Road Trip: Thinking it's about time (find yourself within II)

This particular poem was born as a one line response to a message.  But in many other forms, half written, it exists still, un, unfinished, waiting for the next burst energy, the next holiday time, to reach a new finish line.

This is a different but similar to a poem posted on June 2nd, "Poetry Round (find your self within)"

Any error of omission is unintentional, but know that this took many hours, until fatigue won. If you never told or revealed to me your location, know that you will be called out, to and unto me, in another poem, called "your banner is my flag."

Fact about me:  You design me.
-------------------------------------------------------

th­inking it's about time for a road trip.

create an excuse
(reasons, I got a plenty)
to stop by,
to show you another side of me,
for a drink, a meal,
and some kind
of exchange, of
form and fluids,
manner to be determined.

to come to Minneapolis,
watch you create a heated sensuality,
verbally, from melted snowdrifts,
a hot time to be had
by all the poets
of the mini-apple,
I want to meet
and celebrate ann victory.

travel to Thiruvananthapuram,
tour the treasures
of gold and diamonds,
from whence come
the bejeweled poems,
that have earned visits from
thousands upon thousands,
pilgrims, devotees, followers,
to partake at that, his,
special temple.

Gomer, Gomer,  & MJJ,
I am in your Florida,
no, sorry, not in Ocala,
near to your homer,
and I feel you springer
ten times in the
November sun rays,
that have me locked
in a full Nelson,
your productivity,
endless,
a sea of orange sunburnt words,

Tennessee,
The Carolinas,
Georgia,
The South,
I rise with it,
now, again,
that I will need a slow
sunny all lazy summer long to
learn y'alls ways,
see the wolves,
in your forests,
helm the riverboats,
navigate the quaint tides
of Charleston,
the special places
where they heal, le ville,
where the ashes of
burnt children,
retuned to be whole.

learn y'alls ways,
walk in your boots,
of seeing poems
using your special
southern saber words.

missed the original
Thrilla-in-Manila,
but rest easy, assured,
that hotbed of creativity,
where I check the
PH of the mc waters
to comprehend its
wisdom and now, it's sadness,
will be an illustrious destination
on my itinerant itinerary,
stopping by Makati City,
after all,
it is writ in the good book,
this island,
the PhilippineS,
is the birthplace
of the letter S,
Samples: samson, sally,
and So many others?

in Nevada City,
which is of course in
krazy California,
wager philosophy, romance,
be available for
succinctly seeing
works in progress,
from which I
will imbibe,
so **** deeply,
may have to
stay awhile for...

while I am there,
will need to do
a search and
Hug Mission,
to find a special man,
his unkempt prose,
his mortal rhymes
disguise not his holy worth,
even to the grassy
cal-stratosphere,
to the mesosphere,
will I high fly,
to find his sweetest spot,
then and thereafter
going looking
further on to
Humboldt County.

in Leeds, in West Yorkshire,
(Hamphshirians, Northamptontonians,
patience please)
built foundries and factories
over the magical forest of Loidis,
near to the river Aire,
yet still hides a
magical sorceress of words,
casting spells over
men and beast.
no one has seen full
her half-turned away face,
but when she summons,
do I have a choix
other than obey?
even if I get lost,
my sorceress,
you know,
I am on way too.

to get there,
will fly I must,
to Heathrow hell,
will do it,
just for you,
faithful friend,
a man da gotta do, what
a man gotta do...for you,
but first a stop off at the
London School of Economics,
Hampstead as well,
for a tutorial about sonnets,
or sams in wells,
even if I come
in my bare feet.

even in New York Upstate,
a man da gotta do,
what he mulls over in his heart,
be not surprised at a knock upon
your door, to make comparative notes,
about each other's tattoos.

in the South African veld,
hid in the highland grasses,
crouches the poetesses and tigresses,
waiting to ambush you
with words that must be seen
to be heard, to be well understood.
perhaps I'll come at ester time,
under blue indigo skies over,
a golden landscape,
seizing all the gems
that can be seen
only at 3:00am

leeward,
north to Canada,
must I, transgress,
country of my momma's birth,
fly from Montreal to Toronto, Calgary
then over to Vancouver.
Canada,
a dangerous place for me,
cause there are beautiful
souls up there,
and maybe even a
warrant to
repossess mine,
they want their
poets back.

double down by ferry,
me to Seattle,
to see a man about river,
in the Pacific Northwest,
where I have happily
drowned so many times,
that The Lord is complaining,
am hogging all the baptismal waters,
but when reminded that
nothing lasts forever,
here tomorrow,
gone today, walk on,
I add my tears
to that river,
before hitting the road.

on that river,
gonna drive me a kayak,
down Daytonway,
on the Yamill River,
see a gyreene marine,
watching me do a beach landing,
in Willamette Wine Park.
he will teach me to salute,
I will teach him how to
shake hands,
and learn from him,
it's ok,
to stand down.

man o' man
there are a lots of poets,
in these here parts,
this grand
Pacific North West,
looking for one in particular,
who will be quite easy to spot,
as he is my very own
soul brother.

will be easy to find,
though we have never met,
he will be on his kayak,
I on mine,
tho when he paddles,
somehow he manages
to hold
never letting go
of, his lovely bride,
his best half's hands.

this will a problem,
for I must teach him how to
shake two handed souls,
while hugging and paddling,
even bailing,
with an old dented pail
simultaneous.
but you can teach old dogs
new tricks, even the ones,
that can't spell
rhymers.

have mercie on me Ohio,
like a mother has to her daughter,
done a three year sentence in Cleveland,
but no jail can hold an NYC boy,
but if requested, yes I will return
to set fire to the *Cuyahoga,
again! he he he...
but do not s mock me!
(now you know why the FBI loves
my poetry, my biggest institutional fan).

souls in torment,
where you be,
where you hide,
matters not where
you physical reside,
for we have found
each other
in each other words.

You, who live in
your very own
personal hell,
I think we met there,
because
yours was
mine too,
tho not found
on any map.

maybe I will meet the
Empress Josephine Maria,
rowing on the canals of
the Netherlands,
no longer will she be
alone.

but then again, some
very special things,
like
the purest of love
are on no map,
they are everywhere.

while in India,
will seek the many musings of many lips
of aged rhyme men
and complicated charmers
so I may kiss them
with spiced humors
to pour and pour,
more and more,
upon this western soul,
mysteries of the east,
to Kashmir, Bangalore,
wherever I must,
even take a praDip in the Ganges,
I will go, find you,
un-hide you,
among the
teeming millions,
millions of
jokes and rhymes,
that make the
world spin brighter.

in Germany,
all the university students
speak English,
in Wiesbaden, they know
poetic beauty is not in the format,
some in Bamberg,
with a peculiar
Missouri accent,
which is nicht gut Englisch,
so study hard the real way,
speak the language
the new yorka way,
which will require
study abroad,
which is quite funny,
now that I think about it.

but in Mo.,
the native drums roll,
long and slow,
making words
I know
better, different,
in a way never saw before,
leaves me asking for,
mo', mo', please?

to get there, to Allemagne,
land of my forefathers,
a ship I will take,
from Southampton
across the Kiel Canal,
before I depart,
will have my hair cut,
my words reworked,
by her Ladyship,
whose keen eyes and
maternal instincts,
see the joy of life in every
Livvi little thing.

