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 Nov 2015 Thomas Newlove
ryn
Jolt
 Nov 2015 Thomas Newlove
ryn
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  •  they say light-
ning never stri-  
kes •  twice in       
the very same          
place•not as              
if it chooses                  
the  person                      
it likes•nor                          
has it targ-                              
   eted a familiar face • growing  
accustomed to these repeated  
                    jolts•i stay fro-
               zen in anticip-
           tion•for subs-
       equent influx
     of volts•is th-
 is love or me-
re petty infa-    
tuation?•ca-        
       n't believe my luck • be-
       cause  time...  and again,  
                    inevitably•i
               stand here,
            apparently
        struck•e-
   very  ti-
me you
cast a...    
a gla-        
nce               
at                   
•                      

ME•                            ­  
.
Concrete Poem 7 of 30

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 Nov 2015 Thomas Newlove
Kj
dating a writer
is like guessing the weather.
you think you know what you'll get,
but you never do.

you never know
because

she'll create a hero
from your weaknesses

and she'll write a great character,
from every last flaw.

she'll create a thousand plots  
from your worst nightmares.

she'll take every last thing you hate
and create something you'll love.

she'll turn your anger
into confessions of adoration,

and she'll make you,
everything you're not.

but worst of all,
she'll leave you wondering-
is it you she's in love with,
or things she's created from you?

but here's the beauty of it:

if you date a writer,
you'll never die.
my cousin liked to have breakfast
at an open air café, with his fiancée, on Fridays
the owner knew she loved French breads, having
been schooled at the Sorbonne  

the bakery made them at his behest    
he would tell his staff to keep one for her
and to bring a bag when served;
she always saved half for later  

rush hour was madder than usual  
that night, until the bombs blasted
and brought the synovial silence that comes
in the wake of wondering, what
has happened?    

the sirens screamed soon enough
and my cousin smelled the smoke  
cordite, yes, but burnt baklava,
Maamoul as well  

his fiancée came to him that night  
watched and waited to hear if anyone they knew  
was lost, their hands clasped tight, breaths shallow,
in the languid hush after the city slowed
to its mournful rest  

the sun rose, the skies clear, crisp, to their surprise,
and they went to the café, where the owner apologized
for the wicked, wicked world, and for not having baguettes
after the bakery died
I must thank a friend at Facebook for posting an image of a candle for Beirut--the horrific events in Paris last night overshadowed the loss of 43 the night before in Beirut--a bakery was one of the two places bombed--I wrote of the Paris incident while it was unfolding--this one belatedly
Tell me, beloved, how many people you have killed
in your mind, over and over
Tell me of the throats you have twisted
and of the deaths you have relished
whisper them into my hair in the dead of the night
Tell me of their perpetual last breaths
So I may know the darkest parts of your soul
and love them also.
 Nov 2015 Thomas Newlove
M
"I'd die for you," that's easy to say
We have a list of people that we would take
A bullet for them, a bullet for you
A bullet for everybody in this room
But I don't seem to see many bullets coming through
See many bullets coming through
Metaphorically, I'm the man
But literally, I don't know what I'd do

"I'd live for you, " and that's hard to do
Even harder to say when you know it's not true
Even harder to write when you know that tonight
There were people back home who tried talking to you
But then you ignored them still
All these questions they're for real like
Who would you live for?
Who would you die for?
And would you ever ****?
the italicized is my favorite section and, I think, the most important. Oftentimes we think that theoretically we're great people but our actions, both big and small, don't match up- or we're made to believe we're horrible people but our actions are the actions of a decent human being and a good friend. However, no matter what we think we'd do in these grand situations, what matters is the decisions we actually make.
I met a genius on the train
today
about 6 years old,
he sat beside me
and as the train
ran down along the coast
we came to the ocean
and then he looked at me
and said,
it's not pretty.

it was the first time I'd
realized
that.
some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply
there won't be any more, abstract or otherwise;
there'll always be mony and ****** and drunkards
down to the last bomb,
but as God said,
crossing his legs,
I see where I have made plenty of poets
but not so very much
poetry.
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