Searching my heart for its true sorrow,
  This is the thing I find to be:
That I am weary of words and people,
  Sick of the city, wanting the sea;

Wanting the sticky, salty sweetness
  Of the strong wind and shattered spray;
Wanting the loud sound and the soft sound
  Of the big surf that breaks all day.

Always before about my dooryard,
  Marking the reach of the winter sea,
Rooted in sand and dragging drift-wood,
  Straggled the purple wild sweet-pea;

Always I climbed the wave at morning,
  Shook the sand from my shoes at night,
That now am caught beneath great buildings,
  Stricken with noise, confused with light.

If I could hear the green piles groaning
  Under the windy wooden piers,
See once again the bobbing barrels,
  And the black sticks that fence the weirs,

If I could see the weedy mussels
  Crusting the wrecked and rotting hulls,
Hear once again the hungry crying
  Overhead, of the wheeling gulls,

Feel once again the shanty straining
  Under the turning of the tide,
Fear once again the rising freshet,
  Dread the bell in the fog outside,—

I should be happy,—that was happy
  All day long on the coast of Maine!
I have a need to hold and handle
  Shells and anchors and ships again!

I should be happy, that am happy
  Never at all since I came here.
I am too long away from water.
  I have a need of water near.

(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.

I have come the selfsame path
To the selfsame door,
Years have left the roses there
Burning as before.

While I watch them in the wind
Quick the hot tears start —
Strange so frail a flame outlasts
Fire in the heart.

A morning-rain has settled the dust in Weicheng;
Willows are green again in the tavern dooryard....
Wait till we empty one more cup --
West of Yang Gate there'll be no old friends.

Lancaster bore him—such a little town,
Such a great man. It doesn’t see him often
Of late years, though he keeps the old homestead
And sends the children down there with their mother
To run wild in the summer—a little wild.
Sometimes he joins them for a day or two
And sees old friends he somehow can’t get near.
They meet him in the general store at night,
Pre-occupied with formidable mail,
Rifling a printed letter as he talks.
They seem afraid. He wouldn’t have it so:
Though a great scholar, he’s a democrat,
If not at heart, at least on principle.
Lately when coming up to Lancaster
His train being late he missed another train
And had four hours to wait at Woodsville Junction
After eleven o’clock at night. Too tired
To think of sitting such an ordeal out,
He turned to the hotel to find a bed.

“No room,” the night clerk said. “Unless——”
Woodsville’s a place of shrieks and wandering lamps
And cars that shook and rattle—and one hotel.

“You say ‘unless.’”

“Unless you wouldn’t mind
Sharing a room with someone else.”

“Who is it?”

“A man.”

“So I should hope. What kind of man?”

“I know him: he’s all right. A man’s a man.
Separate beds of course you understand.”
The night clerk blinked his eyes and dared him on.

“Who’s that man sleeping in the office chair?
Has he had the refusal of my chance?”

“He was afraid of being robbed or murdered.
What do you say?”

“I’ll have to have a bed.”

The night clerk led him up three flights of stairs
And down a narrow passage full of doors,
At the last one of which he knocked and entered.
“Lafe, here’s a fellow wants to share your room.”

“Show him this way. I’m not afraid of him.
I’m not so drunk I can’t take care of myself.”

The night clerk clapped a bedstead on the foot.
“This will be yours. Good-night,” he said, and went.

“Lafe was the name, I think?”

“Yes, Layfayette.
You got it the first time. And yours?”

“Magoon.

Doctor Magoon.”

“A Doctor?”

“Well, a teacher.”

“Professor Square-the-circle-till-you’re-tired?
Hold on, there’s something I don’t think of now
That I had on my mind to ask the first
Man that knew anything I happened in with.
I’ll ask you later—don’t let me forget it.”