Watt am I going to do if
I need to find a Tecumseh,
taker of my naked poems,
and enlarger of them,
so truth by her,
all revealed,
we are all naked
at least,
twice a day?

In Nepal I will purr at the words
gleaned from the markets and
train stations where
voyages from Lalitpur to Katmandu,
start and end,
where there is a miracle almost
sixteen years young,
where they call their schools
future stars and little angels,
so why should poetic miracles not be
as common as its subtropical clime?

though I despise the
Dallas Cowboys,
not my  America's team,
nonetheless there is a young woman,
a true rose of Texas,
who waits and writes
so lovingly of her airman,
in Afghanistan, I have placed
their names first,
in my nighttime prayers,
hoping to be there,
schedule my visit,
to witness his safe return
and their
joyous reunification.

there are no Mayans in Maine,
but poets of similar name,
kould be, mae be,
Julia's in Jersey, new,
in Auckland,
there are poets
who don't know it,
and Down Under, too,
where getting high is easy,
getting high at
and on words
well marshaled ,
but **** sure I will be
peering and prring,
all the way.

Oregon,
don't be gone,
those wide eyes shut,
when I come by,
who knows when I
will pass this way again...
on my way to Phoenix,
where sunrayes bend to the
desires of dessert breezes.

Kentucky to Korea,
one long road to travel,
but middle son,
if you can do it,
so can I, and,
I will follow.

in a beautiful city,
unsurprisingly called
Belleville,
the leader of the band,
still leads us in belle 'noise'
and when he finishes
fall leafing us in song, he still,
rises up in the mid of dark,
prayerful haikus to write.

off to Rogers, Arkansas
to meet an Italian from Mexico
who specializes in skinny poems,
something one day I will be too.

maybe I will go to
places it snows,
there are so many,
but your photo,
and tattoo trail,
clues, will follow,
no matter how hard
you make it a mystery.

you, who live in just
the world,
don't even think,
that crazy dotted lines,
unstraight,
or huge plains,
are sufficient,
to hide your
moody dust trail
from me!

somewhere in the USA,
roses grow in ground
that needs the
watering of tears,
though this place
is hard to find,
ha, turn around,
that is me,
tapping you,
on the shoulder!

will find you,
as I am searching for
a lovely pair
of stockinged ankles,
each with a heart tattoo,
but I sure could use
a clue,
before this hobbit searches
all the shire,
derby hatted,
to find your
heart real, and the real you...

my mode of time travel?
why I am just
a dude on a rocket ship.

Wisconsin,
look for my ruby message
in the snow,
in the dust,
in the sand, the skies, the sea,
but will you answer me?

Pittsburgh,
patient, you've been,
you thought I forgot
all about you,
chimera  at the intersection
of three rivers,
all you need wonder,
upon which one
will my ship arrive
and why you still disbelieve
you are not a poetess!

ME oh my,
you too, a hidey hole got,
but, we are strange, we humans,
we would gladly bleed to please,
If we could but find
a combination of
new words that
would your heart gladden,
your eyes tear,
your lips wear,
a smile of pleasure
at our offerings poetic!
but still I know not,
the where!

Lagos,
where
I shall climb the tallest skyscraper,
calling out in Yoruba,
where is my Temitope?
where is mine,
worthy of thanksgiving
so I may carry my Popoola,
my pole of her of
written wealth?

Mombasa, Singapore,
Maryland, Rhode Island, Kentucky,
Huddersfield, Connecticut Joe, Ireland,
South Dakota,
where the merry elders
well ken somethings
about a moon and tattered clouds,
something about children and dogs,
and something about letting
tomorrow's wait.

Milwaukee, Atlanta,
chuck, in *PA., friend to all,
to all those scattered across these
United States of America.

can we dare not mention
"The Shaq" of Malaysia,
South Sudan, Pakistan,
of course not!

Suburbia,
beautiful, black San Diego, Detroit;

The BBB's -

British Columbia, Brazil, Breendonk, and
B'kara!
the goodness of *Boston,
flipping out in Flipadelphia,

did you think I would forget ya?

those of you hiding among 64 stars,
the groves of L.A',
on the lanes,
the special land of I-sia-Bella,
fellow citizens of Neverland,
those of you 'at home,'
in the land of nightmares,
concrete boxes,
those who post without a doubt,
and in the box,
this who think your birth year
is an identifying mark, not,
you never fooled me,
will visit each and everyone.

even and especially,
the grays of crosstown
NYC,
the red writers of my hood,
the tylers too.

I am exhausted,
forgive me well,
if thy locale,
I did not explicate,
for the hour is very late.

yet thru subtle fissures
in the clouds,
look for a tired old man
on the wings of a
chariot drawn by angels,
bringing you a dictionary
full of new words,
a present for you,
but truly,
a present to himself
for from it,
your future poems
will come.

*but the sun has come up,
so now I sleep.

I ran across the car park as the train pulled away.
The wind blew into my face and made my eyes water
And with it came the smell of hot oil and metal
That stung my nose
And it lifted me.
It picked me up
And placed me on the platform at Southampton station
8 in long socks and a blazer.
Holding my mothers hand
The station master grinned and sweated,
Grime on his forehead
Smoke on his breath.
He pulled off the cap
And the cylinder gushed
A cloud of ***** steam across the concrete
And I hopped back as it touched my legs
All aboard! All aboard!
Pushed forward
I stepped up
Looked up
And eyes smiling he lifted me
Across the gap at Southampton station
Unsteady as the train shuddered
My hand clung to the rail
Through the door I faced a forest of legs
And black shoes
And briefcases
People were so much bigger then.
I turned
And through the doorway
She seemed so much further away
She waved and blew a kiss
And I just stared wide eyed
As the station slipped sideways
And the gaunt faces of the other passengers
Became a blur.

’Twas in the nineteen-twenties, when young people were bright and gay,
A flapper left Southampton, on a cruiser bound for Bombay.
Her fiancé was a subaltern, in India, in the cavalry,
And she had taken passage there, intending, him to marry.

