be the first
To weigh down a hungry belly
But they hold no threat
For a belly on fire
1300 degrees fahrenheit
And RISING

I have closed my eyes
And gulped LIFE down whole
Heads, tails
And all the innards
So you are in my wilderness now
~ Juicy red cell upon cell ~
All containing history, geography, chemistry, language
And story

But we are all more than our stories
Aren't we
So much more
This is just the beginning

Come.
tonylongo Mar 2020
The robed and turbaned guides lead us
Station to pillar to post
Here the last puddle of sacred blood outlined in platinum,
There the stray knotted whipstroke picked out on the
Mudstone wall in jasper and rarest peridotites
- Change yer shoes for the final hill to the death sanctum,
Last sonatina set to begin, with eye max.
But, but here monsignor, what’s this minor
Scatter of comic beaks ‘n bones off to the side in shadow,
This fouled corner irrigated by ninety-nine generations of
Three faiths and their pets?

- Pay no ear, it’s got no voice or at most
The scalded steamkettle hiss of a dying gull,
Was never no human language
Nor saw anything really seen
And those what claim to have dug up gored pieces of value
From under there just kissed the *** of madness.
Sara Stasi Mar 2019
Low tide exposes
marine terraces and tidepools.
Slim brown bodies
cluster together
near the edge of the pitted mudstone.

One kneels to get a closer look
absorbed in the detail of a sea star
an anemone.

One is hesitant, afraid of the water
a wave, the slippery algae covered rocks.

One only wants to be seen, posed
hip out, knee bent, chin up
with practiced casualness.

— The End —