The Doctor looked at Lafe and looked away.
A man? A brute. Naked above the waist,
He sat there creased and shining in the light,
Fumbling the buttons in a well-starched shirt.
“I’m moving into a size-larger shirt.
I’ve felt mean lately; mean’s no name for it.
I just found what the matter was to-night:
I’ve been a-choking like a nursery tree
When it outgrows the wire band of its name tag.
I blamed it on the hot spell we’ve been having.
’Twas nothing but my foolish hanging back,
Not liking to own up I’d grown a size.
Number eighteen this is. What size do you wear?”

The Doctor caught his throat convulsively.
“Oh—ah—fourteen—fourteen.”

“Fourteen! You say so!
I can remember when I wore fourteen.
And come to think I must have back at home
More than a hundred collars, size fourteen.
Too bad to waste them all. You ought to have them.
They’re yours and welcome; let me send them to you.
What makes you stand there on one leg like that?
You’re not much furtherer than where **** left you.
You act as if you wished you hadn’t come.
Sit down or lie down, friend; you make me nervous.”

The Doctor made a subdued dash for it,
And propped himself at bay against a pillow.

“Not that way, with your shoes on ****’s white bed.
You can’t rest that way. Let me pull your shoes off.”

“Don’t touch me, please—I say, don’t touch me, please.
I’ll not be put to bed by you, my man.”

“Just as you say. Have it your own way then.
‘My man’ is it? You talk like a professor.
Speaking of who’s afraid of who, however,
I’m thinking I have more to lose than you
If anything should happen to be wrong.
Who wants to cut your number fourteen throat!
Let’s have a show down as an evidence
Of good faith. There is ninety dollars.
Come, if you’re not afraid.”

“I‘m not afraid.
There’s five: that’s all I carry.”

“I can search you?
Where are you moving over to? Stay still.
You’d better tuck your money under you
And sleep on it the way I always do
When I’m with people I don’t trust at night.”

“Will you believe me if I put it there
Right on the counterpane—that I do trust you?”

“You’d say so, Mister Man.—I’m a collector.
My ninety isn’t mine—you won’t think that.
I pick it up a dollar at a time
All round the country for the Weekly News,
Published in Bow. You know the Weekly News?”

“Known it since I was young.”

“Then you know me.
Now we are getting on together—talking.
I’m sort of Something for it at the front.
My business is to find what people want:
They pay for it, and so they ought to have it.
Fairbanks, he says to me—he’s editor—
Feel out the public sentiment—he says.
A good deal comes on me when all is said.
The only trouble is we disagree
In politics: I’m Vermont Democrat—
You know what that is, sort of double-dyed;
The News has always been Republican.
Fairbanks, he says to me, ‘Help us this year,’
Meaning by us their ticket. ‘No,’ I says,
‘I can’t and won’t. You’ve been in long enough:
It’s time you turned around and boosted us.
You’ll have to pay me more than ten a week
If I’m expected to elect Bill Taft.
I doubt if I could do it anyway.’”

“You seem to shape the paper’s policy.”

“You see I’m in with everybody, know ’em all.
I almost know their farms as well as they do.”

“You drive around? It must be pleasant work.”

“It’s business, but I can’t say it’s not fun.
What I like best’s the lay of different farms,
Coming out on them from a stretch of woods,
Or over a hill or round a sudden corner.
I like to find folks getting out in spring,
Raking the dooryard, working near the house.
Later they get out further in the fields.
Everything’s shut sometimes except the barn;
The family’s all away in some back meadow.
There’s a hay load a-coming—when it comes.
And later still they all get driven in:
The fields are stripped to lawn, the garden patches
Stripped to bare ground, the apple trees
To whips and poles. There’s nobody about.
The chimney, though, keeps up a good brisk smoking.
And I lie back and ride. I take the reins
Only when someone’s coming, and the mare
Stops when she likes: I tell her when to go.
I’ve spoiled Jemima in more ways than one.
She’s got so she turns in at every house
As if she had some sort of curvature,
No matter if I have no errand there.
She thinks I’m sociable. I maybe am.
It’s seldom I get down except for meals, though.
Folks entertain me from the kitchen doorstep,
All in a family row down to the youngest.”

“One would suppose they might not be as glad
To see you as you are to see them.”

