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J Christmas Dec 2011
Such a trip this is
      Together on this tour
     Heartily I toil
      For this is no great chore
      But I ensconce away
    Once the grouches
     ***** their inveighs
     Safe from fools abrades
   with no thought
    and little aide
      My pencil strokes are laid
        So heavenly on the page
      It tells us not to run
      Stand against the shadow
       let it not dislimn the Sun
         The Machine The Machine The Machine
        It gobbles away all our fun
  
Gus
                                              My skin be-jeweled
                                                      ­                                         In this prizm Lake
             Just be here                
                                                  -             ­      Don't be fake
                                                            ­                                                        Don't loose your love  
                                                          ­                                                                 ­                               in daft's wake

                                     Let loose your love
                                                            ­                 Eyes wide
                                                                ­                                                             awake


                              No rush


                                                          ­                         I'm cool


                                                          ­                                                                 ­         Out here floating

                                                               ­                        in this pool


    Dust just scatters

                                                       ­                                                                 ­                its own way



                                                     I'll be here

                                                           ­                           just swimming

                                                       ­                                                    Cleansed n Sane
*Copyright John D. Christmas @2011
Jan 1, 2010
Plaridel

Plainclothes this Saturday under the brusque heat – trees burlesque from shedding,
ripping orchestra of motorcycle: this one – too blatant to perform, to shrunken to
notice. What if I never reach you?

1.1 Crossing

There is an unrelenting transaction of birds in the surest sky in the surest day.
I can hear the rumbling of thunder behind its natal. If when found, discard.
It is easier this way unless inclinations are definite: the trance is to come,
shorthanded. Consider this day your being spared from.

2. Toll

I remember the identical traverse. It was when I was unsure of my birth. My father
had recounted and numbered how many slopes and trundles along the way when homeward
is turbulent, angled at such pace which could have given me another face. I have always
found it impressive that a person can wait for too long and waste away in hours that seek
no relevance when the daily is diminished.

3. Balintawak

You said that behind the marketplace is a dense crowd scouring for loose change. You wanted to supply them all with your adequacy that was rife and deft for sure in the turn of your hand almost a finger-exercise: that is your skillset. It will rain soon but the heat refuses to decline. You thought of the cumbersome bodies washed away by flood, and how at times, you remember them being randomly stacked at your doorstep, eroded by some wave.

3.1 EDSA

Space we have no need for want under a terminal day fully etched like unwanted visage making you remember something that was your flagrant disregard when asked about how
your day went, about a miscarriage of justifications, at work when facing absurd hours wishing to break away from that was our common bond – the long and dreaded silence because it made us always question what are we doing? Who are you? What for? Knowing for sure when to being but to end, indeterminate.

4. Familiar curve underneath a vandalized lamppost

In the console you pressing, discarding gravity at some point, managing to draw your way into and submitting to not knowing how to get out of, sealing an immediate sepulcher. We borrowed minutes, ran like fugitives when asked. An external shadow an intrusion so we had to cease for a moment but in the depth of our silence, somehow continued.

5. Entry to your home

Perfumed your garage was with autumn, or vegetation you said was your aunt’s prized possession. That it was my fault I did not turn you off as a switch is meant to be killed from the moment of discovery to dislimn the image and leave everything to study as specimen is meant to be dissected.

6. To go backwards*

         The only way home to where you were and I, scattered
Answered, thus labeled because views a similarity. Who had this in the hand of the eye’s compact? If presence shifts to absence and believe it is safe in transit, what contract aspires to be an object used against it?

Here must be another present, moving thing for this nonattendance to take place. Its duty need not be nominal. And when it takes place, there is a guarantee for a statement: almost, to a certain extent. Had, adhered, temporary.

This was taken as an insistence of its exclusion as an avowal of its state: when a thing ceases to move, it has named a boundary all within a venue with already christened boundaries. To rise from its nomenclature, a question: what for is this mode? The unassuming and deliberate twofold of its chrome is indicative of something. There are only two possible answers to the question, but never warrants indemnity.

If amorphous then suitable to bend or assume over and over, a confrontational: to hold it against walls everywhere, its color only when dual fixing not a shadow, but the possibility of a shadow. To spill light over the malleable – notice how a body contorts.

If distinct then determined to traverse a straight line, a sanction: to furlough the idea of its controlled variable which is its many possibilities, its shape now not only a name but a force that deals with a believable architecture of compressed options. There is no need for appellation when related to dislimn as a shade is necessary for this disappearance to simulate. But the treachery is that when light surrounds no longer, form somehow a myth as if pausing all lightness to declare something: this is of two explanations merely a single.
Impugn* shall if not your eyes are meager coruscations. Self-refuting, explanatory of its given berth.
              This is the unsolicited onus of addressing it: heart rears static splayed, intercepted by
                                    this question.

