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Margot Dylan Dec 2014
Dearest reader,


My name is Margot Dylan and I am no longer a ******.

I stared at Dianne staring at Frieda Bentley, as she dragged on a Camel Blue and as I dragged my pen across my notepad. I sketched her figure as she walked closer to Frieda, dropping her cigarette on the ground. Frieda smiled at Dianne, as she stepped and twisted her shoe on the smoldering carcass.

And they looked at each other. Not like how normal people look at each other. And Dianne smiled. A smile that was not like any smile Dylan ever gave me.

I felt a hand on my shoulder, with ******* slipping to my collarbone. The ******* tapping belonged to a girl. The girl's name was Thora, a brunette that smelled like bubblegum and 'don't go'. Thora had something in common with Dianne: They both recently came out as gay. Unlike me, both family reactions were fairly positive. In fact, so positive that-What are you drawing?

"Margot?"

I paused, looked at Thora, and looked back at Dianne or Dylan Dunham. "That girl," I pointed in their general direction, as Dianne kissed Frieda on the forehead. Thora followed my finger in time for the kiss on the lips, "the ironic one."

Thora Nelson, daughter of Cameron Nelson and the deceased Geraldine Nelson, looked at my chin and asked, "Who is she?"

Thora's cotton-candy-blues met my puddles of mud, as I looked away, putting my notepad in my backpack. Before I zipped, I grabbed the lime green marker sleeping next to my pack of index cards. My teeth squeezed the leaf colored cap off, as I pulled out the fetus, smelling the aroma of non-toxic afterbirth.

I asked if she wanted a tattoo and she shrugged, "Oh no, you mean I get to choose whether you touch me or not?"

Lightly pressing the fiber tip to her arm, I glanced up at her and shrugged a bony shoulder, "Her name is Dylan Dunham. Well, it's actually Dianne. It's complicated. I used to call her Dylan. She used to call me Margot."

"But your name still is Margot," Thora informed as her eyes followed the acid-green ink trail.

"Some people change, some people don't," I said, with the cap held between my teeth.

I painted her arm in lime hope, by the soda machines. My eyes focused on her pores that I imagined swallowed dirt and bacteria from the side of my palm. I could feel Thora disarm me with her eyes, after I had disarmed her with my words. Her heartbeat echoed inside my grasp.

"I didn't know I was dating Leonardo DaVinci," the words flowing from her mouth.

"I am gay and Italian, so it's not like I was doing a terrific job of hiding it from you," I muttered as I finished and held her pale forearm and bracelet cuffed hand a foot from her face, "Look: it's us underneath a tree."

Turning and wrinkling her nose, she adjusted, moving her head back and forth. " Oh wow. Wow, wow, wow. Meta. So meta. So abstract. Brilliant in its simplicity, deconstructing the concept of natural complexity-"

"Shut up-"

"The tree looks like an umbrella. And we look like we have canes-"

"Those are our fishing poles. In that world, we are fishermen. Fisherwomen. Fishergals-"

"And my **** is too big and your ***** are too small and our smiles aren't big enough-well, at least mine isn't, I can't speak on your behalf," she finished.

Grabbing her arm, I looked at my masterpiece, looked at her, looked at it again, and looked at her again as her smile grew with every glance. "Well, I can see how it'd be up to debate, and you're right: very, very meta. But you do have a big ****, and I'm not one to sacrifice accuracy. Speaking of accuracy: as I look at this green ****, I realized I hit the mark by dating you. Honestly, your **** may have its own zip code..And...I'd like to be in its area? Please stop me."

Her chin touched her knee, as she doubled over, laughing. I played with her hair, wrapping her bangs around my fingers. As my hands were enveloped by her dark hair, I found a scar on her crown. I imagined Thora's milky-white fingers scrubbing through shampooed locks, trembling across the zig and zag of removed glass.

I imagined Thora Nelson, of Cameron Nelson and the deceased Geraldine Nelson, hearing sirens instead of water hitting the tiles. Her slumping to the floor, as lather and water runs down her face, each tear a memory of being dragged out of a steel ribcage, onto broken glass jungle pavement. It was too easy yet too difficult to imagine her staring at the steaming showerhead. It was too easy yet too difficult to imagine her reaching towards a metallic carcass growing in flames.

Her hand grabbed my leg and I saw her for what might have been the first time.

"Hey you. Listen. Are you listening?"

I nodded.

"I'm in love with you, Margot Dylan. Like, really in love. To the point to where I feel like I'm in a Jennifer Aniston rom-com. It's disgusting."

I didn't know what happened between my exploration of her hair and her pale face studying mine, but, before I knew it, my blood shook and barbed wire nerves orbited around pieces of my body.

The ricochet of a soda can smacking the mouth of the machine sounded. Time was either too fast or too slow, as I looked at Thora's cheap mascara eyes and chapped, soft pink lips. She was the type of girl that could make someone happy not to believe in god.

"And I love you. To the point to where I'd refuse Hogwarts because of not being able see you during the school year."

"How sweet, I know how badly you wanted to get into Ravenclaw," she smiled.

"Sacrifices must be made in the name of love, you know. And it ***** because you're not even my type," I admitted.

"Oh, how tragic. And what is your type, if I may ask?"

"You may, thank you. And the falling in love type," I'm an idiot.

"Could you be anymore cheesy?"

"Mozzarella."

She stopped and looked at me, "Hey, but really, I'm in love with you. It's real."

"I love you, too."

Her eyes were speckled,"You really love me, Margot Dylan? Because I'll believe you."

I leaned in, softly placed my hands on her cheeks, breathing the word, "Yes." I alternated between staring at her mouth and her eyes, as her lids began to drop.  My lips started to dab hers and soon grab, as if soft hooks grew out of and connected our flesh. I found the corner of her mouth, the summit of her cheek, and each crease in her lips. Nine or ninety seconds past before I stopped, pulled away, and looked into her eyes. "Hogwarts is overrated anyway," I lied. She laughed.

Her face was red, as she looked down while covering her face, "Don't look at me, I'm a dork. I'm being a loser. I'm infected."

"It's okay. You can be my infected dork and we can be losers together," my voice was a rasp.

"It really isn't. You see, my face always becomes extraordinarily red after I kiss or am kissed by someone, especially by someone beautiful. And it doesn't help that I've never been kissed by someone I love. And I've never kissed a girl before and I'm really glad you were the first, so there. Gah," her hands fenced her face,"I'm just going to hide behind these hands, don't mind me."

I was in love, "For how long?"

"Probably forever, I don't know. Or until the next installment of American Horror Story, I haven't made up my mind yet."

We heard Ms. Calloway scold Dianne about smoking on school grounds. I looked at Thora and the bell rang. Her hands slowly dropped, as everyone started to move in blurs. Bodies gaining more and more distance. Inches became miles. Feet grew into light-years, and, before I knew it, Thora kissed my cheek and said, "I hope I see you later, okay?"

My hand had something in it. My fingers unfurled and revealed high school origami. My name was on it, with a heart or a ****-I'm the artist in the relationship. I began pulling on *****, the tips of my fingers breaking the paper safe. So delicate must have been her mysterious movements.

I opened it.




A pebble flew from my hand and blipped off her bedroom window. Funny thing about bedroom windows, they look the same at 12:03 am. Or maybe they look a little different when the person you love is behind the glass, as you do an eighties-film-esque pebble throw. Before my next pebble hit the pane, her bedroom light came on.

Navy blue curtains disappeared to the sides as Thora came to the window and rubbed her eyes. A second later, she was gone as I imagined her sneaking past her father's bedroom, quietly down the stairs, and through the foyer. As I imagined this, I could hear the front door being unlocked and creaking open. I walked towards the porch and a yellow glow escaped with a silhouette living in it.

Thora's left hand is burnt, but I don't mind and I don't think I ever will. She held my hand as we walked through the threshold. At first I was nervous when I saw her father in the living room, but I instantly realized that he was passed out, as my eyes found empty beer cans sleeping beside him and around him.

"It's not like this every night," she whispered, "he just has trouble with certain months."

Thora tucks her toes when standing in place. When we were walking up stairs, I knew she would be embarrassed if I looked at her toes, so I kept my eyes on the second floor. I don't understand why she feels this way, though. She has very nice feet, and that's coming from someone who thinks feet are gross.

We walked past punched in doors adjacent to perfect picture frames. Her mother was a beautiful woman.

