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Fah  Aug 2013
Untitled
Fah Aug 2013
(via phatphilosophers)

(via phatphilosophers)

(via phatphilosophers)
jeffrey-lebowski:

Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
jeffrey-lebowski:
Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
(via phatphilosophers)

These are the days that must happen to you.
Walt Whitman, from Leaves Of Grass (via violentwavesofemotion)
(via phatphilosophers)
18 HOURS AGO / LARMOYANTE
axiatonal:

Canola Flowers Field, China
axiatonal:
Canola Flowers Field, China
(via awaveofbliss)

(via awaveofbliss)

whatisadvertising:
What would modern technology and social networks look like if they were vintage ads
This is a post gathered Facebook, Twitter, Youtube, Skype, iMac, Nintendo Wii and Sony Playstation as if they were vintage ads.
(via thebronxisburning)
aplacetofindlife:

Someone Should Start Laughing
I have a thousand brilliant lies For the question: How are you?  I have a thousand brilliant lies For the question: What is God? If you think that the Truth can be known From words, If you think that the Sun and the Ocean Can pass through that tiny opening Called the mouth,
O someone should start laughing! Someone should start wildly Laughing Now!- Hafiz
aplacetofindlife:
Someone Should Start Laughing

I have a thousand brilliant lies
For the question:
How are you?

I have a thousand brilliant lies
For the question:
What is God?

If you think that the Truth can be known
From words,

If you think that the Sun and the Ocean
Can pass through that tiny opening Called the mouth,

O someone should start laughing!
Someone should start wildly Laughing Now!

- Hafiz
(via cosmic-rebirth)

meditationsinwonderland:
Chimamanda Ngozi Adiche, We Should All Be Feminists
How could I not reblog this?
(Source: bakongo)
1 day ago – 234,004 notes

artismyempire:
gentledom:
A wonderful analogy.
What I shall do today.
(Source: boyqueen, via thebronxisburning)
1 day ago – 30,054 notes

(Source: maryhadalittleblunt, via awaveofbliss)
1 week ago – 81 notes
beachsloth:

SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
beachsloth:
SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
(via bluishtigers)
1 week ago – 74 notes

(Source: samsaranmusing)
1 week ago – 78 notes
maymonsturr:

My mantra.
maymonsturr:
My mantra.
(via cosmic-rebirth)
1 week ago – 568 notes
foxxxynegrodamus:

***
foxxxynegrodamus:
***
(Source: lnpfeed, via awaveofbliss)
1 week ago – 1,635 notes
cosmic-rebirth:

Live joyfully, make your life a dance, all the way to the grave.
cosmic-rebirth:
Live joyfully, make your life a dance, all the way to the grave.
(Source: cookiecarnival)
2 weeks ago – 22,305 notes
“The point is not to pay back kindness but to pass it on.”
– Julia Alvarez (via cosmic-rebirth)
(Source: amandaonwriting, via cosmic-rebirth)
2 weeks ago – 275 notes

(Source: diawf, via awaveofbliss)
2 weeks ago – 2,799 notes
bl4ckhippie:

Fly.
bl4ckhippie:
Fly.
(Source: rootsrukkus, via awaveofbliss)
2 weeks ago – 750 notes

(Source: lizzlizzcomics, via bluishtigers)
2 weeks ago – 110,456 notes
meditationsinwonderland:

ॐ flower child in Wonderland ॐ
meditationsinwonderland:
ॐ flower child in Wonderland ॐ
(Source: vegan-hippie)
2 weeks ago – 139,177 notes

(Source: jrich103, via cosmic-rebirth)
2 weeks ago – 4,848 notes

pleoros:
Helminadia Ranford - Guilin,China
(via hungryforworld)
2 weeks ago – 329 notes
designgather:

Oak Room
Andy Goldsworthy
designgather:
Oak Room
Andy Goldsworthy
(via cosmic-rebirth)
2 weeks ago – 286 notes
miguu:
don’t be afraid.
lean into your genius.
let your own brilliance support you.
you are something
we have all been waiting to know.
please.
(via bluishtigers)
2 weeks ago – 339 notes

odditiesoflife:
Amazing Jabuticaba Tree
This is an incredible tree that bears its fruit directly on the main trunks and branches of the plant, lending a distinctive appearance to the fruiting tree. The jabuticaba (Plinia cauliflora) is a fruit-bearing tree native to Minas Gerais and São Paulo in southeastern Brazil. Otherwise known as the Brazilian Grape Tree, the jabuticaba is grown for its purplish-black, white-pulped fruits. They can be eaten raw or be used to make jellies and drinks, including juice and wine.
They are wonderful trees to have and are fairly adaptable to most environments but they grow extremely slow. Jabuticaba flowers are white and grow directly from its trunk, just like its fruit. The tree may flower and fruit only once or twice a year, but when continuously irrigated, it flowers frequently and fresh fruit can be available year round in tropical regions.
Common in Brazilian markets, jabuticabas are largely eaten fresh; their popularity has been likened to that of grapes in the US. Due to its extremely short shelf-life, fresh jabuticaba fruit is very rare in markets outside of areas of cultivation. So if you are ever in Brazil, be sure to try the incredibly tasty fruit called jabuticaba.
source 1, 2
(via hungryforworld)
2 weeks ago – 1,462 notes

