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Cindra Carr Jul 2011
She broke my heart again
It failed as she skipped out of reach
It’s okay
Little things can go unnoticed
How big can a heart really be?
She gave it a kick as she stumbled over it
That paled in comparison when she stepped on it
I gift wrapped my heart
I even sang a little tune as I tied the bow
She had that look though
A little moue of surprise and a stutter
My heart dropped and I leaned back
Bracing myself always feels like it should help
But, then she broke it
Kicked it
Stepped on it
Scuffed it for sure
It got a little blurry
I knew as soon as she said
“We can still be friends right?”

cc062911
suzy Jun 2013
17 years later I still see her face.
I see her in the glamorous moue of some random starlet,
I see her in the tilt of the nose of the checkout girl.
I see her in the curve of the cheek, the bend of the elbow, the small of some strangers back.

I barely remember her, it was so long ago.
I have been without much longer than with, but she still haunts me.

everyday.

I see her face in the mirror and I understand
why my stepmother hated me.
it's alright,
its all tight its all ok.

What would she think of the woman I have become?
Would we be friends?
Would we be at odds?
Even after all the choices I made,
the hearts and laws I have broken,
would she still love me?
robin Jul 2013
there is no such thing as an antihero,
only a villain
who has found an exuse,
an antagonist who can speak more prettily than
all the others
who can lie holes straight through
the hero's
heart,
find their place in the universe
and blot it out on the map because
the universe
does not tend towards anything
but solitude.

you will find yourself all alone.

you will find yourself all
alone
and you can snap the neck of every doll you own but
despair will never be anything more than
an unrequited love, an
attachment that you never grew out of, a
high school crush that you stapled to your heart so as you grew it was like
a gastric bypass
you cannot hold as much love in your heart
as your mother
said you could
but you can kiss and sigh and with every moue you'll wonder just
why
your chest feels fit to burst when you get any deeper than
touch
heart fit to rupture you are the main villain
of every book
i've read
the antagonist in every story you are
the angry girl whose doll parts
lay in pieces
at her feet
whose bomb will detonate if you get too close
{the character i could relate to the most the character i hated the most the character
i talked to whenever i could and
memorized every line to replay, god
i hate
the way you speak
and i want
to hear
it more}
i ripped out your staples and added my own.
{despair will never reciprocate but
i understand you i
do
because we are the same and i hate you because
you hate yourself
and i could give you nightmares every night and
listen to your motives
every
morning
'people are disgusting'
you said
as if it was
a revelation}
you're not ****** up, just out of luck
because four-leaf clovers can't survive droughts.
you are seventyeight percent water
and every drop you spent on
drowning
the background characters
and every doll on your bedroom floor
{i love the way you cry when you laugh because every time
i hope
that one, that one tear
is the final drop wrung from the shroud
of a sailor a burial at sea
and you will crumble
into
dust}
you angry girl your eyes
are a yellowing bruise on the storyline
your backstory is a rash
on the protagonist's hands
and all your inner demons told you you were not alone but
you explained them away and
appeals to pity left you empty.
i will rip out all your staples i
will make you
seventyeight percent
saltwater
my heart is a mirror you can find yourself there and
reassemble yourself
from all your broken parts
i will be the blueprint from which
you rebuild
yourself

{a story is nothing
without
a villain}
Joan Karcher Aug 2012
to write a poem,
what is the point
to pick such topics
just the right word,
that amazing phrase
an awe inspiring emotion
to put pen to paper
or more commonly now
fingers to keys
why such an urge
who does it benefit
the writer, the reader
or maybe the dog?
should it be vivid
should it be magical
how about beautiful
or even disturbing
should it make you laugh
or tear
or should it just simply
make you think
hard and deep
and even self question
or bring you back to that moment
way back when
is it because
you have a logolepsy?
or maybe ahypnia?
it's starting to become achroous,
this examination of the verse
when all I want
to make is an alborado,
to sing your praises
and write about pageism
why not?
this galanty is so much fun,
are poems a paideia?
or are they just to say your point,
a rush of emotions
a release of the tension
the sharing of love
and the caress of sadness
though I'd rather aim to macarize
and cause habromania
or dacrygelosis
so don't moue
it's not my fault
you'd rather patavinity
I should just write a decastich
I know, I know
all this garniture,
is causing garboil
stop this gemebund
to write is to write  
be poem, story, song
they are all precious
in their own self