As we approached Thora's sticker-clad door, she turned to me and whispered, "You're about to enter the only place in the world I feel safe. So, please don't break my heart in it and please use a coaster."

My thumb kissed her smooth burn, as I took my first steps into her bedroom. The light-switch flicked and her room illuminated. There were movie posters hugging the walls, pinned to a bulletin board were pictures of lost people and found memories. She looked at me and whispered, "I don't know how to keep people."

We stood before the side of her bed and I looked at her smile, "You sure you want to do this?" Thora nodded and I reached towards her thighs to lift the bottom of her shirt. Lifting it over her head, I looked at her porcelain figure clad in black *******. I tossed the grey shirt onto her bed.

My eyes swam from her belly button to her *******. My fingers approached and stopped until she said it was okay. Tracing her curves, scars, and stretch marks, she pet my fingers. Thora glanced at my hands on her ******* and then at me, cooing, "I'm sorry."

My hands slid to her sides, "Sorry for what?"

She shrugged, "I don't know," her eyes spilling, "Sorry for this," she motioned at her torso as she stared at her bulletin board and then at me before looking away again, "I want to be perfect. I want to be perfect for you."

"Oh no, no, no," I asked for her hand and then placed it over my left breast, "Can't you feel how beautiful you are?"




Her arm was under my ******* and her hand was on my rib, occasionally running her fingertips across the bumps. She slept with her leg wrapped around mine, staying as close as she could to me. I looked at her, in her slumber, and left a faint, burgundy stain on her forehead. I reached towards our shins and pulled the black cover over our fused bodies.

I feel like I have been in a coma for seventeen years and I've just woken up. If I could, I'd stretch this moment over centuries and use it to smother wars. This relationship probably won't last past my senior year, but that's okay. It truly is.

In this moment, Thora Nelson is the love of my life, and, in ways I don't understand yet, that is the most beautiful thing in the world.



May the sun set in our eyes forever,


Margot Dylan
Margot Dylan Jul 2014
Dearest Reader,


My name is Margot Dylan, and I'm a pariah.

On the 16th of April, I told my mother that I was gay. She threw the clay mug that I made for her before she found out I was gay, against the floral, peeling wallpaper mess of a wall, in our kitchen. The decaffeinated peppermint green tea left a wonderful aroma that almost cleansed the room of the stench of 'lesbian'.

I met Dylan Dunham a few days after that, and, a few days later, she was the first girl that I ever loved.

Dylan wore a red flannel jacket, and was a butch and sometimes a *****-but I loved her even at her tomboy cruelest.

Dylan smoked a cigarette that smelled like lonerism, and she looked at me like she didn't care. My heart skipped a beat, as cliche as it sounds, whenever she would remove the cigarette from her mouth, exhale, and look at me as smoke traveled up her face. I looked at her and knew that she was everything that I wasn't, and everything that I wanted.

Dylan was Dianne, before and after school. Dylan was Dianne, who wore floral dresses and lipstick and who ditched her butch clothing in her locker before leaving. Dylan was Dianne, who was straight and who thought Tyler Wesson, from church, was cute. Dylan was Dianne, who had a short hair cut because of track and field, because she explained that she ran a faster time with less hair. Dylan was Dianne, who didn't associate with me before or after school because her parents knew that I was gay.

During school hours, the only thing Dylan did keep from Dianne was the lipstick. I was envious of the cigarette because of it's burgundy stains. We would stand in a stall, as she looked across from me, after each drag. She frequently offered her cigarettes, but I refused because I only let love **** me. If she ever brought alcohol, sometimes she'd kiss me. I told her that I loved her and she said, "I know."

The only thing that Dylan kept from me was my heart, before she started to smoke cigarettes in the bathroom with Annie Way.


I wish you the best moments so they can overcome the worst,

Margot Dylan
It started late on a Sunday night,
The sudden rattle of pans,
With nobody in the kitchen then,
‘What’s happening, Dianne?’
Dianne went pale and she looked at me
‘You’d better go down and see,
Maybe we have an intruder there,
Just keep him away from me.’

I went, but nobody there of course,
I didn’t think there was,
But two large knives on the cupboard were
Arranged in a sort of cross,
‘Didn’t you put the knives away,’
I called, but she was there,
Looking over my shoulder and
I saw that she was scared.

‘But I haven’t used those knives for days,
There’s something going on,
Somebody must have sneaked in here,
I tell you, this is wrong!’
I turned and I tried to comfort her,
‘There’s no-one in here now,
Just someone playing a crazy trick,
I’ll catch them out, somehow.’

But late that night, in the early hours
The bed began to shake,
Dianne woke up and she grabbed at me,
‘I think it’s a real earthquake.’
I tumbled onto the floor at that,
But the floor was still and sound,
Only the bed was shaking, quaking,
Just above the ground.

And that was only the start of it,
Strange things went on for weeks,
For things would fly off the table and
Plates off the mantlepiece.
A carving knife pinned me to the wall
By the collar of my shirt,
‘I don’t think somebody likes you,’ said
Dianne, ‘you might get hurt.’

Dianne had an ancient father who
Was mean as the day was young,
He hated me, and I used to say,
‘How did he stay unhung?’
We rarely went off to visit him
As he acted like a skunk,
But Dianne dragged me along at times
To show a united front.

Doors were slamming and windows cracking
So Dianne had to shout,
‘We have to visit my father, Dean,
It’s time that we went out.’
I ventured cautiously through his room
And called the old boy’s name,
But it was quieter than the tomb
And Dianne said the same.

We found him out in the laundry then,
He’d fallen in the tub,
Had gone a couple of spin cycles,
Oh yes, and here’s the rub,
One bony arm and a hand were out
And pointed, looking mean,
We knew then who was the poltergeist,
But boy, his bones were clean.

David Lewis Paget
hand slaps shoulder knee rhythmically that’s called hamming the bone sitting on a street curb singing making up lyrics i got a transitor sister loves cossack named jake he rides Cherokee chopper all he’s ever known is hate he’s going down underground where a man can be a man wrestle alligators live off the land ebb flow i don’t know racing chasing hair-pin turning at 150 miles per hour downshift to 3rd spread the word sweet sour naked flower touching skin deep within defies all sin with a grin speed speed speed all i need i’m getting off coming on you tawny scrawny bow-legged pigeon-toed knock-kneed Don Juan Ponce de Leon Aly Khan all wrapped up into one going to have ******* good time good time tonight i feel like an orphan mom and dad seem so far away tonight i feel like an orphan you make me feel this way hand slaps shoulder knee rhythmically hand bone hand bone

Odyseuss drifts job to job construction worker office assistant waiter whatever he does not understand how road to recognition works continues showing portfolio to art dealers but they react indifferently he does not know how to attain notice in art world begins to suspect there is no god watching over souls instead he imagines infinite force juggling light darkness creation destruction love hate Mom and Dad insist he can earn respectable income if only he will learn commodity futures like cousin Chris Mom says you can work down at the exchange and paint on the side a part of Odysseus wants desperately to please his parents he considers perhaps Mom is right for the time being maybe build up nest egg it seems like sensible plan he wonders why Dad and Mom never speak about money how to save manage they treat the subject as forbidden topic Odysseus has no idea what Dad or Mom earn or investment strategies Odysseus is about to make serious mistake the decision to get job working at commodity exchange needs deeper examination why is he giving in to his parents what attracts him to commodities trading is it Chris’s achievement and the money? does Odysseus honestly see himself as a winning trader or does it simply look like big party with lots of rich men pretty young girls is that where he wants to be why is he giving up on his dream to be a great artist does it seem too impossible to reach who makes him think that? is he going to give up on his true self? he halfheartedly follows his parent’s advice begins working as runner at Chicago Mercantile Exchange several friends including Calexpress disloyalty for entering straight world commodity markets are not exactly straight in 1978 clearing firms pay adequately hours are 8 AM to 2 PM over course of next 6 months Odysseus runs orders out to various trading pits cousin Chris rarely acknowledges Odysseus maybe Chris feels need to protect his image of success perhaps in front of his business associates Chris is embarrassed by Odysseus’s menial rank and goof-off attitude maybe Chris senses what a terrible mistake Odysseus has made

