Submit your work, meet writers and drop the ads. Become a member
Terry O'Leary Feb 2015
The Rulers wield their silver shields,
             wear golden coronets
while warders guard the prison yard,
             boast brazen bayonets
and unicorns flaunt ivory horns
             defending martinets.

While Bankers beam Their self-esteem
             (bailed out of broker's debts),
and Bureaucrats grow rich and fat
             in six-star luncheonettes,
the deep, devout and down and out
             survive as silhouettes.

The Press take pains to wash our brains,
             Their words have mesmerized.
So, mild and meek, we fear to speak
             in worlds They’ve polarized,
and rush to war, through Satan's door,
             watch cities vaporized.

The Lord of Lore tells tales of war,
             of victories far away,
where eyes stare stark within the dark
             and death is painted gray
on faces cold, some young, some old,
             in spectral disarray.

We're taught at school the Golden Rule
             for all to live in bliss,
but in the wars on foreign shores
             the only rule is this:
“Yo! You and I must fight and die
             inside the black abyss!”

But well alive, the Merchants thrive
            on sales of armaments
that Barons built (with pride, not guilt)
            to quell the dissidents,
while Partisans are posing plans
             to conquer continents.

And back at home, the rumors roam
             “Good times are soon to come,
despite the breeze on frozen seas
             in weathers wet and numb.”
When we’re in need, They’ll intercede
             with prayers if we succumb.

A Tabloid screams of phantom dreams
             to keep our minds at sea
and TV skews the evening news,
             ensures we all agree:
“With dynamite we fight for right
             and not for tyranny.”

The brain aborts when drugged with sports
               and fashions of the day,
and sevenfold, men think as told
              and so are led astray;
and like some sheep (unless asleep)
             they baa when they obey.  

In search of sense in sounds intense
             of droning drum tattoos
(the beat sustains the endless reigns
             which swamp the avenues)
souls, thin and worn, traipse by, forlorn,
             delayed by shackled shoes.

Ten thousand eyes belong to Spies
            who watch us day and night
to track our trails and read our mails
             and say They have the right
to know our thoughts and thwart our plots
             to cease Their oversight.

Behind the scenes, behind the screens,
             the rules are fixed, arranged
(contorted smiles conceal Their wiles -
             Their goals have never changed).
When upside-down, a grin is frown
             and common sense deranged.

Along the roads, the future bodes
             in legends made of dust,
and ashes gray the alleyway
             'neath lampposts scaled with rust.
While Divas dine with cakes and wine
             pale orphans share a crust.

Dead colonies of humble bees,
             a ravaged hornets' hive,
rain forests, dales and minke whales
             soon nothing left alive…        
a world laid waste is to Their taste,
             as long as They survive.

As sunlight wanes in winter rains
             and sullen shadows crawl,
the evening ebbs, and spider's webs
             seem tattooed on the wall.
Upon the night the Masters write
             The Final Protocol.
Nat Lipstadt Sep 2013
December 25 - 28, 2010


Stuck in Miami, Florida, because of bad weather in NYC.
Composed after reading the poetry of Campbell McGrath, who lives in Miami.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
­
electric pinpricks of
unfamiliar red and green lights,
bedroom traffic guidance
courtesy of a stranger's
tv and cable box,
an emblematic totem tonight,
of my physical dislocation,
reminders that I'm enslaved
by weather machinations.

I lay, resting uneasy,
in a strange bed,
one night too many,
snow storming in my head
snow storming up north aplenty,
a blizzard of ruminations are
my white coverlet,
while stuck in Miami.

faraway drifts have
force fed and freed
an imprisoned restlessness,
a multipurposed, slashing.

Miami midnight incision has
let out the bad humors,
let in an unfamiliar odor -
lechón asado,
which texts my Pharisee nostrils
in Cubano,
words muy ironico,
a single waking thought,
"who ya kidding?"

Everglades rain
imported from California,
recycles on rooftops,
thrumming a heart beating,
syncopated, watery refrain,
a regifted heavenly present.

the sound waves mark
as a barely undulating wave,
inside this super soaked brain,
that transforms wine into water
and scan lines into these letters,
"who ya kidding?"

all this exponential signage
of this NYC boy grousing, are his
defrocked muses annoying,
with a serenading blizzard
of one trick pony repetitions,
coronets trumpet his unmasking,
this essay, a revelation,
a product of their
harmonious discordancy.

a single note crowns his head
as he weeps whole food
organic, non-recyclable tears,
products of his new inquistional,
a self-inflicted interogatorial,
"who ya kidding?"

compiler of an
occasional talented catch phrase,
strung'em together like
cheap pearls,
pretensions of literary acumen
once populated his Id,
articles of spilled word *****,
but Florida rain has cleansed
his Northern haughty pretensions,
with an injection of truth serum,
a pharmaceutical wonder of
a local poison labeled,
"who ya kidding?"