(Source: samsaranmusing)
2 weeks ago – 118 notes

(Source: rorycwhatsyourthesis, via samsaranmusing)
2 weeks ago – 130,113 notes
oecologia:

Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
oecologia:
Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
(via samsaranmusing)

burningveins:
multicolors:
benskid:
Know where you stand.
Wow
This is kinda creepy..
(via hungryforworld)

Do not think you will necessarily be aware of your own enlightenment.
Zen Master Dogen - (1200- 1253) AD (via samsaranmusing)
2 WEEKS AGO
101fuymemes:

COLLECTION OF awesome CLOUDS
101fuymemes:
COLLECTION OF awesome CLOUDS
(via roslynoberholtzerbddd)

itscolossal:
Planetary Structural Layer Cakes Designed by Cakecrumbs

Do not resist events that move you out of your comfort zone, especially when your comfort zone was not all that comfortable.
Alan Cohen (via raeraenjma)
(via awaveofbliss)
4 WEEKS AGO / THE-HEALING-NEST
so apt
so apt
(via awaveofbliss)

(via awaveofbliss)
treewellie:

"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
treewellie:
"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
definitelydope:

BBQ on the balcony (by fernlicht)
definitelydope:
BBQ on the balcony (by fernlicht)
(via awaveofbliss)

Birth by Alex Grey
Birth by Alex Grey
(via receptive)

(via bluishtigers)

(via awaveofbliss)

There is a time and place for decaf coffee. Never and in the trash.
(via 17yr)
(via hungryforworld)
1 MONTH AGO / MIDWESTRAISEDMIDWESTLIVING
surreelust:

Man with His Skin by Peter Zokosky
surreelust:
Man with His Skin by Peter Zokosky
(via cosmic-rebirth)

Oh soul,
you worry too much.
You have seen your own strength.
You have seen your own beauty.
You have seen your golden wings.
Of anything less,
why do you worry?
You are in truth
the soul, of the soul,
of the soul.
Rumi, from Who Am I?   (via bluishtigers)
(via bluishtigers)
1 MONTH AGO / VIOLENTWAVESOFEMOTION
xpudding:

xpudding:
(via cosmic-rebirth)

(via thebronxisburning)

(via cosmic-rebirth)
treewellie:

La costa de la luz by Francisco Mingorance
treewellie:
La costa de la luz by Francisco Mingorance

itscolossal:
Mirror City: A Kaleidoscopic Timelapse of Chicago, San Francisco, San Diego, Vegas and L.A. [VIDEO]

(via cosmic-rebirth)

awkwardsituationist:
gmb akash documents the 350 kilometre journey from dhaka to sylhet, bangladesh made by those who, unable to afford the price of a ticket or find room to ride inside, risk death by traveling atop and between train cars
(via suntochukwu)
purpleaggregates:

White Tara The female enlightened being of long life, wisdom and good fortune When I see the signs of untimely death, May I immediately receive the blessings of Arya Tara; And, having destroyed the Lord of Death, May I quickly attain the deathless vajra body. OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA OM TARE TUTTARE TURE SÖHA
purpleaggregates:
White Tara
The female enlightened being of long life, wisdom and good fortune

When I see the signs of untimely death,
May I immediately receive the blessings of Arya Tara;
And, having destroyed the Lord of Death,
May I quickly attain the deathless vajra body.

OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA
OM TARE TUTTARE TURE SÖHA
(via dancingdakini)

(via guerrillatech)
hungryforworld:

Monet’s Garden. Givery, France.
hungryforworld:
Monet’s Garden. Givery, France.

(via awaveofbliss)

(via cosmic-rebirth)

Internal and external are ultimately one. When you no longer perceive the world as hostile, there is no more fear, and when there is no more fear, you think, speak and act differently. Love and compassion arise, and they affect the world.
Eckhart Tolle (via samsaranmusing)
(via suntochukwu)
1 MONTH AGO / SAMSARANMUSING
malformalady:

The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
malformalady:
The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
(via deeperthansoul)
polaroidsf:

Welcome to Eden
polaroidsf:
Welcome to Eden

(via bouddra)

It doesn’t interest me what you do for a living.
I want to know what you ache for, and if you dare to dream of
meeting your heart’s longing.