Chicago suffers harsh winter in February Roman Polanski skips bail in California flees to France in April President Carter postpones production of neutron bomb which kills people with radiation leaving buildings intact in October Yankees win World Series defeating Dodgers in November Jim Jones leads mass-****** suicide killing 918 people in Jonestown Guyana in December in San Francisco Dianne Feinstein succeeds murdered Mayor George Moscone in Chicago John Wayne Gacy is arrested

darkness descends upon Odysseus his heart is not into commodity business more accurately he hates it he loathes battleship gray color of greed envy he resents prevailing overcast of misogyny he meets many pretty girls yet most of them are only interested in catching a trader it is rumored numerous high rolling traders hire young girls for sole purpose of morning ******* remainder of day girls are free to mingle run trivial errands commodity traders typically trash females it is primitive hierarchy Odysseus bounces from one clearing firm to another then moves to Chicago Options Exchange then Chicago Board of Trade on foyer wall just outside trading floor hangs bronze plaque commemorating all men who served in World War 2 Uncle Karl’s name is on that plaque Daddy Pat bought his son seat hoping to set him up after war Uncle Karl’s new wife wanted to break away from Chicago persuaded him to sell seat move to California Uncle Karl bought car wash outside Los Angeles with Daddy Pat’s support Mom and Dad encourage assure Odysseus commodities business is right choice they promise to buy him full seat on exchange if he continues to learn markets they feel certain he can be saved from his artistic notions the markets are soaring in profits cousin Chris is riding waves a number of Chris’s friends are sons of parents who belong to same clubs dine at same restaurants as Mom and Dad Odysseus is not alpha-male like Chris Odysseus is a dreamer painter poet writer explorer experimenter unlike Chris who has connections Odysseus starts out as runner then gets job holding deck for yuppie brokers in Treasury Dollar trading pit Odysseus holds buy orders between index and middle fingers sell orders in last 2 fingers arranged by time stamp price size in other hand holds nervous pencil he stands step below boss in circular pit in room size of football field full of raised pits everything is traded cattle hogs pork bellies all currencies gold numbers flash change instantaneously in columns on three high walls fourth wall is glass with seats behind for spectators thousands of people rush around delivering orders on telephones flashing hand signals shouting offers quantities every moment every day calls come in frantically from all around world space is organized chaos sometimes not so organized fortunes switch hands in nano-seconds it is global fiscal battleground rallies to up side or breaks to down side send room into hollering pushing shoving hysteria central banks financial institutions kingpin mobsters with political clout daring entrepreneurs old thieves suburban rich kids beautiful people pretty young females abound big guns **** in same air stand next to low-ranking runners everyone flirts sweats sneezes knows inside they are each expendable Odysseus is spellbound by sheer force magnitude he feels immaterial only grip is his success with girls it is not conscious talent he grins girls grin back Chris’s trader friends recognize Odysseus’s ability they push him to introduce girls to them it is way for Odysseus to level playing field he has no money or high opinion of himself he simply knows how to hook up with girls

1979 January Steelers defeat Cowboys at Super Bowl Brenda Ann Spencer kills 2 faculty wounds 8 students responds to incident “i don't like Mondays” in February Khomeini seizes power in Iran in March Voyager space-probe photographs Jupiter’s rings a nuclear power plant accident occurs at Three Mile Island Pennsylvania in May Margaret Thatcher is elected Prime Minister in England in Chicago American Airlines flight 191 crashes killing 273 people in November Iran hostage crisis begins 90 hostages 53 of whom are American in December Soviet Union invades Afghanistan 1980 in November Ronald Reagan defeats Jimmy Carter one year since Iran hostage crisis began

he meets good-looking younger girl named Monica on subway heading home from work he has seen her running orders on trading floor she is tall slender with long dark brown hair in ponytail pointed nose wide mouth innocent face she confides her estranged father is famous Chicago mobster Odysseus recognizes his name they talk about how much they dislike markets arrant disparity of wealth between traders and themselves Odysseus says i hate feeling of being so disposable worthless Monica replies yeah me too he tells her if i was a girl i’d ******* myself to several handsome generous traders Monica acknowledges that’s an interesting idea but who? how? which traders? do you know? he answers yeah i know exactly who and how Monica says if you’re serious i’m in i have a girlfriend named Larissa who might also be interested i’ll call Larissa tonight following day Monica approaches Odysseus at work agrees to meet at his place after markets close that afternoon Monica and Larissa show up eager to learn more about Odysseus’s scheme Larissa is petite built like a gymnast giggly light brown hair younger than Monica he lays it all out for them cousin Chris and his buddies the money ******* both girls are quite lovely he suggests they rehearse with him he will coach them on situations settings techniques girls consent for 4 weeks every afternoon they meet at Odysseus’s place get naked play out different scenarios he shows girls how to pose demure at first then display themselves skillfully fingers delicately pulling open ***** spreading wide apart buns working hidden muscles he directs each to take up numerous positions tasks techniques then has them switch places he teaches them timing starting slow gradually building up rhythms stirring into passionate frenzy having two mouths four hands creates novel sets of possibilities one girl attends his front while other excites his rear he positions them side-by-side so he can penetrate any of all four holes he stacks them one on top of the other many other variations after reaching ****** several times making sure to reciprocally satisfy their eager needs Odysseus dismisses girls until following day finally after month of practice Monica and Larissa feel confident proficient primed Odysseus arranges for girls to meet with 2 traders through Chris most traders have nicknames Twist who is hosting event is notoriously wild insatiable on opening night Odysseus behaves like concerned father Larissa and Monica each bring several dresses and pairs of shoes Odysseus helps them choose suggests Monica ease up on make-up he styles Larissa’s hair instructs Monica to call him when they arrive again when they leave he requests they return directly to his place Monica wears hair pulled back in French twist pearl earrings sleek little black dress black stiletto heels she stands several inches above Odysseus Larissa wears braided pigtails pink low-scooped leotard brown plaid wool kilt just above knees brown suede cowboy boots he kisses each on lips then pats their butts warns them to be careful mindful Monica winks Larissa giggles more than an hour passes as Odysseus sits wondering why he has not heard from girls suddenly reality hits he does not want to be commodities trader and certainly not a **** this is not how he wants to be known or remembered Odysseus wants to be a painter and writer Monica and Larissa are good sweet girls whom he has misguided he calls Twist’s place Twist answers Odysseus asks to speak with Monica when she comes to phone he questions are you all right Monica answers yes we’re fine we’re having a fantastic time why are you calling what’s wrong he explains you were suppose to call me when you arrived i began to worry i think maybe this whole arrangement is a bad idea i want you to call it off and come back home i don’t want either of you to become prostitutes i love you both and don’t want to be associated with dishonoring you Monica says it’s a little late to call it off but we’ll see you when we’re done kissy kiss bye Odys another hour passes then another he frets wondering what they are doing after 4 hours as he is about to call Twist’s house again doorbell rings Monica and Larissa both giggling beaming Odysseus can spot they have a coke buzz Monica announces you should be proud of us Odys we got each of them off 2 times we left them stone-numb and tapped out the girls open their purses each slaps 5 hundred dollar bills unto table Monica says this is your cut Odys we both got a thousand for ourselves he replies i can’t touch that money we need to sit down and talk Monica demands no talking Odys take off your clothes he insists i’m serious Monica i’m never going to send you out again Larissa claims there’s no turning back for me i had too much fun Monica  pleads come on Odys we’ll be good we promise now take off your clothes Twist and his buddy never attended to our needs i’m ***** as hell Larissa where’s that little bottle of dust Twisty handed you

Chicago Monday night December 8 1980 Cal and Odysseus sit at North End they're on 4th round feeling buzz the place is lively adorned with holiday decorations Cal says you’ve changed Odysseus questions what do you mean? how? Cal says the commodity markets and your cousin and his friends they’ve changed you when was the last time you painted Odys? are you dealing coke Odysseus looks Cal in the eyes answers they’re so ******* rich Cal you can’t believe it one drives a black Corvette Stingray another a ******* Delorean anything they want they buy girls cars clothes condos boats yeah i’m dealing coke to Chris’s friends it’s my only leverage remember the Columbian dude Armando we met at tittie bar? i score from him and keep it clean Chris’s buddies pay up for the quality i don’t remember my last painting maybe the black painting i never finished after breaking up with Reiko Lee a girl falls off bar stool crashing to floor at other end of bar Cal says Odys, you better play it careful you’re messing with the devil got any blow on you suddenly bar grows quiet someone turns up TV volume they watch overhead as news anchorman speaks slow solemn camera pans splattered puddle of blood pieces of broken glass on steps to Dakota Building Cal looks to Odysseus John Lennon has been murdered Cal waits for Odysseus to say something tear rolls down cheek Cal glances away stares down at floor they drink in silence
Isaac Sands Jul 2012
Oh, sweet Dianne, Huntress,
How ****** steps do bless
These very woods through which you give your chase.
Wearied now, so wish to lave
In your spring off the way.
To there she did repair, her holy place.

