They stood within,
The garden of old
Forgotten to time;
Left to unfold
The lily-bush bidden,
To grow wayward free
Birds of paradise dance,
With no eyes to see.

Spílaiaus, noticing that Vernarth felt unprotected on the iridescent Nimbus, greeted Zefian; he was in the Phlegrean Fields reliving the Sibylline Treatises of the Pytia Cumea, when the last death rattle of the Universe began to beat with force Zefian sent from his Thracian Gold Quiver right next to where the Sibylline Treatises could materialize again by withdrawing the Arrow of the Vóreios where it began to protrude from the Doric stylobats of the Megaron, everything was comparable to the Parnassus from which Leto; Apollo's mother would grant them Vernarth's Megaronic Songs, making up for her withdrawal since he was saved from the fire in 548 BC.  from the Acropolis, being able to assent to the presence of Triads Women who moaned at him due to his deserted unbalanced voice without being able to receive his exclamations. Zefian then before the lightness of his cosmic phalanges withdrew the Fourth Arrow from the Phlegrean Fields; before it from the volcanic caldera, he released the nine books recovered in total from the six cremated, to then be pierced by Zefian's Arrow to finally project them towards the contiguities of Prophyits Ilias where their spirits appeared here with such reflections of Miletus conversing with each other that the beauty of Coronis was not enough tenor of Paralesias of the Firmament of Apollo, so the Heavens of Patmos had to be opened with the nine sybilline books along with Vernarth's Hellenic Trilogy to establish the Duoverse as paralesias of the world that would restart from the Ádyton to save the Inheritance and his astrophysicist strangulation.
Both vicissitudes of the Fourth Arrow were heading at incalculable speeds to collide and merge with the Arrow that pierced Apollo's Lynothorax to the detriment of Coronis, thus abandoning transcripts of the oracles that crossed paths in the Seventh Hour of Paralysis to later touch with holistic chrysanthemums with their pointed ivory ornaments that hung from the Universe wrapped in an omphalos, which became a Kosmous of wands encrusted with igneous flames to burn to a great degree among the stylobates that the upper canopy prevented from being incinerated from the rest, protecting the parapets from the Megaron that depended on the nearby Cloud of the Iridescent Nimbus where Vernarth resided in the armband patterns of the monarch Croesus.

Spílaiaus replies to Vernarth: “From this promontory, I go to your parents, I tell you that I see signs of great parapets where the center of the Kosmous rises; “The Ádyton, is closely linked to the fusion of the Quarta Saeta, and Septenario del Ibic or Virola to the depths of the Katabainen; whose Katabasis grows through places of impious land from a Megaron that is nothing more than traces of Lycurgus in limber blood that the tabernacle could not contain, nor could it dispossess for a chalice the firmness of an instigated Christus that could now flow and be reborn by submitting to Cyrus, and other satraps of the past, referring to the fact that Vernarth's asceticism depended on the minimum luminance that could come out of Tartar. Vernarth, distinguished himself more calmly when he perceived that Eurydice filled him with greater agreement with the one who is delimited from an underground room, than from a sub-empyrean who began to separate him from the parapets of the Megaron with the shape of a Howling Kosmous burnishing from the same district Strategoi.

In this way, the Adyton was made up of a temple with Seven Steps until the arrival of the fusion of Zefian's Arrow to collide with that of Apollo, then both being the curtain of the interface of the Duoverse that became oracular with the presence of Jerome de Estridón, and Spílaiaus taking them to the Forests of Parnassus and Kanthillana with the Pythonesses in the spurious Oracular of the nuptials. The Sybilla Herofila is present with her veil with the darkness of Castalia, with ceremonious gestures also in front of her the Sybilla Cumea for the brothers of Delphi and Adyton who reopen it with the power of their God, who was accumulating access to an infinite where nothing isolates it, not even from the sip of a sea that does not grant the gift of quenched thirst, then the Psiloi custodians as advisers of their "V" of the pentagram would take charge of the Oracle's minions to unite the center of the Kosmous with the Universe-Duoverse where he rested on the niche of Hestia.

