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"monism" poems
Philosophical epistemology strumming adventures Albeit, coherent mental decoding stratifications structured Supposedly our world rests in our minds, revolving knowledge An entwine of conceptual abstract flowing within oneself The mind in the “I” the “I” a reality lived in my experiences George of Leontini, a mine mind approving solipsism exploring innatism Imaginative insights that nothing exists, the secrets secreting secrets The knowledge behind the veils that remains un-communicated A reverse of normality and known existences, moral disposition Hypothesis of depersonalizations, adventures of self internalization Justifications for what lies outside the Medulla Oblongata Skepticism and just alternatives to western philosophy Subjective unapproved experiences only robust in one’s mind Descartes abstraction of inner experiences, reciprocated paradigm Intuitively, perceived lived formulations of "Cogito Ergo Sum" Psychological conscious undoubted individualistic thoughts Berkley explored perspectives that physicality is an embodiment of the mind The mind a decoding visualizer, that encompass the non-existent An idealism marriage of ‘metaphysical’ and epistemological philosophy The intense esoteric “dualism” verses the fiery “monism” reality Mind boggling differentiated truths bleeding with blinking unresolvable hypothesis The jiggered methodological, streamlining the un -logic sequential beats
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Feb 19, 2016
Feb 19, 2016 at 11:56 AM UTC
Solipsism Quandary
“What type of poem am I?” I am as formless as the clouds, and as elegiac as the silence, in the itinerary of the noise. I am not a classic written by the author, God. The rhythms of my verses are supplied by the parable of their tears. I am not in me, though I abide within myself. I am but a colour, whose colours have worn away. Maybe I was written as an ethical effect of modern art. Or maybe I was not written but just replicated from the lives of others. I wish I could read the critics’ minds. Is it true that a poem cannot read anyone? I loathe the way they recite me, pretending to understand me. Maybe I am the monologue of my rhymes. Or maybe I am the narrative of my own life. However much they hate me, I am that poetry they can’t write. I am the phantom of the world crawling, with a rose in the hand in the boulevard of the thorns. However much they praise me, I am only a drop of verse drawn up by time to become the formless clouds in the wilderness of the literary sky. O Poet! O my maker! What type of poem am I? O strangers! O my readers! What sort of poem am I? I wish I could read myself and discern my spirit. Is it true that a poem cannot read a poem? “Am I a poem?” or am I just a rhymed hoax? This cyclic curiosity goes on eternally. I am lost in a synthesis between the dualism of my readers and the monism of my maker. No one knows what it is like to be a poem. No one knows how vague its core is. There is nothing as genuine as me. There is nothing as deceptive as me.
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Jun 5, 2012
Jun 5, 2012 at 1:23 AM UTC
WHAT TYPE OF POEM AM I?
“What type of poem am I?” I am as formless as the clouds, and as elegiac as the silence, in the itinerary of the noise. I am not a classic written by the author, God. The rhythms of my verses are supplied by the parable of their tears. I am not in me, though I abide within myself. I am but a colour, whose colours have worn away. Maybe I was written as an ethical effect of modern art. Or maybe I was not written but just replicated from the lives of others. I wish I could read the critics’ minds. Is it true that a poem cannot read anyone? I loathe the way they recite me, pretending to understand me. Maybe I am the monologue of my rhymes. Or maybe I am the narrative of my own life. However much they hate me, I am that poetry they can’t write. I am the phantom of the world crawling, with a rose in the hand in the boulevard of the thorns. However much they praise me, I am only a drop of verse drawn up by time to become the formless clouds in the wilderness of the literary sky. O Poet! O my maker! What type of poem am I? O strangers! O my readers! What sort of poem am I? I wish I could read myself and discern my spirit. Is it true that a poem cannot read a poem? “Am I a poem?” or am I just a rhymed hoax? This cyclic curiosity goes on eternally. I am lost in a synthesis between the dualism of my readers and the monism of my maker. No one knows what it is like to be a poem. No one knows how vague its core is. There is nothing as genuine as me. There is nothing as deceptive as me.
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52
in most instances there is no real criticism - just the debate as old as the life of Aristotle, so lagging behind modern liberty - the deviations of the two extremes, the nicely polished marble and the coarse flint - a debate concerning nouns - one man will venture into marble synonymousness - another man will venture into flint synonymousness - but still the monism of saying one thing adversely or conversely - one layer on top of another, like a wedding cake - sooner will the adverse noun usage emerge - sooner too will the converse noun use emerge - and make battle for what society is entitled to - well, both! the pleasantries of the nouns surrogate and mother, damnable essentials of two homosexuals and a ********** - i know, the former and all the pleasantries and pigmented macaroons, the latter and dirges and the dingy back alley - one stands up for pleasantries the other for the coarse mountain view - one sees a mountain of the jagged panorama, the other a normal distribution curve - both have peaks, one's a woo *** slide on your *** the other a carefully calculated descent - so you wonder how certain words are encoded to create a certain emotion - one thing to understand a string of words: do this do that, walk over here, walk over there - and the other string of words: feel this, feel that, think this, think that - perplexing - mostly the dichotomy of seeing and hearing - a dualism is an acceptance of the two extremes as a constant - a dichotomy is a lack of acceptance of the two extremes, they are never consolidated - dichotomy represents an active game of ping pong, dualism represents: a ping pong table, two ping pong rackets and a ping pong ball... but no actual activity - dualism in theory, dichotomy in practice.