Actaeon, hunter too,
Left his friends, oft did do,
To run with his dogs, his skill was unmatched.
The same it was that day,
With his friends back a way
The beginnings of Actaeon's doom hatched.

So it was that noble
Actaeon did stumble
Upon fair Dianne attended within
Guarded by handmaidens
But her face un-hidden
The sight of which, Actaeon's final sin.

"Go and tell, if you can,
That you have seen Dianne
Unapparelled!" she added as water,
So potently bless-ed,
In his face was dash-ed.
Actaeon a stag, form she did alter.

"Ah! So wretched is me!"
No escape did he see
As the great hunter became the hunted.
And his dogs now gave chase
Knowing not his new face,
Run, Actaeon! Your life yet stunted!

The chase gave for three days,
Greatest, worthy of praise,
Till Actaeon's poor heart did finally
Break, now unto his fall
To the dogs he did call.
Actaeon's death, as a stag he did see.
wordvango Oct 2019
A little ditty bout Karl and DiAnne
Two old kids living in the heartland
Karl he gonna be the next Bukowski
DiAnne the beauty he loved in the backseat

******* on a bud on the porch
Dianne sitting on his lap
His hands tween her knees

C'mon Dianne let's run off
neath the shady trees
Dribble off them Bobby Brooks
Let me do
What I please

Ten cats
Two dogs singing

Oh yeah
Life goes on

Long after
All the kibble
Is gone

Karl sits back
Collects his thoughts for a moment
Thinks
With you and all
These
Animals

I ain't missing
Nothing.

Oh yeah

Life goes on
Love you DiAnne
wordvango Feb 2018
Ole McKarl had a farm
Eieio
And on that farm he had
Missy
Eieio
With a cat cat here
And a cat cat there
Here a cat
There a cat
Everywhere a cat cat
Eieio
Ole McKarl had a farm
Eieio
And on that farm he got Daisy
Eieio
With a woof woof here
And a woof woof there
Here a woof there a woof
Everywhere a
Woof woof
Ole McKarl had a farm
Eieio
And on that farm he
Fell in love
Eieio
With a DiAnne here
And with DiAnne there
Eieio
Old McKarl had a farm
Eieio.
And on that farm all his beloved Eieio.
Were gathered round his feet and arms
eieio.
They gave him love and warmed his heart
Eieio
Ole McKarl had a farm
Eieio
And on this farm he
Gave his heart
Eieio
With a kiss from DiAnne
Here and a kiss kiss
There
Here a kiss there a
Kiss
All the animals
Watching this.
EIEIOOOOOOOOOO!
To shine

   she lay before us the night sky in
somnolent waves dusted with
her own chimerical astrology
studded and dimpled with
compressed carbon and
     time made material
sweeping her hand across it
like Asteria hanging her mobile
over the cradle of civilization
nodding gently to Zorya
brilliantly conjoined twins spanning
the Slavic night sky
   dotting our lives with
multi-faceted tears of joy
like champagne held immobile
bubbles suspended in gold
at unions and births and
fading scrapbooks with worn edges
as a pulsating joy vibrated
   trembled
meanwhile
shared
   like the wind chime hung near
     though not next to
the one disturbed by the breeze
   a breeze that bends the path of raindrops
glistening toward new summer meadows
to kiss blades of grass with
a dusting of diamonds and
pearls floating on the wind like dandelion fluff
seeking a relative weight
and a landing spot
   with color
to call home
     with clarity
to rest easy
   a cut above
and
to grow
  to bloom
    to shimmer
      to sparkle

to shine
For Dianne at Dianne's Estate Jewelry, in San Francisco and Healdsburg, as she embarks on the next phase of life.
Inspire me. ****** me. Serenade me.
Send to me ******* rhythms and let
the ****** hymns play... And then the songs play as we lay.
Frank Sinatra has us on the road, Irma
Thomas telling us to be ourselves...
Love me like Aretha has never loved a
man, move me like Nina Simone, just
you and I alone. Dinah Washington says I should teach you, Etta James
warning me not to tear your clothes.
Let's play some Sarah Vaughn and
Fontella Bass. Ease me with some Diana
Krall and Dianne Reeves, swing motion
with Chris Boti. Tell me you love me Inside Out as does Shara Nelson. Let's
fall in love to Cassandra Wilson. Let us go the jungle and listen to the
bears sing, the legends of love lore...
Sing and groan; Some Isaac Hayes,
Barry White, Teddy Pendergrass,
Marvin Gaye, James Ingram, Gary
Taylor... Let them play, let them sing. And some love bees; some Betty
Wright, Angela Winbush, Regina Belle,
Sade, Marsha Ambrosius... Tone it
down on a spunky blue with some
Meshell Ndegeocello, Janet Jackson,
Laurnea, a bit of Floetry, some Incognito and Karyn White. Max it up with some Maxwell, Rahsaan,
Ralph Tresvant, Glenn Jones and Tevin
Campelle. Let's jazz it up with some Fourplay,
Brian Culbertson, Quincy Jones, Euge
Groove and Marion Meadows... Lounge
and spice it up with some Prince Alec,
Hed Kandi and Kalliope. Funk it up with some Rick James, Ten
City, Brothers Johnson and Billie
Ocean... Let us ****** and swim in the
love ocean. Making love in a Time Machine,
fading through timeless scenes
listening to stimulating music
searching for a combine that is our
fusion
Biting on some dust and swallowing colour
lush are the strips that are dripping
from the trees of chemistry
dancing to music lively, singing to
blues puzzling
beating to jazz dubbing, responding to ethereal loungy sound
music and our souls will be one
in a time machine, learning
combinations orchestrated through the
ages
We will evolve and be sages Until time linear is more sincere and
eternity for us is here. Let the music play, my bed will be a
time machine, shut never your ears
listen to the music that does play and
wipe them tears
all the drama you've been through all
these years in a second we'll be naked and
climbing stairs
we'll be invited to the kingdom of
Romance and Serindipity
You can be the Queen, I'll be King
Poetry painting neverending pictures surreal
in a world ethereal and the real will dull
feel
and forever you and I will be, if we
journey in the musical time machine.
Jackie Wilson Jul 2016
I bear a hard ball within me,
swollen with disease
and alive with pregnancy,
an alien thing
grafted onto me by another
and grown into me.
its numerous offspring surge outward
in crusty, scratchy waves,
flooding my system with infection
and attaching themselves to my being
to run my innermost workings
by remote control.
Dianne is my dumb, rotten 5-years-older ex-sister  who I'm not like at all and who I always had to be growing up.  This is a poem about what it does to kids to never be allowed to become themselves because their families are too busy making sure they turn into someone they're not.
preservationman Aug 2017
You are now Husband and Wife
Together you will compliment each other always inspiring with advice
Your love will always beacon like a guiding light
It will be the daily kisses in plain sight
Your love for each other has grown even more
Your journeys together will always be an explore
Your lives having many tomorrows to come
Love has and will continue to be the key
It’s two lovebirds where all can see
You will be in each other’s arms
Love being the shield that will protect
Love will have that effect
Romance made a change in your lives
Eye to eye where this love tail started your nurturing scribe
The moment is only too just reflect and take in your first time as Husband and Wife
You both are now welcomed on each sides of families
Fellowship in both will follow
But always cherish and always let God guide you
When struggles begin always remember, it is God that will get you through
I shout, “GLORY, HONOR AND HALLEJUAH
It’s that time to give God the praise
This is God’s wonder in his everlasting amaze
Love is in both your hearts
From this day forward is where your marriage will start
Love to you both
Remember your vows being your solid oath
I bow to you both in your honor on this day
There is no more for me to say then “Lord, guide Larnell and Dianne every step of the way
This Lord is what I pray.
barnoahMike Dec 2010
_THEYwould EACH day  take the ROLL CALL ! !...iT WENT LIKE THIS=  GERRY GIRAFFE="here sir",   *SHARON SNAIL= "here sir",  SIDNEY SNAKE= "here sir",   DIANNE DEER= "here sir",  HERMAN HIPPO= "here sir",  FRANCES FOX= "here sir",  ....AND  it seemed like the list went on "FOREVER"! !    There were not Hundreds,, thousands or Millions ,,, BUT *HUNDREDS of Millions who were on the *ROLL CALL List !  Many often Wondered ,  How Long would it take to complete the ROLL ??  Many often Wondered ,,  Would They be on the List ??     EACH=TIME a *ROLLCALL  was answered ,, Another would wait in Heated Anticipation ! !    NO ONE HERE,,,Knows for sure,   When the Exact Moment of the * ROLL CALL Started,,  but= it is SURELY known for fact,,   EVERYONE WANTS TO BE ON "THE" LIST ! !    Some may deny the need for the List,   Some May doubt the Existence of the LIST,   Some may say "WHY EVEN HAVE  alist ?"   Some say "EVOLUTION" has brought us here ! !  Some not Understanding  ,have SHED MANY A TEAR>> LEONARD LION="here sir",    ADRIAN ANTELOPE= "here sir",   RONALD ROACH= "here sir",    MAUDE MOOSE= "here sir",   ... THEY STAND IN AMAZEMENT  as they see what looks like Surrender,,  Have Feared for their   VERY EXISTENCE,,,   Looking around in AWE,, EACH SIGHING for the Sorrow in Others Hearts , ....BUT STILL THEY ASK   ??  'W H Y THE ROLL=CALL?  > BERRY BEETLE="here sir",   *CAROL CROAKER = "here sir",     >>  THE *ROLL CALL does continue this very moment! !  AND......is  promised "TO GO ON"  til the " GREAT-GATHERING"...>FLOYD FLOUNDER= "here sir",   *ZELDA ZEBRA="here sir",.......    the list IS STILL BEING CALLED  AS  "W E     S P E A K "...simply waiting FOR  the Gathering,,    AND__the "calling "  OF their NAME  on the * ROLL-CALL*"
copyright 2010   barnoahMike             Mike Ham
wordvango Dec 2021
The love of my life has passed. I am devastated and ripped. My life seems ended.