Apollo emerges between some proxenos that accompanied him before noticing the impact of the Arrowheads, and compasses between proxenos that would admit the New Duoverse of the Oracle of Adyton, for a new universe that was gestating from a polymer towards a multidimensional height that rotated to exhibit only the edge that would admit the mass of Saetas to create rings of vibration, and frequency of Apollo in front of Vernarth looking from the magnanimous lookouts of all Greece. This is where the shepherd Coretas juxtaposed himself with his flock to swarm in the thin strips of landslides that would be left by the atomic detonations of both colliding Arrows, whose cracks would drop obtuse crude oil down mysterious empty cliffs in the face of a Greece that would be born before Anthropotite or humanity, only eclipsing Vernarth in the company of the atomic hatching in the middle of the sieve of the same faces of his entourage that will make him return every day of his transition, like fiery Ashin of the Roman Vestal in assiduity of Naples.
Apollo indicates to Vernarth: “If you stay alone in the drift of Astro Cirrus, you stay with the shadow of Coronis, or you will tell me that it dissipates from the discharges of Tarquino Prisco, you must treasure your Trilogy as a pendulum on the towpath of the Dodona or from the hiding places of the fetish between leaves of the inventory that unknown is not by an auspice that will open from the greatest Paradise ”

In advance of the hallmarks of the Itheoi Duoverse; with the Pre-Kelesete or Possession, they decide to contribute the Anticipatory that will open the doors of the Soul that they have to enter the Universe of San Juan Apóstol, from then on a whopping bump are unleashed with the hatching of Saetas between Zefian and Apollo. The Cabal skirmish was accomplished in the dark! The macro transport of spiritual masses begin to coexist transporting the end of the Himation Ceremonial, later until an impartial right here appeared from Camphor, it was his signature Macrowave protoform of the Himation itself; called Camphor-Xórki (syllabus). The Pre-Kalesete began its walk through the Nothing when Vernarth tried to look down on the limpid spheres of Patmos seeing the holistic whole involved in a Greece that was hailed from the Hatching Arrows coming from the last breath near the Camphor-Xórki of San Juan Apóstol where the Xorkí began to syllable “O θάνατός σου είναι τώρα Ζωή – Your Death is now Life”, from the Quantum atomic that began spelling out by Vernarth's Stóma; or beginning of his astonishing mouth that was regurgitating the oscillating lapses between the Keselete and Xorkí.

With expeditious speed came the Arrows of the Phlegrean Fields, forking one by one until the Fourth Sagittal that was isolated in the evolution of myriads of stars that were made up of the proximity of the Nimbus where Vernarth provided himself in decades of nebula Celestines that shone to tear pimps fibers that still aspired to hijack the remains of the Millitum Vernarth, in the form of clusters of radio galaxies that moved towards the reddish, expanding from the Campos Phlegraios in Naples itself; like geological hydrothermal fissures that clustered behind a sudden crimson blue of the great Universal that split receiving the Saeta Prima from said field of fire. The gravitational completion of the curve generated the Saeta Prima that was made conventional with assistant telescopes, before exultant excesses of wanting to see it as a Quasar that descended from Andromeda together with the Auriga, in such a radio galaxy journey to melt the bars of the Universe to be distended by Vernarth's bombastic Stóma that expressed itself more than his dwarfed senses by the Galaxy that was propelled by the waning of the radiance of the Quasars.