“Oh,
Because I want their dollar. I don’t want
Anything they’ve not got. I never dun.
I’m there, and they can pay me if they like.
I go nowhere on purpose: I happen by.
Sorry there is no cup to give you a drink.
I drink out of the bottle—not your style.
Mayn’t I offer you——?”

“No, no, no, thank you.”

“Just as you say. Here’s looking at you then.—
And now I’m leaving you a little while.
You’ll rest easier when I’m gone, perhaps—
Lie down—let yourself go and get some sleep.
But first—let’s see—what was I going to ask you?
Those collars—who shall I address them to,
Suppose you aren’t awake when I come back?”

“Really, friend, I can’t let you. You—may need them.”

“Not till I shrink, when they’ll be out of style.”

“But really I—I have so many collars.”

“I don’t know who I rather would have have them.
They’re only turning yellow where they are.
But you’re the doctor as the saying is.
I’ll put the light out. Don’t you wait for me:
I’ve just begun the night. You get some sleep.
I’ll knock so-fashion and peep round the door
When I come back so you’ll know who it is.
There’s nothing I’m afraid of like scared people.
I don’t want you should shoot me in the head.
What am I doing carrying off this bottle?
There now, you get some sleep.”

He shut the door.
The Doctor slid a little down the pillow.

When the wind works against us in the dark,  
And pelts with snow  
The lowest chamber window on the east,  
And whispers with a sort of stifled bark,  
The beast,
‘Come out! Come out!’—
It costs no inward struggle not to go,  
Ah, no!  
I count our strength,  
Two and a child,
Those of us not asleep subdued to mark  
How the cold creeps as the fire dies at length,—
How drifts are piled,  
Dooryard and road ungraded,  
Till even the comforting barn grows far away
And my heart owns a doubt  
Whether ’tis in us to arise with day  
And save ourselves unaided.

An effusive elaborate scheme the colors advance to bright spellbinding allure then they achieve
Depth of quality by cutting back to softer hues and then the natural dark green is the bold
Touch that succeeds with total symmetry showcased in a view perfected by glass the prism
Most fitting not only to see but to be captivated by perfected expression it is a metaphor for life
The master designer chooses his subjects well one infuses another then by degree others
Foreshadow and glorify it blends tangible and intangible into intelligent coherent order tasteful
And sublime the hint and the elusive wonder all is needed is the wind to bow and ****** it into
A profusion a veritable concert that stirs with appeal life is in motion the players advance and
Retreat each speaking lines unique to themselves what sensations speak tendrils on a garden
Trellis held and fixed a gesture that plays and portrays intricate details the mystery that plays so
Well the stealing of morning frost then the blaze and then restful dying rays that spell comfort
The field rolls and contorts this brandishes excitement exuberance veers and plunders life
Become exploration trails hidden thickets hide and hold expression that is pent up ready to
Explode what vesture we wear it grips our friend’s astonishment is read on their faces but it is
Like a house of many mirrors because their lives are having the same effect on you some days
Are uneventful others are storm tossed with grandness the riches of an all contained realm
Spasms convulse like waves of the sea we stand forth to puzzle and dream what does it all
Mean the sanctity reveals plumes that are invisible that are far reaching and they have given us
This course of endurance that belies longing we grow soft and an inner glowing surpasses the
Stringent the misfit that moans against conforming we are treasure that exceeds all expectation
Life is rich we are its brightest colors and light night is for brooding the day is for shinning and
Divulging the secrets found in the brooding time we accost others we signify to them not only
Our own worth but there’s also fetching is the spray that magnifies the sky we are the bursting
We are the aliveness that is found each day in our lives that is the dooryard of discovery



----------------------------------------------------------------­----------------