A day laborer, nothing more,
rise up at five, brown bagged,
a client of Mammon's *****,
soul sagged, life hagged,
a sum of cultural cliches,
a cell phoned baby boomer,
a would be millennial,
constructed of paper mache,
who on occasion,
has been known to say,
"Let's play poetry today."

the poseur chokes
on this new poison,
delivered by unhappy stance
by the arrows of his
current misfortune
for he now suffers from
the deadly disease of
"compare and contrast."

a slim book of poems
of Campbell McGrath's
(his phraseology,
a veritable theology)
shoos the blues traveler,
over to a funhouse
where an honest magic mirror
cuts him down to size.

his poetic aspirations,
a residue of self-infatuation,
are summarily dismissed by
the truly gritty, quick justice
of a master poet's
"who ya kidding?"

so watch how a would-be
poet disappears,
in a barrage of bullets marked,
nevermore,
his dignity, more than hobbled,
his cheek, gone, gobbled,
his juice, a currency unaccepted,
his holiday present,
a ceasefire of conjugation,
a cornucopia of declinations

dare I ever write again?
who indeed, am I kidding,
other than myself?

I am an addict, not a poet.
INSCRIBED TO ROBERT AIKEN, ESQ.

        Let not Ambition mock their useful toil,
        Their homely joys and destiny obscure;
        Nor Grandeur hear with a disdainful smile,
        The short and simple annals of the poor.
                  (Gray, “Elegy Written in a Country Churchyard”)

  My lov’d, my honour’d, much respected friend!
      No mercenary bard his homage pays;
    With honest pride, I scorn each selfish end:
      My dearest meed a friend’s esteem and praise.
      To you I sing, in simple Scottish lays,
    The lowly train in life’s sequester’d scene;
      The native feelings strong, the guileless ways;
    What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there, I ween!

  November chill blaws loud wi’ angry sugh,
      The short’ning winter day is near a close;
    The miry beasts retreating frae the pleugh,
      The black’ning trains o’ craws to their repose;
    The toil-worn Cotter frae his labour goes,—
    This night his weekly moil is at an end,—
      Collects his spades, his mattocks and his hoes,
    Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.

  At length his lonely cot appears in view,
      Beneath the shelter of an aged tree;
    Th’ expectant wee-things, toddlin, stacher through
      To meet their dad, wi’ flichterin noise an’ glee.
      His wee bit ingle, blinkin bonilie,
    His clean hearth-stane, his thrifty wifie’s smile,
      The lisping infant prattling on his knee,
    Does a’ his weary kiaugh and care beguile,
An’ makes him quite forget his labour an’ his toil.

  Belyve, the elder bairns come drapping in,
      At service out, amang the farmers roun’;
    Some ca’ the pleugh, some herd, some tentie rin
      A cannie errand to a neibor toun:
      Their eldest hope, their Jenny, woman-grown,
    In youthfu’ bloom, love sparkling in her e’e,
      Comes hame, perhaps, to shew a braw new gown,
    Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.

  With joy unfeign’d, brothers and sisters meet,
      An’ each for other’s weelfare kindly spiers:
    The social hours, swift-wing’d, unnotic’d fleet;
      Each tells the uncos that he sees or hears.
      The parents partial eye their hopeful years;
    Anticipation forward points the view;
      The mother, wi’ her needle an’ her sheers,
    Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.

  Their master’s an’ their mistress’s command
      The younkers a’ are warned to obey;
    An’ mind their labours wi’ an eydent hand,
      An’ ne’er tho’ out o’ sight, to jauk or play:
      “An’ O! be sure to fear the Lord alway,
    An’ mind your duty, duly, morn an’ night!
      Lest in temptation’s path ye gang astray,
    Implore his counsel and assisting might:
They never sought in vain that sought the Lord aright!”