The Primal Saeta is abducted in the intermediate vortex of the Quasars, it remains in the orbit of the Nimbus where Vernarth remained in photometric that allowed him to reflect it in its silhouette with the closest astral referent of Orion. The Secunda Saeta came out of the transversal valleys, this came with the agreement of the Pre-Keselete of Saint John the Apostle bathed in ultra-luminous infrared Ouranos, making vibrating strings of the frequency of the Universe in an ultra-luminous dream emanating from molecular gas, adapting to the new fusion of Zefian's Prima and Secunda Saeta with the determination to split the monoxide at the base of the Nimbus from the acroteria that still accompanied it with the universal entity of the Empyrean as hydrogen that formulated the Saetas clash in homologation of the same aerodynamics prop of the Xiphos, from solid metal to liquid in pearly spirals from the magnitude collapse of the Tercia Saeta, this would bring the same from the Horkun hydrothermal or Horcondising Mountain with thousandths of a thousand light years that would unify on their Solid and Liquid pedestals as the Fifth Essence of the Horkun, the Third Bolt arrived between five Kyrios who followed her through the atrium that was beyond the Hydor that incarnated in collusion with her deformation to soon reform, beginning to go towards the manifest of shared energy towards magnitudes divided by the coefficient 0.7 Micron of atomic energy levitating from the quasar equivalent that stretched from the luminous zenithal meridian in front of the mast of the Four Leaf Clover, which pretended to be a Cherub still emanating from nothing, towards the fractal splendor of the Patmos region ten times greater than the hydrothermal that reconfigured Greece at a distance of ten molecular cycles minus a molecular trace of the carbonate crystal. The diameters of the absolute observable were coming out to the delight of a Hellenic Ego observable in the wide Cosmos rendered in anti-gravity of the Fourth Arrow; being competent to see how he appropriated a snowy-blue sky that softened with the obstructed eyes of Saint John the Apostle, granting more than ninety percent of the explosiveness of the Quarta Saeta above the infrared that dominated the collisions, leaving them inactive for only seven seconds before concluding the snowy waves with the dense and glacial gas helically topped by few waves of any gas that sprout from each galaxy that never ended as an isolated Nimbus as Kant preceded, in a time that becomes more extensive than our own light that lives in its bright end. The dislocated morphology of the Fourth Saeta would ignite the border of the Pre-Keselete from the Phlegrean Fields, Kimolos, the Horkun, and Patmos in an unleashed spiral since the matter was uncontrolled from other unknown matter between myriads of collisions caused by Zefian to the limit that cuts his inspiration, only falling asleep all the previously mentioned Duoverse with Vernath's Megaronic Odes in Epilogue of Xorkí, from here towards the metallic lithic tip of the Xiphos with its spelled enchantment.

Megaronic Odes

"You see from the Enchantment in which all matter becomes Free, You see how each one of them after being Four will now be one that speaks of their very existence that you do everything... you realize that the noise of the Duoverse is born from the Xorkí, where everything dark turns grey... and black is Xorkí.

“Everything that has four digits moves with your four wings, everything that you call Quarta Saeta is a Xorkí syllable…”
Camphor is the heat of friction of the contracted memory, it is here that all pain that is in this field of tragedy urges it, and leaves you distrustful of sap that is another that you lead to the Pre-Keselete as an environment of infernal turns that seem to be good of a good that is born to crash fatally. I want to tell you with these Megaronic Odes that I write, which do not belong to me, they are concise clashes of two atomic ignition fields of the Keselete and Xorkí of San Juan Apóstol that make me not mortified, that you will destine me to the gross speed of the blinking of my Hellenes eyes quicker than those of enchanted thought.

“I need to tell you that between La Prima and Quarta Saeta, my charms between frictions will rest on herbs from Corinto and Sudpichi, I will join the choir that will begin to rise for me, it will do so for you who have just begun to know me, soon we will see you, my dear Adelfos"

"As for the Primal and Quarta Saeta, it is the fanfare of a being that would visit every night, it would invite you to live your own experience that was seen to shine for the last time while being handcuffed to an agro bush, which would sustain itself against an enchantment of the Xorkí in a revived future of the brand new Vernarth with his prodded and resonant Xiphos”

Vernarth utters: “Eurydice... here I am, a closed pilgrimage looms towards the dim light with the nocturnal phrase of him endowing me through the conclusive!! Father... Mother, Myloi of the Sad Wind, here I am with your Primordial Arrow endorsing Pillows, beloved Adelfós, the Rabih San Juan? Almighty God bless you from this Quilt holding our spirited hope of seeing you again! "

Between The Prima and Quarta Saeta, enormous hydrothermal plasmas of the drained Don would be cited, which would conglomerate between the interdimensional of the four Saetas, to later send them from the "Heroon Hurkun Funeral Home of Kanthillana", from there to Lefkandi for the transition of his cremated body that began to revive from there ipso facto, later from the Phlegrean Fields with the Fourth Arrow that Zefian would finally bring with the III Trilogy of Vernarth Hellenic being transferred from the iron prop, supremely seconded by settling in the Prophytis Ilias to revive in autonomous descent of the body of a “Hero in his Heroon who will be reborn from his immolated body”. Incontinently, the arrows will be spaced through the interdimensional strapping of all of Greece to revive its awakening just as it happened with Erestles in Messolonghi; but this time of Orion's Wagon breaking with its coined bar eternity in its Hurkun chamber. In this way, Vernarth is distracted by looking at him at three hundred and sixty degrees looking at the Prima, and from this Secunda Saeta seeing how he rose and accelerated his trajectory adjacent to the Tercia and Quarta that would take him towards a failed break over Thyatira; with the Son of Yahweh, who has eyes like a flame of fire or Aish, and feet similar to going burnishing the bronze chaff towards Patmos to revive immediately with the subrogation of his body in the company of the almighty Mashiaj, Saint John the Apostle and the granted Right of the Hexagonal Birth, with the posterity of prosapies remaining everlasting to resurrect him from the neophyte and Hellenic Hortus Heliacus.

