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TheWitheredSoul Aug 2020
Our love was like a fictious honey ***,
Never in a thousand years would  i
Have peeked in to find out
If our honey *** really had any honey because
I loved the thought of existence of that honeypot
More than the possibility of having honey in it.

My Fictious honeypot gave me  
A taste of what it feels like to have hope,

I wasn't disappointed because
We didnt have a honey in our fictious ***.

I was disappointed because we broke the ***
and We will never be able to go back to the way it was.
No matter what we say to ourselves, When we lose hope in a relationship there is nothing really that can be done regarding that, Seems like I never really had any relationship to begin with rather than a Fictious Honeypot without Honey.
Pits and pockmarks
flit and dart
across an infinite ceiling.
Random synchronicity
plays patter song
stupor and languidity
The orchestra conducting
purple and yellow
to a sparkling, a
crushing crescendo
falls like a wave on tastebuds, tempting.

She lingers like
fog on a pane of glass
A sharp signature
impaled on a pile
of dreaming dust.

Like a rushed column
updraft through a house
of leaves blank and staring.

A mark from the
back of your palms up.
Your fingers stuck signing
a language sang by the blind.

How did she stay so long
A force hidden in neuron canyons.
A Gypsy camp lodged
between cortexes
spinning silk into a
muffled gasp, a conspiratory shuffle.

She lingers like spines of glass
in nailbeds, planted sweetly,
with the best of care.

Laughter in an asylum
electroshock dreams soaked in sweat.

Grabbed my brain like a chemical symphony.
Painted pictures of pivotal seconds,
wrapped up and romanticized.
Dreamt about.

Your lilting language planted
little honeypots deep in my palms.
Sparked fire from entropy
lighting a city in my chest.

But now these buildings tower
like Goliath in David’s dreams.
I need to escape
I need to slide out of
this sleep you’ve monopolized.

******* dreams
like smokering fingerprints
left on the cleft of my conscience.

The old taqueria on Victory.
The Bourgeois Pig.
The bitter spice of winter
painted over the cracks
crumbling the walls.

These waking hallucinations
haunt my habits.
Still frequent the holeinthewall
dives in my heart.
Tom Salter Dec 2020
The noise of the cavalry was muffled by the rhythm of the crows
Cawing, they bellowed their demands, until silence
Betray the gathered armies, and the men began towing
The foreign rocks, heavy they were, scrapping the last of the lavender
From the earth. Those in protest formed a crust
That lined the crown of the castle walls, there will be no violence

Today, nor tomorrow or the next for the wives have had enough of violence
And the birdsongs have never sounded so bitter, these crows
That perch in the woven branches of the castle woods eat nothing but the crust
From shattered honeypots. Often they screech out in pain, but it is all silence
Lately for they have been soothed by the refugees of lavender
That squat in their nests. But it won’t last, for the men have started towing

Again; great metal ladders in hopes to infect their havens, men towing
Their aggression like a mere pebble in their pockets. They are cemented in violence
Like the calf to the ******, and the wife who lathers the scent of lavender
Into her hair. But not all things are so natural and sweet. The crows
Have had their heritage destroyed, they no longer follow the universe, silence
Has become permanence, just like how their rookeries have formed the crust

Upon their enemy’s world. So damp and hollow their homes have become like a crust
Of saliva upon the bathroom sink, alas there is no time to repair, for the men are towing
Again; rocks, ladders and now fallen oaks - dragging earth up as they trudge. There is silence
Before the breach, a moment of purgatory before the deafening violence
Ensues. There are no caws from the guarded rookeries, the crows
Have decided to sleep through revolution, huddled among their lavender

That will soon be found in the knotted hair of widows, the stench of lavender
Shall waft through the winds of grief, as the priest gives counsel to the fresh crust
Of tears found under the eyes of thousands. It is over now and the crows
Have come to pay their respects, they caw at the men who are towing
The tombstones of lives that never blossomed, each one reads: “there will be no more violence
Today, nor tomorrow or the next.”. And life shall proceed only with silence.

For awhile it may all persist, silence
Is king and the woods that hug the castle walls are growing lavender
Again. The treaty is kept and the cloak of violence
Is hung up neatly next to the crown, waiting for the crust
Of peace to be vanquished. It is the wives now who spend their days towing
The labour of the land; weaving seeds and chatting to the crows.

Alas, it does not take long for violence to mature, and for the silence
To pitter off. The crows have buried themselves, taking all the lavender
With them. The men are towing again and all that is left is a broken crust.
Yenson Oct 2020
Don't warble for me on your stolen concertina
your clowns lacquered in putrid red paint
can crawl to pick up giros and cheap beer from Albania
and croak freedom choruses that but taint
as full fledged members suffering from noveau mania

a million and one times I have played cupid's arena
done it with top style leaving them faint
dipped in honeypots ripe in ecstasies delivered from Africa
to leave asking is this a love god or a saint
as rhythmic passion held tight in love from Cornwall to Jamaica

what don't I know or miss with my undoubted flair
I've jumped soft hot bones danced leaving trembling hysteria
in chambers of fifty and more and each left with a cheer
roses for maidens but what gives a stallion who deserves hyacinthia
know in love and fondest thoughts you own a worthy spear

so don't cry or warble for me on your stolen concertina
been there done it with elegance and without a feint
charmed and anointed as if by the Blessed Lady of Fatima
real exceptional the being modern yet so deliciously  quaint
with the slow hands and easy touch and passion like magma
what's there to regret or miss when you gave it your all at the time...
Yenson Jul 2021
Of course we're crazed
hell hath no fury an' all that jazz
we are fevered and addicted and mad as hell
tell us
are we not suppose to own the scared jewel
the irresistible magic box of delight
the golden cave of a thousand gems
the sizzling honeypots with the sweetest and mostest
that crazed men have killed and died for
do we not know that they carry their brains in their trousers
are they not all mere babies crying for mother's milk

Then this one rocks along
swaggering with tales he's well armed
and soon befall the evil eyes
he started it by bluffing Chris and Joan
who in stinking ivory begged a taste
that, sirens was to all sirens, a declaration of war
for he thinks he is better than us
what moor has the audacity to refuse ivory honey
so we chained and batter, hang draw and quarter that moor
baited, basted, roasted and goaled Othello
alas, he stands in hell's fire and smiles

what manner of a male we have here
we are beyond frustration, we are madder than raving madness
no man on two feet in living breath can go thus far
without our life giving milk to lick and ****
we are the givers of the planet, the creator of them
who the hell refuses to kneel and worship for a taste of our honey
No way will he live like a prince or a pauper
we are mad as hell and hell he will live
for to spurn the ivory touch
and holds the grace and purity of light
bans him from the delights of the dark

Of course we're crazed
hell hath no fury an' all that jazz
we are fevered and addicted and mad as hell
that moor sits on our chest and burns the recesses of our souls
we are consumed, inflamed, addicted, intoxicated and on fire
he shames us and his blood we must drink

— The End —