In the divet between mountains
Resides a wooden cabin – ostensibly an amalgamation of the scape
Adroitly - I - quondam female warrior flit
Down massive (ancient) hand-laid, hand-cut carved stone steps
Bounding from contingent step onto the dense pad of turned soil
Tacit compliance between gravity and soil holds footprints bound
A compressed deflating crescendo as pace ignites with bounds

Cadences of protuberant wildflowers and grasses erupt from swollen terra
A winsome chromatic menagerie, dispersed in ecstatic fistfuls
A venerably ancient ritual

My nascent clandestine vocation
Personally meted out - a beatification for my provisional sanctuary

Along glacier-fed stream
Lissome fingers shadow inert stalks –plucking dormant beginnings from their desiccated ligaments

I am austere and unadorned save for a festoon of pyrite flecks trailing my semblance
Residual gilding from my ante-meridian swim taken after requisite gathering of wild blackberries, goose berries, and rhubarb along oft-tamped path

The sun, nestling into its requisite apex endorsed my completion
I reclined into the hassock of soil, feeling the elements settle about with an embossment of my form
Imposing verdure arched subtly as compressed soil beckoned hyperbolic flux

As I lay within the basilica of opulent living columns replete with comestible bounty
Lingering dew honed inflections of sacrosanct petrichor in unison with piquant clover
Wild purple clover buds saccharinely tinted and inundated nestled nerves in mine cribriform plate

Birds pitched and galloped through the frond tips and beyond in the lapis expanse
Frequently snatching damselfly’s and assemblages of midges from their ephemeral drift

Auspicious rays transcended stippled diaphanous gravid clouds
Light inundated ether entered humbly into the cathedral oculus
Pyrite speckled terrain beneath, and my bare gilded form above
Cast a refracted aura about my sanctuary

Precipitously the elusive vaporous embankment distended further
Ashen atmospheric correspondence inaugurated liquescent sustenance to my mountain abode

And I -
Lingered beneath the descending gobbets, curls furled in a puddle
Fresh topsoil cupping my corporal topographic contours
Pressing blackberries into my mouth between smiles

Genial poets, pink-faced
earnest wits—
you have given the world
some choice morsels,
gobbets of language presented
as one presents T-bone steak
and Cherries Jubilee.
Goodbye, goodbye,
I don’t care
if I never taste your fine food again,
neutral fellows, seers of every side.
Tolerance, what crimes
are committed in your name.


And you, good women, bakers of nicest bread,
blood donors. Your crumbs
choke me, I would not want
a drop of your blood in me, it is pumped
by weak hearts, perfect pulses that never
falter: irresponsive
to nightmare reality.


It is my brothers, my sisters,
whose blood spurts out and stops
forever
because you choose to believe it is not your business.


Goodbye, goodbye,
your poems
shut their little mouths,
your loaves grow moldy,
a gulf has split
the ground between us,
and you won’t wave, you’re looking
another way.
We shan’t meet again—
unless you leap it, leaving
behind you the cherished
worms of your dispassion,
your pallid ironies,
your jovial, murderous,
wry-humored balanced judgment,
leap over, un-
balanced? ... then
how our fanatic tears
would flow and mingle
for joy ...

This is a beautiful "Barry Hodges" poem.*

Ah, sweet memories of that night in Blarney
In the stout-soaked suburbs of ould Cork City.
How clearly through the mist of alcoholic memory
I recall how we all piled out of Johnny's bar at closing time
****** as a load of proverbial ******* newts;
'Where to now me boys, which bar's still open?'
Shrieked spiflicated Sean O'Shannon
(that's notorious sixteen pints an hour Sean,
the man who won Strictly Come Boozing twice)
As he tottered over to his Pa's new BMW convertible,
Lucky ****** that he is to be son to a Fianna Fáil MEP,
And one not adverse to trousering a Euro or two.

'Sean, me oul' potato, de ye think ye should be driving
With that record-breakin' skinful o' stout
I just seen you put away down your greasy gullet,
Not to mention the quadruple whiskey chaser?'
Enquired loopy Liam O'Lephrechaun as he leaned over
And puked up another gallon of warmish Guinness
Over yours truly as I rolled helplessly in the Ballygrohan road
To the amusement of the gawping bystanders,
Bearing in mind there were a good dozen gobbets
Of half-digested pork scratchings in the froth
Which was causing havoc with my apparel.

