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Gargi Apr 2018
i tuck in the right end
of the saree
checking for excess at the bottom,
like revising, rewording, deleting words
from a poem.
turn once,
tuck in again
make up my mind about
how i want the pallu,
like i decide the end
before writing the beginning.
then comes the folding
which i invariably get wrong
the first time
every time
much like the infinitely pressed
backspace key, followed by
almost desperate slapping of keys.
i breath a sigh of relief
as i pin the pallu, content,
before i move on
to the daunting gathers -
the middle of the poem
that looks the same for all
but i convince myself otherwise
and look in the mirror
and find a poem smiling back at me.
Desperate attempts at keeping up the challenge in the face of semester exams look something like this
ConnectHook Apr 2018
If you should choose to kiss, and kissing, turn

Redoubling, consuming in abandon

Then would love, in loving you, prove wanton

While terrestrial forests willingly burn.

Our lips in flames no waters extinguish

Until all love's knowledge itself unlearn;

Our pupils for that flaming lesson yearn

Which bequeaths the heart unlessened anguish.

So loving you, I leave to turn and choose

In naughtiness regained when all is ash

To profit from the loss with naught to lose.

Thus eyes that gaze, unchastened, toward the lash

Must lose, in turn what all the world had gained . . .

Read half-coherent verse—and think half-brained.
faces in the crowd:
pedals on a wet black bike . . .
where is my bike lock?
Gargi Apr 2018
In her soft cotton saree
paired with the any blouse she finds,
with her spectacles hanging around her neck
from an ancient brown string,
my grandmother reads
the miniscule font on her phone -
squinting, struggling, adjusting
but never giving in
to old age.
Gargi Apr 2018
शाम हो गई, अब चाँद भी ढला
वक़्त पर सोए ज़माना हो गया

कई दिनों बाद आज मालकौंस सुना
रोते रोते हँसकर ज़माना हो गया

आज एक बार फिर ख़ुद की याद आई
पर आईना देख कर ज़माना हो गया

ग़ज़लें, नज़्में, शायरियाँ लिखीं
तुमको भुलाकर ज़माना हो गया

ज़माने की क्या बात है, वो तो कहता रहेगा
मगर उसकी बात सुनकर ज़माना हो गया
Malkauns is a Hindustani Classical raag sung at midnight, and has 3 komal (low) notes, making it contemplative or even poignant, at least for me.
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