  But hark! a rap comes gently to the door.
      Jenny, wha kens the meaning o’ the same,
    Tells how a neebor lad cam o’er the moor,
      To do some errands, and convoy her hame.
      The wily mother sees the conscious flame
    Sparkle in Jenny’s e’e, and flush her cheek;
      Wi’ heart-struck, anxious care, inquires his name,
      While Jenny hafflins is afraid to speak;
Weel-pleas’d the mother hears, it’s nae wild, worthless rake.

  Wi’ kindly welcome Jenny brings him ben,
      A strappin youth; he takes the mother’s eye;
    Blythe Jenny sees the visit’s no ill taen;
      The father cracks of horses, pleughs, and kye.
      The youngster’s artless heart o’erflows wi’ joy,
    But, blate and laithfu’, scarce can weel behave;
      The mother wi’ a woman’s wiles can spy
    What maks the youth sae bashfu’ an’ sae grave,
Weel pleas’d to think her bairn’s respected like the lave.

  O happy love! where love like this is found!
      O heart-felt raptures! bliss beyond compare!
    I’ve paced much this weary, mortal round,
      And sage experience bids me this declare—
    “If Heaven a draught of heavenly pleasure spare,
      One cordial in this melancholy vale,
      ’Tis when a youthful, loving, modest pair,
    In other’s arms breathe out the tender tale,
Beneath the milk-white thorn that scents the ev’ning gale.”

  Is there, in human form, that bears a heart,
      A wretch! a villain! lost to love and truth!
    That can with studied, sly, ensnaring art
      Betray sweet Jenny’s unsuspecting youth?
      Curse on his perjur’d arts! dissembling smooth!
    Are honour, virtue, conscience, all exil’d?
      Is there no pity, no relenting truth,
    Points to the parents fondling o’er their child,
Then paints the ruin’d maid, and their distraction wild?

  But now the supper crowns their simple board,
      The halesome parritch, chief of Scotia’s food;
    The soupe their only hawkie does afford,
      That yont the hallan snugly chows her cud.
      The dame brings forth, in complimental mood,
    To grace the lad, her weel-hain’d kebbuck fell,
      An’ aft he’s prest, an’ aft he ca’s it guid;
    The frugal wifie, garrulous, will tell,
How ’twas a towmond auld, sin’ lint was i’ the bell.

  The cheerfu’ supper done, wi’ serious face,
      They round the ingle form a circle wide;
    The sire turns o’er, with patriarchal grace,
      The big ha’-Bible, ance his father’s pride;
      His bonnet rev’rently is laid aside,
    His lyart haffets wearing thin and bare;
      Those strains that once did sweet in Zion glide,
    He wales a portion with judicious care;
And, “Let us worship God,” he says with solemn air.

  They chant their artless notes in simple guise;
      They tune their hearts, by far the noblest aim:
    Perhaps Dundee’s wild-warbling measures rise,
      Or plaintive Martyrs, worthy of the name,
      Or noble Elgin beets the heaven-ward flame,
    The sweetest far of Scotia’s holy lays.
      Compar’d with these, Italian trills are tame;
      The tickl’d ear no heart-felt raptures raise;
Nae unison hae they, with our Creator’s praise.

  The priest-like father reads the sacred page,
      How Abram was the friend of God on high;
    Or Moses bade eternal warfare wage
      With Amalek’s ungracious progeny;
      Or how the royal bard did groaning lie
    Beneath the stroke of Heaven’s avenging ire;
      Or Job’s pathetic plaint, and wailing cry;
    Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

  Perhaps the Christian volume is the theme,
      How guiltless blood for guilty man was shed;
    How He, who bore in Heaven the second name
      Had not on earth whereon to lay His head:
      How His first followers and servants sped;
    The precepts sage they wrote to many a land:
      How he, who lone in Patmos banished,
    Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.

  Then kneeling down to Heaven’s Eternal King,
      The saint, the father, and the husband prays:
    Hope “springs exulting on triumphant wing,”
      That thus they all shall meet in future days:
      There ever bask in uncreated rays,
    No more to sigh or shed the bitter tear,
      Together hymning their Creator’s praise,
    In such society, yet still more dear,
While circling Time moves round in an eternal sphere.

  Compar’d with this, how poor Religion’s pride
      In all the pomp of method and of art,
    When men display to congregations wide
      Devotion’s ev’ry grace except the heart!
      The Pow’r, incens’d, the pageant will desert,
    The pompous strain, the sacerdotal stole;
      But haply in some cottage far apart
    May hear, well pleas’d, the language of the soul,
And in His Book of Life the inmates poor enrol.