It doesn’t interest me how old you are.
I want to know if you will risk looking like a fool for love, for
your dreams, for the adventure of being alive.

It doesn’t interest me
For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dog tag,
Or better still a dog, a colossal pet beast,
A humongous Harlequin Dane to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is, after all, dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes and boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo, they will sigh.
What more could you want in retirement?

You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
He leaves you on the ice floe,
Remembering not to leave the sled,
The proverbial Sled of Abbandono,
The one never left behind,
As it would be needed again,
Why not a home in storage while we wait?
The family will surely need it sometime down the line.

A dignified death?
Who can afford one these days?
The question answers itself:
You are John Goodman in “The Big Lebowski.”
You opt for an empty 2-lb can of Folgers.
You know: "The best part of waking up, is Folger's in your cup!"
That useless mnemonic taught us by “Mad Men.”
Slogans and theme songs imbibe us.

Zombie accouterments,
Provided by America’s Ruling Class.
Thank you Lewis H. Lapham for giving it to us straight.
Why not go with the aluminum Folgers can?
Rather than spend the $300.00 that mook funeral director
Tries to shame you into coughing up,
For the economy-class “Legacy Urn.”
An old seduction:  Madison Avenue’s Gift of Shame.
Does your **** smell?” asks a sultry voice,
Igniting a carpet bomb across the 20-45 female cohort,
2 billion pathetically insecure women,
Spending collectively $10 billion each year—
Still a lot of money, unless it’s a 2013
Variation on an early 1930s Germany theme;
The future we’ve created;
The future we deserve.

Now a wheelbarrow load of paper currency,
Scarcely buy a loaf of bread.
Even if you’re lucky enough to make it,
Back to your cave alive,
After shopping to survive.
Women spend $10 billion a year for worry-free *****.
I don’t read The Wall Street Journal either,
But I’m pretty **** sure,
That “The Feminine Hygiene Division”
Continues to hold a corner office, at
Fear of Shame Corporate Headquarters.
Eventually, FDS will go the way of the weekly ******.
Meanwhile, in God & vaginal deodorant we trust,
Something you buy just to make sure,
Just in case the *** Gods send you a gift.
Some 30-year old **** buddy,
Some linguistically gifted man or woman,
Some he or she who actually enjoys eating your junk:
“Oh Woman, thy name is frailty.”
“Oh Man, thou art a Woman.”
“Oh Art is for Carney in “Harry & Tonto,”
Popping the question: “Dignity in Old Age?”
Will it too, go the way of the weekly ******?
It is pointless to speculate.
Mouthwash--Roll-on antiperspirants--Depends.
Things our primitive ancestors did without,
Playing it safe on the dry savannah,
Where the last 3 drops evaporate in an instant,
Rather than go down your pants,
No matter how much you wiggle & dance.
Think about it!

Think cemeteries, my Geezer friends.
Of course, your first thought is
How nice it would be, laid to rest
In the Poets’ Corner at Westminster Abbey.
Born a ******. Died a ******. Laid in the grave?
Or Père Lachaise,
Within a stone’s throw of Jim Morrison--
Lying impudently,
Embraced, held close by loving soil,
Caressed, held close by a Jack Daniels-laced mud pie.
Or, with Ulysses S. Grant, giving new life to the quandary:
Who else is buried in the freaking tomb?
Bury my heart with Abraham in Springfield.
Enshrine my body in the Taj Mahal,
Build for me a pyramid, says Busta Cheops.

Something simple, perhaps, like yourself.
Or, like our old partner in crime:
Lee Harvey, in death, achieving the soul of brevity,
Like Cher and Madonna a one-name celebrity,
A simple yet obscure grave stone carving:  OSWALD.
Perhaps a burial at sea? All the old salts like to go there.
Your corpse wrapped in white duct/duck tape,
Still frozen after months of West Pac naval maneuvers,
The CO complying with the Department of the Navy Operations Manual,
Offering this service on « An operations-permitting basis, »
About as much latitude given any would-be Ahab,
Shortlisted for Command-at-sea.
So your body is literally frozen stiff,
Frozen solid for six months packed,
Spooned between 50-lb sacks of green beans & carrots.
Deep down in the deep freeze,
Within the Deep Freeze :
The ship’s storekeeper has a cryogenic *******
Deep down in his private sanctuary,
Privacy in the bowels of the ship.
While up on deck you slide smoothly down the pine plank,
Old Glory billowing in the sea breeze,
Emptying you out into the great abyss of
Some random forlorn ocean.

