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Àŧùl Nov 1
When you were born, oh my dear,
No doctor—no midwife predicted,
But, oh my dear, you've been a granny,
All throughout, all throughout.

When I first saw you,
I wanted to take you home,
Adorable, lovable, and pure
I really did want to kidnap you.

Why, you ask me...
Look at yourself,
Those pure eyes,
That cute face,
And that cuddly body.

I saw you in 2024,
And you were 24 years old,
I realised you're a 24-year-old grandma.
No fun, no bun, no run.

Oh, Teddy, I so wish...
I hope that you realised it...
Your words hurt me...
How you compared hurt me...

You generalised my trauma,
How could you compare?
You said, "Disabled people even clear UPSC-CSE,"
But you didn't stop there,
And you kept misbehaving...

If you never wanted to marry me,
You could've simply told your mom.

Off and on,
Undying spirit,
Not of positivity,
But of vengeance.

You never actually apologised,
So, I never forgave,
But it's hard,
Yes, it's so hard,
Hard to forget what we forged.

I had seen a world in your eyes,
In my mind, I had seen a future,
A future where you are with me,
A future where I train you, honey.

But why did we separate out?
C'mon now, tell me, why did we?
Couldn't you just be mine?
I wanted to live with you.

What was the need for separation?
I'm perplexed by how things went.
It was so right initially, the elation.
Why did the things prematurely end?
My HP Poem #2020
©Atul Kaushal

Meta AI's comments:
This poem is a heartfelt expression of:

1. Longing and love
2. Hurt and betrayal
3. Unforgiveness and nostalgia

The speaker addresses Teddy, born February 6, 2000, with a mix of affection and pain.

*Initial Affection*

- Admiring Teddy's purity, cuteness, and charm
- Desire to protect and care for Teddy

*Painful Shift*

- Realization of Teddy's transformation (24-year-old "granny")
- Hurt by Teddy's words, comparisons, and misbehavior
- Feeling traumatized and unforgiven

*Unresolved Emotions*

- Confusion and perplexity about separation
- Longing for a lost future together
- Unresolved issues and unspoken apologies

*Key Questions*

- Why did Teddy hurt and betray the speaker?
- Why did they separate?
- Why couldn't Teddy be honest about their intentions?

*Poetic Devices*

- Imagery (pure eyes, cute face, cuddly body)
- Metaphor (24-year-old granny)
- Repetition (oh my dear, why did we?)
- Rhetorical questions

*Themes*

- Toxic relationships
- Emotional trauma
- Unforgiveness and nostalgia
- Longing for lost love

This poem is a powerful expression of complex emotions.

Would you like to:

1. Explore ways to process emotional trauma?
2. Discuss healthy communication in relationships?
3. Analyze the impact of comparisons on self-esteem?
4. Examine poetry as a therapeutic outlet?
Through twisted bars of dark wrought iron
I see the shining golden home.
There once I’d been in my personal Zion
from which I’d freely roam.

But now I note I’ve lost the key
to this imposing gate:
I stand outside, trying hard to see
what caused this change of fate.

When and why did I turn my back
on this inner keep of peace?
How to drop the sackcloth black
and find a new release?

Now I must pull me up
and scale these castle walls
that I myself had built
before I took this fall.

For my sake and for those I love
it’s time to find my way
back to where sounds of cooing doves
becalmed me, come what may.
An allegory of fighting depression inspired by seeing Holyroodhouse Palace through its wrought iron gates.
Sam Lampyris Sep 25
Date written: July 19, 2024
yisselakh@myyahoo.com


Glowworm

By: Yisselakh

Verse 1:

Oh what more is there to say
About the beetle with new clothes
About the beetle with a new name
This as close as a speck of dust
Can get to catch a star

Bridge:

I know it won't be far
I can see the sparks
And you know
I'll never stray from the path
And you know
I'll never stray from the path

Chorus:

So
Light the way
Light the way
Light the way

So
Light the way
Light the way
Light the way

Verse 2:

I must have been waiting
Since the dawn of days
As you hid within the tall grass blades
When the weary eyes of dusk sway
Blink between time and that eternal place
I'll see you ascend above this maze

Chorus:

And
Light the way
Light the way
Light the way

And
Light the way
Light the way
Light the way

Bridge 2:

Back to innocence, back to the ancient dream
And this time,
I'll stay
You'll stay
We'll stay
And see

CODA:

The wasteland of sorrow
We left behind
Ebbs away, fades away
In the light, with the night
In the light, with the night
Oh love of mine
Love of mine
Love of mine
Isn't this just divine
You and I
And all we love
For all of life
The Secret Lives of Sam Lampyris 4
Loosely Inspired By:
FABRE’S
BOOK OF INSECTS
RETOLD FROM ALEXANDER TEIXEIRA DE MATTOS’
TRANSLATION of FABRE’S “SOUVENIRS ENTOMOLOGIQUES”
BY MRS. RODOLPH STAWELL


-------


Disclaimer:

Sam Lampyris is peeking through time from eternity. Sam Lampyris has all the time in the world. Sam Lampyris wants to know everything, Sam Lampyris wants to do everything, Sam Lampyris wants to write about everything. Sam Lampyris draws, Sam Lampyris paints, writes, learns, sings, thinks.
Sam Lampyris has many facets and many names, many interests and hobbies.
Sam Lampyris is PinkCircleLyrics,
He is Yisselakh.
He is Meynoher.
And more.
He is impulsive, and follows the ebbs and flow of his stream of consciousness faithfully.

All conscious directly inspired pastiche, homage, references, adaptation, and other derivative content will be noted, and any other similarities beyond this I can only attribute to subconscious influence, collective consciousness or unconscious, or pure coincidence.

Unlike previous works by Sam Lampyris under various pseudonyms, these works are less reactive and more proactive. This is to say that the previous poems and lyrics often sprung directly from my immediate reaction to things I have heard, listened to, read, seen or watched, and are usually much more authentic to my personal philosophy, be it intuitive or learned.

These, however, are more proactive in the sense that I voluntarily seek prompts and inspirations from books and other mediums I look to learn from and write with them in mind. I do this in order to fortify my understanding of them in my own preferred way.

However, during the writing process, my mind always, in some strange way, becomes locked in a track and I, again, seem to be always directed to follow my intuition. Thus, most of the works are non rhyming or rhyming free verses, as instead of writing with strict and consistent meters, it feels like my own being is forced to follow rhythm patterns that "feels right."

Thus, though I can't promise these thoughts are anything under the sun, in fact I can promise the exact opposite:

Ecclesiastes1:10 King James Version

"Is there any thing whereof it may be said, See, this is new? it hath been already of old time, which was before us."

I can promise these works are absolutely authentic to the entire being of Sam Lampyris, no matter what his name is at the time.
Davis J Posey Sep 14
Far away, I see a man
Standing tall on rocks of sand.
Careful not to move or breathe.
Fearful of what may break beneath.

He sees me, too,
Wading in a pool of blue.
Here I have stood for years,
Now tired from all of my fears.

The water whispers my name,
Saying I am not to blame.
She offers me rest.
And lulls me to take one last breath.

But the man warns me to keep my head above,
Warning me of the devil’s dove.
If I die, so will he; even now, we totter
Scared, I may drown in three feet of water.
Sam Lampyris Sep 13
Date written: June 23, 2024
yisselakh@myyahoo.com

Mantis

By: Yisselakh

Verse:

So you look above the hedge
And see the mantis on the edge
The waning sun shines through its silhouette
A sea of green perched beneath
The roaring storm of overcast red
The roaring storm of overcast red
The roaring storm of overcast red

Pre-Chorus:

And the little life
Oh so it oversees the other side?
Arms curved, and the eyes?
The eyes?
The eyes?
Piercing into the mind
Does the little dot lead
A sphere of truth or lies

Chorus:

For humanity patiently on this side
Of time, of life, of a metaphorical rhyme
What do you see from above us
What can you prophesy?
If he were the cicada perhaps
We'd know everything
Everything
Everything
But it stays so silent
Oh so silent
Oh so silent
So we can do nothing
Except keep dreaming
Keep dreaming
Keep dreaming