Satisdiction
Scripturient - having violent desire to write. (scripturiency)
Logolepsy - an obsession with words
Ahypnia - insomnia
Achroous - colorless
Alborado - morning song.
Pageism - masochism fantasy of a man imagining himself as servant to a beautiful woman
Galanty - shadow play
Paideia - education aimed at forming an enlightened, mature mind.
Macarize - to make happy; to praise
Habromania - extreme euphoria
Dacrygelosis - condition of alternating laughing and crying
Moue - pout; grimace
Patavinity - the use of local or provincial words
Decastich - ten-line poem.
Garboil - confusion
Gemebund - a constant moaning
Satisdiction - enough said
Sonnet.

Dans la salle à manger brune, que parfumait
Une odeur de vernis et de fruits, à mon aise
Je ramassais un plat de je ne sais quel met
Belge, et je m'épatais dans mon immense chaise.

En mangeant, j'écoutais l'horloge, - heureux et coi.
La cuisine s'ouvrit avec une bouffée,
- Et la servante vint, je ne sais pas pourquoi,
Fichu moitié défait, malinement coiffée

Et, tout en promenant son petit doigt tremblant
Sur sa joue, un velours de pêche rose et blanc,
En faisant, de sa lèvre enfantine, une moue,

Elle arrangeait les plats, près de moi, pour m'aiser ;
- Puis, comme ça, - bien sûr, pour avoir un baiser, -
Tout bas : " Sens donc, j'ai pris 'une' froid sur la joue..."
Hummmm.
Mon Immortelle, mes aïeux !
Comme tu es appétissante !
Je n'en crois pas mes yeux !
J'ai agrandi ta photo jusqu'à ce qu'elle crève l 'écran.
J 'aurais pu t'embrasser si je l 'avais voulu,
Tellement tu étais proche, magnifiée !
Mais je me suis retenu
et j 'ai décidé de détourner le regard de ta chair et de me concentrer sur les accessoires
car le risque d'atteindre une illumination visuelle à distance aurait été grand
si j 'avais seulement pris le temps de m'attarder
Une demi-seconde sur le lac de tes yeux profonds
et la moue sur tes lèvres couleur aubergine
Je me suis donc consacré exclusivement à l 'examen minutieux,
Détail après détail,  
de tes accessoires, de tes épices.
Oh ne m'en veux pas
Si ce n 'était pas toi, la déesse, que je regardais défiler
Sur l 'écran à vitesse lente chevauchant une tigresse blanche
Mais tes accessoires
Et tes accessoires en disent long sur ton essentiel !
Ce sont des accessoires magiques, physiques, magnétiques, chimiques
Un simple verre de vin de letchi devient entre tes doigts du divin jus de jade
Tes boucles d'oreille et ton collier  d'argent assorti d'une fleur blanche odorante majestueuse!
Jasmin ? Frangipanier ? Rose ? Orchidée ? Lotus ? Dis moi !
Tes bagues dorées au majeur et à l 'annulaire, main droite comme main gauche, deux par main
Des fleurs, encore des boutons de fleurs !
De veuvage ? De mariage ? De fiançailles ?
Tes deux bracelets  d'argent au poignet gauche
Sans oublier ta robe bleue imprimée à fleurs
Et tes mocassins bleus assortis.
Et ton pantalon blanc bien évidemment !
Laissons de côté ce sublime rouge à lèvres couleur aubergine !
Bref j 'ai passé en ***** tout ce qui t'enlumine et t'illumine
Sans être toi tout en étant toi.
Comme ton sac en bandoulière et ce verre de vin de letchi ou de jade que tu presses entre tes doigts.
Tes accessoires sont la voie royale vers ton essentiel !
Et je sais désormais que tu es fleur caméléon,
Je sais les couleurs de ta quintessence :
Tigresse de jade blanc aux oreilles et au cou
Dorée au bout des doigts
et marron et blanche sur fond bleu,
Toute de lianes et feuilles et clochettes
Toute fleurs de  safran, gingembre, curcuma
Piment, tamarin et cannelle
Des épaules aux cuisses !
Me voilà bien avancé, n 'est-ce pas, ma fleur,
Dragon de jade, sur ton chemin de Compostelle ! ?
JB Claywell Dec 2016
Dear Magenta,

I hope this letter finds you in better spirits than I.  It has only been three days since I was allowed pen and ink. I have spent the last two days trying to decide what it was that I wanted to convey in this message.
Once I decided, I spent most of today locked in my room beginning and destroying this letter.
The floor is littered with scraps of paper, upended preludes.