To my baby, if only I had one more day.

Even just an hour , I could go on.

DiAnne, my soul mate, i need you more than any breath or water.

I shall remember you and keep you close in my heart as I always did.
Herman Nucleosis Dec 2015
From far away, a voice recalled
Me to the days gray, gone, and old
Dear mother tucked me in to bed
And warned me of the night ahead

Of the many monsters lying in wait
For an innocent child to bite the bait
From head to toe, they'd eat you whole
Skin and hair and bones and all

But daylight it was when uncle Strouss
Brought Teddy into his colorful house
His dad's brother helped him unbutton
While in the frame, Jesus looked on

And don't forget, it was a bright day
With Dianne there along the walkway
Wearing her shorts; the weather was hot
But those who saw her called her "****"

It was a good time, Lyda thought
To try out the new dress she bought
But men around her looked at her funny
Eyes all over her temple, her body

Mike went out for a drink with Sybill
He didn't know that drink had a little pill
The next day he woke up stark naked in bed
Beside the monster he thought was his friend

Among necktied men, Jenny sat busy
Focused on work for a 6-digit salary
But some monsters are pros too, chum
And he felt her up and left her mum

And as I tuck you in to bed, my child
I will tell you all this world is scary and wild
It is never safe for you and Teddy,
And Dianne and Lyda and Mike and Jenny
wordvango Feb 2020
February
  Cold short four weeks
      Slow part of the year
Yet, rent is faster.
Electric meter outside hums louder
It's wheels gaining momentum
And the dial a blur.
And they chose this month to honor your love.
    Valentine's  should be in June.
When the grass is long
Maintenance  needs done
And a old man can make a buck.
Trim a hedge.  Pick up broken bricks
At the newlyweds house being erected.
I'm in love.
The best love I have ever known.
The love I propose is endless.
I want to buy her things and be her gentleman that sends bouquets and boxes of chocolates and rings with sparkling diamonds necklaces and fine linens and silk sheets.
I find myself drunk and forlorn and hopeless.
Until,
In my mind I see her face.
And I melt and feel warm
I say her name,  over and over.
DiAnne, you are my everything.
I love you like no one before.
And I profess
My love forever.
Will you be my Valentine?
Jackie Wilson Aug 2017
the *****
is an itch
that I could never scratch
until now.
Mateuš Conrad May 2016
i don't why, but it just happens sometimes,
one minute you're listening to Ryan Adams'
self-titled album with that pillar of
rock stay with me reading the Sunday Times
style magazine after having digested
the culture magazine and the Sunday Times
magazine, bobbing along to an article about
the singer Ariana Grande, seeing her almost
kissing a pooch on a skyscraper (*****,
that tongue's been up my ***, so said the pooch)
and you don't get Ryan Adams,
****'s a gridlock, a traffic jam, it doesn't
have a care for Pearl Jam and the wilderness of
Canada... so you switch listening material
to Herbie Hancock's cantaloupe island,
and suddenly you're in Philip Larkin territory...
it's funny to say that slavery of the africans
by the english to colonise the American continent
gave us fewer princes bored by Mozart
stating 'too many notes' - well jazz has enough
too many, notes, because there's this whole impromptu
going on; in my collection of the genre?
a decent list: sonny clark's complete works,
sonny clark's cool struttin',
cannonball aderley's somethin' else,
cedric 'im' brooks united africa,
booker t & the m.g.'s green onions (~jazz),
thelonious monk's monk's blues,
thelonious monk's criss-cross,
egberto gismonti's solo, eric dolphy's out to lunch,
donald byrd's royal flush, duke ellington's soul call,
terry callier's occasional rain, guru's jazzmatazz vol. 1,
miles davis' ******* brew / sketches of spain /
kind of blue / porgy and bess / the complete birth of the cool,
hurbie hancock's takin' off / my point of view,
steve kuhn trio's wisteria, joshua redman's back east,
freddie hubbard's hub-tones, john coltraine's blue train /
a love supreme, nina simone's nina simone at the village gate,
bobby mcferrin's spontaneous innovations,
chet baker's my funny valentine, dexter gordon's go!,
us3's hand on the torch, sonny rollins' ballads,
freddie hubbard's ready for freddie,
art blakey's moanin', kenny burrell's midnight blue,
chick corea's now he sings now he sobs,
mccoy tyner's the real mccoy, dianne reeve's i remember,
duke ellington's money jungle, horace silver's song
for my father, jimmy smith's back at the chicken shack,
wayne shorter's ju lu...
so with this mind, from bukowski the baton was
passed, don't get me wrong, i appreciate classical
music, but jazz is too much poetry,
not really the makings of coupling the two like
the Beats... just that they originate with a sentiment
best stated: 'what the **** was that?'
reverse aerodynamics: actually, no, proper
aerodynamics: you see the plane and then get the score
sheet... those European composers must have
been literally mad, so many instruments encoded,
pitches, larks, stresses of a violin's specific accenting
that wouldn't never sound like a nail scratching
blackboard... i know it's horrid to compliment
slavery... but hell... without it no jazz,
just stuck in a rut with classical whitey boys...
and no jazz no blues... no future rock or pop...
if there's anything to redeem the trade it's this music,
and, let me tell you, jazz is urbanity a soul of
frank o'hara's new york, it's amplified in
a suburban environment, never did suburbia
bordering on countryside feel so cosmopolitan,
but i'm adding this amplification to have been
aided by the number of birds i can spot, lazily
from my window...
and god, i love the fact that in jazz you can
have a specific bloom for each instrument used,
you can have a horn, a sax, a drum a bass solo
all in one go, so it's not as monochromatic as in
rock music (primarily occupied with
lead guitar solos, in the 1970s the drum solos
of john bonham) - all in one go i.e.
the tactful representation of each instrument,
the sort of football match analogy where every
player gets a touch of the ball / limelight.
Ryan P Kinney Jan 2020
The first Holy Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Lennart Lundh, Barbara Marie Minney, and Gabriella Ercolani

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“This is the original Church of the world's scraps.
The body of the body of the body.
Burning in the sun.
‘Me and my son were born in the sun,’ They say.
He is willing to do it.”
The Man says, in a soothing voice.