i was never into brian jonestown massacre, more of a dandy warhols' fan, but then brian jonestown released the album aufheben and pawns of the palette started picking up not only seminal citric acids and kashmir's spices, but sharp grooves of some distant geography, which of course, all in all: to my liking.

there's nothing like listening to the opening
track of the aufheben album (panic
in babylon, instrumental) and reciting a
bit of horace; should i be accused of sounding
pompous, here's horace himself

     *hoc erat in votis: modus agri non ita magnus,
     hortus ubi et tecto vicinus iugis aquae fons
     et paulum silvae super his foret. auctius atque
     di melius fecere. bene est. nil amplius oro,
     maia nate, nisi ut propria haec mihi munera faxis.

     it was the aim of my wishes: a snippet of arable land,
     a garden, in the vicinity of my house a source of
     fresh water and a grove upon a ***** of a hilly eminence.
     the gods beyond their intentions bestowed upon me
     the loot of my thus lived fate. i have enough!
     i do not implore for more either in this heart of mine
     or among incense or blood of sacrificed bulls at the altar
     where worship is prescribed unto them, but only give me,
     son of May, the chance to use these bestowals.

(translated from polish, and, as would be expected of me,
involved in translation, adding something of my own,
as you can see, the latin prepositions and conjunctions
are reflective of the number apparent in the english language,
but it's hardly a concern with other words,
awaiting a unanimous - not necessarily an N between
two vowels, or because of H, as is exampled by
a great alphabetical distancing of the vowels,
or simply because of the latin tongue-twisters of
the grapheme æ and œ - awaiting a unanimous
decision of the compound words stalled by the hyphen
form, e.g. light-bulb / lightbulb (underlined as a spelling
mistake) by the oxford dictionary committee...
but let's not get as crazy as german spelling
glue... it would make james joyce pale even by finnegans
wake standards of the 100 letter word... i know... english
is a language spelled like shotgun shrapnel, and german is spelled
like a wedding cake or scottish fudge, thick and bulging;
what was i going to say? i took a step into the heraclitean
river and the river took me elsewhere, the ice cubes
in my whiskey citric barley are melting, and i dream
of venice being the modern atlantis along with the maldives).

elsewhere in a grammar lesson:

people think the pinnacle of poetry is coupling
adjectives with nouns, but of course,
given adjective & verb coupling is commonplace:
and when they say poetic v. practical,
they then say the hidden practicality of poetry
via, e.g. 'nicely said;' but of course!
we need a sombre musicality of the tongue
with so much dead machinery around us!
the elders complain about headphone "zombies,"
marching like urban myth lemmings on zebras
toward death... but have you actually listened
to those mechanical sounds on concrete?
horrid! when was the last time you heard an owl's
call in the dead of night in a forest? me!
about a year ago: three by my count.

.the better part of a Friday night

grim.. times... what better way to pass a drinking session than to translate some Horace... i see no other worthy time-consuming scoop of any events to follow, this:

humano capiti cervicem pictor equinam iungere si velit et varitas
inducere plumas undique conlatis membris, ut turpiter atrum
desinat in piscem mulier formosa superne,
spectatum admissi risum teneatis, amici?
credite, Pisones, isti tabulae fore librum persimilem,
cuius, velut aegri somnia, vanae fingentur species,
ut nec pes nec caput uni reddatur formae.
scimus, et hanc veniam
petimusque damusque vicissim;
sed non ut placidis coeant inmitia, non ut serpentes
avibus geminentur, tigribus agni.

some first reading... sounds like chasing a chimera...