  Then homeward all take off their sev’ral way;
      The youngling cottagers retire to rest;
    The parent-pair their secret homage pay,
      And proffer up to Heav’n the warm request,
      That He who stills the raven’s clam’rous nest,
    And decks the lily fair in flow’ry pride,
      Would, in the way His wisdom sees the best,
    For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.

  From scenes like these old Scotia’s grandeur springs,
      That makes her lov’d at home, rever’d abroad:
    Princes and lords are but the breath of kings,
      “An honest man’s the noblest work of God”:
      And certes, in fair Virtue’s heavenly road,
    The cottage leaves the palace far behind:
      What is a lordling’s pomp? a cumbrous load,
    Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!

  O Scotia! my dear, my native soil!
      For whom my warmest wish to Heaven is sent!
    Long may thy hardy sons of rustic toil
      Be blest with health, and peace, and sweet content!
      And, oh! may Heaven their simple lives prevent
    From luxury’s contagion, weak and vile!
      Then, howe’er crowns and coronets be rent,
    A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.

  O Thou! who pour’d the patriotic tide
      That stream’d thro’ Wallace’s undaunted heart,
    Who dar’d to nobly stem tyrannic pride,
      Or nobly die, the second glorious part,—
      (The patriot’s God peculiarly thou art,
    His friend, inspirer, guardian, and reward!)
      O never, never Scotia’s realm desert,
    But still the patriot, and the patriot-bard,
In bright succession raise, her ornament and guard!
Mary Gay Kearns Oct 2018
A road of palest lime fluttering Sycamore trees
Some almost leafless, others coronets still there
Through the golden branches colbalt blue skies
Lilac bushes, the garden daisies, flower in rows.

Thinning Robinna casts shadows of dim shade
Contrasting the red Acer’s lace leaf with green
The trunk arch of handkerchief laden Foxglove
Holds open its beautiful boughs to be admired.

For Autumn spreads my walk in glorious glitter
Though the evening pulls in the coldness of year
Making the best of these last savages of seasons
Gathering leavings, the birdtable spills its seeds.

Love Mary ***
Lady Clara Vere de Vere
Was eight years old, she said:
Every ringlet, lightly shaken, ran itself in golden thread.

She took her little porringer:
Of me she shall not win renown:
For the baseness of its nature shall have strength to drag her
down.

"Sisters and brothers, little Maid?
There stands the Inspector at thy door:
Like a dog, he hunts for boys who know not two and two are four."

"Kind words are more than coronets,"
She said, and wondering looked at me:
"It is the dead unhappy night, and I must hurry home to tea."
Nat Lipstadt Jan 2018
The bedrock underlying much of Manhattan is a mica schist known as Manhattan schist.  Schist is foliated or layered in appearance. Quartz sparkles, micas, and amphiboles are primary minerals in schist. A melted rock, just like the city resting above, it too, a famous melting *** of humanity.

This one poem too, composed from pieces of other poems,
folded in layers of many others that melted together,
in harmonious discordancy

<~>

this glorious grime,
this delicious dirt,
stuff of my blood,
genes of my children's children inheritance,
of thee I sing,
in thee I revel,
of thee, I am composed

the city I love,
where I was born,
schooled and fooled in,
by many a woman

the city where I named
and raised my children

will probably die in
this city, and when
I am long forgot,
my name never uttered,
    who, will think of me?
Perhaps,
whenever someone says,
"he was such a rascal"

these tales I took,
some or all,
from beneath my skin,
where city streets grit,
was injected beneath my skin
and came with the title,
City Boy

so today, on a reborn street,
near tall towers no more,
I rest upon reconstituted speckled curbstone,
the city's lowered down ledges,
the city's lowered down-town boundaries,
constantly redrawn,  
but nonetheless, always rebuilt from their own
regenerated stony compost,
and the typical NY passersby doesn't even notice
a man, head in hands,
unsilently weeping, thinking that:

We lose or throw away so much we should have kept,
We keep so much we should have thrown away

street prowler, heart growler,
Art Deco lampposts,
the mountain range of east seventy second street,
begs the bagger's question,
each post
begging each other,
"from whence will come my inspiration?"