Gospel Heirs  

This unique clan of gospel workers consisted of a father a mother and son and daughter the origins
Reach back to Plymouth the first settlers are their forbears and from this tough stock in these end times
The lion of Judea would give birth to a lion cub his head of red fiery hair suited him well it was a mane
That pronounced to the enemy war was at hand to long the bleating of lambs had not been answered
Now all would be different Bruce Wakefield was quarried from rare marble he had hardness for battle
But inner gentleness that could sway crowds of men and women show them his heart reveled was one
Of combustible fire in the cold a world where people didn’t matter as much as the bottom line their
Frailty their inherit need of being protected an guided came to complete and utter fruition in his life it
Came from a soul that stole away in to private encounters with spiritual magnificence he brimmed he
Glowed from the inner soul that had been much with the father he gathered the residue of life made it
Of no value in so doing he was the rich depository of what was real and true it resonated among those
That wondered and were confused it was like being on a long journey arduous and moments of great
Despair but at a cross roads you met in this single life a man of autumn austerity like the season also
He brought glories colors out of darkened glens and shadowed harshness leaves would fall in the
Dooryard of the hurting they breathed in the customary silent grandeur that lay on the now brown
Grasses it was a colorful display it meant the end in one sense but a beginning in another he didn’t just
Walk about the church platform he charged forward into Hells gate keepers he put them on notice the
Way things usually are had come to an end he spoke of love but he advanced it this way through the
Building blocks of creation not just simple but the essential God repeated what he did at the beginning
Of our worlds creation in one instance he shows the breadth and depth of He who makes everything
Then nurtures it carries it on to perfection a barren piece of land to start then his greatest creation in my
Opinion he joins two through romantic drama and dreams and a little thing called love you take
Infatuation the pleasing pleasure of thoughts and smite the heart in that cosmic moment the planets do
Collide two worlds are being redefined and made into one this will be the essence of their whole lives
They build relationships they build a dwelling and then the most gorgeous ribbon of all sets it off when
their love makes a little one in distant time not believing it possible this is out done when the first
Grandbaby comes that infancy that extended love at first now gives the gift that has cherish written all
Over it and your fully awake dreams do come true when they speak to you your heart melts it’s the
Greatest trick you are this adult and in seconds you are a marshmallow if we could package and sell it
There would be no more conflicts just tell the opponent to bite smell this and in moments all would be
Fun and joy so not to leave you to sad that this can’t be the day is coming when the lion will lie down
With the lamb you’re just living its precursor you set and live among miniature wonders maybe you even
Were involved in picking out their names Bruce uses this to great effect in this swirl and hoopla you find
Your center and know the ideal of life and then the shift must occur not is all sweetness the barrister of
The wind makes the argument that this great structure this family has fissures and brokenness a young
Father told of the great pain he suffered when is son was abducted and taking into another country
By other family members he since has created a international program that visits this issue and gives
Hope to people that are helpless against governments of other nations Bruce explains this is Gods
Predicament and oh how so many more of His children are missing taking into a world that subtly woos
Them by every artifice that plays on their weakness and in those areas they have a tendency to fail the
Dark Part of a painting in art greatly needed for contrast and mood sensibility but disaster in following
And living a Godly life there are restrictions in normal living all manner of give and take that make
For happier more successful living he ends with this ultimate truth I am the way and the life all of this
Is factored in and it is of gravest concern that we act on it when we hear it and that night a goodly
Number heard and responded to the very changing of their eternal destiny Bruce had words he used to
Say my morning sky used to only hold dread without question I knew my soul so precious was truly
Dead but then He spoon fed to my feeble lips Himself as the word it told in detail the darkness that is to
Everyone a plague he stole deep within captured my heart and soul changed this man alone into a
blessed vessel that cared only for His children so fare made me fearless in pursuit of them gave me the
Ability to allow them to see dreams that were their own lives after the tender mending done with hands
That bare the nail prints and imprinted on tender children the expressed love of the father that started
At the beginning and will never cease please we bid thee come to him lost ones

nothing on earth
could brighten the dooryard
of my studio,
like your shining face....

Yesterday's shadows called me back
beyond the dooryard lane
trodden with laughter that swings through the years
on nature's windowpane.

A seed of mercy cracks the earth
tangled with neglect
a letter spun from heaven's heartbeat
swallowing my debt.

The startled shoots of dormant faith
tremble at morning's first blush
and choke the frozen roots of fear
beneath the Savior's touch.