Perhaps you are a ******* lunatic?
Maybe you likee—Shut the **** up, Queequeg !
Perhaps you want a variation on the burial-at-sea option ?
Here’s mine, as presently set down in print,
Lawyer-prepared, notarized and filed at the Court of the Grand Vizier,
Copies of same in safe deposit boxes,
One of many benefits Chase offers free to disabled Vets,
Demonstrating, again, my zombie-like allegiance to the rules.
But I digress.
« The true measure of one’s life »
Said most often by those we leave behind,
Is the wealth—if any—we leave behind.
The fact that we cling to bank accounts,
Bank safe deposit boxes,
Legal aide & real estate,
Insurance, and/or cash . . .
Just emphasizes the foregone conclusion,
For those who followed the rules.
Those of us living frugally,
Sustaining the zombie trance all these years.
You can jazz it up—go ahead, call it your « Work Ethic. »
But you might want to hesitate before you celebrate
Your unimpeachable character & patriotism.

What is the root of Max Weber’s WORK ETHIC concept?
‘Tis one’s grossly misplaced, misguided, & misspent neurosis.
Unmasked, shown vulnerably pink & naked, at last.
Truth is: The harder we work, the more we lay bare
The Third World Hunger in our souls.
But again, I digress.  Variation on a Theme :
At death my body is quick-frozen.
Then dismembered, then ground down
To the consistency of water-injected hamburger,
Meat further frozen and Fedex-ed to San Diego,
Home of our beloved Pacific Fleet.
Stowed in a floating Deep Freeze where glazed storekeepers
Sate the lecherous Commissary Officer,
Aboard some soon-to-be underway—
Underway: The Only Way
Echo the Old Salts, a moribund Greek Chorus
Goofing still on the burial-at-sea concept.

Underway to that sacred specific spot,
Let's call it The Golden Shellback,
Where the Equator intersects,
Crosses perpendicular,
The International Dateline,
Where my defrosted corpse nuggets,
Are now sprinkled over the sea,
While Ray Charles sings his snarky
Child Support & Alimony
His voice blasting out the 1MC,
She’s eating steak.  I’m eating baloney.
Ray is the voice of disgruntlement,
Palpable and snide in the trade winds,
Perhaps the lost chord everyone has been looking for:
Laughing till we cry at ourselves,
Our small corpse kernels, chum for sharks.

In a nutshell—being the crazy *******’ve come to love-
Chop me up and feed me to the Orcas,
Just do it ! NIKE!
That’s right, a $commercial right in the middle of a ******* poem!
Do it where the Equator crosses the Dateline :
A sailors’ sacred vortex: isn’t it ?
Wouldn’t you say, Shipmates, one and all?
I’m talking Conrad’s Marlow, here, man!
Call me Ishmael or Queequeg.
Thor Heyerdahl or Tristan Jones,
Bogart’s Queeq & Ensign Pulver,
Wayward sailors, one and all.
And me, of course, aboard the one ride I could not miss,
Even if it means my Amusement Park pass expires.
Ceremony at sea ?
Absolutely vital, I suppose,
Given the monotony and routine,
Of the ship’s relentlessly vacant seascape.
« There is nothing so desperately monotonous as the sea,
And I no longer wonder at the cruelty of pirates. «
So said James Russell Lowell,
One of the so-called Fireside Poets,
With Longfellow and Bryant,
Whittier, the Quaker and Oliver Wendell Holmes, Sr.,
19th Century American hipsters, one and all.

Then there’s CREMATION,
A low-cost option unavailable to practicing Jews.
« Ashes to ashes »  remains its simplest definition.
LOW-COST remains its operant phrase & universal appeal.
No Deed to a 2by6by6 foot plot of real estate,
Paid for in advance for perpetuity—
Although I suggest reading the fine print—
Our grass--once maintained by Japanese gardeners--
Now a lost art in Southern California,
Now that little Tokyo's finest no longer
Cut, edge & manicure, transform our lawns
Into a Bonsai ornamental wonderland.
Today illegal/legal Mexicans employing
More of a subtropical slash & burn technique.

Cremation : no chunk of marble,
No sandstone, wood or cardboard marker,
Plus the cost of engraving and site installation.
Quoth the children: "****, you’re talking $30K to
Put the old ****** in the ground? Cheap **** never
Gave me $30K for college, let alone a house down payment.
What’s my low-cost, legitimate disposal going to run me?"