licked the stubbled sidewalks,
fell down into their living caverned cracks,
light needed, needy softly heated,
orange and green pizza neon signs,
saying here,
if you see upon what be,
these are your city's homeland colors of veracity

perhaps
NYC was model precursor
for our internet presumed-to-be-alive-but-who-can-say-for-sure
model for the world today,
where I know not my apartment's neighbors name,
yet carry his second child
in my arms,
when the fire alarm
summons us all to flee
to street safety...
and still only
"know" his child's first name,
and his father,
as Apt. #16D

all this exponential signage
of this NYC boy grousing,
are his defrocked muses him annoying,
with a serenading blizzard
of one trick pony repetitions,
their coronets trumpeting his unmasking,
*making this essay, his revelations,
a product of their harmonious discordancy
See the photo (https://upload.wikimedia.org/wikipedia/commons/thumb/9/9b/NY-Central-Park-Rock-7333.jpg/300px-NY-Central-Park-Rock-7333.jpg). 
this was the climbing mountain of my early childhood.
As the sweet sweat of roses in a still,
As that which from chafed musk-cats’ pores doth trill,
As the almighty balm of th’ early East,
Such are the sweat drops of my mistress’ breast,
And on her brow her skin such lustre sets,
They seem no sweat drops, but pearl coronets.
Rank sweaty froth thy Mistress’s brow defiles,
Like spermatic issue of ripe menstruous boils,
Or like the ****, which, by need’s lawless law
Enforced, Sanserra’s starved men did draw
From parboiled shoes and boots, and all the rest
Which were with any sovereigne fatness blest,
And like vile lying stones in saffroned tin,
Or warts, or weals, they hang upon her skin.
Round as the world’s her head, on every side,
Like to the fatal ball which fell on Ide,

Or that whereof God had such jealousy,
As, for the ravishing thereof we die.
Thy head is like a rough-hewn statue of jet,
Where marks for eyes, nose, mouth, are yet scarce set;
Like the first Chaos, or flat-seeming face
Of Cynthia, when th’ earth’s shadows her embrace.
Like Proserpine’s white beauty-keeping chest,
Or Jove’s best fortunes urn, is her fair breast.
Thine’s like worm-eaten trunks, clothed in seals’ skin,
Or grave, that’s dust without, and stink within.
And like that slender stalk, at whose end stands
The woodbine quivering, are her arms and hands.
Like rough barked elm-boughs, or the russet skin
Of men late scourged for madness, or for sin,
Like sun-parched quarters on the city gate,
Such is thy tanned skin’s lamentable state.
And like a bunch of ragged carrots stand
The short swol’n fingers of thy gouty hand.
Then like the Chimic’s masculine equal fire,
Which in the Lymbecks warm womb doth inspire
Into th’ earth’s worthless dirt a soul of gold,
Such cherishing heat her best loved part doth hold.
Thine’s like the dread mouth of a fired gun,
Or like hot liquid metals newly run
Into clay moulds, or like to that Etna
Where round about the grass is burnt away.
Are not your kisses then as filthy, and more,
As a worm ******* an envenomed sore?
Doth not thy feareful hand in feeling quake,
As one which gath’ring flowers still fears a snake?
Is not your last act harsh, and violent,
As when a plough a stony ground doth rent?
So kiss good turtles, so devoutly nice
Are priests in handling reverent sacrifice,
And such in searching wounds the surgeon is
As we, when we embrace, or touch, or kiss.
Leave her, and I will leave comparing thus,
She, and comparisons are odious.
Sy Roth Feb 2015
The Quiet of a Pickwickian World
By Sy Roth

In the silence of my Pickwickian world,
A transcendent quiet stands vigil.
Left to its own devices it rattles around, a
lonely brown-suited courier,
Hefting weighty cargo from one sooty corner to the next.

Seeks tranquility in a world where,
Fettered by golden reins
Hobbled by unceremonial chain mail
Lanced by coronets of thorns,
Astride, a long-in-the-tooth steed
Spurred on to wrestle shredded windmills,
A cavil of unrepentant correctors rest.

And they still come--
Tidal waves of disturbances,
Tsunamis that rip ashore and sweep all away
Into a loathsome pile,
Bilious flotsam of a generation bereft of empathy.


A forced silence clings to the dusty rafters
Where sages once stood
Hanging like KKK castoffs
In a closeted Jim Crow attic of rules and regulations gone mad.

A quiescent quiet demands quiet.
Nestles behind muffled screams
Of ages of piles of rotting flesh.