There is so much to tell you; beginning is near impossible. We will do our best, I suppose.

I want you to know foremost that I have never hated you. I want you to know that I only wanted to see our project to it’s inevitable end. I wanted to be done with you, I wanted you to leave me to my own devices for a while, I wanted to be able to refresh myself and renew my spirit. You, my antagonist, should have allowed it. Alas, you’ve always seemed to be ignorant of my need, or to have other plans altogether.

It is a clever ruse that you have put together. You would speak to me of my own betterment. You would tell me that you were only trying to strengthen my resolve, to make me somehow improved. And how I believed you! How I wanted it to be unfeigned!  And, I do wish ever so that your efforts were pure. But, where you see me, you see a buffoon, no doubt!

What a folly you have made.

I am aware of you now. My eyes are open and my mind fairly screams with indignation.

I need you to know that I will not bend to your supplanted misgivings. You will not continue as you have these recent months. My confidence is returning and no anxiousness shall impede it.

I know now, and have always known, that I am capable, and intelligent. You may find me unconventional, perhaps even unsavory, but I know that my intentions are pure and my efforts are honest and more importantly, well received!

Now, you must also know that I know what to expect! When the time comes and you are confronted with my malcontented behaviors; you will project a moue and cry foul.  I can almost see it in my mind’s eye!

And, honestly, I’m looking forward to it.  But, please do try to maintain a level of composure that is redolent of your years on this planet.

With an unfortunate level of superciliousness,

Obsidian


-JBClaywell
© P&ZPublications
Not a poem.

