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Marry, and love thy Flavia, for she
Hath all things whereby others beautious be,
For, though her eyes be small, her mouth is great,
Though they be ivory, yet her teeth be jet,
Though they be dim, yet she is light enough,
And though her harsh hair fall, her skin is rough;
What though her cheeks be yellow, her hair’s red;
Give her thine, and she hath a maidenhead.
These things are beauty’s elements, where these
Meet in one, that one must, as perfect, please.
If red and white and each good quality
Be in thy *****, ne’er ask where it doth lie.
In buying things perfumed, we ask if there
Be musk and amber in it, but not where.
Though all her parts be not in th’ usual place,
She hath yet an anagram of a good face.
If we might put the letters but one way,
In the lean dearth of words, what could we say?
When by the Gamut some Musicians make
A perfect song, others will undertake,
By the same Gamut changed, to equal it.
Things simply good can never be unfit.
She’s fair as any, if all be like her,
And if none be, then she is singular.
All love is wonder; if we justly do
Account her wonderful, why not lovely too?
Love built on beauty, soon as beauty, dies;
Choose this face, changed by no deformities.
Women are all like angels; the fair be
Like those which fell to worse; but such as thee,
Like to good angels, nothing can impair:
’Tis less grief to be foul than t’ have been fair.
For one night’s revels, silk and gold we choose,
But, in long journeys, cloth and leather use.
Beauty is barren oft; best husbands say,
There is best land where there is foulest way.
Oh what a sovereign plaster will she be,
If thy past sins have taught thee jealousy!
Here needs no spies, nor eunuchs; her commit
Safe to thy foes; yea, to a Marmosit.
When Belgia’s cities the round countries drown,
That ***** foulness guards, and arms the town:
So doth her face guard her; and so, for thee,
Which, forced by business, absent oft must be,
She, whose face, like clouds, turns the day to night;
Who, mightier than the sea, makes Moors seem white;
Who, though seven years she in the stews had laid,
A Nunnery durst receive, and think a maid;
And though in childbed’s labour she did lie,
Midwives would swear ’twere but a tympany;
Whom, if she accuse herself, I credit less
Than witches, which impossibles confess;
Whom dildoes, bedstaves, and her velvet glass
Would be as loath to touch as Joseph was:
One like none, and liked of none, fittest were,
For, things in fashion every man will wear.
annh Mar 2019
Flavia swore as the heavy earthenware pitcher slipped from her hands and crashed onto the uneven flagstones. As she knelt in the puddle of tepid water and started gathering in the pieces, she heard the rapidly approaching footfall of an armed legionary.

‘Leave that now, there’s no time. We ride for York immediately.’
‘But mea domina...’
‘The Wall is breached. Hurry, puella, or she'll start without you!’

Flavia picked up her sodden skirts and ran.

                                                           ­  §

I held my breath as the last piece of the Corbridge ewer slid smoothly into place and wondered at the exquisitely crafted motif which encircled the body of this ancient vessel. A procession? A cavalcade? Curious, if not for the men-at-arms, I would have thought it a pageant. And there in a covered wagon a noble woman looking back at a young girl standing on the steps of a villa holding her hem in her hands.
A piece of slightly supernatural ‘drabble’ for a Sunday morning! :)
irinia Dec 2016
Its baroque eyelashes still obscured
By the vapid, nocturnal turmoil,
My city rises from sleep in the morning,
To the acrid smell of taverns
Opened too early,
Where garrulous, ***** drunks
Resume their heated quarrels.

My city awakens at dawn,
In the suave perfume of flowers clouded by dust;
Those tender, resigned cupolas, waiting
For the midday summer sun, to ooze over them.

Bent backs and furrowed foreheads,
Large crowds trotting on the sidewalks,
Greet each other absent-minded, on the fly,
Hurrying on, forgetting their pitiable heritage, their history,
When, thirsty for blood, their ancestors,
Greedily slaughtered each other,
―In the name of mother country and of different Gods―,
Under the shadows of rival cathedrals.

It took me a long time to be able to discern
The time corroded voice of my city,
But today I understand its madness and its error;
I cross it lovingly, with a lithe step,
And I am saddened by the sight of lifeless, white kittens,
Lying on the pavement, snuffed out by the spirits of the night,
Red poppies blossoming from their muzzles,
In the morning light.