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

Background chatter already fills the room with low whispers before the performance-service,
“I am happy to hear that you are safe”.
“I am not sure that you are”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Mama Evil steps forward to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, disputed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason.’”
“As the recovering Catholic Kevin Smith wrote, ‘It’s not important which faith you are, just that you have faith.’”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”
“Do you see the animal’s asking questions? Wondering who they are. They simply know that they are.
There are no fish in Purgatory. Only us.
The Garden of Eden is colonized by serpents
There was no place for the demons to go, but further in.”

A Hindu Yoga instructor rights himself from walking on his hands and decides to take the first initiative, “Puff the Magic Dragon says, ‘Jesus loves me, but I need to talk to a human.’”
A furry cosplayer responds, "I need to talk to a human."

A Wiccan Princess retorts, "Nature is not as inventive as she thinks she is; Neither is God"

The Man answers,
“We are a beautiful blasphemy to God’s word (because we question).”

“Heavy is the crown that wears the head,” says the child prince.

The Drag King quotes, “Psalms (chap.):13
You will tread on the lion and the cobra.
You will trample on the great lion and the serpent.”

"...And God teaches the cricket how to play his music," says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.

A gym rat, wearing a holey muscle shirt, extends arm to point as he says,
“Humans begin as *******.”

“Humans are also stardust.
Which means we are golden,” replies the scientist

“I will show you fear in a handful of dust,” says the derelict businessman hobo hero,
“God made mud in his own image and we are the leftover **** that rose out of it.
And if all life is really God’s sacred mud, then every **** storm is God’s Wrath.”

The Man quotes T.S. Eliot,
“What are the roots that clutch. What branches grow out of this stony *******. Son of man, you cannot say or guess, for you know only a heap of broken images.”

"The grapes of wrath transmuted into the harvest of imagination,” illustrates the painter

The automaton states, “**** the earth, to make a certain sense of it all.”

The Man attempts to regain control,
“Some future digger after truth,
alien or human, kneeling with
trowel and brush at this grave,
will note in clear, careful script
the wonder that a people would
be so deliberate with the smallest
of their gods' creatures,
and so careless of themselves.”

A soccer Mom asks,
“They say I shouldn’t be so tired.
They say I should get a job.
They say I should get off this couch.
They say I shouldn’t be a blob.”

“It takes but one step to enter the grave,” says The Man.
“So much can be lost in crossing that threshold. How did your grandparents, born in separate countries, meet? Did your mother kiss your father first, or vice versa? These are questions we don't think to pose, but without the asking or other evidence, Death will redact the list of begettings. Are you prepared for that void in memory? Or have you made notes for your children to leave theirs?”

"My Dad keeps their honeymoon receipts in the family Bible,” says the Unknown.
“After Mom moved on, he would take the Bible off the shelf every evening after supper.  He would first stare at it for what seemed forever while pouring himself a huge tumbler of bourbon and lighting a huge cigar that smelled like month old underwear.  Eventually, he would open the gold clasp and raise the deeply cracked leather cover of the Bible and first look at the family history written inside the front cover in the delicate and intricate handwriting of Mom, before pulling out the well worn honeymoon receipts, which he would shuffle through like a deck of cards before spreading them out on the worn and scratched kitchen table like a kind of dead man’s hand.  Sometimes, he would weep quietly.  Other times, he would pound his fists violently on the table shaking the cans of beans and potatoes on the shelves above.  That is when I knew it was time to make myself scarce.  He never ever opened the Bible any further than the front cover, which made me wonder about the nature of the book itself.  I always pondered the same questions over and over.”  
“Is Bible a filthy word? Is it the animal? The Man, The Woman? Should we burn the book?”
“Is the Word filthy?”, asks The Man, “What are the filthy words? What are the power of Words mired in ****? Who do these words define? Who are you?”

Mama Evil commands a presence,
“****? ****? ****? *****? Broad? *****? Are these the words you use to define me? When that which defines me is the holy chalice, life's catalyst, mia figa, my ****: stand us all on our heads and we all look the same. Regardless of our skin color, or the shape of the bones in our face or the skin around our eyes or the texture of our hair, those folds of flesh, that tunnel to the precipice of the universe, that little happy happy joy joy button, these are what we all have in common and what the whole world simultaneously wants and reviles. It has that much power. A lexical reclamation is taking place. One that will lift up the collective feminine spirit instead of dragging it down to the depths of all pejoratives. ****! The taking back of all pejoratives is an essential part of the reclamation of the collective self-esteem of woman kind! She is a Hindu Goddess! She is the Roman Goddess who is the protector or newborn infants. She is cunctipotent. She is all powerful and creates and destroys the world with her blood sugar **** magic. She is the princess and savior of the Mahabharata, renowned for her hospitality, who willingly receives any traveler who requests food and lodging. She is that benevolent. Durvasas bestows upon her a powerful mantra as payment for that hospitality and with it, Princess Kunti has the power to call on any God in heaven to lie with her and she will bear a son then by the next day. When her husband is rendered sterile as punishment for shooting the Stag King as he mated with his queen, Princess Kunti bears three heirs for the kingdom. She saves the kingdom. She saves the day. She is **** magic at its finest hour and she dwells in all of us who have ever been slandered. So go on, you ignorant *******. Call me a ****. Only you in your infinite small stupidity are skint the knowledge that you have just called me a princess and a savior.”

A comic nerd asks, “What of Power? What is power?”

Mama Evil holds up a single flame, spewing from a cheap blue lighter in her hand. She asks, “What is the power of The Word.” Is it in the book? Or in the air.”

She answers, “The power to choose. Do I set the world on fire, or put out
the flames?”

The room goes dark as she abruptly steals The Man’s usual send off,
“The Word has evolved, my friends.”
dianne moritz Apr 2019
Mother’s Weeping Willow
by Dianne Moritz

Mother carefully snipped
a small, green cutting
from a friend’s lush yard,
set it to root in an old jam jar
on our kitchen window sill.

Us kids were intrigued,
as fragile shoots spouted,
buds of leaves unfurled,
like baby fists, opening
to streaming sunlight.

Sometime later, Mother
carried an elfin sapling
outside to our backyard,
placed it in the warm,
rich, fertile Iowa soil.

We watched in wonder,
watered & tended the tiny
tree, doubtful it would
survive the scorching
summers, harsh winters.

But we learned that Old
Mother Nature is shrewd,
and by summer’s end
our tree grew four feet,
as tall as me, and thrived.

How we loved that willow!
We’d hide beneath its boughs,
to read, nap, and daydream,
a safe haven, our spot
to plot our next adventure.

Mother’s Weeping Willow
is gone now, chopped down
for firewood; yet, it remains,
in memory, a testament to
life’s transient beauty….

HAPPY EARTH DAY!
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Dr. Benjamin Anthony, and Ayla Atash

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“Come in and be amongst our broken people (pieces).
Mingle with our shards.
See which cut is the deepest”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You are a good worker.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The woman swarm, Mama Evil, pushes her way to the front to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”
The Man explains,
“We are a beautiful blasphemy to God’s word because we question.”

Let me start with a parable,
“Once upon a time…
There lived a shy little boy and a chatty little girl. Though the two lived really close they never knew each other. That was until one day, the girl entered high school. They met for the first time on the school bus. The boy eavesdropped on her and for the first time spoke to her. Although she was especially irritated, the boy responded. It was with those words that a lifelong love blossomed…
‘You love me, you just don’t know it yet.’

Through the many trials and errors of high school life they grew together. And so, They lived happily ever after.”
“…Except, she didn’t. In this reality, she ran off with a rich older man while taking care of his dying wife, 5 years after those high school sweethearts were married.”
Years later, he would lament,
“It started with a broken heart. Through the crack seeped liquid fire. It engulfed me, burning away all that I was. The flames shall purify me. Boil me down to my base components, and then rebuild me. From the ashes will rise a new entity.
Who am I?”

“What can we learn from this,” asks the Man.

The first interrupter states matter-of-factly, “You are fire. You are love.”
A tie-dyed burnout rants, “Love is fire, Man. It burns. But it also warms and protects… Praise Allah.”
“Amen.”
“Bless you my son.”
“Hail Satan.”

“The last time I hear my heart…” says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.
Now with ignition to her words, she quotes, “The last time I hear my heart was like a galactic ******. The ****** that made you and touches everything you made. Faith is attempting to live as though we are loved.”

A Drag King high fives her and says, “I liked the galactic ******.”