with a human head on a horses' neck: should a painter
tie the two together on a whim, and other limbs
collected from everywhere: puff up duck feathers into
a pillow or a bed cover - from "nothing"... hey presto!
that a beautiful woman from the torso up with a
fish's black tail below to boot...
on exhibition: would you, friends,
not burst burst out with laughter? believe: Paisans!
similar to this image will be the book:
in which as in an ill man's dream, in delirium,
the head and the feet belong to different
forms
i use this law and i recommend others to use it too,
but not to equate gentleness with a wildness:
with a bird a serpent, a lamb with a tiger...

angels and mermaids... what is no less or... no more:
improbable? perhaps neither...
but in the guise of monotheism... everything is still
somehow sensible...
where there was: half and half...
what angel of monotheism is a half and half
when contending for existence among unicorns...
mermaids or centaurs?
a chimera and a cyclops... **** with a minotaur...
but... such events of monotheistic grandeour are...
supposedly the better respected...
for all the respect i gave unto Knausgård -
because it comes from monotheism:
an angel is to be seen as more than a mermaid...
perhaps... if the angel is of my form...
has the wings... but for its mouth?
a pecker mask... a 50:50 share ratio of...
what a racial "mongrel" would otherwise burden his
shadows with...
a pecker mask akin to those masks
worn at the Venice carnival:
doctor doctor black plague masks...
with a muffed-up speech... as if shouting into
cotton puffed up...
esp. cotton candy...

and this is a sort of friday where i'd much prefer
translating latin... god... where did all these modern
prepositions and conjunctions from from:
into the fore?! there's only one song of worthy summary...
the specials - ghost town.

- Autorank Total 10 ( higher is reduced to 10 ), professional similarity 10 (of 10), concrete vs abstract 2 (of 2), noun/verb/etc order -0.7 (of 1) -

poetry and order... yes...
yes... very much akin to rhymes...
and very formal language...
but this is hardly a "micro-aggression",
on my part...

it's funny that i never paid any attention to this detail...

hoc erat in votis

i was never into brian jonestown massacre, more of a dandy warhols' fan, but then brian jonestown released the album aufheben and pawns of the palette started picking up not only seminal citric acids and kashmir's spices, but sharp grooves of some distant geography, which of course, all in all: to my liking.

there's nothing like listening to the opening
track of the aufheben album (panic
in babylon, instrumental) and reciting a
bit of horace; should i be accused of sounding
pompous, here's horace himself

    hoc erat in votis: modus agri non ita magnus,
    hortus ubi et tecto vicinus iugis aquae fons
    et paulum silvae super his foret. auctius atque
    di melius fecere. bene est. nil amplius oro,
    maia nate, nisi ut propria haec mihi munera faxis.

    it was the aim of my wishes: a snippet of arable land,
    a garden, in the vicinity of my house a source of
    fresh water and a grove upon a ***** of a hilly eminence.
    the gods beyond their intentions bestowed upon me
    the loot of my thus lived fate. i have enough!
    i do not implore for more either in this heart of mine
    or among incense or blood of sacrificed bulls at the altar
    where worship is prescribed unto them, but only give me,
    son of May, the chance to use these bestowals.

(translated from polish, and, as would be expected of me,
involved in translation, adding something of my own,
as you can see, the latin prepositions and conjunctions
are reflective of the number apparent in the english language,
but it's hardly a concern with other words,
awaiting a unanimous - not necessarily an N between
two vowels, or because of H, as is exampled by
a great alphabetical distancing of the vowels,
or simply because of the latin tongue-twisters of
the grapheme æ and œ - awaiting a unanimous
decision of the compound words stalled by the hyphen
form, e.g. light-bulb / lightbulb (underlined as a spelling
mistake) by the oxford dictionary committee...
but let's not get as crazy as german spelling
glue... it would make james joyce pale even by finnegans
wake standards of the 100 letter word... i know... english
is a language spelled like shotgun shrapnel, and german is spelled
like a wedding cake or scottish fudge, thick and bulging;
what was i going to say? i took a step into the heraclitean
river and the river took me elsewhere, the ice cubes
in my whiskey citric barley are melting, and i dream
of venice being the modern atlantis along with the maldives).

elsewhere in a grammar lesson:

people think the pinnacle of poetry is coupling
adjectives with nouns, but of course,
given adjective & verb coupling is commonplace:
and when they say poetic v. practical,
they then say the hidden practicality of poetry
via, e.g. 'nicely said;' but of course!
we need a sombre musicality of the tongue
with so much dead machinery around us!
the elders complain about headphone "zombies,"
marching like urban myth lemmings on zebras
toward death... but have you actually listened
to those mechanical sounds on concrete?
horrid! when was the last time you heard an owl's
call in the dead of night in a forest? me!
about a year ago: three by my count.