The first in a series of weird letters to no one in particular.
Renard Jackson Nov 2015
Bills piling shots firing I'm trying to find a way
Introverse with her whining carrying on now confounding
Uncomfortably I lay arrest the facts on should I stay
Consideration out the door confide my thoughts ample the roar
Patience, interests, attachments, evanesced
Love, desire, allegiance, suppressant
Quiescent our days spent questions asks nowhere to vent
While time progress the strongest may stick thus, what is done we forget is effects of Decay theorist
Faults will be blamed and blames will be fault
Obsessed with an solution that disinterested us with doubt
Moue and pout scrutinizing about ubiquitously we well figure this out
Grind, fail, comes with travail enough of both will prevail
for the time being mistakes are edit abate, the ****, cusp, the tail,
CREDITS
Gathering thoughts as as a realization of what is of a situation can come to some understanding.
Helen Aug 2015
wanting to see it all
from top to bottom
sitting in the stands
smelling something rotten
leaving a nasty taste in my mouth
a moue of disappointment
under appreciating surroundings
feeling a loss of entitlement
wanted to taste it all
wanted to speak its language
wanted to experience it's thrall
felt nothing except banished
saw nothing but heartache
saw nothing but fear and pain
felt nothing in my exile
wings beating hard, here I remain
asgarth Jan 2017
you could get caught up in all that nonsense like you wanted to, or you could just jump right into the fray like you did last night--the choice is yours, but you shouldn't mistake one for the other: the former is filled with nothingness and lifeless characters who are only ghosts in your mind, while the latter is at least a struggle to figure out what all this **** really means and where you need to go, what you need to do to make it all work--take what happened last night when you got on the bus: there was no room left except in the space right behind the punk girl who was chewing gum--now, you knew it was a bad idea, but what were you going to do, grab some ceiling bar and sway, and lurch, sway and lurch till you got where you were going?--hell no, it was supposed to be a civilized world, and so you'd wanted to sit--in your head, you'd already earned the right to sit just by virtue of there being a seat, just by you wanting to sit down without ever wanting to push someone else out of the way to get it...so when you finally did change your own mind and convince yourself that she was just some kid trying to act cool, that there weren't going to be any problems, that's just when she pressed that button underneath the armrest that adjusts the angle of the chair, and the whole thing headrest and all, came crushing down on you so that you had to look across at the women you'd come onto the bus with, the one who was supposed to be your lover and your friend, and you knew from the reaction on her face, which was fear and horror mixed with laughter, that you were once again allowing yourself to play the ******* clown, and all so that it would take the edge off of what you really wanted to do and say--who the hell did that little ***** think she was, anyway?--she knew you weren't supposed to lean the chair back that far, she knew there was next to no legroom back here--it was between the rear of the bus and her chair for christ's sake!--and yet as you felt your face pinging with both the pain of sudden discomfort and with the u deniable and stinking presence of the upholstery that had been filthied by years and years of ***** hands, *****, sneezes, and smoke, you also felt through all this that she was getting comfortable in her chair, that punk girl, that she was maybe even readying herself for a nap as you were living through a new experience of being torn between losing your **** asking who the **** she thought she was and the civil propriety expected of you to solve all of this amicably, or at least without harsh words and ***** looks...but if anything had been the story of your life, it'd been this very thing: how to not lose your mind when almost every ******* button was being pushed and pressed over and over to make you do just that--it wasn't an easy thing to first wrest your whole head from between the wall and her headrest and then lean to the side and whisper to your friend that you really needed to move, that you'd meet her at the next stop if you lost each other on the bus, and her silence meant exactly that: she wasn't giving up her seat for anyone or anything--she'd seen it first and had gotten there first and it was hers by right of this layman's etiquette, it wasn't like you were going to argue the point with her because you knew she was right--the seat she was sitting in was hers, you weren't suggesting that she change seats just go be closer to you, just because the two of you were together--what was this, middle school?--it's not like this was a nightmare or something, you'd just have to find each other later on, no big deal, right?--except that for you, it was a big deal: it wasn't that you were asking her to trade places with you or surrender her place and that she should go find another because she was smaller than you, no--you were just hoping she'd want to give up her seat in order to be closer to you, and you couldn't help but feel a little slighted and you knew it wouldn't take very long before this "slighted" feeling made you feel put out, that once more, you'd be expected to hold your tongue and get over it because when compared with the "big things" in life, what the hell was her not wanting to exchange her comfort alone for being uncomfortable with you possibly in a standing position till the bus pulled into the station?--it wasn't a big deal at all, you knew it, but it did feel a little "larger than life" just because of the physical discomfort you'd been put through just now...seriously, what ***** would've just stayed there being squished like a bug between the wall and that punk girl's seat?--in your head you were playing alternate ways you could've handled that whole thing that wouldn't have resulted in you squeezing yourself out of what had felt like the jaws of death around your skull, you had started imagining what might've happened if you'd simply asked her to put her seat up a few degrees so you could pretend you weren't a ******* veal being prepped for slaughter, imagined her response to be, "it's my chair," and doing nothing about it, which would've prompted you to say, "but it's my fist," and what kind of trouble could you have expected after that bus ride when the thing finally pulled into the station?--she would've taken a picture of you with her phone, gotten a cop, and you would've been right back in trouble just like you felt you always were, like your old man had always told you you'd be because of that mouth of yours--and in the life you'd always wanted to live, the one where people did sort through their problems using communication, using the experienced gleaned from previous and present relationships, the life you often lived yourself where you heard yourself speaking the words in the way that you'd always wanted to speak them where you could convince yourself that you really and truly were that person, that man who could refrain from all violence in order to serve the greater good of actuating all desire through talk and thought and connecting with other people, like this you had convinced yourself this was the norm, that everyone should just ask things politely and be gentle about getting rejected or when life handed down some pretty rough **** to deal with...how many times had you heard yourself speak such words that you couldn't help but think we're too soft or seemed too obsequious...but were they "civilized," were they peaceful?--yes, they had been, but maybe they'd been too civilized, too peaceful, and maybe the propel who'd been listening, those you'd been dealing with had mistaken your kindness and respectfulness for weakness--hadn't it happened before, and hadn't it brought out the very worst in you?--because, in unwind response, you had become the animal: it started with that look of yours they used to call part of your "black mood" and then sometimes it would escalate into the kind of cursing that pre-empted a scene of violence--between these two things, people usually caved or the situation resolved itself, but how had you felt afterward?: always like an animal and never like the educated man you'd spent all your life cultivating from the deadness they'd given you to work with, from the nothing they'd given you as a blueprint for success in this world--yes, you were a wolf, but life had made you a lone wolf, and now you were growing tired of all of it, tired of being put into these situations, tired of having to do the exact right thing in any given situation even if you knew it was someone else's version of what was right you were being judged by...and what were you going to do?: dump her on her *** because you were expected to "be a man" both by finding another seat and by intimidating the punk girl into submitted to your will?--who could satisfy both at once?--you didn't need this kind of judgment, it was bad enough already that you all "all this" just having a blast with ******* yourself up with all these options that weren't really options at all--if you gave the girl a ***** look, your woman would snub you because if it and she wouldn't let you forget it--for years later, you'd be called out for behaving like an animal...and yet if you said nothing and found another seat, she'd be mortified that she had chosen someone who wasn't a "real man"--god, how many times had you wanted to show her that if being a "real man" meant using violence or the penchant for using violence as a first response to any and all problems, then you would always be the "real"-est of men...there was no way to win this, it was the hallmark of civilization after all--you might've wanted to think you were a "lone wolf," but weren't you with that woman not giving up her seat back there, weren't you on a bus full of people?--weren't you going to busy yourself for the rest of this day and most of the next trying to get your mind off of this flashpoint that had almost become an outburst not "then and there" but in the here and now?--and what had been the chances of you coming out of all of this looking good, what were the chances that you'd find her at the station after you'd both gotten off the bus without a moue of disgust on her face you'd be expected to ignore and also ask her about because both would show you cared too much, both would show you'd ****** up, both would show there was no way to win, which was something you knew in advance, that you'd known just as soon as you got up lurching and swaying from ceiling bar to ceiling bar looking for another seat...but that didn't mean you were used to it, not yet anyway--
J'ai rêvé d'un lent périple,