A torn up, steel-studded, leather clad punk continues, “Promise me you will live…
For nothing…
But the next moment.
No forgiveness, no damnation, only the match I strike on the heel of my boot.”

And then the automaton asks, “What of the devil: the original corruptor, the source of all evil?”

A gym rat, wearing a holey muscle shirt, extends an arm to point as he half sings, “The devil is a wicked man and wears a suit and tie. The devil checked in at noon and asked us, ‘What is the sleep of reason?’ You woke the devil I thought you left behind.”

“The Devil is due; the Devils do,” coos his boyfriend, the semanticist-*******.

The Man answers, “Is not the source of evil the same as the source of creation. Is it not evil to be so selfish as to create, with no concern for how creation will change everything.”

The Wiccan Princess retorts,
“Creation can be bought and sold.
Motherhood is a commodity.
Venus is for sale.
The nativity is shrouded in black.

We've streamlined your desire.
She was only offering an apple anyways.
And filled in that hole in her heart.

Here, we give her to you totally domesticated.
This one is costly, but so worth it.

You never will be worth it.
Earn enough
Be enough

Taste the salt of her tears on your tongue;
the salt of the earth.
She refuses to wear this crown of thorns.

In the eyes of your maker.
You should be ashamed.
To look your Maker in the eyes.”

Mama Evil attempts to chill her blaze, “Dear, the Anger is caged. It is the custom to call children who go to war, men…children of war die like men.”

Their daughter, the littlest girl in the world, coughed. A runny nose explained it, she had the sniffles. Nothing to worry about normally, but here, now? Right now the end of the world was in front of her. Flying saucers were floating down to slaughter the entire world with burning laser jelly. She coughed and picked up a remote with a wheel shaped dial.
“i drank too much pop and i gotta ***.” She said to no one in particular.
She turned the wheel shaped dial and a chorus of voices sounded. The chorus formed itself into an immense wall of sound made of bureaucrats, lawyers and politicians from another dimension. The littlest girl in the world kept turning the dial and saw the bureaucrats wash over the saucers, sending them back into space. The earth was safe, the littlest girl in the world smiled in relief.
And coughed.  

“It seems where demons fail and monsters falter, angels may prevail,” her mothers laughed.

Still incinerated, a goddess queen shouts, “We are the granddaughters of the witches you failed to burn.”

The crowd jostles and pulses like a living being. They are moved by the words they have heard. A chatter rises from them, much like the midnight sounds of the forest. "Who does she think she is?" "She said it. She sure said it." "I'm going to tell Moira all about it." An old woman near the back takes a swig from a bottle of wine she carries under her coat before passing it to a young woman in front of her.
"From fire, new life is born, too," she smiles, a crooked twist of the lips.

Rendered speechless and impotent, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
Brujo Alligatore Jul 2016
Jack: "You're deserting me."
Dianne: "No. It's that you won't come with me"
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, John A. Kinney Jr., and Psalms (chap.):13
Added original content by Ryan P. Kinney, Eli Williams, and Kadie Good

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

"God not only loves a sinner, he prefers them.”
“Come to my parish. Sinners only”
“The lostness of the found, the blindness of the seeing, the spirituality of the atheist, the silence of the spoken.”
“The Covenant of the Sacred Heart.”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. Some newbie looks nervously into the stairwell.
From the rear, a maternal voice coos,
“You will be used to the treatments.
Don't worry about it.”
They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The maternal voice steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, discussed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”

The first interrupter asks, “How do you say No to God.”

The Man answers,
“You don’t like The Question. You are The Question.
We are relearning how to get lost, hoping to return to the birth of The Word.
Worship yourself and serve only humanity.
No one made you.
You created yourself.
It’s all the same story. The Story of I.”

“We are a beautiful blasphemy to God’s word (because we question).”

“How do you say No?
You don’t.
By understanding there is no such thing as,
No, I can’t. Only I won’t.
It was.
It is.”

A torn up, steel-studded, leather clad punk responds,
“we see others as they are
we see ourselves at every age
and all at once”

And the Man once again responds,
“All that we can think. All that we can imagine. All that we can write, paint, create, feel. All of this is real; somewhere. Depends on which universal perspective you are tuned to. Don’t like the current program playing. Change the channel.”

The professor sitting on the floor, shoeless, begins to riff,
“Yes, this is like that piece about imagination being the genesis of other worlds. About how imagination, all thought, is really tapping multiple frequencies from other universes. Our imaginative creations spawn, tap into, and play back all alternate universes in a non-linear time sense. Cause and effect are not in sequence. All that we think, all that we can come up with creates new worlds, but also accesses those already in effect and plays them. We create worlds that already existed by the time we come up with them in our imagination. They were already there and human minds are organic quantum analog receiving-broadcasting devices. We randomly switch channels with nonlinear frequency, simultaneously, and with varying signal strengths of each universe. We receive, but also feedback into a greater signal. So, we unknowingly create these universes, while also being fed from our own creations. Never, in order. We are the Father and the Son. Our own creators and creations. Our words are the genesis of all the other worlds, but also speak the gospel of the programs already in progress. All that we can imagine is as real as we can conjure.”

A black goddess queen asks, “Then, what do you call God?”

The Man retorts,
“You don't need his name, because you remember the man.
The idea of a memory of a man.
Perhaps the idea is better, stronger, more important than the man.
The idea of a man.
Sometimes, people are the absence of themselves.
And the absence of man is God.”

The semanticist-******* unzips its mask and chimes in, “When you name something you separate it and take ownership of it. We never name ourselves. So I ask you, what is your name? What do you own?”

A tie-dyed burnout rallies a battle cry protest chant,
“Who's the Boss?”
“You.”
“Who's God?”
“You.”
“Who are you?”
“I am (me).”

Another voice screams from the crowd, "I'm a monster, I admit it."

Like a rolling wave, the chatter once soft, “I’m a monster” becomes a chant. Faster and faster the adrenaline rises up, the voices rise up, thunderous shouting fills the room, threatening to burst through the walls and escape into the sky. No longer fearing what others might think they raise their fists and beat their chests, unleashing the monster they tried so hard to hide. Shrieks and guttural instinctual roars, animalistic crawling and seething anger, move through the crowd like a pack of wolves ripping apart a coyote.
The screaming voices spill out,
“God has left long ago and has taken no pity on the lonely wanderer.”
“We are not Abraham or Jesus. We are forgotten.”
“We are the forgotten demons pushed out of Heaven.”
“Or maybe we never belonged there in the first place.”

The maternal voice returns, feeling the scorch of the unrequited emotion, seeks to soothe, “Thus mollified she goes, harsh words forgiven, down highways in the dark by demons driven.”

The Man, the original instigator, adds more fuel to the fire,
“And what drive does she possess that we do not?  To seek out, to be blind to the trapping of the darkness within this corridor? We must look and see how we too can move past the shame and blame of others.  To move past the trappings of our own guilt.  To take within ourselves, our demons, true, but take and guide and build the new.  A new life that we can’t ignore, and when we fall, we feel the scorn.  We feel the bad faith and lies that keep us entangled in the want-to-be-with, the fear to be-without. But we also have a fear to be, to exist in the place of a true “self” and live out our dreams. Though time keeps happening, we remain stagnant, we remain in the place of an inauthentic being, a being-for, not a being-with.  We must seek to be-with.  To be-with our demons, our past, and our temptations toward the dark, toward the place in which the I becomes.  To be. To exist. In this.  That is the place where the divine can breathe.  Though we must remember to always embrace change, for everything is temporary, including our own pain.”

Having spent all his feeling and words carelessly and frivolously, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
Ryan P Kinney Jan 2020
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, Cat Russell, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Mitch James, Ellie St. Cyr, and Evan Spooner

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“But when your empty heart is weighed”
"What are you really worth?
These people call this Faith,
bring them to my table
the next bit of gospel
I wrote on a napkin”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You will be used to the treatments.”
“I am not sure that you are.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Princess Mommy steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. This Faith makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“As the recovering Catholic Kevin Smith wrote, It’s not important which faith you are, just that you have faith.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

“I am the mask wearing the man of eternity. In me, you see the face of history. A history we make up as we go.
The God of fallen leaves, leaves us... waiting for eternity to begin.
The Prophet Vonnegut says, ‘The question echoes back through time and disappears.
History. Read it and weep.
Tonight is a verb.”