CREMATION : they burn your corpse in Auschwitz ovens.
You are reduced to a few pounds of cigar ash.
Now the funeral industry catches you with your **** out.
You must (1) pay to have your ashes stored,
Or (2) take them away in a gilded crate that,
Again, you must pay for.
So you slide into Walter Sobjak,
The Dude’s principal amigo,
And bowling partner in the
Brothers Coen masterpiece: The Big Lebowski.
You head to the nearest Safeway for a 2-lb can of Folgers.
And while we’re on the subject of cremation & the Jews,
Think for a moment on the horror of The Holocaust:
Dispossessed & utterly destroyed, one last indignity:
Corpses disposed of by cremation,
For Jews, an utterly unacceptable burial rite.
Now before we leave Mr. Sobjak,
Who is, as you know, a deeply disturbed Vietnam vet,
Who settles bowling alley protocol disputations,
By brandishing, by threatening the weak-minded,
With a loaded piece, the same piece John Turturro—
Stealing the movie as usual, this time as Jesus Quintana—
Bragging how he will stick it up Walter’s culo,
Pulling the trigger until it goes: Click-Click-Click!
Terrestrial burial or cremation?
For me:  Burial at Sea:
Slice me, dice me into shark food.

Or maybe something a la Werner von Braun:
Your dead meat shot out into space;
A personal space probe & voyager,
A trajectory of one’s own choosing?

Oh hell, why not skip right down to the nitty gritty bottom line?
Current technology: to wit, your entire life record,
Your body and history digitized & downloaded
To a Zip Drive the size of the average *******,
A data disc then Fedex-ed anywhere in the galaxy,
Including exotic burial alternatives,
Like some Martian Kilimanjaro,
Where the tiger stalks above the clouds,
Nary a one with a freaking clue that can explain
Just what the cat was doing up so high in the first place.
Or, better still, inside a Sherpa’s ***** pack,
A pocket imbued with the same Yak dung,
Tenzing Norgay massages daily into his *******,
Defending the Free World against Communism & crotch rot.
(Forgive me: I am a child of the Cold War.)
Why not? Your life & death moments
Zapped into a Zip Drive, bytes and bits,
Submicroscopic and sublime.
So easy to delete, should your genetic subgroup
Be targeted for elimination.
About now you begin to realize that
A two-pound aluminum Folgers can
Is not such a bad idea.
No matter; the future is unpersons,
The Ministry of Information will in charge.
The People of Fort Meade--those wacky surveillance folks--
Cloistered in the rolling hills of Anne Arundel County.
That’s who will be calling the shots,
Picking the spots from now on.
Welcome to Cyber Command.
Say hello to Big Brother.
Say “GOOD-BYE PRIVACY.”

Meanwhile, you’re spending most of your time
Fretting ‘bout your last rites--if any—
Burial plots on land and sea, & other options,
Such as whether or not to go with the
Concrete outer casket,
Whether or not you prefer a Joe Cocker,
Leon Russell or Ray Charles 3-D hologram
Singing at your memorial service.
While I am fish food for the Golden Shellbacks,
I am a fine young son of Neptune,
We are Old Salts, one and all,
Buried or burned or shot into space odysseys,
Or digitized on a data disc the size of
An average human *******.
Snap outta it, Einstein!
Like everyone else,
You’ve been fooled again.
Robin Carretti Aug 2018
Are we all here
Or elsewhere
Treetops Robin birds
What!! Is it only words?
The sky she wore the
blue velvet cry
Whats still here what
will life bring
Afterlife sing before I die?

       *
Why

Headless horseman goodbye
Breadwinner Sportsman
Your worst enemy
The closer he gets knowing
your drama/ Cowboy-comedy

"Whats Here"

The Emmy meeting
another writer
      "Dude"
The Dude Ranch
Meet the "Ghostwriter"
The computer
early bird
Specially rude

The Medieval time of the
"Fable" sword fight
In a fork road, he was
born *English Sterling
The Silver anniversary
Dude piece boring
    
Whats here setting Ms.Dahla
Sweet Magnolia flowers
He's aiming for Azelia
What dudes grow
in her family
table
I'm here and he said
I'm the Dude

We are here Paul Revere rides
Breaks our glassware
Mr. Bigfoot needs to decide

Those Philly steaks "Heinz Ketchup"
Pittsburg tip of the iceberg here-up
Feeling sorry for the "Dude"

I'm right beside you here
Racers mouth racetrack win
More supernatural forces of sin
Rayban Mr. Sun-Ray glare
This was all I could take
in one day
It's important so let's stay
in one place
Where we can see one another
All dudes what eludes in character's

The false eyelashes her
prediction Alice madly
Tea party detention

Dancing in the
spiritual rain
She is the biggest pain

What cheeks swear
with her pinky
The blow dryer the
Big Lebowski stayer
Russian Roulette
Crystal fighter Swarovski
Homewrecker traveler
The dude investigation
*Risky business Dudes in the mansions

Rome cannot be built in one day
What's here your *Mom
is
baking noodle pudding today
You are laughing and both got
Brooklyn fever
Divine hour telling her how
much you love her
Familiar eyes hot dudes
delivery
The best flight activity
Getting you up
Your NativityI'm the dude cup