So without another feckin' word being spoken
My dear drinking companions and ***** buddies
Left me prostrate and clambered gaily into the waiting car
And roared off into the enchanted Gaelic night;
Singing and smoking themselves silly simultaneously,
So full of the joys of life and the blessed bottle.
And then some ****** stupid American tourist
(doubtless dressed in hideous checked golfing trousers
with a backwards-facing baseball cap on his ugly head,
not to forget his overweight wifey crammed into the front seat
just like a huge white bloated fat-faced hippo),
Came round the next corner in a clapped out rental car
And the two of them got sent to Kingdom-sodding-Come
With a terrible metallic crash which destroyed them completely.

'Oh begorrah and *******, would ye just look at the mess
The feckin eejit's made of me Daddy's Beemer,
And it's his pride and joy so it is to be sure!'
Cried Sean O'Shannon in an alcoholic rage,
As he contemplated the largest insurance claim
In the County Cork for the past six decades,
(at least the largest legitimate one anyway).
Whilst I was trying to get my hipster pants down
To avoid filling them up with beery diarrhoea
Brought on by my involuntary bursts of joyous mirth,
(bejasus, 'twas the second time in the space of a single week
and my new girlfriend was getting a bit fussy about hygiene
bearing in mind she was thinking of taking the veil).

How fortunate old Father Tucker and Garda Sergeant O'Toole
Could both (when they'd sobered up sufficiently)
Testify later from their secure vantage point
In the rear compartment of a nearby parked hearse,
(where they were having a ******* with Deidre,
the filthiest wee **** in the whole South-Western counties)
That the accident was not dear Sean's fault at all, to be sure,
As the other stupid sober yankee ****** was driving at 75
On the wrong friggin' side of the ******' street
Or probably in the middle, come to think of it.
'Sure but Sean's the best driver this side of the Blarney Stone,
And there's no way himself would ever drive under the influence'*
They agreed sagely before going off for another jar or two
And maybe a double knee-trembler with Deidre's fat sister,
One up each of her gaping hair-rimmed orifices.

The cat, black as midnight, perfect in from and feature, lay before an open hearth,
     as though resting, in death, trussed, like a roe deer carried home from the hunt, legs lace.

Cat lay, having ceased her struggles, staring at the fire, as though contemplating her
     eight lives, stoic, perhaps merely exhausted, resigned, retaining dignity in the certain death's face.

The Queen found this way to amuse herself, withe the men away playing at wars,
     a charm for invisibility, she, too empty to take any great art seriously, even the Black grace.

Queen Morgause knew that magic ran in her blood, as a member of the Old Race.

Into the cauldron of boiling water, at the hearth, the Queen flung cat, then stood watch,
     the horrible convulsions and a single dreadful cry as cat quickly passed into death, on the boil.

Queen Morgause of Lothian and Orkney sat before her cauldron and waited,
     occasionally she stirred to poke the cat with her wooden spoon as the stench did uncoil.

A watcher in the night would have seen, in the flattering reddish glow of the peat fire,
     what an exquisite creature she was tonight, with her deep, big eyes, glistening hair, quite royal.

She practiced her magic, before the iron cauldron, with the candle and a sheet of polished brass,
     not so much as for a need of invisibility, more an excuse for standing long before her mirror loyal,

Queen Morgause knew that was the undisputed beauty of her era Medieval.

The cat had come to pieces, leaving only a deep **** of hair and grease and gobbets, the white bones
     eddied in the broth, heavier ones lying still, the others lifting gracefully, like leaves in an autumn blown.

The Queen, wrinkling her nose to the stench, strained the liquid into a second ***, leaving
     on the flannel strainer, a sodden mass of matted hair and meat shreds and delicate white bone.

She blew on the sediment and began turning it over with her wooden spoon, prodding them
     to let heat out, soon she was able to pick out the delicate bones and place them in a neat pile grown.

The Queen knew that every pure black cat had a certain bone, which, when held in the mouth after
     boiling the live cat, endowed invisibility, but nobody knew which bone, hence the need of the mirror shone,

The Queen sought not indivisibility, truly, as she felt herself to be far too beautiful to disappear.

The Queen scraped the remains of her cat into two heaps, one of bone and one of steaming meat
     daintily she took one bone between her teeth, stood before her brass, looking at herself in sleepy pleasure.

She threw the bone into the fire and fetched another, standing, turning, and reaching,
     placing the bone in her mouth and looking to see if she had vanished, a look in one long measure.