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Apr 9, 2016
Apr 9, 2016 at 9:35 AM UTC
concerning critique
in most instances there is no real criticism - just the debate as old as the life of Aristotle, so lagging behind modern liberty - the deviations of the two extremes, the nicely polished marble and the coarse flint - a debate concerning nouns - one man will venture into marble synonymousness - another man will venture into flint synonymousness - but still the monism of saying one thing adversely or conversely - one layer on top of another, like a wedding cake - sooner will the adverse noun usage emerge - sooner too will the converse noun use emerge - and make battle for what society is entitled to - well, both! the pleasantries of the nouns surrogate and mother, damnable essentials of two homosexuals and a ********** - i know, the former and all the pleasantries and pigmented macaroons, the latter and dirges and the dingy back alley - one stands up for pleasantries the other for the coarse mountain view - one sees a mountain of the jagged panorama, the other a normal distribution curve - both have peaks, one's a woo *** slide on your *** the other a carefully calculated descent - so you wonder how certain words are encoded to create a certain emotion - one thing to understand a string of words: do this do that, walk over here, walk over there - and the other string of words: feel this, feel that, think this, think that - perplexing - mostly the dichotomy of seeing and hearing - a dualism is an acceptance of the two extremes as a constant - a dichotomy is a lack of acceptance of the two extremes, they are never consolidated - dichotomy represents an active game of ping pong, dualism represents: a ping pong table, two ping pong rackets and a ping pong ball... but no actual activity - dualism in theory, dichotomy in practice.
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48
why would ever thought become a therefore of being, a parallel pairing, well, i can imagine why, uncertain thinking gave birth and girth of uncertain being, but uncouple thinking from being and couple it to knowledge, how sooner the reminders encountered whereby expressing thinking with being as equal is lost, and thinking after the divorce from being finds a second partner, namely knowledge: and the men who stare at goats? sooner thinking and knowledge coupled than thinking and being, i do know that the former example eradicates thinking per se, but it also leaves us with pure intuition / knowledge / automation, which means less concern for a subsidiary of broken bones and unaffected brains to be worth a coupling - the former attempt eradicates this shadowy narcissism that the latter invigorates with how the outside is already defaulting the inside with c.c.t.v. you will not eat the fruit of the tree of knowing good from evil, since upon eating the fruit you will not think - you will know but will not think - and this will be a demise you will claim to be supreme as the foremost expression adequate - thus upon eating the fruit the wages of your labour you will know more than you desired, and will too think less than could be inspired - not a question of writing a pillar-like autobiography but a question of writing a biography at all.. to eat from a tree of knowledge: whether dual or by mono inspired - serves no bearing - hence the modern fable akin to brothers Aesop and Grimm, that he who eats the fruit of the tree of knowledge will not eat the fruit of the tree of thought, hence the dichotomy rather than a duality, hence the monism rather than the monasticism - and he who eats of the tree of knowledge will look upon a pauper in a scene of agricultural foreboding with much insolence - for he who eats from the tree of knowledge whatever the vector, whether into zenith of good, or whether into the zenith of evil, will know neither being reached, for thought will become the orient conjunction of or being accumulative: that good (thought) will be as puzzle-muddled with evil (knowledge) as may be allow - or as the Libra testifies - that knowledge is evil and thought via continuum narratio is good; but still gladly i too fabricating celestial bodies with a lifespan of cats aged prior to 30 (if pedigree).
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Apr 25, 2016
Apr 25, 2016 at 8:38 PM UTC
caricature of Milton
why would ever thought become a therefore of being, a parallel pairing, well, i can imagine why, uncertain thinking gave birth and girth of uncertain being, but uncouple thinking from being and couple it to knowledge, how sooner the reminders encountered whereby expressing thinking with being as equal is lost, and thinking after the divorce from being finds a second partner, namely knowledge: and the men who stare at goats? sooner thinking and knowledge coupled than thinking and being, i do know that the former example eradicates thinking per se, but it also leaves us with pure intuition / knowledge / automation, which means less concern for a subsidiary of broken bones and unaffected brains to be worth a coupling - the former attempt eradicates this shadowy narcissism that the latter invigorates with how the outside is already defaulting the inside with c.c.t.v. you will not eat the fruit of the tree of knowing good from evil, since upon eating the fruit you will not think - you will know but will not think - and this will be a demise you will claim to be supreme as the foremost expression adequate - thus upon eating the fruit the wages of your labour you will know more than you desired, and will too think less than could be inspired - not a question of writing a pillar-like autobiography but a question of writing a biography at all.. to eat from a tree of knowledge: whether dual or by mono inspired - serves no bearing - hence the modern fable akin to brothers Aesop and Grimm, that he who eats the fruit of the tree of knowledge will not eat the fruit of the tree of thought, hence the dichotomy rather than a duality, hence the monism rather than the monasticism - and he who eats of the tree of knowledge will look upon a pauper in a scene of agricultural foreboding with much insolence - for he who eats from the tree of knowledge whatever the vector, whether into zenith of good, or whether into the zenith of evil, will know neither being reached, for thought will become the orient conjunction of or being accumulative: that good (thought) will be as puzzle-muddled with evil (knowledge) as may be allow - or as the Libra testifies - that knowledge is evil and thought via continuum narratio is good; but still gladly i too fabricating celestial bodies with a lifespan of cats aged prior to 30 (if pedigree).
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