Always wondering you drift
Whose coming to dinner
*Mystery is it really here
        The Dude of a gift
Happy tears New Years

Darling
White Polar Bears

Days of daydreams dude stamps
All tolls and Polls
Twitter and Trumps
Or coming closer to
your darkest night
*
Forever wherever you are
It's the dark velvet satin

Night in White Satin
The other side of midnight
Humans animals always
the mating watcher's delight

Paper cuts of a paperweight
Feeling like a deadweight dude
The lightheaded most amazing night sky
The bright future warm you up
passionate guy

Whats here names
Don't use me usernames
Such con names, married names
Where each other's equal
Whats here love the sequel
The proud mother
My Bald Eagle

Hairy fluffy so cute beagle
*
He's the Quarter she backs up his note
The pushover Politician we deserve the vote

Writers believers lovers
and givers
Strangers are friends whats here
all depends
Getting mugged in Central Park
Grainy sugar you spark
Enjoying what I have today

The softer Rainy Lover
Whats here we are all here
Not elsewhere or over there
My Godly switch I'm here
Whats here you or me or who we believe to see let it be let it be
There are so many answers and those questions are here so reach don't start to preach show your love its whats here
At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.
Mateuš Conrad Jan 2017
thankfully my nostalgia concerning the late
20the century, coincides with my youth,
i mean youth, and that i also mean
****** idealism, when women were phantoms
and could never be girlfriends or
widows, or tears shed at the grave,
or nothing needy, nothing clinging,
nothing resembling mussels...
         i have to admit, i got ***** the moment
i detached myself from thinking about god...
the third partisan of the a priori
implant dictated by time & space...
            i didn't only shove my genitals into
her genitals, i shoved my ego into her
concept of god... and i subsequently became
a dimmed version of st. augustine...
              because that part of me didn't exactly
make confetti from her reasoning....
shoom!
          scalped me and dragged about 1000
tumbleweeds in its travels...
             the grand point? i didn't see
   a hairdresser, for the next never ever...
unless they do trim ***** to coincide with
      funny tattoos...
                     i don't know... maybe i was really
ultra-idealistic about women before i lost
my virginity, that after i lost it, after i lost
the foremost grace, i didn't learn the gorilla
impetus to keep one... let alone a harem...
   women really were fun and beautiful and
mysterious when i had them in my head...
      after the fact that i learned too late that they
also took a ****, i couldn't believe it!
        me, adapting to this? this fog-smeared
creature? yes, i can see my nihilism,
                    i''ve been burning that amber light
of a litre of whiskey per night for quiet some time,
drop by Collier Row's Tesco and look at the c.c.t.v.,
but then i put on some creedance clearwater revival
(not cool, aha, used the whole name, right?
cooler me saying c.c.r.? bukowski, lebowski...
same ****, different cover) -
   but i really did experience love... i know... huh ha...
did i recover from it? i'd probably have
recovered from 20 ****** over-doses...
        she got married, obviously...
  because women, don't idealise men...
  unless they meet the criteria of what men are supposed
to own... man idealising woman is a woman per se...
woman idealising man is a man contra per se...
                     after all, a man idealises
thinking about a temp. storage space for his
*******...
              which later turns into offspring...
   any woman could agree to being part of that phlegm
and being content at housing those "lucky" offshoots
in her kangaroo rucksack...
           it's as ugly as European thinking is going
to get, it can't get more scientific than this...
   i really do need a square on a rectangular canvas
to prompt a generous conversation about redifing
the point: we're not going back to the Milan school of
oil on canvas... or Rembrandt...
      it's not happening.
so creedance clearwater revival and graveyard train...
how we have bass guitar, and it's nibbling,
just nibbling... just grooving...
                  more like stalking but keep in mind
nibbling... and the there's no rhythm guitar,
because the guitar is just making accents,
the guitar is just twitching... i can't believe how
un-jazz comprehensive modern music is...
                   rhythm doesn't belong to the guitar,
there shouldn't be a rhythm guitar...
rhythm is all bass and drums...
          and i say that: because i hate metallica and how
i can never hear the bass guitar when i listen to them...
no wonder the original bassist got scribbled off...
   i love bass, don't you love bass?
something has to overpower the strength of drums
in modern music, something has to restrain
drums... needs to set the soothing rhythm,
rhythm guitar can't do that, you need the bass
guitar... bass guitar is, quiet frankly,
the most underrated instrument in modern composition...
techno techno! bongo bongo parties of
               berlusconi... bongo bongo... hatchet plus!
yes... silvio... we have the guillotine around here
too... choppy waters... plenty of sharks...
   enough to take a bite, though.
   and i thought naked lunch was bad...
well, i didn't, i didn't even want to plagiarise the Tristian
Tzara bound to it, reminiscent of cabaret voltaire.
huh?   ah yes... creedence clearwater revival,
and the bass on graveyard train, like water coming
down from a leaking tap...
  tum dum doom ta dollop... and it sounds nothing
like that... but something to allow the guitar what
it does best, sure, it joins in the rhythm section at
the beginning of the track... but then the guitar
sets up a momentum of creating accents,
  no rhythm = no solo... accents...
   little licks of being there... very ******* jazzy...
my my, so jazzy... and that's the safe ground to have
in music, retaining the jazz...
             otherwise you get into territory akin to
classical music's anithesis... the opposite of classical
music is... earthquakes... techno techno... drum drum...
drum drum... drum, drum... drum drum drum...
classical music was all about breathing...
  césar franck's les éolides (the breezes) -
and the antithesis? techno techno... muffed up techno:
ambient music... refrigerator sounds...
muffer up drums...
               don't get me wrong, i do listen to
e.g. man with no name...
         but it's rare to hear the jazzy side of things...
  it's just such a waste to see the bass guitar
not used as it should be, i.e. being over-powered
by drums... and using so much rhythm with
a guitar... having the rhythm and the solo...
  like squeezing a pair of testicles of a celibate monk...
god, that hush hush: tone down, tone, tone down,
tone, down... down... down...
             pst... kaput....
                                      i really did start talking
about something else, didn't i?
                this is new... digression as a column of
rhetorical perfection... fair enough having the rhetorical
skills, talking persuasively (well, just lying)
    about the same topic... but find me the rhetorician
than utilises digression, and forgets his talking
because he's changing subjects without really
    categorising them as being different....
    it's a trance state akin to eastern meditative practices...
digression as the most pleasing form of rhetoric,
teachers' oratory technique... not politicians' oratory...
   i never understood why digression was
not the foremost element of rhetoric...
                    political rhetoric is always about
ensuring people remember something,
they never do...
                        politicians drill in the points...
   and for some reason, they never talk to rhetorical
perfection, i.e. being able to digress...
                the most persuasive rhetoric is the rhetoric
with digression at its core...
                       or at least that's how i learned
english from a scotsman...
                                just blah blah blah blah
and at some point, there always will come an aha!
which is the next best thing to an eureka.
I get off the Belt Parkway at Rockaway Boulevard and
Jet aloft from Idyllwild.
(I know, now called J.F. ******* K!)
Aboard a TWA 747 to what was then British East Africa,
Then overland by train to Baroness Blixen’s Nairobi farm . . .
You know the one at the foot of the Ngong Hills.
I lease space in Karen’s African dreams,
Caressing her long white giraffe nape,
That exquisite Streep jugular.
I am a ghost in Meryl’s evil petting zoo:
I haunt the hand that feeds me.