Stigmatize this if performance of, merely a concert. There is rigor stiffening the veins when ensanguined
                   from much gnawing of the uncontrolled sharpness of impressions. I think of ways to mend,
                           and when unable, means to bend.

Settle this once and for all and here is how. If perhaps an admission of something, let me see clearer
                      than this makeshift fog. Pave me a railroad somewhere, or house a station.
                        All of this waiting, all of this silence chastising what noise needs to be freed.

Pretend to be carrying a statue. Curse in a different language. Show what it means to be wronged
                           when the incompleteness of evidence merits a conjecture – this is your punishment,
                        to see me in false light and dislimn our quite fate:

                     it will be long  before there is the clearest answer, the apparatus to straighten,
                         to muffle the sound, and put light into this beating.
Deixis,.   elongated into Deixiixis, as logomachic parataxis,
subsists,
an entelechy of ontic dyspraxia
persists,
periphrastic in cadence, sempiternal in
guise,
obumbrating the paramorphic tautology of
skies.

A synesthetic resplendence, evanescently
rare,
suffused with ophidian aureity, unspeakably
fair,
its chryselephantine effulgence, lambent,
untamed,
tessellates eternity, numinous and
flamed.

Ouroboric concatenations of antinomian
design,
circumvolute within circumspatial paradigms
malign,
as obmutescent theogonic vestiges
coalesce
in the eidetic zymurgy of aphasic
largesse.

Pleromatic enjambments, soteriological in
scope,
cast catoptric immanence upon pneumonic
hope
ontogenetic anastomoses hypostatic in
flight,
entwining the eidolon with noumenal
light.

Metagnostic palimpsests, fracto-linear and
obtuse,
catachrestically wane in hyperchromatic
profuse,
whilst logorrheic peripatetic semiosis
entwines,
anagogic mnemonics in transrational
signs.

Sempiternal arabesques, mellifluous,
divine,
periphrastic in cadence, ineffably
fine,
a chimeric chiaroscuro, empyreal,
untold,
inflorescent with argent, auroral and
bold.

Luminiferous vestiges, iridescent and
fey,
obumbrate the paramorphic tautology of
day,
while a transcendental abecedarium, paralogical and
vast,
consanguineous with the inexorable umbrage
of our shared Jungian
past,
germinates within the syntagmatic—
Ever relaxed or ecstatic,
Coalesced to pragmatic,
Lugubriously emphatic.

For naught but vacuous profundities
remain,
a simulacrum of the arcane
mundane,
where in sesquipedalian grandeur
lies
a syllogism clad in grandiloquent
guise.

A thanatognomic hierurgy, insarcophagal in
spate,
where chiasmic tetragrams dislimn the orphane lapse of
state,
narthecal invultuations, ventriloquous in
girth,
unhoused within a synod of inveterate
dearth.

Palingenesic nullibiety, unreckoned in its
phase,
epitrochal theurgy encoffined in
maze,
subfulgent entheosis, extrorse in
remit,
where hemographic eidoloclasts inexorably
flit.

Aphotic decarnations, invigilant,
untold,
somniloquent in abeyance yet archiphylactic in
hold,
hieronymic paraclosure, decathected and
sere,
in anamorphic antistases refracting
austere.

Neuralgic aposemas, crepuscular in
din,
cladistically ensorcelled in the unworded
within,
a cataphractic ephemeron, unanchored and
chaste,
forever circumflected in hypernomadic
haste.

Matrescent in eidoptics, prelapsarian in
hue,
subcelestial divergences, nonveridical
through,
where ataractic hypophonics, unsyllabled in
tone,
convoke the paragnostic , the fun of all this esoteric, enigmatic language hitherto
unknown.
what do we do with words and why ?  deixis," which refers to words or phrases (like "here," "there," "this," "that") whose meaning depends on context. The extra "ii" could be adding a sense of something expanded or exaggerated.

Logomachic parataxis – "Logomachic" (related to word arguments) and "parataxis" (clausal stacking) suggest a jumbled or chaotic arrangement of ideas or words. The phrase implies a state of linguistic struggle or disarray, where the words are placed in a manner that feels unorganized but purposeful in its own way.

Entelechy of ontic dyspraxia persists – "Entelechy" refers to the realization of a potential that’s fully realized. "Ontic dyspraxia" evokes a sense of existential or being-related disconnection or disorder. Together, this suggests an ongoing process of transformation or realization, even in the face of disorder or dysfunction.

In simpler terms, it might mean:
"A chaotic struggle with language continues, an ongoing realization of existence despite disordered being."

a deep and dense concept, using abstract philosophical and linguistic terms to describe a state of being or thought that is still trying to reach some kind of fulfillment or realization. hmmm sound familiar  but then not at all.

— The End —