Submit your work, meet writers and drop the ads. Become a member
 
Bijan Rabiee Oct 2018
It is the dumb hour of night
Bereft of all maneuvers
Shadows have come and gone
Spending their agendas
The canvas bland as space
Drapes mute and motionless
As hidden truths
Not a stroke felt
Not a single word flickers
Off intersecting ink
There must be a gale
Deep into the mind
Winnowing
Chaffs of memory.
Bijan Rabiee Oct 2018
Truly gifted poets
Straddle their crafts early on
Some even in adolescence
They have been cursed or blessed
To be kings and queens of utterance.
I never dreamed of becoming a poet
It was furthest from my mind
Then in a sudden twist of eardrum
It happened in my Mid-thirties.

Out of the recesses of Time
Came the lure and a hook
Shining in enchanted brook
And before i knew it
My heart was snatched
And my movements flustered
When i bit on ambrosiac bait
Drenched in Muse's wine
Drugged and drunk
On sounds and images
I struggled in a pool of words
To assemble what held me infused
To make sense of orphaned views
Swaying between shade and light
Like dancers deprived of audience.

My poetic rapture began
In frenetic rain of ink
preposterous in direction
A poetaster rapt on vapid rhymes
With sounds of poetic crimes
But my craft developed
In piecemeal fashion
And rendered my pen composed.

A minnow of long ago
Has grown into a mackerel
And longs to become a whale
In the ocean Ars Poetica
Though it seems a pipe dream.
  Oct 2018 Bijan Rabiee
Czeslaw Milosz
I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn't know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

That's why poetry is rightly said to be dictated by a daimonion,
though its an exaggeration to maintain that he must be an angel.
It's hard to guess where that pride of poets comes from,
when so often they're put to shame by the disclosure of their frailty.

What reasonable man would like to be a city of demons,
who behave as if they were at home, speak in many tongues,
and who, not satisfied with stealing his lips or hand,
work at changing his destiny for their convenience?

It's true that what is morbid is highly valued today,
and so you may think that I am only joking
or that I've devised just one more means
of praising Art with thehelp of irony.

There was a time when only wise books were read
helping us to bear our pain and misery.
This, after all, is not quite the same
as leafing through a thousand works fresh from psychiatric clinics.

And yet the world is different from what it seems to be
and we are other than how we see ourselves in our ravings.
People therefore preserve silent integrity
thus earning the respect of their relatives and neighbors.

The purpose of poetry is to remind us
how difficult it is to remain just one person,
for our house is open, there are no keys in the doors,
and invisible guests come in and out at will.

What I'm saying here is not, I agree, poetry,
as poems should be written rarely and reluctantly,
under unbearable duress and only with the hope
that good spirits, not evil ones, choose us for their instrument.
Bijan Rabiee Sep 2018
A fleet of Moon's spears
Swoop down on shadows of night
Like silver dragons

A ****** of crows
Rupture the sky asunder
Devoid of mercy

People scatter IFs
In the most fertile farmland
They refuse to grow
  Sep 2018 Bijan Rabiee
Dylan Thomas
In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.

Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art.
  Sep 2018 Bijan Rabiee
Sharon Talbot
At first the air seems too dry;
Then you see the mist --
A small town on the horizon;
You decide to ride on,
And give Father's headstone a last kiss.

You find yourself wondering why
Anyone would stay here.
Some of those who passed before
Left their mark on rotten doors
Memories strangely dear.

Love's a gamble in a ghostly town;
It could move you, swift or slow.
You unholster your heart,
Wonder when the shooting will start,
But you already know.

Dozens to go and only one down,
Riding through a town of slaughter,
You're both alive and dead,
Mute bullets whistle by your head:
Are you a killer or a daughter?

He was here once, before you knew
About the emptiness outside.
Still you followed him.
His face was harsh and grim.
And he told you to leave or hide.

Love that's cold, deadly and true
Is the easiest and hardest kind.
You can **** him or just love him;
You'll never know much else of him,
But he’ll never leave your mind.

Dawn bursts over the sharpest peak
And the town streets fill with gold;
It’s the only kind this place will ever see.
You know that soon, you and he
Will shoot each other or fold.

Yet, love in a ghost town always dies,
Killed before it can start.
Spanish ladies even now wear mourning veils
And the lovesick couples' faces pale
When you shoot each other through the heart.
Partly inspired by The Lady or Ellen of “The Quick and the Dead” and the violence of passion--especially that which happens internally.
Bijan Rabiee Sep 2018
Hop on a train to nowheres
Where no kindred souls reside
And you shall find ebbing cares

Get away and defrost
Your turbin of independence
And electrify soul's ******

Leave and don't look back
Your hut is an allocated rut
An ever-widening crack

You are born free of chains
A roving verve of stardust
Exploring firmament's veins.
Next page