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Alabaster Archipelagos
Benevolent Beauty Beaming
Constructive Contradictive Creative Contemplations
Dante's Darling Dances Deliberating Denominatives
Effervescent Escapisms Endearingly Emerge Elusive Edens  
Fantastic Flamboyant ******* Flamed Fabulous Fiery Flickerings
Gorgeous Garden Gim'memores Gaudied Garnishing Gasps
Heavenly Hues Humming Heart's Harmonies
Immortaly Impregnated Inspired Ideals
Jessamin Jargon Jacuzzi Jams
Know-how Knacking Knurls
Light-spirited Lovers
Merge Magnificent
Naked Nocturno Nights
Omnipresent Ousia Over Odeons
Palpitations Perfect Peaks Pi Paws
Quintessential Quality Quarrels Question Quarks Quietness
Rododendron's Richameters Rescued Raw Reeling Ruby Realms
Sentient Syllabic Sapfo's Splendidly Spirited Semantics
Turning Turner's Timeless Timeless Twinklings
Unified Undulatory Unsolved Unicorns
Velvety Venice Voyages
Wanton Wantings
Xsylophone Xsantiphas
Yearnin' Yuki's Yen
Zed's Zealous Zen-it-hall Zeppelins
Imagined by
Impeccable Space
Creative Poetics
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https://www.youtube.com/watch?v=2BNtqEtn8D8
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Pat Broadbent Sep 2018
Rings on rosewood linger
from a cold glass of ice
that warmed but soon after,
whose contents evaporated away.
My chaser became the room,
matching it twice
in form and temperature,
Would never have stayed.

So I roll the glass
with a retrograde tilt,
but keep it in place,
but keep it at hilt
such that knurls on the crystal,
jagged knuckles on the base,
make it thump in a path
and it steps and it stilts
in its own kind of track
while connection with the ground
through multiple laps
stipples neatly on a plane—
infinite curve by singular tack.
And this motion is contained
to the confines of the round
of a bullseye-mark stain
where a highball was put down.

Reminds the afternoon patina,
the hunching over my piano,
the warmth of its shade of cocoa.
And the mug I placed on its bench,
where subsequently the lacquer
gave way to warmer matter
and a matte “O” was forever etched in print.

Reminds of sap-stuck fingers
that ailed us backwoods explorers,
that neither the soap nor the hottest water
could manage to separate.

Reminds of the smell of the road
that gashed through wild mint
with its tire-milled dirt pounded thin,
and the hazel dust that arose
and managed to stay ever close
when the little Sahara was traversed again.
Those clouds would form and move and clove,
and the dry would pinch in your nose;
yet it seemed the only stretch of land
to never see any rain.
And now it strikes as strange,
and I’d love to explain, but can’t—
the green was never killed,
while cleaved, and beaten, and grilled;
it managed to weather the dust
and ride on the cusp
of the electric months after May.

These things don’t peel away.

Reminds how none of this strays
too far from the path,
or too far out of mind,
and the nature of present and past,
how inseparably they bind.
Like the light to the glass,
one moves through the next,
and all the moments hug tight,
each forebears another's context.
Bryan Mahata May 2020
There are parts of me like a hotel
Luxurious hold up a cocktail
Desert the sub - par knurls
Of thought , abortions to not seed

There are parts of me metallic
Beautiful hardware, durable
Rusts all kinds of gusts
Vermin to be trampled,
Yes those are it's musts
Doesn't feel doesn't filter
Thus risks to be it's own malware
PARALYSIS

There are parts of me melodic
Catchy,the luring bridge
But what they capture behold
Are not lyrics I always wish to sing
Everyday ,they got me love...once
There are parts of me.. inconsistently found

There are parts of me hallowed
Meant for taking by the Lord
But I lend, not donate
Strict, a defunct sonnet
Still willingly believes
He can make it as a free verse

There are parts of me borrowed
Like a shirt,a shoe or a hat
I don't put them on anymore
They know the bottom of my drawers
As corpses know the morgue

There are parts of me that have been swindled
Robbed in adolescence, again in culture
Some were returned later
No longer useful.... slain

But there are parts of me
Happy like Christmas morning
Come once a year
Twice if I mail the others
To forgetfulness
Without an address
That spite would not know
Where it used to live

— The End —