Interminable roulis

Au terme duquel

J'atterrissais sans autre appareil

Que mes lèvres nues et sincères

Entre le grand zygomatique

Et le risorius

En plein arc de Cupidon

D'une ogresse à queue de sirène.

Et quand j'ai posé ma toupie sur la moue lisse,

A l'aplomb de cet oeil en demi-lune

Que je savais être celui du cyclone Désirée,

Une coupe d'amour pleine à ras bord m' attendait

A la commissure gauche de ses lèvres

Ainsi qu'une inquiétude vermillon où je fus

Instantanément bercé.

La mer molle de ses lèvres bouillait

Tiède et folle comme un tapis de miel

Je dérivais ainsi entre lèvre haute

Et lèvre basse dans mon rocking chair aubergine

Constricteur et dilatateur

Je drivais sans savoir trop comment à la godille

Entre ses ourlets humides à peine décollés

Et du gouffre de ses fossettes pleuvaient des abeilles d'or et de plomb.
Baiser ! rose trémière au jardin des caresses !

Vif accompagnement sur le clavier des dents

Des doux refrains qu'Amour chante en les cœurs ardents,

Avec sa voix d'archange aux langueurs charmeresses !


Sonore et gracieux Baiser, divin Baiser !

Volupté non pareille, ivresse inénarrable !

Salut ! L'homme, penché sur ta coupe adorable,

S'y grise d'un bonheur qu'il ne sait épuiser.


Comme le vin du Rhin et comme la musique,

Tu consoles et tu berces, et le chagrin

Expire avec la moue en ton pli purpurin...

Qu'un plus grand, Gœthe ou Will, te dresse un vers classique.


Moi, je ne puis, chétif trouvère de Paris,

T'offrir que ce bouquet de strophes enfantines :

Sois bénin et, pour prix, sur les lèvres mutines

D'Une que je connais, Baiser, descends, et ris.
Le ciel si pâle et les arbres si grêles
Semblent sourire à nos costumes clairs
Qui vont flottant légers avec des airs
De nonchalance et des mouvements d'ailes.