She shared a cabin with a girl, ’cause money was quite tight,
And though they had met as strangers, they were getting on all right.
The flapper had met some nice people, and things were going fine,
Until they reached the equator, and had to ‘cross the line’.

People who before, had never the equator crossed,
Paraded around in fancy dress, and some into the pool were tossed.
The crew were dressed as pirates, and one as King Neptune,
And some of the passengers ‘walked the plank’, it was all done in fun.

During the proceedings, cocktails and champagne were drunk,
And the pirates, lots of passengers, into the pool did dunk.
The flapper’s chosen costume was that of a mermaid,
And with her legs placed in the tail, she hopped in the parade.

Because of her restricting costume, she hadn’t been tossed in the pool,
Now eventime was coming on, the air was turning cool.
She thought she’d look at the wake of the ship, so she hopped to the after-rail,
And stood there drinking a Planter’s Punch, whilst balancing on her tail.

Standing there, under the stars, she gazed down at the sea,
And saw something jump out of the water and wondered what it could be.
Then, leaning over further, to try to make it out,
She lost her balance and fell overboard, no time to even shout.

She crashed to the water on her front, and couldn’t clearly think.
She was winded and rather drunk, because of all the drink.
She struggled hard to keep afloat, her arms were all a-flail,
And for a time she was helped by air trapped in the tail.

Back on board the ship, her cabin-mate was drunk,
And didn’t think that she’d be able to get back to her bunk.
She went to a saloon, and stretched out on a sofa,
Then closed her eyes and went to sleep, the drunken little loafer.

In the morning she awoke and staggered to her berth,
With a frightful headache, no longer full of mirth.
She took some Alka Seltzer, in a glass of water,
Then slept again, not missing the flapper, although she should have ought to.

In the sea the flapper was floundering and thought that drowned she’d be.
The ship showed no sign of turning back, and went on its way steadily.
Her tail was slowly losing air and filling up with sea,
Her last thoughts, as she started to sink, were, “Why is this happening to me?”

Her past life flashed before her eyes, it didn’t take too long.
She’d really led a quiet life, and had done nothing wrong.
“That, I’ll rectify,” she thought, “if ever I get back.”
Then the air bubbled out of her lungs, and everything went black.

“Am I in heaven?” were her first thoughts, assuming she was dead.
When she heard a quiet voice, which unto her, it said
“I thought you were a mermaid, now I think you’re a mortal,
If I’d known, I never would have brought you through my portal.”

The flapper struggled to sit up straight, ’cause her legs were still in the tail.
She opened her eyes, tried to see in the gloom, and then she started to wail.
“Please tell me just where I am, whatever is this place?”
Then she tried hard not to scream, when in front of her eyes loomed a face.

In the dark it seemed to glow with a phosphorescent light,
And this was the reason it had given her such an awful fright.
Then, as she scrutinised it, she thought it did look kind,
So asked, “Why did you think me a mermaid? Are you out of your mind?”

The face moved back and regarded her, and then to her it said,
“Aren’t you at all curious to find you are not dead?
Luckily for you I was on the surface, looking at your ship,
When I saw you standing staring down, and then I saw you slip.”

“I swam back under the water, so I would not be seen,
And heard you splashing in the water, and wondered what it did mean.
Then, looking at you from beneath, as you your arms did flail,
I saw to my surprise, that instead of legs, you’d a tail!”

“I could not work out why a mermaid was on that boat,
Nor why you seemed to not be able to swim or even float.
Then you started sinking and your gills I couldn’t see,
And you obviously weren’t breathing, so you needed help from me.”

“Then I thought of the quickest way that your life I could save.
I towed you to the sea-bed, and brought you to my cave.
There is lots of air in here and I saw to my relief,
When I laid you on my bed, you started then to breathe.”

The flapper was quite shocked at this and couldn’t believe her ears.
She thought she was trapped with a lunatic and her mind was filled with fears.
So sitting up, she undid the belt that held her tail on tight,
Then wiggled a bit and pulled it off so her legs were now in sight.

“There are no such things as mermaids!” the flapper then did shout.
“Why are you keeping me captive? Oh won’t you let me out?”
“You really are then human,” the mermaid, startled, said,
“And I brought you here inside my home! I really feel afraid.”

“I don’t believe in mermaids,” the flapper again did wail.
“So far I’ve only seen your face, I haven’t seen a tail.”
The mermaid said, with trembling voice, “If that is what you wish.”
She then lay back upon the bed, and gave her tail a swish.

“No, no, it’s just your fancy dress, like mine for the parade,”
The flapper said, and like the mermaid, she was sore afraid.
They both sat up and looked at each other,  tears running down their faces,
And each, feeling sorry for the other, each, the other embraces.

As they hugged together, they started to calm down,
And the flapper said to the mermaid, “I think that you have shown
Great compassion in saving me and bringing me safely here.”
And though overcome by emotion, she managed to sound sincere.

The mermaid said, “You’re trembling, may I be so bold
As to ask if you’re still frightened?” The flapper said, “I’m cold.
I’m shivering to warm myself, my clothes are chilly and wet.”
The mermaid told her, “I know what, some dry clothes I will get.”

Sliding down from off the bed, into a pool she slipped,
And swam to the far side of the cave, and there a case she gripped.
Rolling over onto her back, she balanced it on her chest,
Then swam back to the flapper, who hoped it hadn’t squashed her breast.

The flapper helped to lift the heavy case onto the bed.
“I hope you haven’t hurt yourself bringing it here,” she said.
“Oh no,” replied the mermaid, “I’m stronger than I look,”
Then she opened it, and from the inside, several garments took.

The flapper then looked thoughtful and said, with a little frown,
“I hope this case hasn’t come from someone who did drown.”
“Oh no!” said the mermaid, as she that thought abhored,
“I often find stuff from ships that has fallen overboard.”

The flapper quickly then took off all her sodden clothes,
And picked up a lace hankie, and on it blew her nose.
She dried herself upon a towel, and sorting out clothes to wear,
Picked out some silken knickers and a strapless brassiere.

Then the flapper noticed that the mermaid was quite bare.
She obviously wouldn’t wear knickers, so she held out the brassiere.
“What is that?” the mermaid asked, “Do you wear it on your head?”
“Turn around, lift up your arms and I’ll show you,” the flapper said.

The mermaid swivelled round and raised her arms up high,
While the flapper knelt behind her, putting her arms round her to try
To fit her with the brassiere, and though she did her best,
She managed, inadvertently, in each hand to clasp a breast.

The flapper and the mermaid both froze there in that place.
The flapper felt a crimson flush, blush across her face.
The mermaid slowly lowered her arms, each covered a flapper’s hand,
And she murmured, “What are you doing? I just don’t understand.”