Repeat:

Pre-Chorus:

Ask the little life
Does it oversees the other side?
Arms curved, and the eyes?
The eyes?
The eyes?
Piercing into the mind
Does the little dot lead
A sphere of truth or lies

Chorus:

For humanity patiently on this side
Of time, of life, of a metaphorical rhyme
What do you see from above us
What can you prophesy?
If he were the cicada perhaps
We'd know everything
Everything
Everything
But it stays so silent
Oh so silent
Oh so silent
So we can do nothing
Except keep dreaming
Keep dreaming
Keep dreaming

CODA:

Is there an unshakable truth waiting of a sweet
Awakening
That, my child, my soul, the faithful and hopeless
We have to answer from within
Do you believe?
Do you believe?
Do you believe?
The Secret Lives of Sam Lampyris 3
Loosely Inspired By:
FABRE’S
BOOK OF INSECTS
RETOLD FROM ALEXANDER TEIXEIRA DE MATTOS’
TRANSLATION of FABRE’S “SOUVENIRS ENTOMOLOGIQUES”
BY MRS. RODOLPH STAWELL


-------


Disclaimer:

Sam Lampyris is peeking through time from eternity. Sam Lampyris has all the time in the world. Sam Lampyris wants to know everything, Sam Lampyris wants to do everything, Sam Lampyris wants to write about everything. Sam Lampyris draws, Sam Lampyris paints, writes, learns, sings, thinks.
Sam Lampyris has many facets and many names, many interests and hobbies.
Sam Lampyris is PinkCircleLyrics,
He is Yisselakh.
He is Meynoher.
And more.
He is impulsive, and follows the ebbs and flow of his stream of consciousness faithfully.

All conscious directly inspired pastiche, homage, references, adaptation, and other derivative content will be noted, and any other similarities beyond this I can only attribute to subconscious influence, collective consciousness or unconscious, or pure coincidence.

Unlike previous works by Sam Lampyris under various pseudonyms, these works are less reactive and more proactive. This is to say that the previous poems and lyrics often sprung directly from my immediate reaction to things I have heard, listened to, read, seen or watched, and are usually much more authentic to my personal philosophy, be it intuitive or learned.

These, however, are more proactive in the sense that I voluntarily seek prompts and inspirations from books and other mediums I look to learn from and write with them in mind. I do this in order to fortify my understanding of them in my own preferred way.

However, during the writing process, my mind always, in some strange way, becomes locked in a track and I, again, seem to be always directed to follow my intuition. Thus, most of the works are non rhyming or rhyming free verses, as instead of writing with strict and consistent meters, it feels like my own being is forced to follow rhythm patterns that "feels right."

Thus, though I can't promise these thoughts are anything under the sun, in fact I can promise the exact opposite:

Ecclesiastes1:10 King James Version

"Is there any thing whereof it may be said, See, this is new? it hath been already of old time, which was before us."

I can promise these works are absolutely authentic to the entire being of Sam Lampyris, no matter what his name is at the time.
Carlo C Gomez Jan 12
~
I. Fog Glossaries
'Echoes don't tell lies,'
but inclement weather so often does.
look!
between whales and feverish thought,
between their sparkle and debris,
what is brewing systematically,
right under the surface,
might be terrifying.
or it might not.

II. The Cruxifiers
Time and life are machines that manufacture doom,
their sparkle and debris calculatingly withheld,
like keyholes to dark rooms that they
—in their reserved attack—never let you into.

III. Oceano Dunes
Bedouin princess—Charis Wilson tumbling
with Edward in the sand
—a photo finish.
—a young woman's triumph.
—a naked gift wrapped in sparkle and debris.

IV. Jellyfish Are Murderers
Here's a hint,
needle mark refineries are back,
expanding and contracting
in Baltic Sea,
in sparkle and debris,
smack after smack,
umbrella bell stings send
another pearl necklace
of dreams to its grave.