She moved so gracefully, as if a dancer, pacing out her patterned steps, most beauteously,
     she moved as if someone was there to watch her, or, rather, as if it were her reflection she did treasure.

Queen Morgause lost interest, before testing all the bones, and stretched herself, as a cat, before the fire at leisure.

strike sparks off the hill
tumble down charged, fall
an electric river.

Captured photon tracks
dot glass, world atom
accelerator.

Lost particles,
paper thin blanketed
homeless huddle
in doorways.

Tiny explosions
of heaven's tears
across the nailed lake.

Day ends as fishermen
fold up their green chairs
by a splashed evening water

glowered, puddled.

LURED BY RAIN AND SHADOW


navigate by rain,

gobbets in motion,
their rhythmic fall and beat,
every drop a note,

on pavement,
tarmac, wood,
tile, hollow metal,
close your eyes,
listen to the music,
varied semitones,

blind, you navigate
by the landscape
described by percussion.

Can you hear her contours,
tell the leather, lace
and cloth she wears
by arrangement of sound
in the downpour?

A time when you don't
want the rain to stop
until you can inhale
her sweet fragrance.

And open your eyes.

shadow breathes

see how your shadow moves
across the arc of her arm
your shadow breathes to kiss
away the cold up to her neck

across the cool leather couch
she lounges on to reveal more
of her thighs than is sane
for the blood pump inside you

and your lips press into her neck
and the rise of her ******* through
her little black dress, and thighs
that fall open as you kiss an ear.

A ROSARY

of raindroplets down the window glass.
Contemplate the mystery within
each of these splattered dribbles.

Each holds grains, dried sea salt, dust or smoke ascended skywards from water
or land into swirling eddies of air,

each holds dead cells sloughed,
perhaps by lovers fingers, or
by beasts slouching to Bethlehem,

each holds a prayer for life,
a hymn to its origins, a curse
of flood, a blessing of light.

ALVARADO                                              Old friend, admit,
            You have not crossed this river Styx before,
            But I and that long-suffering soldier have,
            And seen such sights to make your codstones crawl:
            I mean the hell of human sacrifice.
            When trumpets howl, and myrrh infects the air,
            A wall-broad drum resounds a thundering knell,
            To call the cultists to their grisly pyramid.
                                               A drum is heard, repeating at intervals.
            One victim strains across the clammy slab,
            A ghoul down-wrenching at each tortured limb,
            To keep the spinal shambles tautly arched;
            To see the black, satanic hangman leer,
            With clotted snarls of hair, and clawlike nails,
            Lifting the cutlery to tremble skyward,
            And to this brittle bird cage plunge the flint;
            He loots the poor chest of its jewel. The heart,
            Exhumed, hot from the plundered cavity,
            Reluctant to desist its wonted pulse,
            Still shudders in the fiend’s vampiric gripe,
            Which he uprears to slake the smoldering sun.
            Unearthly, braying like a beast possessed,
            And, wielding disarticulated joints-
            The fleshless femurs of a ****** maid-
            Or, glaring through a mask of patchwork flesh,
            The druid forges down the crannied steps,
            Cascading with a rill of molten marrow.
            He kicks the corpse to tumble in the throng,
            Who spring to ****** his gobbets for their dish,
            And chant (the word goes) “Now our gods are coming . . .”
                                                                                                     *They exit.

Scorn not the printed word, O thoughtful soul,
As Wordsworth 1 did not say, and do not set
An electric machine to grind through files
In search of gobbets all thinky and stuff

For Shakespeare set in iambs clean and neat
All the transcendent ideas of the good,
The beautiful, and the eternal true
Sustained in meters of steel and words of gold



Shakespeare never

               wobbled
                                                all over the paper in unmetered *******
lines
of disconnected babble about stars and selves 2 without any citations for verification
                                       stirred around in a sort of it-sounds-like-Shakespeare-kinda-sorta-they-won’t-care-anyway soup to be copied and pasted onto sheets of 8 1/2” by 11” fake parchment woodpulp because, like, y’know, that’s what you do for graduation ceremonies



1 Wordsworth, “Scorn not the Sonnet”
2 Possibly a misremembering of Cassius' words to Brutus in Julius Caesar: “The fault, dear Brutus, is not in our stars / But in ourselves, that we are underlings.”  If so, the quotation has been, like Caesar, assassinated.