Safely back in Denmark, I receive treatment
For my third bout with syphilis at Copenhagen General.
Cured at last, I return to Kenya and Karen.
In my solitude or sleep, I go with her,
One hundred miles north of the Equator,
Arriving at Julia Child’s marijuana herb garden–
Originally Kikuyu Land, of course—
But mine now by imperial design &
California voter referendum.
(Voiceover) "I had a farm in Africa
At the foot of the Ngong Hills."
My farm lies high above the sea at 6,000 feet.
By daybreak I feel oh, oh so high up,
Near to the sun on early mornings.
Evenings so limpid and restful;
Nights oh, so cold.
Mille Grazie a lei, Signore *******!
Andiamo, Sydney, amico mio.
Let it flow like the water that lives in Mombasa.
Let it flow like Kurt Luedtke’s liquid crystal script.
We zoom in. We go close in. Going close up,
On the face of Isak Dinesen’s household
Servant and general factotum. (Full camera ******)
Karen Blixen’s devoted Muslim manservant,
Farah: “God is happy, msabu. He plays with us…”
He plays with me.  And who shall I be today?
How about Tony Manero for starters?
Good choice. Nicely done!
Geezer Manero:  old and bitter now,
Still working at the hardware store,
Twice-divorced, a chain-smoker,
Severely diabetic, a drunk on dialysis 3 times a week.
Bite me, Pop:  I never thought I was John Travolta.
But, hey, I had my shot:  “I coulda been a contenda.”
Once more, by association only,
I am a great artist again, quickly made
Near great by a simple second look.
Why, oh God? I am kvetching again.
I celebrate myself and sing the
L-on-forehead loser’s lament:
Why implant the desire and then
Withhold from me the talent?
“I wrote 30 ******* operas,”
I hear Salieri’s demented cackle.
“I will speak for you, Wolfie Babaloo;
I speak for all mediocrities.
I am their champion, their patron saint.”

