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PERSONIFICATIONS.

Boys.            Girls.
  January.                February.
  March.                  April.
  July.                   May.
  August.                 June.
  October.                September.
  December.               November.

  Robin Redbreasts; Lambs and Sheep; Nightingale and
  Nestlings.

  Various Flowers, Fruits, etc.

  Scene: A Cottage with its Grounds.


[A room in a large comfortable cottage; a fire burning on
the hearth; a table on which the breakfast things have
been left standing. January discovered seated by the
fire.]


          January.

Cold the day and cold the drifted snow,
Dim the day until the cold dark night.

                    [Stirs the fire.

Crackle, sparkle, *****; embers glow:
Some one may be plodding through the snow
Longing for a light,
For the light that you and I can show.
If no one else should come,
Here Robin Redbreast's welcome to a crumb,
And never troublesome:
Robin, why don't you come and fetch your crumb?


  Here's butter for my hunch of bread,
    And sugar for your crumb;
  Here's room upon the hearthrug,
    If you'll only come.

  In your scarlet waistcoat,
    With your keen bright eye,
  Where are you loitering?
    Wings were made to fly!

  Make haste to breakfast,
    Come and fetch your crumb,
  For I'm as glad to see you
    As you are glad to come.


[Two Robin Redbreasts are seen tapping with their beaks at
the lattice, which January opens. The birds flutter in,
hop about the floor, and peck up the crumbs and sugar
thrown to them. They have scarcely finished their meal,
when a knock is heard at the door. January hangs a
guard in front of the fire, and opens to February, who
appears with a bunch of snowdrops in her hand.]

          January.

Good-morrow, sister.

          February.

            Brother, joy to you!
I've brought some snowdrops; only just a few,
But quite enough to prove the world awake,
Cheerful and hopeful in the frosty dew
And for the pale sun's sake.

[She hands a few of her snowdrops to January, who retires
into the background. While February stands arranging
the remaining snowdrops in a glass of water on the
window-sill, a soft butting and bleating are heard outside.
She opens the door, and sees one foremost lamb, with
other sheep and lambs bleating and crowding towards
her.]

          February.

O you, you little wonder, come--come in,
You wonderful, you woolly soft white lamb:
You panting mother ewe, come too,
And lead that tottering twin
Safe in:
Bring all your bleating kith and kin,
Except the ***** ram.

[February opens a second door in the background, and the
little flock files through into a warm and sheltered compartment
out of sight.]

  The lambkin tottering in its walk
    With just a fleece to wear;
  The snowdrop drooping on its stalk
      So slender,--
  Snowdrop and lamb, a pretty pair,
  Braving the cold for our delight,
      Both white,
      Both tender.

[A rattling of doors and windows; branches seen without,
tossing violently to and fro.]

How the doors rattle, and the branches sway!
Here's brother March comes whirling on his way
With winds that eddy and sing.

[She turns the handle of the door, which bursts open, and
discloses March hastening up, both hands full of violets
and anemones.]

          February.

Come, show me what you bring;
For I have said my say, fulfilled my day,
And must away.

          March.

[Stopping short on the threshold.]

    I blow an arouse
    Through the world's wide house
  To quicken the torpid earth:
    Grappling I fling
    Each feeble thing,
  But bring strong life to the birth.
    I wrestle and frown,
    And topple down;
  I wrench, I rend, I uproot;
    Yet the violet
    Is born where I set
  The sole of my flying foot,

[Hands violets and anemones to February, who retires into
the background.]

    And in my wake
    Frail wind-flowers quake,
  And the catkins promise fruit.
    I drive ocean ashore
    With rush and roar,
  And he cannot say me nay:
    My harpstrings all
    Are the forests tall,
  Making music when I play.
    And as others perforce,
    So I on my course
  Run and needs must run,
    With sap on the mount
    And buds past count
  And rivers and clouds and sun,
    With seasons and breath
    And time and death
  And all that has yet begun.

[Before March has done speaking, a voice is heard approaching
accompanied by a twittering of birds. April comes
along singing, and stands outside and out of sight to finish
her song.]

          April.

[Outside.]

  Pretty little three
  Sparrows in a tree,
    Light upon the wing;
    Though you cannot sing
    You can chirp of Spring:
  Chirp of Spring to me,
  Sparrows, from your tree.

  Never mind the showers,
  Chirp about the flowers
    While you build a nest:
    Straws from east and west,
    Feathers from your breast,
  Make the snuggest bowers
  In a world of flowers.

  You must dart away
  From the chosen spray,
    You intrusive third
    Extra little bird;
    Join the unwedded herd!
  These have done with play,
  And must work to-day.

          April.

