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Johnson Oct 2018
ASH
To live is to die
To die is to live
What is the point of it all
If it all contradicts

Too much I have seen
And not enough I have known
Watching the atlas spin around
As this fable becomes my own

So much I have wanted for
Any yet soul less I have tried
For this motivation to live
I have yet to find

And wasted away again
As another romance blooms
Crushed under the weight
The affixed clench of this gloom

Like a sailor in the night
Searching for land
No plunder to be found upon me
So alone I must stand

No more do I ever want
To be in such state
However much this world gives
Your defiled as it slowly rapes

However ever much are you to be
All the more you are contrived
Fantasy the only escape
On a plane of exilic defile

Muffled are your breaths unto
Another catatonic night
While you patiently wait for something
Something you will never find
Mateuš Conrad Oct 2015
reading this article on matres lectionis (mothers of reading)
i spotted a little crumb on the table
and decided to turn it into a loaf of bread
to satisfy my nourishment, very much feeding the 5,000 -
it came as follows, with keen interested in why
the hebrew stresses the existence of aleph with the symbol
as prominent as any m, n or p, even though it’s silent (א)...
to show it differently: aeiouNuoiea + an enclosing consonant,
like in the case of lamed or omega (silent ה) - om egg ah...
but this one example got my forehead wrinkled,
in the section concerning origins and development -
how in the pre-exilic hebrew the (otherwise silent ה of latin)
was developed and overused... apart from the grammatical theory
behind this... the way it was later dropped but remained
in certain archaic examples of “proper” names... and this is
what bothered me, example no. 1: שלמה (solomon),
example no. 2:  שלה (shiloh)...
looking at the alphabet i noticed that there are two n consonants...
so i thought... why would you even write solomon like that
in the first place and not as follows (*)שלמ, whereby the * position
is filled with ן (final nūn)? it’s almost like purposively ensuring
names have a graffiti artist, known as the tetragrammaton
working without purpose behind them... that whole: ‘you shall
not use the lord’s name in vain!’
to me it’s just a perplexing matter... as is the reason why
something that’s supposed to be silent... but is nonetheless visible
should start screaming - i guess that’s the origin of the islamic god
allah... from the א of the hebrew alphabet... aleph lamed lamed he...
and now just a bit of plastic surgery using latin and the e attaches
itself to the other side of the buttocks and hey presto... we have a “god.”
Qualyxian Quest Aug 2019
just contingency, he said
no beyond, no hidden hope

yet still I sense the dread
still her eyes elope

eternity asleep, eternity unknown
Lincoln’s dream did keep

I drift, we drift alone
Where is Home?
Qualyxian Quest Dec 2020
The terrible loneliness of aging
1 is the loneliest number

In Ireland Romanians
And the Polish plumber

Universities ambiguous
Promise more than they deliver

Jonas he can see Beyond
And he listens to the Giver

All alone, far from home
Silent darkness makes me shiver.
Qualyxian Quest Jul 2020
Poetry means making
Artists must create

Hidden in the world
The little way the great

Arab man in the desert
Yearning peace not hate

Human life is exile
Where is home? Debate.

— The End —