From the crowd come the First voice, reading from his screenplay, "I was the table of contents, a footnote... running away from the beginning of the book. Perhaps no one knew we were living happily ever after until the book was over."

The Mallrat replies,
“Of all the words of Mice and Men the saddest words are ‘It Might’ve been.’
No need to despair
It was
It has
Somewhere else
Your soul is saved
All that Might’ve has already happened. ‘

“We are charming little liars,” retorts The Man, “We are a beautiful blasphemy to God’s word.”

The comic nerd slowly whispers, “All is truth, but every man is a liar. Sell me another artificially-derived slow suicide.”

A scientist cleans his glasses as he recites, “A world full of smoke and mirror nonsense -
It’s a religion of smoke and mirror nonsense
Only The Word is true and we make it up as we go.
In Nonsense is strength”

“So it is spoken, so it is true,” The Man energetically agrees.

An alien voice asks choppily, “Touch me
if you want to
believe in me
and the nothing I know”

“Sing the praises of the Holy Unknowing,” croons The Man, “We know nothing, therefore, we know all.”

And then, he drops into a haiku,


A bi-gender beauty asks no one (for permission), “Let me sling a little freestyle verse,

I'm steeple chased because some animal church wants to make me foxtrot in tempo with the braying boy
Pinnochio wants to make me hog its slops like Pigpen McSomething grateful and dead.
A fountain of youthful talent chemically imbalanced.
...with a grey skull full of He-man."

"Look at him!" they say.
"Give him a gun!" says another.
"A bomb!" a third spurts.
"Shows us your trigger finger!" they yell.

"My little boy," Princess Mommy whispers below the rush of gruff voices, her words staccato.

They answer her, "So I CAN taste the infernal darkness,” as the crowd falls silent

Princess Mommy chides them, “We know there is a sweetness in that which we cannot see. We know there is danger in that which we cannot hear.
Our bodies shake, our minds quake in anticipation of his words. It is almost time.”

The Man speaks again.
"Surely it is known, my brethren, that we are the Third Coming, the Breaking of the Seventh Seal that will signal the end of our oppressors. When we emerge victorious from the fires of battle, there will be no value left in the binary. No twos, only two or more. The Old Ways shall perish. We will shake off the chains, pull out the nails from our hands and feet, and the world which rejected us will rise anew under our leadership. Surely, it is known. Surely, it has been spoken. Jesus themself is at our back, and therefore we shall not fail."

“What a wealthy country, but no one’s coming to pay my bail,” sings the rainbow man, “They’re bragging they own my soul.”

"I don't want to bother anyone with my prayers,” prays the bi-gender person, secretly proud of leading the riot.

Sensing it is time to take to the streets, The Man closes the meeting with the same send off,
“The Word has evolved, my friends.”
Mary Gay Kearns Dec 2018
Oh I love your dancing
Tapping out the beats
Joe Sugg with Dianne
Red hair to the roots.

Quirk of the Charleston
Bad boy of the Street
Thatcher of countryside
Took Strickly by sweep.


Love Mary 2018
wordvango Apr 2018
If
If
I were to be a star
brandish words
Like a gunslinger
Shoots the eye out a fly
At fifty yards
Or tease the ears
Of every maiden near
And far
If
I were to
Write a novel
And thereby
Be rich with
Not a care in this
World
If
I had power like
God to Change the past
And predict the future,
My love, DiAnne,
The only thing
If
I had all those things
I would do
Would be to
Make heaven on
Earth.
And you and I
Could live there
Now.
If
I had all my wishes
I wouldn't
Have to
Wish
For you.
You would be in
My arms.
dianne moritz May 2019
IT’S COME TO THIS                                                                                              
by Dianne Moritz

Once
she sipped daiquiris
by the pool
high above Hollywood
gazing down at the vista.
Eucalyptus
shade cooled
her soft, tanned skin
as she kissed his lips
under the California sun.
There
he made promises
to love her forever
and ever and ever
until the twelfth of never.
Today
she lives in the east
writing... remembering
dreams of long ago
when now was all
everything she wanted to know.
Ryan P Kinney May 2019
Assembled by Eli Williams
From quotes taken from works at poetry readings by Vladimir Swirynsky, Bob Olsen, Ray McNiece, Kathleen Gallagher, Joe Roarty, Eva Barrett, Russ Vidrick, Tam Polzer, Rosemarie Iwasa, Dianne Boresnik
Additional original content by Ryan P Kinney

I watched you undress like a stranger lost in a great city of hope
The problem of loving the same woman in different ways
And still love once more
This is my word in any language
So I cozy myself up to a murderer
So I can taste the infernal darkness
Too much white space, unpunctuated
No place for the demon to go, but further in
I'm a monster, I admit it
God not only loves a sinner, he prefers them
How long will I be playing to get by
Is it worse to be the one taken or the one left behind
Nothing is ever born again here
dianne moritz May 2019
INSTRUCTIONS TO A CAMERA*
By Dianne Moritz

Find good light,
perfect angles.
Blur your focus,
soften scars,
furrows of frowns,
deep crow’s feet.
Catch a dazzling
twinkle of mischief
in sunlit eyes, bright
smile on pouty lips.
Pause a moment.
Ready…
set...
click your shutter.

Published in “Today’s Little Ditty” May 23, 2019
FROM A POETRY PROMPT
dianne moritz Apr 2019
By Dianne Moritz

I could write the saddest poem.
War, terror, famine, bone-chilling
Cold seeping in through the cracks.

I see the saddest poem: words spilling
From your mouth, smooth as lies,
Those empty promises never kept.

Yes, I could write the saddest poem,
But for this - one lone bloom
Brightens the barren winter bush.
This poem was published in The Drabble last Sunday, April 7, 2019
dianne moritz May 2019
Cowboys and Indians
by Dianne Moritz

We ambushed enemies,
killed and maimed,
releasing aggression
in childhood games.
jeffrey conyers Jun 2018
Lisa, kid by John.
Joanna, kid by John.
Valerie, kid by John.
The man of charm but without a job.

Dianne, child by John.
Sarah, child by John.
And you can bet he bragging about them all.

Makes you wonder?
dianne moritz Apr 2019
By Dianne Moritz

I could write the saddest poem.
War, terror, famine, bone-chilling
Cold seeping in through the cracks.

I see the saddest poem: words spilling
From your mouth, smooth as lies,
Those empty promises never kept.

Yes, I could write the saddest poem,
But for this - one lone bloom
Brightens the barren winter bush.
This poem was published in The Drabble today with a lovely photograph.
dianne moritz Apr 2019
DEER CROSSING
by Dianne Moritz

Driving along Deerfield,
north to North Haven,
headlights catch glints
of a deer's eyes. He stops.
Leaps of freedom freeze
there in the brush.

On a return trip home,
one brown carcass lies
graveled on the shoulder,
****** head bent back,
mouth open, calling
warnings to the woods.
dianne moritz Apr 2019
JUST ANOTHER NIGHT OF COUNTRY DANCING                                                                
by Dianne Moritz

They come dressed like real dudes:
faded levis, tooled leather boots, silver
concha belts, hair slicked back under
cowboy hats, raring to Boot Scootin’ Boogie.

They sashay over, heels clacking on the wax
tongue-n-groove, offer out a callused hand,
swing you through the rowdy crowd, singing “Achy,
Breaky Heart,” confident they’ll soon break yours.

They lock you in a fierce embrace, glance down,
ask: So how’ve you been?, all the while checking
out the competition, lazy and loose with *****.
Shuffling left, instead of right, they stumble,

stomp your toes, clumsy with the latest dance
craze, then twirl you under their sweaty armpits,
sultry  air around heavy with  greasy smells:
French fries, onions, barbecue, burgers, beer.

They yammer on about themselves, casually blowing
lion-breath into your smiling face, as you plot your escape
to coincide with the guitar’s last twang, secretly
praying a tall, handsome stranger two-steps into view.
dianne moritz Apr 2019
LETTING GO
by Dianne Moritz

Do you spit out words
as you might a bite of bruised apple?
Do you say: Today my dog died?  
Do you tell how you watched the light
fade from her soulful eyes,
nothing left but bones and soft fur?
Should you mention you cried out,
wanting to **** the messenger?  
Oh, how this longing hurts, sometimes
believing, hoping she will amble back
home, tail thumping, cold nose pressed
against your lonely hand....

— The End —