[Appearing at the open door.]

Good-morrow and good-bye: if others fly,
Of all the flying months you're the most flying.

          March.

You're hope and sweetness, April.

          April.

            Birth means dying,
As wings and wind mean flying;
So you and I and all things fly or die;
And sometimes I sit sighing to think of dying.
But meanwhile I've a rainbow in my showers,
And a lapful of flowers,
And these dear nestlings aged three hours;
And here's their mother sitting,
Their father's merely flitting
To find their breakfast somewhere in my bowers.

[As she speaks April shows March her apron full of flowers
and nest full of birds. March wanders away into the
grounds. April, without entering the cottage, hangs over
the hungry nestlings watching them.]

          April.

  What beaks you have, you funny things,
    What voices shrill and weak;
  Who'd think that anything that sings
    Could sing through such a beak?
  Yet you'll be nightingales one day,
    And charm the country-side,
  When I'm away and far away
    And May is queen and bride.

[May arrives unperceived by April, and gives her a kiss.
April starts and looks round.]

          April.

Ah May, good-morrow May, and so good-bye.

          May.

That's just your way, sweet April, smile and sigh:
Your sorrow's half in fun,
Begun and done
And turned to joy while twenty seconds run.
I've gathered flowers all as I came along,
At every step a flower
Fed by your last bright shower,--

[She divides an armful of all sorts of flowers with April, who
strolls away through the garden.]

          May.

And gathering flowers I listened to the song
Of every bird in bower.
    The world and I are far too full of bliss
    To think or plan or toil or care;
      The sun is waxing strong,
      The days are waxing long,
        And all that is,
          Is fair.

    Here are my buds of lily and of rose,
    And here's my namesake-blossom, may;
      And from a watery spot
      See here forget-me-not,
        With all that blows
          To-day.

    Hark to my linnets from the hedges green,
    Blackbird and lark and thrush and dove,
      And every nightingale
      And cuckoo tells its tale,
        And all they mean
          Is love.

[June appears at the further end of the garden, coming slowly
towards May, who, seeing her, exclaims]

          May.

Surely you're come too early, sister June.

          June.

Indeed I feel as if I came too soon
To round your young May moon
And set the world a-gasping at my noon.
Yet come I must. So here are strawberries
Sun-flushed and sweet, as many as you please;
And here are full-blown roses by the score,
More roses, and yet more.

[May, eating strawberries, withdraws among the flower beds.]

          June.

The sun does all my long day's work for me,
  Raises and ripens everything;
I need but sit beneath a leafy tree
    And watch and sing.

[Seats herself in the shadow of a laburnum.

Or if I'm lulled by note of bird and bee,
  Or lulled by noontide's silence deep,
I need but nestle down beneath my tree
    And drop asleep.

[June falls asleep; and is not awakened by the voice of July,
who behind the scenes is heard half singing, half calling.]

          July.

     [Behind the scenes.]

Blue flags, yellow flags, flags all freckled,
Which will you take? yellow, blue, speckled!
Take which you will, speckled, blue, yellow,
Each in its way has not a fellow.

[Enter July, a basket of many-colored irises slung upon his
shoulders, a bunch of ripe grass in one hand, and a plate
piled full of peaches balanced upon the other. He steals
up to June, and tickles her with the grass. She wakes.]

          June.

What, here already?

          July.

                  Nay, my tryst is kept;
The longest day slipped by you while you slept.
I've brought you one curved pyramid of bloom,

                        [Hands her the plate.

Not flowers, but peaches, gathered where the bees,
As downy, bask and boom
In sunshine and in gloom of trees.
But get you in, a storm is at my heels;
The whirlwind whistles and wheels,
Lightning flashes and thunder peals,
Flying and following hard upon my heels.

[June takes shelter in a thickly-woven arbor.]

          July.

  The roar of a storm sweeps up
    From the east to the lurid west,
  The darkening sky, like a cup,
    Is filled with rain to the brink;

  The sky is purple and fire,
    Blackness and noise and unrest;
  The earth, parched with desire,
      Opens her mouth to drink.

  Send forth thy thunder and fire,
    Turn over thy brimming cup,
  O sky, appease the desire
    Of earth in her parched unrest;
  Pour out drink to her thirst,
    Her famishing life lift up;
  Make thyself fair as at first,
      With a rainbow for thy crest.

  Have done with thunder and fire,
    O sky with the rainbow crest;
  O earth, have done with desire,
    Drink, and drink deep, and rest.

[Enter August, carrying a sheaf made up of different kinds of
grain.]

          July.