The infant leaf unwraps its strength
ransomed by the Lord
and thrusts away its broken bonds
abandoned to His Word.

I'll tarry by the feet of Jesus
carried by the cross
that sprouts a crown of matchless grace
for all who wander lost.

Wild wishes, too high for worldly tries,
  Celestial glows that do not fit into Time
          and Place,
Lost love's tormented hopes and  cries,
  Come with fresh face at my dooryard.

Wild wishes, desires  that cannot be
         quenched in poor world's weak
             arms,
  Joys treading my footsteps from Heaven
        above,
  All my loves long ago, my sweet
        heart-felt urges,
Of all I ever seek, of all I ever wanted
         in heart,
Beckon to lead me to Higher Houses of
         content.

  Wild wishes, her face, her eyes, and the
         love I have for her,
FeelingsI cannot put aside no matter
       what,
The deep-felt dream of uniting with her
        in truth,
She comes to me riding high on Wild
       Wishes for my hand!

"Oh as I was young and easy in the mercy of his means,
          Time held me green and dying
     Though I sang in my chains like the sea."
-Dylan Thomas, Fern Hill

Under the involucres of yard hazel
I stopped your water when I was ten -

bent over the hidden pump stock,
I unscrewed the round rusty skullcap,

& felt the living nests of wire in my fingers.
Your father was patiently furious

in the fresh dooryard of the old farmhouse
where we played the Winnie the Pooh game.

Twenty years later we briefly crossed paths,
but my then-wife hated you -

you were pretty, clever, lustrous,
your hands full of sly flat smiles.

You threw me Belle and Sebastian -
you'll never know they are my favorite,

because you slid onward to Vanderbilt,
god only knows where you are now.

You escaped into a life,
I flattened under one.

Your imagination stuck me like arrows.
Your voice was glossy with cat-dreams.

You are a comet - you visit twice
in a lifetime, and always leave me astonished.

This dim rain stall,
cleated to a Friday,
stuck at half mast,
gray as an ash smear,
as an illness:

it's the hour to slip away,
sling down the wet road
to find newer bones,
fresher thoughts,
beyond this empty dooryard.

No more sullen hearth
gapped with chill:
step through the ring-necked
steam by the high cloud wall,
with a proper heart

that's open for business.
Pry loose the evening
like a wisdom tooth
from the silver city jaw.
A foxed blur hangs

in the spangled hedge:
It's a yesterday.
Turn your back to it.
Say yes to their hands,
say yes to their eyes.

Wild wishes, too high for worldly tries,
Celestial glows that do not fit into time
        and place,
  Lost love's tormented hopes and cries,
Come with fresh face at my dooryard.

   Wild wishes, desires that cannot be quenched
         in poor world's weak  arms,
Joys treading my footsteps  from Heaven
         above,
    All my loves long ago, my sweet heart-felt
         urges,
  Of all I ever seek, of all I ever wanted in heart,
Beckon to lead me to Higher Houses of
        content.

  Wild wishes, her face, her eyes, and the love I
        have for her,
Feelings I cannot put aside  no matter what,
  The deep-felt dream of uniting with her in
         truth,
She comes to me riding high on Wild Wishes
        for my  hand!

    -by Hakim H. Kassim.

Wild wishes, too high
     for worldly tries,
Celestial glows that do
     not fit into Time and
         Place,
  Lost love's tormented
         hopes and cries,
Come with fresh face at
      my dooryard.

  Wild wishes, desires
       that cannot be
          quenched in poor
             world's weak
                 arms,
Joys treading my
      footsteps from
        Heaven above,
  All my loves long ago,
      my sweet heart-felt
         urges,
Of all I ever seek, of all I
     ever wanted in heart,
  Beckon to lead me to
     Higher Houses of
        content.

  Wild wishes, her face,
      her eyes, and the
        love I have for her,
Feelings I cannot put
     aside no matter what,
  The deep-felt dream of
      uniting with her in
         truth,
She comes to me riding
    high on Wild Wishes
       for my hand!