Et le vent doux ride l'humble bassin,
Et la lueur du soleil qu'atténue
L'ombre des bas tilleuls de l'avenue
Nous parvient bleue et mourante à dessein.

Trompeurs exquis et coquettes charmantes,
Coeurs tendres mais affranchis du serment,
Nous devisons délicieusement,
Et les amants lutinent les amantes
De qui la main imperceptible sait
Parfois donner un souffle qu'on échange
Contre un baiser sur l'extrême phalange
Du petit doigt, et comme la chose est
Immensément excessive et farouche,
On est puni par un regard très sec,
Lequel contraste, au demeurant, avec
La moue assez clémente de la bouche.
Medusa Jun 2018
Medusa slips into necessary days, 20th century,
completely by accident, it was a chemical spill

nobody was there to clean up this ms stake
but she was definitely sorry

boy was she in for a surprize
it wasn't golden at all

it was all about the wrong moment
wrong in every way

1944, Germany, Medusa on stage
Fraulein, in tap shoes, wearing powder kegs
beneath her stage set and she had no idea where she
might be but she knew exactly where to stomp down

exactly when to toss that feathered purse
and to whom to throw it, with a moue
a dimpled kiss and a wink

goodbye, my love
https://youtu.be/bfFWOm5oKRM
Laisse dire la calomnie

Qui ment, dément, nie et renie

Et la médisance bien pire

Qui ne donne que pour reprendre

Et n'emprunte que pour revendre...

Ah ! laisse faire, laisse dire !


Faire et dire lâches et sottes,

Faux gens de bien, feintes mascottes.

Langue d'aspic et de vipère ;

Ils font des gestes hypocrites,

Ils clament, forts de leurs mérites,

Un mal de toi qui m'exaspère,


Moi qui t'estime et te vénère

Au-dessus de tout sur la terre,

T'estime et vénère, ma belle,

De l'amour fou que je le voue,

Toi, bonne et sans par trop de moue,

M'admettant au lit, ma fidèle !


Mais toi, méprise ces menées,

Plus haute que tes destinées,

Grand cœur, glorieuse martyre,

Plane au-dessus de tes rancunes

Contre ces d'aucuns et d'aucunes ;

Bah! laisse faire et laisse dire !


Bah! fais ce que tu veux, ma belle

Et bonne, - fidèle, infidèle, -

Comme tu fis toute ta vie,

Mais toujours, partout, belle et bonne,

Et ne craignant rien de personne,

Quoi qu'en aient la haine et l'envie.


Et puis tu m'as, si tu m'accordes

Un peu de ces miséricordes

Qui siéient envers un birbe honnête.

Tu m'as, chère, pour te défendre,

Te plaire, si tu veux m'entendre

Et voir, encore que laid et bête.
Tu m'as frappé, c'est ridicule,

Je l'ai battue et c'est affreux :

Je m'en repens et tu m'en veux.

C'est bien, c'est selon la formule.


Je n'avais qu'à me tenir coi

Sous l'aimable averse des gifles

De ta main experte en mornifles,

Sans même demander pourquoi.


Et toi, ton droit, ton devoir même,

Au risque de t'exténuer,

Il serait de continuer

De façon extrême et suprême...


Seulement, ô ne m'en veux plus,

Encore que ce fût un crime

De t'avoir faite ma victime...

Dis, plus de refus absolus,


Bats-moi, petite, comme plâtre,

Mais ensuite viens me baiser,

Pas ? quel besoin d'éterniser

Une querelle trop folâtre.


Pour se brouiller plus d'un instant,

Le temps de nous faire une moue

Qu'éteint un bécot sur la joue,

Puis sur la bouche en attendant


Mieux encor, n'est-ce pas, gamine ?

Promets-le-moi sans biaiser.

C'est convenu ? Oui ? Puis-je oser ?

Allons, plus de ta grise mine !
« Angels », seul coin luisant dans ce Londres du soir,

Où flambe un peu de gaz et jase quelque foule,

C'est drôle que, semblable à tel très dur espoir,

Ton souvenir m'obsède et puissamment enroule

Autour de mon esprit un regret rouge et noir :


Devantures, chansons, omnibus et les danses

Dans le demi-brouillard où flue un goût de rhum,

Décence, toutefois, le souci des cadences,

Et même dans l'ivresse un certain décorum,

Jusqu'à l'heure où la brume et la nuit se font denses.