- Autorank Total 9.9, professional similarity 10 (of 10), concrete vs abstract 2 (of 2), noun/verb/etc order -0.1 (of 1), cliches -2 (of -3) -

the Cyber Pavlov Experiment

and my favorite "poem" in this ranking system,
which, i guess is an a.i. calculator...
i'm most interested in the professional similarity,
i can understand the concrete vs abstract ranking...
but the noun/verb/etc order?
in poetry? again... this is not a "micro-aggression"...

so, i'm on this page, and i meet my ****** pusher,
sure as hell he's pushing ******,
although it's digital, the site / street corner?
allpoetry.com i get to publish 2 poems,
but can't publish more, i have to comment,
and comment positively,
'allo comrade Stalin! then comment on
2 poems, and get this message:
Congratulations, you've achieved level 2,
and are now an "emerald cat"!
To reach the next level you need:
7 x comments, 1 x enter a contest, 1 x favorites,
1 x edit an item. • What are levels?
i am not playing candy-crush saga!
i'm not! i'm not even kidding you,
what is this ****?!
we've been ****** by paedophiles
anonymous?!
                      please get me off
this ****** grid of the Cyber Pavlov Experiment...
likes and comments and saliva and cookies...
    or premeditated minority reports -
  akin to Orwell's thought crime gestapo -
    god it sounds **** when said: g'eh'sh'tap'oh.
                    or how to use the internet
akin to deciphering and censoring established
media outlets...
                              obviously social media
can't replicate socialism, it's a media outlet,
                  but it can for sure ******* with
all the little capitalistic mind games that lead
to nothing but the Pavlov experiment -
            and that was with dogs...
try that with a ******* Gorilla and i'll watch you
cradle prosthetic limbs while
he rips your original limbs off like he's playing
                a harp:
            then you can rhyme: twinkle twinkle little thumb,
    how i wished you were attached to my hand to my arm
to my torso...
                        that's the same story
we had recently concerning a Mr. Kumbuka...
  who escaped enclosure, and proved the a.d.h.d.
        complex correlation with exposure to
sugar... ****** drank 5 litres of concentrated blackcurrant
squash replying: i'm mad at the keepers for keeping
me on a diet! i do king kong and you do the frenzied
blonde maiden.
              it's still a concern for me that they herded the poets
into an area worthy of zoological inspection,
                meaning that they base their worth on
    deplorable points system: like they're immigrants
waiting for visas to Canada -
                          comment, like, blag and blabber your
way into that new country, known to all of us present
              as Si S / Silicon State... by my count that's
the 51st, or the secular version of the Vatican.

- Autorank Total 2.3, professional similarity 1 (of 10), concrete vs abstract 2 (of 2), noun/verb/etc order -0.7 (of 1) -

but now... i'll just post the most "pop" poem from
here-on-in there... for that hard-on autorank...

clues as precursor:
- Strong words: army, audience, beef, box, brick, canvas, cubes, eating, fan, fares, football, lines, match, minced, outside, people, poem, poets, river, scrabble, scroll, short, slab, song, steak, striking, stripes, tartar, tomatoes, wave, writing  
-Weak words: albeit, always, answer, any, bad, be, become, bothered, circa, coherency, could, critic, deliberate, effect, eh, elsewhere, enough, escape, event, form, gather, get, had, happen, hardly, impact, intent, international, invent, long, merely, mind, modest, national, never, nice, nothing, perhaps, personally, presume, question, rarely, reason, recluse, repeating, repetition, somehow, sometimes, started, subconscious, subsequently, succumb, tender, thinking, translation, treat, understand, version, very, want, was, well, what, will, worth, would
- Cliches: to be a, i want

****... too early for an autorank...
so here's a pre-scriptum i wrote for...
what i wanted to feed the autoranking system...

this poem has circa 11 thousand views, "elsewhere"...
and i just... would like... to see the score for it...
the very and repeating: twist on the rotten tomatoes' score
"leverage" between audience and "critic" scores...
i gather that the autorank on this canvas is not...
somehow "deliberate"... i presume i have this slab
of minced beef... and when i put it through...
i'll get... a nice cubism version of a ripe steak: medium rare...