I

I recall in tranquillity

Fever-dive hours.

Once I saw a sailboat listing

Upon a great-waved sea

The sea was I and so was the boat

I could not see any stars

For the blasts of ocean-spray



In what quiet cove can I go hiding from a storm

Blasting up the cartoid artery and flooding through

The cognitive estuaries, over-spilling memory’s tributaries?

Tell me where I might make my stand against my wrath?

Might a clever present play the future off against the past?

Am I to live only in the lacunae between foretelling & recollection

In the times between guilt and dread when, exhausted of mental flight,

Whether backwards or forwards, the mind drifts in easy content?



We shall build a tower

let us make us a name, lest we be scattered abroad upon the face of the whole earth



II

Behold, a shattered glass bowl that held doubts

They multiply in shattering

As each beam of light

Crosses every glass splinter

It breeds a new splinter

And a new lance of light

Fecund heresiarch



Absolute clarity lies within

That lit glass rubble but the trouble

Is that so does everything else

As in Borges’ library up in that tower



III

Do you know where your right hand is? Walking through a shop and not knowing whether you’ve assaulted someone heedlessly. Analysing each moment of your past like a sicko prosecutor. The fears iterate by sinister Darwinism, seeking cognitive blind-spots. Did I mutter threats of violence to that child? Did I insult that shop attendant? Mixed memory and aversion form a rancid bin-juice born decaying.



IV

I came to the stairs

There was a wobble in her voice

By each step her voice rose higher

So I rise to her and she calls with greater urgency

And I rise to her with greater urgency

She and I can only meet after escalation shatters

Past the horizon of panic and further-

Past the sea rock of worn defeat

She and I must be one.

I sprint.



V

Imagine that someone came to you in the middle of the night, stepped into your mouth and began to grow through your capillaries. They were not content merely with habitation, their constant insistence was that you must keep grafting dead organs and limbs onto yourself. You become a born-again Frankenstein (don’t be a pedant) with all the zeal of a convert to an undead lifestyle. The new limbs are heavy, and stink, and burn up your flesh with septisemic fire and ****-flood, but the man who stepped inside your mouth begs you stitch on more.



VI

The inside of a head becomes lonely as it becomes crowded

The only things that elbowed through those crowds

Were other hauntings

Brief dune-sedge love in salted ground

Warring wrath against money made world

Twin engines of raging-love and loving-rage

Racing for diversion and the exaltation of rebellious motion

Circulation round the track kept my blood in motion

Rammed down winds to bellow my lungs



Political contention, war, courtship, frenetic study

Vain dreams of greatness, discontent

Which gave me a little contentedness

To declare permanent war or endless love

And so to terminate surrender in unutterable resolution

“Optimism of the will!”- clenched hands, though they wobble

In the obsidian lands where resistance gave no comfort

Resistance still gave sustenance

Just as all the previous Sugatas



VII

Life is so long. Are you so innocent? You are tired. You dream of a gentle place. You saw it as anyone might imagine it- holy light on wild-flowers, easy with its comforts, free with its joys. To be such a place it had to be distant from this world and sealed against you.



VIII

Maybe I just wasn’t ******* often enough?

Victorian life is better novelised than lived

Hysterical, neurotic, guilty, phantasmal

Maybe I wasn’t drinking enough?

A friend called me the Ayatollah

In respect of my beard and sobriety



Hume and the Buddhist sages pronounced that persons are aggregates without greater unity. I find myself a bundle but there is no liberation here. The parts rub against each other like cans in a grocery bag bruise fruit. Or perhaps I am the curate’s egg.



IX

Give me a seabird’s wings

On the cliffs, about forty meters over the crab pools

I dream of ascending with the gulls, but higher

Diving and again rising in alliance with wind

What waves perturb the gull are brief

And if it is to end by hawk, that too is brief

Yet I would rise higher still, till I sat on a perch

Overlooking time and the jolting succession of moments

Above the waves of kings, ministers, exchequers

Yet if I am not to reach that exalted perch

I will be low enough to observe the bright net

Of refracted sun that plays upon the hills of water

Give me a seabird’s wings



X

Easier perhaps to talk of the accoutrements of terror and the reflections it invoked. Easier to do that then to photograph medusa. Yet I do remember being confused as to whether I was more guilty or more afraid. It seemed important that I be more guilty than be afraid, but it is hard to feel guilt while facing knives. Consequently, I felt supplementary guilt at my thin guilt.