The flapper’s arms were locked in place and the mermaid she leant back.
The flapper felt her ***** flattened as the mermaid squashed her rack.
The mermaid muttered, “Don’t get dressed, I’ve a better idea instead.
Why don’t we lie down together? I’ll warm you up in bed.”

The mermaid released the flapper’s hands and slowly turned around.
Then she saw the flapper’s eyes looking down upon the ground.
The flapper spoke. “I know you meant the offer kindly, though
While I’m really flattered, in India, I’ve a beau.”

“I was on my way to meet him at Bombay, to be married.
I’d still be on my way there, if the cruise had not miscarried.
You have been so kind to me and managed to save my life,
Now will you help me on my way so I can be a wife?”

The mermaid looked unhappy, however, she concurred,
Albeit quite reluctantly, and then spoke so she’d be heard,
“I will try to help you, though yet we must delay.
There will be many sharks outside at this time of day.”

“If I take you outside now, to try to get you back,
There’s a real chance that the sharks they will attack.
Why don’t you finish drying yourself and find clothes to get dressed,
Then lie back down upon the bed and try to get some rest?”

The flapper started dressing and put on the brassiere,
And helped the mermaid put one on, who felt awkward not being bare.
When the flapper stood up, and stepped into the knickers,
The mermaid couldn’t help but stare, her eyes made up-and-down flickers.

“Please show me how you use your legs,” the mermaid did implore,
“It’s strange to see you standing up,  not lying on the floor.”
The flapper bent and stretched her knees to show how they did work.
Then turned around and squatted down and got her *** to twerk.

Then as the flapper, legs apart, upon the bed did kneel,
The mermaid, stretching out her arm, between those legs did feel.
And then very slowly, rubbed her hand forth and back,
And murmured, “It must feel very strange, because a tail you lack.”

The flapper, with a quavering voice, said, “It’s quite normal for me.
Now, though, what about you? May I your tail closely see?”
And with that, the flapper stretched out flat upon the bed,
Then on the mermaid’s tail, gently rested her head.

She put her hand upon the tail and stroked it up and down,
And feeling it crissate, gave a little frown.
It felt smooth when caressed downwards and rough the other way,
And then the mermaid arched her back and suddenly did spray.

From somewhere at the tail’s front squirted forth a spout.
That the mermaid did enjoy it, the flapper was not in doubt.
The liquid jet subsided and the mermaid gave a moan,
And a quite delightful odour suffused throughout the room.

The fluid showered the flapper, who wasn’t sure what to do.
Though when she wiped her hair, it foamed up like shampoo.
She rubbed it to a lather, and washed her body too,
And felt totally refreshed, as though she had washed in dew.

She stood, removed her underwear, because she thought she ought to
Rinse off the mermaid’s glorious shower by washing in some water.
She walked to a fissure in the cave where the water ran down in rills,
And as she rinsed her face and neck, she felt a pair of gills.

In shock she stumbled backwards and fell upon the floor,
Where her legs fused into a tail, which wasn’t there before.
She looked at it in horror and then with fear she cried,
When instantly, the mermaid lay down by her side.

The mermaid clasped her in her arms and rolling across the floor,
Pulled the flapper to the edge of the pool and pushed her in, before
Sliding in to the water herself, and pulling the flapper under,
Where, to her surprise, the flapper could breathe, it really was a wonder.

The flapper hung suspended, floating there in shock,
Then gradually realising she was all right, started to take stock.
Thinking that now, perhaps, she could swim just like a fish,
She gathered up her strength, and gave her tail a swish.

Unwittingly, she flapped her tail with all the strength she’d got,
And happening to be facing the cave door, right through it she shot.
Then coming out in daylight, she stared in disbelief
At all the spectacular marine life round about the reef.

There was coral in profusion, as far as the eye could see,
Of many shapes and colours, like a garden beautifully
Laid out on the sea-bed, with fishes swimming round,
Each of them making it their home; the sea-life did really abound.

The mermaid caught up with the flapper and took her by the hand,
Then said to her, “I’m confused, I just don’t understand
How you became a mermaid, then I saw you couldn’t breathe,
So I pushed you underwater, to try to give you ease.”

“I realised that you’d grown gills and couldn’t breathe in air,
So I thought that being in water was best, because it’s where
We mermaids live, so that is the place you had better be.”
“Thank you, you’ve saved my life again,” said the flapper gratefully.

Then, although still puzzled, they swam on, hand-in-hand,
The mermaid helping the flapper, ’til she could understand
How to use her tail well, to control where she did swim,
And to make fine adjustments, by using the tail’s fin.

Eventually the flapper grew tired, so to the cave they both swam back,
The flapper taking the lead, because she’d got the knack
Of how to control her tail, and adjust direction and speed,
Then a thought suddenly struck her, in air, her lungs she would need.

They reached the cave and while in the pool, the flapper to the mermaid said,
“How am I going to breathe back in air? I can’t get it into my head.”
The mermaid replied, “I think you should try, we mermaids can manage ok.
Just try to do what comes naturally, that will be the best way.”

“In for a penny, in for a pound,” bravely declared the flapper.
She hauled herself out, then she choked, the mermaid, on her back did slap her.
The flapper coughed, and gave a gasp, then shouted in relief,
“I think I’m going to be all right, my lungs have started to breathe.”

They both lay there in silence, thinking of what had passed.
Then the flapper turned to the mermaid, and she said, “These last
Few hours I’ve spent with you have been just like a dream.
Now I’m tired, shall we go to bed? I think you know what I mean!”

They pulled themselves into the bed, and together they did huddle.
The mermaid put her arms round the flapper and together they did cuddle.
And this time, as the two of them laid together in rest,
It was now the mermaid who cupped the flapper’s breast.

The mermaid asked, “Remember when you stroked my tail and I gushed?”
The flapper felt embarrassed and again on her face she blushed.
The mermaid said, “It was really nice, wouldn’t you like to try?”
The flapper replied, “I’m afraid it’s too late, and here’s the reason why.”

“That would be an experience I’d really like to try.
However, it is too late now, ’cause as my tail got dry,
I felt it metamorphosise, have a feel, I beg.”
The mermaid reached down with her hand, and felt the flapper’s leg.

Nevertheless, she stroked it, and rubbed it up and down,
And accidentally touched some hair, which caused her then to frown.
“I think you’ve got a problem, you’d best hear it from me.
Stuck between your legs, I think there’s a sea anemone.”

The flapper remembered the last time that the mermaid there had felt.
She’d had on silken *******, so had seemed smooth and svelte.
Now, she’d got her legs back which were absolutely bare,
And of course, instead of feeling silk, the mermaid felt her hair.