then again: i was always a fan of rare...
mind you... it's never raw, it's not tartar cubes...
it's rare... like the person eating... a rarified recluse example:
like a recluse of a rarified worth of all examples given...
this noun/verb/etc. "coherency" score...
perhaps this a.i. scrutiny hasn't bothered to answer
to no asked question... people can still "un-scramble"
or... un-scrabble bad grammar and understand it...
nothing ever has to be: brick on brick like a long
winding river...
it sometimes can arrive at us...
"lost in translation"... some people speak some
languages with no ill-intent...
they just can't escape the pedagogy rubrics of
subconscious grammar layer upon layer upon layer...
is this... a reason to subsequently rhyme?
personally? i treat rhyme as a phenomenon...
a phenomenon that has to happen rarely...
and when it does: it has to be a striking "pose"...
but enough of the pre-scriptum...
i want to see how this poem fares in the autorank filter...
albeit, this given: this pre-scriptum will have had
an impact on the score...

line repetition, eh? the lines are too long or too short?
what was that poem... when you could somehow
invent: "thinking outside the box" of any form,
or when tender poets started to succumb to the cascade
effect of writing - to merely fill-up scroll speed and space?
it's hardly an event like the mexican wave at
a football match... or how...
the white stripes' song: seven nation army
has become the international... well... that's modest...
the national (english) football clubs' anthem...
when a goal is scored... or whatever you like, otherwise...

or cliches... really?!
how about... oh... i remember this one most fondly...
visual poetry...
fallen... by... jörg piringer...
and unlike any modern painting...
this one really does require a description,
as cited on poetryfoundation.com:

/jörg piringer works in many forms, including visual, digital, and sound poetry, as well as music. In "fallen," piringer combines a visual sensibility with computer programming skills to tumble text from the English translation of The Communist Manifesto into a pile at the bottom of the page. The result is a mass of letters stripped of their original meaning and representing the failure of an idea./ Geof Huth

and no, by no kind reprint...
perhaps modern painting is what it is...
because... there's an alternative, like fallen?
if you can "paint" with words in adverts...
and paint i imply: stress the psychological impact
of coca-cola written in circa: formal scripts -
(why no italics? you can't... just can't,
write a colon and in italics after...
the colon represents emphasis,
as does the italics... tautology or something -esque)
derived from 17th century handwriting...
or... say... volkswagen... written in blackletter &
lombardic scripts... esp. circa 1935...
while all the propaganda posters were on
display...

given all of this? well... do i have to somehow:
bemoan how terrible modern art is?
cubism is not cricitißed - but dada is -
or let's call it... the most bloated
menu of culture citationand)
Barnett Newman painted this masterpiece,
‘Onement VI’, in 1953.
it sold for close to US$44 million...

i can't say such painting is "good" or "bad"...
after a while you just have to call a spoon a spoon...
a knife a knife, a table a table...
onement vi? blue canvas with a straight line
down the middle; form? rectangular...
and that's when thinking can take place...
i gather than modern art is trying to depict:
primodial man acquiring geometry...
after all... only recently i cound the difference
between the western man and slavs...
how the afro-european now lives in germany
and the west... including italy...
and how the indo-european lives east of germany
in some parts of scandinavia and greece...
a totally new discovery...

but... but... i can compensate for modern art...
with what is visual poetry...
if jorgen schmoorgen can do an abstract of a communist
manifesto... here's my take on...
John Constable... because... frankly...
i have yet to properly deal with this particular piece
of writing - as it's fresh... to subsequently aspire
for... a j. m. w. turner... not yet... not yet...
as ascribed to Juba...