« Angels » ! jours déjà ****, soleils morts, flots taris ;

Mes vieux péchés longtemps ont rôdé par tes voies,

Tout soudain rougissant, misère ! et tout surpris

De se plaire vraiment à tes honnêtes joies,

Eux pour tout le contraire arrivés de Paris !


Souvent l'incompressible Enfance ainsi se joue,

Fût-ce dans ce rapport infinitésimal,

Du monstre intérieur qui nous crispe la joue

Au froid ricanement de la haine et du mal,

Ou gonfle notre lèvre amère en lourde moue.


L'Enfance baptismale émerge du pécheur,

Inattendue, alerte, et nargue ce farouche

D'un sourire non sans franchise ou sans fraîcheur,

Qui vient, quoi qu'il en ait, se poser sur sa bouche

À lui, par un prodige exquisement vengeur.


C'est la Grâce qui passe aimable et nous fait signe.

Ô la simplicité primitive, elle encor !

Cher recommencement bien humble ! Fuite insigne

De l'heure vers l'azur mûrisseur de fruits d'or !

« Angels » ! ô nom revu, calme et frais comme un cygne !
Non-bachelor (batch chiller)
"FAKE" horror thriller
available Netflix starring
ghost of Phyllis Diller
stand up comedienne killer
brought down haunted house
witch sea hunt accompanied

theme song referencing Argonaut tiller
Greenwich Village location Barney Miller
lite precinct brewed fare of corpse
unearthed dead comedy duo Meara and Stiller
with surreal stalking candy corn canes
as bon appétit gnashing
gobbledygook filler.

Ice scream aghast with
blood curdling shriek,
the dearth of satisfactory
FIOS shows bleak
readying jump into polluted creek
thus, I bury alive yours truly
except his sharp pointed beak

exhuming him after rotted
flesh doth reek
perfectly tricked out
for Halloween treat
masks long haired
pencil necked geek
October thirty first when freak

alias Gadshill gadabout
poetaster doth sneak
feigning antonym anthem of meek
oh my dog, I lyft hind
uber leg to take leak
hoop fully haint nobody dares peak
urinate kidding ma bladder weak.

I long since waved
channel surfing adieu
much prefer silence
meditating under blue
skies peering into
infinite space nary a clue
intellectual conversation many disvalue

perched edge of seat and hunched over
how riveting story doth ensue
ah... time for commercial break
culinary wizard abracadabra
whips up fondue
easy as pie (are squared)
with consistency of glue

methinks Elmer stole patent,
cuz secret formula Hebrew
what with identical hue
as aforementioned adhesive liquid
doubling up to keep igloo
air tight even against
global warming, anyway would Jew...

aye betcha already knew
yes believe Yahweh endowed Semites
like me with high ike kue
of course after dumping
a load (reed) I feel sue
per ream intelligence dumbed down
(mine), especially after using loo
naturally decrease smarts

stings like poisonous
scorpion size of Eee moue,
which aforementioned papa's
poetic poppycock nonissue
saturating plethora home entertainment
most people overvalue
linkedin - shoot all stemming from
"idiot box" I rarely view.
Sonnet.

Dans la salle à manger brune, que parfumait
Une odeur de vernis et de fruits, à mon aise
Je ramassais un plat de je ne sais quel met
Belge, et je m'épatais dans mon immense chaise.

En mangeant, j'écoutais l'horloge, - heureux et coi.
La cuisine s'ouvrit avec une bouffée,
- Et la servante vint, je ne sais pas pourquoi,
Fichu moitié défait, malinement coiffée

Et, tout en promenant son petit doigt tremblant
Sur sa joue, un velours de pêche rose et blanc,
En faisant, de sa lèvre enfantine, une moue,

Elle arrangeait les plats, près de moi, pour m'aiser ;
- Puis, comme ça, - bien sûr, pour avoir un baiser, -
Tout bas : " Sens donc, j'ai pris 'une' froid sur la joue..."

— The End —