Hail, brother August, flushed and warm
And scatheless from my storm.
Your hands are full of corn, I see,
As full as hands can be:

And earth and air both smell as sweet as balm
In their recovered calm,
And that they owe to me.

[July retires into a shrubbery.]

          August.

  Wheat sways heavy, oats are airy,
    Barley bows a graceful head,
  Short and small shoots up canary,
    Each of these is some one's bread;
  Bread for man or bread for beast,
      Or at very least
      A bird's savory feast.

  Men are brethren of each other,
    One in flesh and one in food;
  And a sort of foster brother
    Is the litter, or the brood,
  Of that folk in fur or feather,
      Who, with men together,
      Breast the wind and weather.

[August descries September toiling across the lawn.]

          August.

My harvest home is ended; and I spy
September drawing nigh
With the first thought of Autumn in her eye,
And the first sigh
Of Autumn wind among her locks that fly.

[September arrives, carrying upon her head a basket heaped
high with fruit]


          September.

Unload me, brother. I have brought a few
Plums and these pears for you,
A dozen kinds of apples, one or two
Melons, some figs all bursting through
Their skins, and pearled with dew
These damsons violet-blue.

[While September is speaking, August lifts the basket to the
ground, selects various fruits, and withdraws slowly along
the gravel walk, eating a pear as he goes.]

      
David R Apr 2021
On the first day of maliciousness my true love gave to me
Nuclear waste in the Pacific Sea

On the second day of maliciousness my true love gave to me
Two ballistic missiles and nuclear waste in the Pacific Sea

On the third day of maliciousness my true love gave to me
Three million toddlers' deaths, two ballistic missiles and nuclear waste in the Pacific Sea

On the fourth day of maliciousness my true love gave to me
Four massive oil leaks, three million toddlers' deaths, two ballistic missiles and nuclear waste in the Pacific Sea

On the fifth day of maliciousness my true love gave to me
Five pandemic viruses, four massive oil leaks, three million toddlers' deaths, two ballistic missiles and nuclear waste in the Pacific Sea

On the sixth day of maliciousness my true love gave to me
Six countries' electronic waste, five pandemic viruses, four massive oil leaks, three million toddlers' deaths, two ballistic missiles and nuclear waste in the Pacific Sea

On the seventh day of maliciousness my true love gave to me
Seven world-powers downplaying, six countries' electronic waste, five pandemic viruses, four massive oil leaks, three million toddlers' deaths, two ballistic missiles and nuclear waste in the Pacific Sea

On the eighth day of maliciousness my true love gave to me
Eight pointless wars, seven world-powers downplaying, six countries' electronic waste, five pandemic viruses, four massive oil leaks, three million toddlers' deaths, two ballistic missiles and nuclear waste in the Pacific Sea

On the ninth day of maliciousness my true love gave to me
Nine last elephants Asian, eight pointless wars, seven world-powers downplaying, six countries' electronic waste, five pandemic viruses, four massive oil leaks, three million toddlers' deaths, two ballistic missiles and nuclear waste in the Pacific Sea

On the tenth day of maliciousness my true love gave to me
Ten million famishing, nine last elephants Asian, eight pointless wars, seven world-powers downplaying, six countries' electronic waste, five pandemic viruses, four massive oil leaks, three million toddlers' deaths, two ballistic missiles and nuclear waste in the Pacific Sea

On the eleventh day of maliciousness my true love gave to me
Eleven million hectares deforesting, ten million famishing, nine last elephants Asian, eight pointless wars, seven world-powers downplaying, six countries' electronic waste, five pandemic viruses, four massive oil leaks, three million toddlers' deaths, two ballistic missiles and nuclear waste in the Pacific Sea

On the twelfth day of maliciousness my true love gave to me
Twelve million tonnes plastic waste, eleven million hectares deforesting, ten million famishing, nine last elephants Asian, eight pointless wars, seven world-powers downplaying, six countries' electronic waste, five pandemic viruses, four massive oil leaks, three million toddlers' deaths, two ballistic missiles and nuclear waste in the Pacific Sea
Let the boy try along this bayonet-blade
How cold steel is, and keen with hunger of blood;
Blue with all malice, like a madman's flash;
And thinly drawn with famishing for flesh.


Lend him to stroke these blind, blunt bullet-leads
Which long to nuzzle in the hearts of lads,
Or give him cartridges of fine zinc teeth,
Sharp with the sharpness of grief and death.


For his teeth seem for laughing round an apple.
There lurk no claws behind his fingers supple;
And God will grow no talons at his heels,
Nor antlers through the thickness of his curls.
(C) Wilfred Owen
1648

The immortality she gave
We borrowed at her Grave—
For just one Plaudit famishing,
The Might of Human love—
The Man is lying naked.
This filthy pavement is his abode.
The Man is emaciated and famishing.
And he never begs for alms,
Proud and conceited.
The road is busier than ever.
No one takes interest in him.
No one catches a glimpse at him.
And a few feign not having seen him at all.