Dolorous vision of a peaceful world
Where peace packed for a long vacation
To Edens that exist only in fairy tales.
Bring with them untruths of understanding
Swaddled in ******, soiled bedclothes.

Leave me to my silence,
Lave me of the Ash Wednesday smudge
Where realities come home to roost in the dim corners
Where the highwaymen have no access.
Stu Harley Sep 2018
with
her
heart full of joy and laughter
orange light
bounced
back and forth
with
its
reflection
than
skipped across
the
melodic surface of
the
yellow bamboo river
while
the
armadillo sunset
blared her
brass coronets
Olivia Kent Sep 2015
It's raining again.
Wet hair almost drowning her.
Riding bicycles on empty streets.
Hair running free.
Flicks on shoulder blades.
Blades that aren't sharp.
Just soggy.
Like a smelly dog that misbehaves.
Hair that's not trained, nor restrained.
No bands of Alice.
Nor elastic.
No coronets or diamanté.
Tatty nylon hair nets.
Holding hair in place.
Makeup running down her face.
Heading back to her place.
Wants to find a towel.
Like me, she loathes umbrellas.
And her bicycle is rusting fast.
Anyway, has anybody ever ridden a bicycle while holding an umbrella.
(c)Livvi
Nick C Jan 2012
As of yet, untitled.

“Hometime!”
The hue and cry is raised
and with it, I am gone, losing
my winding way down leafy lanes that
glitter cold and golden, soft and sapphire
in the crispest spring.
Down pen, down paper, down tools!
- the streets are much more tempting
with their silver promises made
in the emerald afternoon glow.
I huff and pant (cheeks
ruby-red) round the
rolling hills that hide
the treasures of this city…

…(looking back, older - wiser? -
I realise that I
would give it all away.
All the coins and chests and
jewels and gold and crowns
and sceptres and stars and coronets
that you could care to mention -
surrender my kingdom
for just one more day:
One more afternoon of youth,
carelessly wasted
in the cold and golden streets
of yesterday)…


…But that
comes later
and this
is now;
and I
am young
and
golden
in my promise.
Stu Harley Apr 2015
the clairvoyant
voice of
her blue eyes
make the sound of
brass coronets
present a vision
across the
kaleidoscopic sky
Wk kortas Mar 2018
He’d never read him, understand,
At least not that he’d remembered;
Might have half-skimmed something in Look or Esquire,
But he certainly wasn’t much for novels,
And there were kids to raise to rise, a war to fight
(His platoon had been pinned down at Anzio,
Leaving him precious little time for dispatches from the front,
Save  for a  singular postcard
He’d bought in Netunno on a rainy April afternoon,
On which he’d scratched Babe, I’m still alive and kickin’,
Worth ten thousand words
To a harried, frightened seventeen-year-old,
With one in the cradle and one on the way),
But then all that was later on, or earlier
Depending on where you stood,
Time being a lazy, molasses-unhurried thing to him now,
Like the leisurely old Owasco Inlet which ran through town,
Seeming to go in no direction in particular,
Running north or south as it deemed fit at the moment.
Once, he’d worked at the typewriter plant on Spring Street,
Fashioning hammers and slugs for Standards and Silents
And, later on, the electric Coronets and Model 250s
Until he packed it in with forty-five years under his belt,
Though all that pretty much the stuff of memory as well:
The factory gone a couple years now,
Rubble carted away, leaving an angry brown patch of land,
The last generation who’d worked the plant
Having up and left, by and large,
In most cases taking his generation with it as well
(Factories tending to be family affairs,
So many of his contemporaries unwilling to be so distant
From children and grandchildren,
Such notions being unknown in company towns)
Leaving the place a touch foreign,
A bit alien to folks who stayed on,
Men without a country as it were, doing their level best
To navigate waters without landmarks, without buoys,
Trying to reach harbors of questionable refuge.
Yenson Aug 2019
See how the others live
garnish your morning gruel with gossips
makes your cold porridge taste just a bit better
search out the ***-bits and the juicy blue parables
all from the House of Windsors can never be fake-news
when Princes bed seventeen aged maiden cold teas taste hot
gloom and doom means pep-ups, a smile and a spring to their steps
in rarefied air the stench of the ghettos and the belches from drains
should whiff in polluting and disturbing the perfumery of gentility
and why not...do they hear the cries of the motherless babies
or listen to the frustrations of the thieves having a no dice day
as Joan sells her body to pay the loan-arranger yesterday
and Jason is so bothered looking for a fix down the alley
do they know Roger took his own life cos he had no job
yes to sit and hear of the pain and sufferings high above
makes cold toasts and bacon of-cuts that much sweeter
and as the kettle whistles away they hope the vapour
clears the grimes of trodden lives and deadend roads
and rain hot molten ashes on the Semites and Giles
and madam in the big house up in the green Hills
and the Garters and Coronets all burn in Hell
with their socks on......
A W Bullen Jul 2017
To shake the powdered atoms
from the flaking cavern walls