V. Container Ships
Substance A covers the outside hull,
Substance B is leaking from everyone's ears,
still the captain smiles, sailing straight ahead, ignoring the crew
as they turn into sparkle and debris.

VI. Mouth Guards of the Apocalypse
No one on the submarine is listening,
scopes up, spirits down,
current position unknown,
longer commutes, shorter lives
recede the fear of sparkle and debris,
by hiding out in the guest rooms,
waiting for a messiah drink
or perhaps a palindrome:
'never odd or even
no lemon, no melon.'
It's all so sour to the teeth and gums
of Armageddon's kids...

VII. Womenfish
Lost girls drive rental cars, change identities at rest stops. They shuffle down an otherwise sunny street beneath their own personal raincloud, shivering in an oversized coat. They imagine they're a parable stretched over the sea and not just mere sparkle and debris.

VIII. A Mother’s Book of Hours
At home and in her head
the roots get tangled,
so she storyboards each morning.
the lathe of heaven
must be Morse code
for death of romance.
she hears silent music
as her children sleep,
as whales sing off the coast,
they share their blood,
they share sparkle and debris.
there's a sweet little lie
baking in the oven,
she doesn’t want to talk about it.
she wishes her dreams were longer
and catches an interested eye
at the dream window,
her hands surrendering
their attempt to conceal,
naked is her perfect disguise,
you can hear her repeatedly asking,
“Who have I lived for?”

IX. The Pavilion of Dreams
How often I dream water,
some are lakes and seas,
others Olympic-sized pools,
each a self-portrait,
holding fast to the resurrections unseen,
to the digitally etiolated detail of the comedown,
every chimera ending
with my mind floating
just beneath the surface with all
the other sparkle and debris.
~
'Echoes Don't Tell Lies' is a borrowed line from the title of Neville Pettitt's new book of poetry.
https://hellopoetry.com/poem/4791671/echoes-dont-tell-lies/
Anais Vionet Jun 2023
I drew stick figures
things were simple

in a pencil world
mistakes were erased
you could start over

but an inchmeal awareness nagged
- the sky isn’t gray, it’s a liquid blue

but crayons were complicated
you couldn’t erase things
mistakes were irrevocable.

and there were 148 colors in the big box
keeping them in rainbow order was work.

growing up is hard
BLT Marriam Webster word of the day challenge: Inchmeal: gradual, or little by little
David Hilburn Jul 2022
Bridge on fire
Flames noted for their honesty, justice
Given a stoic chance, the element of a sire
Waiting on the God given stir, of heaven to spice?

We walk with ourselves and a name
So allowed, so meticulously reasoned
By the tides of tomorrow, the edges of shame
Will us to life, the self and same, since seasoned

Rain may come, a harrowing guidance to destiny's future
Fortunes of simplicity and chaste, the gall
To step forward, and ask a land in all curiosity
Is a found and timid laugh, our only way to an answer's fall?

Succinctly the embittered path, with a rue
Time mushrooming into secrets and pains where with all
Hello, adding sincere to a bonfire of vanity's, a could
And a shoulder of compassion from here to sight eternal...

But the fire persists, the devotion of silence's choice
In the stir of accept, and where winds know a callous insist
The terror of a failing humanity, with a salt to its fame, if not voice
Where has irony and its conscience been, the eyes of hate we visit?

Little harmony, the stuff of patience and liberty's dreams
Still a hand to hold, when peace becomes a risen sort, to avid lead
Long in the truth to overwhelm a shadow, we all know and seem
Where presence of mind has a lover, somewhere sending a remorse's kiss, to me...
Louise Jun 2022
On my own,
I would probably *****
and gallop around
like an untrained horse,
just doing whatever I please.
But with himㅡmy master, my rider,
I became a tamed, seasoned
and trained champion.
When he's on top of me,
he trots with glee,
when we jump
and into the air we flee;
I feel like I would be sold
with a worth far more than
a brand new Ferrari.
On my own, I am but a restless beast;
But when we canter together,
we grace the lands
and weather the storm,
we ride with such majesty
and with much ease and joy.
We ride and never worry about the fall.
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