Flavia Cosma from * Bucharest Tales
The time had come, it was Sunday noon
My mind kept on telling me, this was way to soon
But there I was, there was no excuse
I had to accept, I couldn't refuse

When we arrived, they were already there
I was trembling inside, this I can swear
I met your Mum, she was so kind to me
But with the stare of your Dad, I was about to flee

Then I met the sisters, and there are three
Andrea is the oldest, she has a Mother's Degree
Marta came next, as tough as she looks
Then the nurse Flavia, with all her Books

Renato is the Brother, a King of the House
Little Angel Maria the daughter, Claudia the spouse
Alvaro is Andrea's husband and the jack of all trades
Their kids Martinha and Gui, both with A grades

You grab my hand, never left me alone
And then I met Nuno, always on the phone
He is Marta's husband  and Barbara's father
Then I heard: "Come and sit." It was your brother

I smile at you, how could this be
They look so perfect, so perfect to me
It felt like home, I was happy and so glad
They were the Family, the Family I never had
irinia May 2017
Innocent mother,
Like a tree you brought me forth,
When you were praying for pardon
                                                   on your knees,
When unquenched fires were burning you
And the strands of life bound you
                                                    more tightly.

I was neither for you
                                         peace,
Nor the olive bough,
Nor against pain --
Sweet unbinding.
I did not understand how to bring wise answers,
Nails I nailed
                           into your palms, on the cross.

Blameless mother,
Passing mother,
Pallid light,
The thought pains me badly
And time does not give me relief.

Flavia Cosma from *Wormwood Wine
irinia Nov 2015
more than a meter away,
I sense the light as if it were a foreign
and endangered thing,
flesh over flesh in flesh under flesh,

and I think that it is only now that I begin to see it well,
only now is it binding as well as it should be,
a matter thicker than metal and heavier than water,
otherwise how could it sink to such great depths?

but what eye clearer than mine sees the light in itself,
with its black veins ready to burst,
darker than a placenta thrown in the garbage,
heavier than mercury when it explodes
and upon seeing it, what eyes will rotate
around it as if around an asphalt bucket?

with an eye such as mine you can’t see the light burning
instead you see its shabby structure,
its weight heavier than that of darkness.
only through the blind and useless eye, you see the unseen light,
the light which rots on Sundays in the yards,
too tired to go away,

the tiny wiry eye flowing after the light
sees what the seeing eye has never seen,
it’s not the matter which is heavy, but the light pressing it,
the eyes that break down are the only ones to see it,
who only sees the light does not see it.

yet who does not see it gathers it in big barrels,
over which they place burdock and stones
and keep it over the years, until it accumulates at the bottom
and hardens like rosin.
one day, in the astronomers’ telescopes
it will look like a dark and thick oil,
which they will use to rub their bodies.

and maybe then the eye, which only brings
bad luck to sight, will disappear.
when he sees with the skin, man will no longer be man
and the religion of retina will have long disappeared.
as long as god exists, he can’t be seen with sight
but then he won’t get away from us anymore.

he is part of the light that
the usual eye can’t see,
yet which my almost blind eyes sees.
from light upwards, things become harder and harder
and while you go up, you can’t go down anymore.
the great difficulty is in fact the easiness,
upon rising, you become the heaviness of the other world,
you crash in nothingness like a bag full of boulders.

man becomes heavy in the other world
because of the light: the venous light
the great luminous Carpathians from under the chest,
the sombre lights which thicken his bones.
who said man is not light?
truly man is light in the unseen,
a clot of lights, very weak ones.
few will be the things which
we haven’t seen because of the light,
this is only because light does not help us see
and anyway I have a bad eyesight
and through my limited glasses
I rather see the unluminous light.
and when the flesh will turn blind, they will also see
the fleshy light because of which we rot.

Ioan Es. Pop
translated by Flavia Hemcinschi
irinia May 2017
Speak to me of the wave of longing
That broke against you,
Pressuring your forehead,
Narrowing your narrow street,
Beating on your palms,
                                         America.

Your eyes remain unclosed,
Looking-glass and sea,
For the dream with claws.

Fairy bird,
arching bird,
Sweet enchantress,
Envied by throngs.

"And you who ask about me everywhere,
By now don't you know that I am death?"

Flavia Cosma from Wormwood Wine
translated by Don Wilson with the author

— The End —