We shall build a tower

let us make us a name, lest we be scattered abroad upon the face of the whole earth



XI

The future is boundless, not only ahead but sideways

The patterns of your inferences only ever ape

The subtle causal chains which bind the forward momentum

Of the world whose surface you cling to

The mind is stretched between times and possibilities,

Beyond any accommodation by mental sinew and bone

The heart successively roars and fizzles



XII

I came to the living room

And it was filled with ash

Though I never smoked

Or sat by fire

I made an ink of that ash

And began to write these verses

upon my arm



XIII

He is there, and I smile into his oblivion

He never loved you, so ideas of romance

Had the character of Banach-Tarski’s sphere

He is gone now, other suburbs, other worlds

I do not miss him, except on special occasions

My affections were never lost, except perhaps at the first moment

Dead on arrival

Yet still worthwhile



It is right to rebel against most things

But not you, oh sweet tyrant

It’s good odds you kept me breathing



IXV

We do not sit upon heaven’s throne

Nor are we the rebel, cast down like a slash of lightning

We are the flesh that raised our gaze

Half wondering, half begging

The dance is ending, where is the bridgegroom?



XV

How rash are those who clamour for justice?

(I have been among them)

Life is wide, deep and changing. We are excesses

Of identity, act, motivation.

Of miscalibrated judgement and selfish grasping.



Do you think you would be clean under heaven’s eye?

Were there a book that contained each numbered thought and small deed

Of yours wouldn’t you shred it, burn it and eat the ashes?

I wouldn’t. I would give you that book. Press you to read it.

I do not think you would like me, but my terror is to be misunderstood

I fear that you will think I am a different kind of monster than that I am.

So I give you my promise, that should an angel scribe that book

I’ll give you a copy.



And I promise that if you ever give me a copy of your celestial biography

I’ll try to shut the my eye of judgement and open that of mercy

It’s simple self interest. Chesed pro chesed.



XVI

Can we remember pain? In our mind’s eye we might

See rose fluids or, under that, a startling glimpse of pearly white

Laid open by a scalpel. We shudder back. We peer forward.

But who has the pen by which to bind agony?

“Sharp”, “dull”, “throbbing”, “irritating”, “intense”

Wholly feeble, as if a snake tried to wander with its vestigial leg bones

But that is where we find ourselves- thirsty for conveyance in a desert of names

We can only hope to articulate pain through our inarticulateness

Just as, by chance, static on a television set captures a snowstorm



I remember wandering the streets, sobbing and calling for divine fire to **** me and all the other wicked. As I wept I listened to pop on half smashed headphones. What would it take to make you march through city streets weeping and calling the fires of an unknown God?



XVII

I ascended to the attic

To store, retrieve, invent

A mnemonic parade

Without volition my hands

Raise the dust in small incantations

How does one dislodge a fake memory?

Or terminate the routine of shuddering



I see

He and she are here, interlocked eye-beams

I am not in either eye

In this attic I lay in the pattern of my veins

I am sinews. Whether these gobbets

Be thought or flesh I am in neitherway free

I am chained by my own substance

Above me powers contend in the air.



XVIII

Think now

Life has many cunning passages, contrived corridors

And issues, deceives with whispering trepidations,

Guides us by vanities.


After such knowledge what forgiveness?

Forgiveness after such knowledge what?

What forgiveness after such knowledge?

Knowledge what forgiveness after such?

Such knowledge what forgiveness after?



IXX

In metamorphosis the tissue is not merely subtracted from and added to inside the pupae, rather the whole flesh devours itself, save for microscopic clusters (imaginal bodies), becoming a soup of cells. What unites both life-stages is scarcely more than a double-helixed teleos. Yet memory persists.

We shall build a tower

let us make us a name, lest we be scattered abroad upon the face of the whole earth



**

If I could but seize the wax of Icarus

The tailor of Ulm’s fabrics

Etana or Bladud’s crown of feathers

If I could but fly, I could seize the sun’s silver

Forge a mirror by which to demonstrate

The storm that rends the head

Of some shivering soul you know

Forgive a thief that stole for you and

Shelter all, for you cannot see their weather



XXI

To find a point of collapse at which

loss and victory die.

And that sea is now

A vast lake that

Night or day

Forms a perfect twin

To the sky

Over the stones of the tower

Drift currents and sweet, lazy fish

The waves will dance again

But I might hope to dance

With them