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Nat Lipstadt May 2017
~

pass him the newborn,
not the first, indeed, the third of five,
almost a regular comet occurrence,
happy poppy,
grizzled veteran of the nine lives foreign wars - then


The Inexplicable  

Yellowstone geyser eruption,
Vesuvius of wet tear ash Pompeiing,
overfilling the overcrowded hospital room,
brilliant flashes of eyes emitting lightening,
tornadoes of an unpredicted hurricane,
that no weather service forecast,
hinted of imminence,
unprepared, thus, for which
they had no name but Baby Girl,
but the older man turned sudden singer had one,


The Inexplicable  

for as sudden as thunder,
the hospital room is an audience,
the old man, a bawling crooner
stunning the assembly into
nervous tittering laughter,
backslapping self-comforting,
so out of character
for the usual so quiet workaholic,
the secret poet whose shoulders
upside U-bent from decades of writing and
recording the momentous, the

endless worrying,
the foolish fleeting scarcity of joys,
the slowing ways of sad aging to wisdom gained,
foreseeing the struggle/joy inequivalent insolvent equation
of love and loss,
the forever pleasure of hopeful rebalancing,
a perpetual motion machine,
the seesaw of torrential ups and downs,
of the yet-to-come
for which he could compose, recite, in formal rhyme,
stanza and line,
chapter and verse,
blessings and unheard of
original poems and curses
and this peculiar blessing


this old man lad could so easy close his eyess,
recalling being
seven years, ageless and sageless,
sure in the ways of a cocky confident boy,
who is now succumbed to


The Inexplicable  

singing - humming - gasping - weeping - wishing true
the oldest rocking, children song in the entire world


"row row your boat,  
gently down the stream,"

but choking on,
unable to release the songs signature line,
from within his body,

then finally,

the truth and the lie,

"life is but a dream"


so the watchers do it for him;
unintended but fully comprehended!
the crazy man formally anoints the child's forehead,
with handy tears on a pointer forefinger,
a salt solution upon a slice of flesh containing
secrets and wisdoms
knowledges of historical continuations

nervously, they ease the babe, prying her
from hands tremblingly, his and theirs,
too late too late!

the secrets and the history personal
has been passed, the bonding genetic certified
the oldest fool in the room,
wise in the ways of the now transferred


The Inexplicable  

*dispatched home,
go, write a poem, they say,
to late too late!
it has been writ,
in a coded inexplicable manner,
that only two humans
can proper read
I always assumed
that you could determine the will of a writer
by the quantity of ink
remaining in his pen.
Yet, I have never fathomed
what makes him brilliant.
Is it his degree of education,
his inequivalent repertoire of vocabulary to the common man,
or just born gift bestowed by heaven?
Later, I came to the lucid realization
that brilliance is conceptualized
at the hand of the inner mechanics
and harmonious complexities
that portrait the writer's
heart, mind, and soul.
From which, shape his message
by the process he takes to arrange,
construct, and execute
his philosophies and mental apparatuses
This, ladies and gentlemen, is a writer.
-n.s.
Ian Dankowski Nov 2020
An unpeaked emerald mansion in the background
Hidden away in his prereferral
Memories of piebald skies and sapphire crested seas
Inequivalent in size and purpose the boy is hidden.

Yearning to be needed by our mother
Attempting to be lost in the right places
Never quite enough but an overburden
Of too much

Running off to a hidden home undivided
By the grasp of them
Fearing descent into a  relentless tomb

Alone the boy has nothing but his ideas
Lonely but not alone with an
Unfounded idea of weakness and
Unwillingness for fear
Feeling incomparable and insignificant
Looking at what else is out there

The stars
Arent they beautiful?
A shame, He'll never meet them.

-The Boy

— The End —