The time fleets on, the cars move on,
The Man is lying naked.

At the first blush, far from being a beggar
Is the Man.
He is well-complexioned with big glamorous eyes.
His face is sleek and his hair shines against
The lustrous sunbeams.
His eyes are gleeful, but mournful is his heart.
Penniless though, his craving for gold is sheer.
He ogles at the gold brought by the people around.
But he never begs for alms,
Proud and conceited.
Then someone nears him and asks who he is.
After much vacillation, he dismisses his taciturnity.
“Mankind is my name”, he replies.

The time fleets on, the cars move on,
The Man is lying naked.
tufa alvi Mar 2014
Let the boy try along this bayonet-blade
How cold steel is, and keen with hunger of blood;
Blue with all malice, like a madman's flash;
And thinly drawn with famishing for flesh.

Lend him to stroke these blind, blunt bullet-leads
Which long to nuzzle in the hearts of lads.
Or give him cartridges of fine zinc teeth,
Sharp with the sharpness of grief and death.

For his teeth seem for laughing round an apple.
There lurk no claws behind his fingers supple;
And God will grow no talons at his heels,
Nor antlers through the thickness of his curls.
Mateuš Conrad Feb 2016
it was announced, rolling stones and the beatles,
michael jackson verus prince,
while a classic song by prince was in an ****
of famishing spreading with direct contact with
google, i dare say english requires phonetic
pointers... like ħ... in exampled when,
ah and hatch... it's in need of deciphering
particularity.... it's a surd symbol...
it's not a clear methodological approach to
tonguing it... it's whimsical, very daring...
i too could hate phil collins...
but the 80s were defined by bankers
trading property values with no straitjacket required...
and that's the pop *** we all wanted:
loss of violins and cellos, gain of drum machines...
i'd pick prince any day, for the gems that can't be heard
on the major channels...
or like lao che's gusła or róże europy / roses of europe's
1989 blood of marilyn monroe song:
kości czerwone, kości czarne
(red bones, black bones), what remained of the
band was just a song: jedwab (silk):
she told him high society drank cognac with a slice
of lemon like the slavic way of drinking tea...
he preferred the beer and dried out russian sushi
that gave way to gurgling thirst...
no, i mean it... ħ should be introduced,
a strike of usage erased, like when, like
the excess trill of the r in slavic, and the excess
mitigating harking of the h in germanic.
Molantwa Mmele Jul 2016
Held in somber
are my emotions
my heart a shell of anger
a territory of a deadliest demon
I’m possessed

Ghoul spirit hypnotizes my soul
to dance like shadows
and sing in silence like my deceased inner soul

The zombie in the mirror
cannot hear my cry nor feel my pain
there is a storm in my heart

Fear comes cold like a war
wearing my soul weary and worn
in these winter nights

When my mother died of cancer
Eden went desiccated and barren
my soul left famishing
life gave me a new title “Orphan”
and this is when I began to call slums my home
and fed from waste

I was in the womb when my father left
since my mother refused to abort me
and if daddy was a man
I could’ve been fathered
and cuddled like a son
hence I’m not an orphan
I wrote this piece through my observation on what happens daily in our societies...there are many children with mothers but no fathers around, these hypocrites chose to run away from their responsibilities, I wish you no Success in life buddy I don't wanna lie. One day you will cry in regrets when life punishes you for your sins.Let us save and protect CHILDREN from growing with sorrow. they are the future.
Stanley Zakyich Jan 2013
Desperate, famishing beasts sniff my head
As I barely sleep.
a word, haphazard
   by the thwarted world,
for the word
     and from the word, springs
beyond extension, a cherry-taint
    of tongue and its exquisite redness
yet never what our purloined voices
     hold, falling quick the immense
roundness of the bedlam;
  such is still
in war when all the burly men
and the hubbub of artillery
  make only the commune
this is our utmost, deepest,
   wounded memory.
our life's entrails crouch no longer
  a striped tiger by the door
redolent of the many ebbed deaths;

  nights i lie awake
  and see all language lift,
  leaving in the night sky,
  an array of temporal splendors,
   famishing all the Earth in the dark,
  abandoning it, cross-eyed!
Harry Roberts Dec 2017
How you set out to save me
With love you cannot save me,
We savage ravage life together
Savour favour life together.

Thought we'd finish
And win together,
Yet we're just vanishing,
Fighting just to breathe
Is really too famishing.

— The End —