“That’s not an anemone, in fact, it is my......frizz.
I am used to it being there, that’s just the way it is.
I try to keep it neatly trimmed, so there is not a lot,
Besides, I think it’s there to protect the entrance of my grot.”

“When you say you’ve got a grot, I assume you mean a cave.
Is it as big as this one, holding all the treasures you have?”
The flapper answered the mermaid, “Oh no, it’s very small,
And held safe within it is my most precious possession of all.”

“I have carefully guarded it so that it won’t get lost.
I expect my husband to have it soon, a few weeks at the most.
And so, my dearest mermaid, until I am a bride,
Nobody will ever know just what I keep inside.”

The mermaid gently smoothed the ‘frizz’, and said, “I understand.
Now, don’t you think it’s time we got you back to land?”
I would like to help you, and I think I know a way
Of quickly getting you safely all the way to Bombay.”

“Thank you,” responded the flapper, “however, if we may,
I’d like to go to another port, one before Bombay.
Then, if at all possible, I can rejoin my cruise ship there,
And may I take some of your clothes, so I’m not on

oh right, she's the *** "slave" that gets kissed on the lips after being given oral ***, getting paid £110 AN HOUR... i'm i'm just a free-radical floating about on an income of £120 A WEEK waiting for charity of food and roof? well then... i hope that translates when i speak with a *******'s tongue stolen while having licked all the former ***** out of her **** and said: only i was in there... oh for ****'s sake! take the ****** out, i can feel the mouse tail on the tip of it! so who's the ***** now? the only oil i apply to my brain to ease the pressure after going 30 odd hours sober without sleep is alcohol, i imitate a axe action on my neck feeling my third tonsil turning into a throbbing muscle.

the split apart grapheme in greek!
θ                      and                        φ!
the lost grapheme!
thermometer                                           the
                                                             ­     v'eh or d'eh?
imagine saying     θarmacology
and imagine saying φermometer! imagine!
the english empire... shushed in a second in Dublin,
god knows why Yeats was read by
Clint Eastwood, and to my surprise,
a toothache or a broken nose readjusted is
more painful than what i managed to spot
in the greatest boxing movie: million dollar baby...
some pains are greater, the pains of the past
the past not rekindled are greater than
those of the present, the present can be overcome,
the indestructible element, what with
fire, water, earth, air, electricity, the seventh being
soul - all the others are preserved in continuum,
why can't the soul be kindred of the others,
is it to forever remain a ******* from the *****
bank of Louis XIV, huh?! the soul is equally elemental,
all modern science can tell me a that it's
worth walking in a library rather than a forest,
that all trees will eventually be treated as
toothpicks, matchsticks or pencils,
but i am not bound to exist in the mind
of another person, i am not to be the host eternal,
for all the science, we've become less
individualistic and more prone to parasites
of theory... personally i'd prefer the membrane
of phobias to keep me safe rather than
transcend these little millimetre irrationality
segments to be captured by a frigate of the grand
theorists...

please tell me it's just a horror case of aesthetics,
please! but no, you won't...
i know the overbearing particularity of English
due to missing diacritic,
i know the significance of significant syllable
cutting-up due to diacritical application -
the Greeks had a premature ******* starting
to use them... they shouldn't have...
THE ENTIRE WORLD WAS WAITING
FOR THE ENGLISH LANGUAGE TO BEGIN USING
DIACRITICAL MARKS! why did the Greeks
jump too early into the whirlpool? look at English
culture, they're gagging, rather than laughing,
we were all waiting for them to catch-up to the aesthetic,
they didn't, the Greeks made a falsetto on the 100m sprint,
they should have waited, and waited, until
the English applied diacritical distinction to the print,
in order that they might deal with programming,
encoding, computer language, no wonder
English once so eloquent disintegrated into emoticons
and acronyms! look at it! there's no point feeling
a nostalgia for only one man, there's no point
keeping Shakespeare when there's an entire
century to decipher, Marlowe et al. (i preferred
his Faust to Goethe's - one breath reading session
in Dover) - with nostalgia come the many merry men
of Southampton, not one, you can't do nostalgia
primum uno, you need a species, can we find the
required shrapnel in the Caribbean or in the
Venice of the Indian ocean, namely the Maldives?
you can't do nostalgia like that,
you need at least one other, otherwise future literature
extravagance will be as short-lived as
the Counter-Reformation given Martin Luther,
he isn't god, never was, but imagine the feeling
of disgrace that even poor Charles Dickens couldn't
match up to!

indeed the Greek created the consonant grapheme,
and many other twins separated at birth,
to fuel an orthographic aesthetic -
a bypass necessity of the opposites and lacking
colour - false stance of defeat written on white,
but geometrically written in the *******-out of colour,
therefore mutating, deliberate encoding due to
how to write like an Impressionist or how to write
like a Surrealist...

but as i remember, the riff to Black Sabbath's
black sabbath* written in tabulation:

e ||                                                  (boo tome)
b ||
g ||
d ||
a ||
E ||                                                   (top um)

opening riff sounds like this:

d ||                    3
a ||                                      2
E ||    1    

                 for the trembling effect, quickly
                 interchange with

a ||                                      2             /            3.

Champagne and cup cakes.
A Cornish beach with rippling swell.
Love be cultured as a precious pearl.
Where love be found with special girl.

Projects full of rich intention.
Health.
Wealth.
Happiness.

The air is filled with childhood squeals.
Summer flicks on the crown of her hair.

Children ride horses with the sea on their heels.

History steeped at the top of the hill.
Empty mines.
Cleared of tin.
In the county, where Poldark first made his mark.
Country delight?
Nah.
A county in England.
Better not tell the Cornish man.
Kernow man's birthright.
The sovereign state of Cornwall.
Not all of the Cornish men have seven wives.
Nor do they live in the land of St Ives.
One wife is enough for most.

Your spirit in Southampton, now merely a ghost.
(c) Livvi
Good luck.

Post person or whatever.
Always turning up.
Regardless of the weather
I feel for the postie upon this chilly day.
Relied upon to bring with him, all Christmas in his sack.
Bringing bills and festive notes from Southampton to John'O'Groats.
No suprise from Santa Claus.
Just a chilly postman going to the doors.
Through rain and snow the postman goes.
Trotting with his smile intact.
Waiting for Christmas to come around again.
His mailbag always laden, that's a fact for sure.
I wonder when the day of e-cards supercede.
The postman may redundant, not coming to my door!
Thank you post person,
You do a vital job.
(C) LIVVI

Having style doesn’t necessarily depend on the size of one’s budget but on the breadth of one’s mind and creativity. Likewise, enjoying the rewards of philanthropic giving is not only for the rich and famous. The lovely philanthropist, style icon, and socialite, Jean Shafiroff continues to encourage people to practice strengthening their generosity muscle—inspiring others with her grace, style, and her first book, “Successful Philanthropy: How to Make a Life by What You Give.“

“I believe we all have been given so many gifts. We must discover what they are and share them. Philanthropy is not just about writing checks, but it’s about giving of yourself—your time and your knowledge. Anyone and everyone can be a philanthropist,” Shafiroff said during her book signing party in her Park Avenue apartment.