That fossil horn
has summoned tribes
from different walks
alive tonight
Loose trousered hounds of pedal drums
are swilling bass for rocket fuel
All spastick in the rinks of treble,
  animating vertebrae
  draw talismanic creatures
rolling planets from
their shoulder blades.
Into the gathered sound

The ritual breaks a rip- tide sweat
A chance to wake the daemon
through those coronets of frequency
for stussy armoured Sufi
whirling
pneuma to humidity
A circled dharma rhythm-grasp
a knowledge passed from
Astronaut cartographers.

Acoustics of the standing stones
the hunting party hill-top chants
a triumph in the sacred groves
two hundred thousand years
of dance,

Have brought us here.
https://www.youtube.com/watch?v=Qf-OodvbShY


I cannot resist the pull to dance- a hair-shaking, body- bending, feral catharsis that can leave me soaking, aching but retored.

It's in everyone.

No substances were abused during the writing of this piece
Stu Harley Sep 2015
Lightening storms have eyes
To silence this rain
Bring your swift golden chariots
Beat upon your drum
Blow through your brass coronets
Lightening be this storm
Yenson Dec 2021
The mirth's of the four seasons

the inglorious choruses of discontents from malcontents

craving attention and dying for reactions

some go with crossbow to **** the Queen

while some sit in ***** lives scripting shotguns and takedowns

from the unhinged to the ridiculous

carrying ready-made woes from self manufactured dysfunctions

in the drudgeries of nowhere alleys

and the choking pickings of easy street dystopia

the answers fans in neon lights

blame it all on twin sets and blue rinse

blame it all on Goldberg's and Steinberg's

blame it all on ermine and coronets

tis the tale of lost and stolen minds kept in the dark

leaving them panting with desires

stoked rubbed fingered and heat up to fevered pitch

they are moist and hooked begging for release

craving attention and dying for reactions
Yenson Dec 2021
The mirth's of the four seasons
the inglorious choruses of discontents from malcontents
craving attention and dying for reactions
some go with crossbow to **** the Queen
while some sit in ***** lives scripting shotguns and takedowns
from the unhinged to the ridiculous
carrying ready-made woes from self manufactured dysfunctions
in the drudgeries of nowhere alleys
and the choking pickings of easy street dystopia
the answers fans in neon lights
blame it all on twin sets and blue rinse
blame it all on Goldberg's and Steinberg's
blame it all on ermine and coronets
tis the tale of lost and stolen minds kept in the dark
leaving them panting with desires
stoked rubbed fingered and heat up to fevered pitch
they are moist and hooked begging for release
craving attention and dying for reactions
DJ Goodwin Jun 2012
Breast stroking through silent movies of cities
soft and solemn under brine, I twirl past
balustrades of jagged coral lining the royal road
as the day leaks down as blood from wounds
not yet salved,

dreaming in tangerine veils as frozen black mouths
spit silver-lined bullets of mackerel  through
barnacled labyrinths of high-rise stone
for clinging life as

seahorses waltz ethereal through the
depth’s crushing grip, their duelling coronets
figure-eighting above trumpet snouts and platinum
scales, over gulping abysses that rip away my reverie,

so I leap up slow through salt molasses, up through
parting schools of glinting plankton and layer cakes
of placental warmth,
webbed fingers ripping
back leather curtains of
manta rays and jewelled blobs
of ocean circuitry to rise toward
                 l  i  g  h  t
         f
     a
          l
              l
         i
                n
            g      
               like milk into tea to
erupt dripping in revelation
as the world      
                       d
                          i
                           v
                            e    
     into my eye  s  *****, shrieking
amphetamine through grey folds
as sheets grip tight with well-tucked
                         hands.
copyright 2012, David J. Goodwin
Jun 25, 2012

— The End —