the poem itself is... good grief...
always the same with me...
i go to kenya and i'd want to **** all the ivory
beauties...
a mother is in hospital and all the nurses
are black and i'm like...
what a clean and sterile environment this
is... unlike my today which began
finding an acne dot on my little richard...
(i get the joke... spotty ****)...
having to defrost a fridge freezer in
the shed because:
'z przybytku głowa nie boli'
oh yes it does...
not when what someone deems to be
"enough" do you have to count the trivial...
unnecessary things...
which is not a shame regarding my ***
winning a pulitzer price for... never mind...
i claim lack of sun...
black privelege... impeccable skin...
and... ivory beauties...
n'est ce pas?
alternative i have found an outlet to...
it's become brutally boring...
*******...
i found it... in... japanese gravure...
i had to... esp. when 1970s italian *****
classic died... and everyone is doing
this act older than beer and the giza
pyramids... phellatio and you're like:
so when did the ice-cream dream go away...
the peeling the banana...
and all this ******* gagging begin like
there's everyone with their third tonsils
removed... where mouth is no different
from *** or **** to be RAMMED!
lucky for me i still have my third tonsil...
which means i can drink cold beer in winter
and not get a soar throat...
- lucky for me i still have my *******...
god... if i didn't... i don't think i'd have
the "moral compass" to "get away with it"...
unless i was a woman with a web-cam...
in which: it almost becomes akin to reading
a book... it's like: it's there for the sole use of
pleasuring yourself or... as i like to call it on
throne of thrones (the toilet)...
first you do the no. 1, then the no. 2...
then you start doing the no. 3 to see...
whether you've done no. 2 completely...
it sometimes happens that having an *******
dilates the **** to the point where:
there's a shady **** loitering in the "back"
somewhere... which would explain ****-erotica...
in reverse to the act of ****-erotica of being
penetrated... i.e. in this scenario...
finishing doing a no. 2...
after that? downhill a quick side-step for
a no. 4 in the shower - baptism...
but... yeah... the men that shame men with
regards to *******?
they must be circumcised men...
shaming other circumcised men...
i think to think how a circumcised man
could shame an uncircumcised man for this act...
that's like... circumcised women...
shaming uncircumised women...
for jerking off with a web-cam...
uncircumcised women and...
explosive libido... whatever the stereotypes
are... circumcised men...
uncircumcised men...
there has to be a: a priest a rabbi and an imam
walk into a bar joke around here somewhere...
i'm trying to find it...
but i have found that: circumcised men
shame other circumcised men over *******...
while the uncircumcised men are like...
if only i were a woman and had a webcam...
if society had a niche consumer base for that...
"sort of thing"...
i'd be making money from one
genocide of a fraction of myself ever so often...
i.e. it's killing when the ***** is owned
by a woman (sensible... sensible...
i don't mean the former chinese 1 child
state policy of: statistics at all costs...
even at 8 months old)...
but if that's the case...
then a session of hanky-panky...
sterile... washing under the ******* etc.,
i'm practically doing erotica-genocide
slim film no. 3890... ever since it started aged
8... when i discovered Onan...
way before the white nation army came out
from the hades of the *******...
how the ******* of ***** has nothing
to do with the ******...
the muscles and nerves are wired so to the brain...
that i'm pretty sure a castrato feels
the same...
**** chicken shaming...
it must be circumcised men against
circumcised men: ******* missing olympics...
no wonder... you peel a ******* potato...
you have to throw it in some water
to prevent it from darkening...
that's of course: prior to cooking...
so you have to find the ****** cushion
brigade from time to time...
a "sword" without a "sheath"...
rust or egomania or: motivational talk talks...
because Kant was never going to be my:
bachelor of the year for the 215th time in a row...
kierkegaard famously didn't marry...
erectile "dysfunction":
not a real problem in my own company
or in the company of prostitutes...
but a serious ******* problem among
the "free women" of western europe...
it's like one of those vague "superpowers"...
women speak of turn-ons and turn-offs...
yeah: i too have my limp switch too...
somehow... this "thing" is not automated...
it's not like spam-mail... it doesn't always:
"rise to the occassion"...
the mood swings of my *****...
i'm starting to think that perhaps neurology will
explain more about my brain
than my suma summarum will ever tell me
about this excess of the 21st digit (which
of course includes the 10 precursor toes)...

as i haven't read marquis de sade in a long while...
and i'm not touching any modern erotica,
and ******* bores me
and how japenese gravure is the next best
all-spice of brain fever...
and how: if this little harlot went to sudan
for her nitty-picking a tartan lover,
or if she decided for rwanda...
i have to guess the fiction and fantasy...
for me, at least... has to rely on...
a bull in a porcelain shop...
or as the kama sutra says:
a rabbit **** is hardly going to ****
an elephant ****... lengths and depths...
all round!
which makes you wonder...
genghis khan must have been...
or has to be... the ***** envy shitlord
of a whole lot of people with the surname
Khan in pakistan.