An inspiring and practical guide to becoming a philanthropist, her book includes quotes ranging from Audrey Hepburn to Albert Einstein; a foreword by Scott Elkins, the U.S. Campaign Director of the Margaret Thatcher Scholarship Trust at Oxford University and CEO of SE Advisors; and a special introduction by Georgina Bloomberg, who started her own charitable organization, The Rider’s Closet, with her love for equestrian sports.

“First, you must start with yourself—start with your passions,” Shafiroff said during the interview for this article at her home, just a few hours before she would prepare to go to the American Ballet Theater Gala. She had a rack of designer dresses waiting for her to choose from.

After you find your passion, “then try to find a cause and a charity that is a good fit,” she said. It’s comparable to finding the right outfit. “When it comes to style and fashion, it’s very important to feel comfortable in what you are wearing. Otherwise don’t wear it,” she said. So when it comes to philanthropy, make sure to contribute in alignment with your passions, your values, and with your vision of the legacy you would like to build.

I always try to be kind—this is very important. I’d like to be able to build people up, in anyway that I can.

— Jean Shafiroff

“Successful Philanthropy” is the kind of book she wishes she could have read when she was younger. While her generous sensibility, like her sense of style, was already well entrenched before she even thought of becoming a philanthropist, Shafiroff now hopes her book will effectively influence anyone, and especially younger generations, to take the essential steps for creating a more philanthropic culture in general.

“There is great reward in knowing that you are helping to make the world a better place,” she said. She then coyly pointed out that being a philanthropist may be seen as a little selfish in that regard. But she said, “I see nothing wrong in building up our members of society. Those who give, build themselves up in the process because they will feel fulfilled, and those who receive will grow. It’s a great gift to be in a position to give,” she said, smiling.

“If people, at any age, are just starting to get involved, hopefully they will get some useful tips from the book. I would never say that I have all the answers, but this is based on solid research and on my experience,” she said.

For years Shafiroff has raised funds for charities, including the New York City Mission Society, New York Women’s Foundation, and Southampton Hospital, and the Couture Council. She serves on seven charity boards, organizes and hosts charity luncheons for various causes—all voluntarily. Having traveled extensively to places as far as Cambodia, China, and Nicaragua, she’s very aware of how much need and suffering people experience all over the world, including New York. “There is poverty everywhere. In New York, one out of three children live at or below the poverty level. These are very serious statistics,” she said.

The antidote to not turning a blind eye to such need, she says, is first and foremost in valuing oneself. It’s the starting point. “We live in a society now where many people are depressed or sad and most of it is because they don’t understand their own value. But everyone has so much to offer to society. Everyone matters—that’s vitally important.”

She explained that most of us participate in acts of philanthropy every day. “If you make the effort to reach out to someone by lending emotional support or showing kindness to someone in need, you are beginning your journey as a philanthropist.”

Shafiroff’s way of defining and reframing philanthropy targets every level of society, from those who barely have any savings but who can offer their time and knowledge to those from the extremely affluent, who may be in need of exercising their generosity muscle more. Overall it brings more meaning in life.

“I believe I can continue to live a good life, but it’s my obligation to give back. When you see people starving and who are barely making ends meet, I think it’s wrong not to do anything. We are not just here to take. Rather we are here to give. If you have resources then you must give, and ultimately we should give more than we take,” Shafiroff said.

While she enjoys dressing up in stunning gowns to attend various social charity-related events, she carries herself with profound purpose, quite apparent below the surface of fashion frivolity. “When I wear a beautiful gown, I feel good. But what is most important is what you try to do to be of help. Also when you go to an event and you dress well, it is a sign of respect and a reflection on what you think about that charity,” she said.

She also pointed out that because black tie events are so formal, people are willing to spend more for the ticket, which means more money for charity.

Fundraising is a tough job, but Shafiroff has all the social graces, stamina, and wisdom to do it well and has done so for many years.

“Volunteer fundraising can be very difficult. Sometimes people can be rude. They do not realize that you are not asking for yourself. There can be a lot of rejection associated with asking. However, a ‘no’ today can be a ‘yes’ in the future. Always believe in the work of the charity—and make sure it is well run—before you do any volunteer fundraising. If you are uncertain, then back away,” she said.

Still Shafiroff wishes she could do more. “I always try to be kind—this is very important. I’d like to be able to build people up, in anyway that I can,” she said.Read more at:http://www.marieaustralia.com/cheap-formal-dresses | www.marieaustralia.com/****-formal-dresses

.with rob zombie's: ***** liquor in the background,
a man perched on windowsill,
              one foot tapping along,
                                 the other foot folded
and sat on...

    come to think of it,
                 why am i not bothered,
   not bothered by the neighbours?
well, one ****** tried it,
complained about me smoking out
of my window,
   and that one time i was making a b.b.q.
and he said: 'you should have warned
us!'               the ****?
            all beause he had been doing
his washing and was drying his clothes
on a washing line, 20 metres from my b.b.q.,
and now they're moving house.

the english,
     they always want a house with a garden...
in the vicinity?
    you know how many times i've
seen the english use their gardens?
              roughly 5 times per year...
they rarely even attempt to switch
the garden to a ******* venture when
the one toilet is occupied by someone
taking a shower...
                      for all the wants of a garden,
i haven't seen anyone around here
take to planting a cherry tree,
            or burrying their cremated cat...
i guess i must be the odd one out...
            i mean: i'll integrate up to a point,
but then... well there's just me,
               rumours...
rumours...
      apparently donald tusk got
the job as the president of the european
council, because he mingled
   with frau kanzler
   over the position...
                     **** me...
        27 prime ministers,
    but only 1 chancellor...
                  who said the stereotype
of jews being good with money,
never made it to the stereotype of germans?
   the rumour is...
   he got the job...
       only because his father was
in the wehrmacht...
             after all, he did write
a bestseller book about the city of Danzig...
no surprise there,
  given that Danzig was reminiscent
of a city-state akin to Athens or Sparta...
mind you, better than any movie
on a friday night,
   tuning in on the 66th minute
of Liverpool vs. Southampton...
                waiting for the 1 - 1 draw...
but the genius of jürgen jürgen (klopp)
came through...
                     funny that,
people with funny surnames...
             dialect distinctions...
      klop in western slavic implies
the ******* - ide na klopa -
      i'm going to sit on a toilet...
            ****** must have been a funny surname
before its notorious prominence...
but rarely do you get to see 28 minutes
of a football match of this sort of quality...
    wolverhampton wanderers...
they're playing a very interesting piece
of football this season...
very portugese barzilian-esque...
      everybody knows that
        italian football is boring
  (too many passes),
   and german football is just too predictable...
but how the hell did Liverpool
come up with 2 goals in a period of 28 minutes...
mind-boggling...
       i'm always there for the sport per se,
i don't really feel inclined
to have a vested interest in the sport
as to pick a side,
               what once was
          religion, now becomes infused
in sports... seriously...
  count me out of this secular take
on religiosity...
            i'll pay my dues: were deserved
dues are due...
                   that's probably i much
prefer the olympics to this coming farce
of a world cup...
   how many footballers are going
to drop dead, from heat exhaustion?
we must thank our camel cockey bwovers
for cracking up the heat
          in air-conditioned stadiums...
once upon a time, the arabs had,
enviable traits...
   now? with all that wealth?
                                         take a guess;
if muhammad was raised from
the dead?
                     you'd see a forest
of pikes, on top would sit, decapitated heads
of his own people...
         but that's a wild idea,
perhaps even he, couldn't avoid
the temptation;
nonetheless, is it wrong to say that some
sports are over-represented?
   well, d'uh!
                 olympics comes,
and i always look forward to classical
wrestling matches,
    archery,
                             ha ha... ping-pong...
sure... none of the tennis allure...
  but it's a welcome break from
mainstream sports...
                                 and this whole
team religiosity influence...
                  that **** bores me to death...
clearly religion didn't die,
it just morphed...
                oh, really? it's that time of year?
the one time of the year
where i become a gambler?
   what? it's the quiche thing to do
in england, a bit like sipping
                 pimm's and eating eaton mess
at wimbledon...
       the grand national...
   betting on a horse...
                     and just to prove i'm no
gambler - why would i dream about
going to las vegas?
                   that shitshow of a town?
all the best strip-clubs in the world:
but no brothel.
      eh?!
                 tiger roll (7 to 2)
is attempting to make history,
     by clinging to: two years in a row...
i only have 4 quid to spend on the bet...
   so 2 horses...
               2 quid each...
                         hmm...
                      'further rain would help
him to step forward'
             i checked the weather forecast
(the grand national happens somewhere
south of liverpool, i think)
                     rainy...
overcast...     step back (25 to 1)...
                         now a compensation
horse...
                          i'll need a few more whiskies
before i make this blind bet lucky hope...

i'm not betting on tiger roll (7 to 2) -
the odds are not wildcard enough...

mind you, not being a gambling *****:
i do know that rolling tobacco
needs to be fresh,
   slightly moist, in order to roll it,
you can still roll the dry tobacco,
but then you'd also require
obc cigarette tubes,
         and one of those "gizmos" /
machines, to pull off
             a perfect match...
no in a millions years will you get
out a perfect rollie
with dry, pall mall tobacco...
when no golden virginia is available...
point: but you're also
not going to **** dry the filter
with dry tobacco...
harder to roll,
               but an easier smoke...

anyway...
   back to the grand national...
look, i'm no dustin hoffman
rainman hack...
         i felt like ******* away
4 quid's worth on an event, sue me...

   1             up for review (25 - 1)
         'could relish this test;
      must be a contender'

2a            folsom blue  (50 - 1)
          'mud-lover; stays well
   but at veteran stage'

2b           general principle (40 - 1)
     'best not ignore this irish
national winner'

3            ramses de telilee   (25 - 1)
             'welsh national second;
               stays well and improving'

4   ballyoptic    (28 - 1)
   'scottish national second;
                   cannot rule out'

  5a       mala beach (50 - 1)
               'fresh; could suit;
              a lively outsider'

    5b go conquer      (33 - 1)
         'bids to give his trainer
a third national'

      5c     lake view lad      (14 - 1)
             'improving steadily and
this trip should suit'

   5d jury duty    (16 - 1)
     'should relish this trip.
         could get a positive verdict'

6 vieux lion rouge             (33 - 1)
     'has tried three times in
this; fourth time lucky?'

   7       bless the wings                (66 - 1)
              'would be the oldest winner
       since 1853'

so...
      gambling, fascinating,
   how there's no objectivity argument,
and all the sort of superstitions associated
with it... a truly, magnanimous,
secular age...
   football as a religion,
   gambling on horses as the trials
of fate / luck / whatever belief...

       truly... gratifying...
   and i don't imply that in any pompous
sense, i'm about to invest 4 quid
in the whole affair!

   my pick?
              step back 25 to 1 odds
first choice...
   so it's either between
the mud-lover folsom blue... 50 to 1 odds,
ah... i'll need more wizard like
uncertainty when it comes
to gambling,
repeating to myself:
   there's no such thing as luck,
there's no such thing as luck,
gambling is only subjective,
gambling is the reiteration
of a religious experience,
        it's the sensible option,
it's the sensible option, ****...
i'll just split the 4 quid over 4 horses
rather than bet 2 quid on 2...

per quid:
                      step back
                      jury duty
                      up for review
                      go conquer / folsom blue

****...
                   no wonder i never got
into gambling...
         i never fathomed the aspect
of winning
as much as i never fathomed
the aspect of losing,
   or how they're paired up
     and consecrated on the same
altar of, "thrill"...

    that cut               /
betweeen
       go conquer  and folsom blue...

horses have the oddest names...
          dogs?
                 probably the shittest names
in the whole of the kingdom...
oscar darshan...
                            quorus...
these being cat names...
                                           go figure.

i swear, the biggest anti-ageist
comeback missing
from the script of we **** the old way
lies with the scriptwriter's
phobia of o.c.d.,
                 i'm guessing he experienced
it personally,
              i wish he experienced dementia
clearer of his granddad
   succumbing: o.c.d. in old age?
it's not big deal... it's no big deal...
             enough botox and soon all that glamour
and paying your respects soon fades,
fattens up and chokes on the artistic
rubric: you need rich artists to
satire rich people... stop nagging
at Katy... be, *******, thankful,
you little cat-whiskers for a ******
moustache kitty-fiddler...
           ever **** at a girl taking a selfie?
let's say it's a blank canvas, and
you're working on it...
        how can this girl can become a
crown or the abhorred fling with
missing Welsh fetishes of excess
           ****** dangle-bits?
                       i have few entry points
i like i consider...
                 before she shaves the *****,
but did you know my godmother
           is a doctor and she doesn't shave
her legs?
                     i joked at that,
i joked for the simplicity:
              why do i have to don mine
and the theory of Darwinism is never
complete? because of aesthetics,
there's a natural instinct, a natural bound
contraband that IS NEVER, EVER TINGED WITH
CHRISTIANITY... **** Radio Maria and
Priest Rydzyk too along with
                John Paul the Tarmac Kissing Saint...
popes like pop-stars: the world's a stage:
better look the prettiest...
             thank Katy... she got cool and rich
enough to covert any criticism of wealthy kids
of Las Vegas...
                          if she wasn't here i'd be dead:
i don't love her like a girl might love
the next best: never-left high school bestseller
for young girls...
                                     my black horse is
quirky and still working on working smug
rather than donning a thong at a cat-walk...
                 but my point?
the comeback the gangsters should have served up
those ****** lips?
                                rapper movie
fakes never taught you how to shoot...
                the gun goes linear: shoot, vertical...
not cool-sly horizontal...
                         you're shooting with a blind spot...
rich girls' songs for poor girls to
cat-fight over who's the better gimmick
of impersonator...
                      but the old Hackney farts still
don't have the quick-snap-comeback...
                  the colts keep referring to E2...
a postcode...
                       the old ladies should have said:
i better move there, seems like a hot-spot
for the postcode lottery!
                           the colts keep referring
to the E2 club....
                             the crew, the gang...
i'm still thinking about these pensioners
nailing them to chairs and drilling through their
bones to the marrow for the Moscow ladies
acting out the faint in the hands  
                       of chevaliers of her retirement plans...
E2? is that a postcode lottery for
                 the losers?
and the "sad" story is? in Poland we all came from
a Communist housing estate...
            only peasants in semi-detached housing...
i guess all these smart-*** young folks
are pretending to be gangsters when all they're
all aspiring to is own a pair of shoes with hay sticking
out of them: and i.t.v. come november...
               well, the casting was smart,
the accents 10 out of 10...
                   but the final point of the accents
in talk?              slow math...
                            is      E2 designated as
the case for a joke about postcode lottery?
                 one thing they're loudmouths...
another that they're also foul-mouths...
                             can't be one and the other...
                  if you're going to be a prop'ah
foul-mouth, better be a slow-mouth
               or a shush-mouth...
                                  and if you're going to
be a loud-mouth, i'd prescribe you Southampton's
away-support choir: oh when the saints...
oh when the saints come marching in...
                                no wonder gang culture
never picked up from loud-mouth birthrights of
the suggested History X...
                               borrowing from History ***:
flash news! there are more things on
my head than just hair to play toothpicks with concerning
self-doubts and the easiest solution:
            a man was crucified...
                               some say we never perfected
democracy as the civilised peoples of the world
as the Jews never perfected plebiscites as the
              "backward" peoples of the desert...
           if race coordination can't be joked about
but getting offended at:
           i'd love the Irish potato diet and the
dates served for breakfast lunch and dinner in Israel...
or in better representation?
the Pig of God... Jesus stinking like a pig
                 before the perfumes of Pilate...
skew: north-by-northwest: a good Hitch reminder:
sheep up toward Scotland...
                           but pigs that north and east...
well: pigs...
                         or how to make words
holy and meaningless when talking about the price
of butter...
                     but that's beside the case for
a quick comeback about the postcode lottery...
           or the grit of Bronson - the film,
esp. the nurse scene...
                       no spoilers... you never know when
it's happening...
                                 the greater the film,
the more monologue orientated...
                                    claustrophilic -
                                                   so you wonder
shoving that **** into the craniums of little boys:
why are they making them do it...
                        and at what point is it legal in
the social realm of guessing at all the rainbow possibilities?
   my theory? most paedophiles had failed
relationships in their teens...
                                  and they never wanted to
experience the complexities of a woman who finally
realised: ****! daddy died! i'm not a princess!
                   it's not a fear of being inadequate,
it's the fear of an inadequate woman...
                  the most adequate woman is a woman
who still resolves to the idealistic world,
rather than the realistic world -
                                   i never understood the
criminal hierarchy...
                                       in the criminal ring it would
appear no moral superiority is akin
   to bullying in school...
                                              choose the easiest
loss of moral judgement and bash it into the head...
    or what Marquis de Sade taught me...
               for most men it's the pink elephant in
the room...
                              or a light-bulb...
****** and theft is still all Robin Hood, the instilled
   heroism: moral ambiguity...
               i don't see how the other crime isn't also
an ambiguity...
                              the *** of man is already displaced
from the *** of woman...
                      why wouldn't age by that ****** ambiguity
not be squared? and doubly unfathomable?
   what made me write this?
               standing at a bus stop...
a girl coming back from school...
                                                 what?
this is a cognitive ping-pong...
                                     what?
                                                   what?!
               i'd dare David the Naturalist come out
from his comfort environment of
                 two monkeys *******, gorillas
with harems and all that easy gesture...
                   man and woman? eyes.
     all the limbs and bones captured by the eyes...
it's not that i don't spend enough time among people
to start imagining these quirks...
                 it's that i spend enough time
                 among people to not start imagining
quirks.

Venom be spat from the tongue that blinds.
Twixt the lovers.
Whose hearts, no longer entwined.
Words tied and tangled.
Twisted and lost.
Love becomes mangled.
Crumbled to dust.

No words dare be spoken.
The lovers that were.
Invoked the monster of Lady Medusa.
Screeching siren.
Lady's on fire.
Don't dare put her out.

Her eyes surely saved for you.
Muted sounds.
Exploding fear.
Hearing her dear.
Utters last squeak.
Unable to speak.
Bit his own tongue.
As she turns him to stone.
With eyes that don't see.
(c)LIVVI








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9 hrs · Daily Mail Online ·



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I rarely use Costa, I will be working back at Winchester hospital shortly.
I will use their canteen, the food is generally very nice x














Revealed: The squalor inside Costa coffee shops

A total of 23 Costas got two or less stars in their most recent inspections, including a hospital branch which had paninis at risk of contamination with bacteria which can cause paralysis and death.



dailymail.co.uk



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‎مستر صلاح السعيطي‎ likes this.
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Olivia Kent







Olivia Kent Ward , starting Monday x

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Philip McCarthy







Philip McCarthy Good luck with the job Olivia, But Im a bit of a coffee freak but will never use Costa it alwaysgives me bad guts ache afterwards.

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Olivia Kent







Olivia Kent Thank you Philip **

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Philip McCarthy







Philip McCarthy Hey I'm at the Cafe Reflections for the first time. It's good here x Photos to follow

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