Must I wind up in the same
Viennese loony bin with Antonio?
Note to self:  GTF out of Austria post-haste!
I’ve been called on the Emperor’s carpet again,
My head, my decapitated Prufrock noodle,
Grown slightly bald, brought in upon a platter.
Are peaches in season?
Do I dare eat one?
I am Amadeus, ******, infantile,
An irresistible iconoclast and clown.
Wolfie:   “I am called on the imperial carpet again.
The Emperor may have no clothes but he’s got a
Shitload of ******* carpets."
Hello Girls: ‘Disco Tampons!
Staying inside, staying inside!
Wolfie: "Why have I chosen a ****** farce for my libretto?
Surely there are more elevated themes . . . NO!
I am fed to the teeth with elevated themes,
People so lofty they **** marble!"
Confutatis maledictis,
Flammis acribus addictis.

So, I mix paint in the hardware store by day.
I dance all night, near-great again by locomotion.
Join me in at least one of my verifiable nine lives.
Go with me across the Narrows,
Back to Lenape with the wild red men of Canarsee,
To Vlacke Bos, Boswijk & Nieuw Utrecht,
To Dutch treat Breuckelen, Red Hook & Bensonhurst,
To Bay Ridge and the Sheepshead.
Come with me to Coney Island’s Steeplechase & Luna Park, &
Dreamland (aka Brownsville) East New York, County of Kings.
If I’m lying, I’m dying.
And while we’re on the subject now,
Bwana Finch Hatton (pronounced FINCH HATTON),
Why not turn your focus to the rival for Karen’s heart,
To the guy who nursed her through the syphilis,
That old taciturn ******, Guru Farah?
Righto and Cheerio, Mr. Finch Hatton,
Denys George of that surname—
Why not visualize Imam Farah?
Farah: a Twisted Sister Mary Ignatius,
Explaining it all to your likes-the-dark-meat
Friend and ivory-trading business partner,
Berkeley (pronounced BARK-LEE) Cole.
Can you dig it, Travolta?
I knew that you could!

Oh yeah, Tony Manero, the Bee Gees & me,
A marriage made in Brooklyn.
The Gibbs providing the sound track while
I took care of the local action.
I got more *** than a toilet seat, a Don Juan rep &
THE CLAP on more than one occasion.
Probably from a toilet seat.
Even my big brother–the failed priest,
Celibate too long and desperate now–
Even my defrocked, blue-balled brother,
Frankie, cashing in his chips at the Archdiocese,
Taking soave lessons from yours truly,
Taking notes, copying my slick moves with chicks.
It was the usual story with the usual suspects &
The usual character tests. All of which I flunk.
I choose Fitzgerald's “vast, ****** meretricious beauty,”
My jumpstart to the middle class.
I spurn the neighborhood puttana,
Mary Catherine Delvecchio: the community ****
With the proverbial heart of gold &
A backpack full of self-esteem deficits.
I opt out.  I’m hungry and leaping.
I morph again, grab *** the golden girl.
Now I’m Gatsby in a white suit,
Stalking Daisy Buchanan in East Egg,
Daisy: her voice full of money;
My green light flashing on the disco dance floor.
I, a fool for love; she, my faithless uptown girl,
Golden and delicious like the apple,
Capricious like a blue Persian cat.
My “orgiastic future” eluded me then.
It eludes me still. Time to go home again to the place
****-ant Prufrocks ponder their pathetic dying embers.
Time to assume the position:
Gazing out from some trapezoidal patch of green
At the foot of Roebling’s bridge,
Contemplating an alternative reality for myself,
A new life across the East River,
In the city that never sleeps.
I crave. I lust. I am a guinzo Eva Duarte.
I too must be a part of B.A., Buenos Aires:
THE BIG APPLE.
But I am ashamed of my luggage,
Not to mention my baggage.
It’s like that last thing Holden Caulfield said to me,
Just before he crossed over the Brooklyn Bridge,
Crossed over to Manhattan without me,
Leaving me alone again, searching for our kid sister,
Phoebe, the only one on earth we can relate to:
“It’s really hard to be roommates with people
If your suitcases are much better than theirs.”
Ow! That stung; that was a stinger.
I am smithereened by a self-guided drone,
A smart bomb full of snide antigravity,
Transformational and caustic.
My meager allotment of self-esteem
Metastasizes into something base,
Something heavy and vile.
I drop to earth like lead mozzarella.

I am unworthy, unworthy in the maximum mendicant,
Roman Catholic mea culpa sense of the word.
I am now Umberto Eco’s penitenziagite.
I am Salvatore, a demented hunchback
(Played flawlessly as a demented hunchback by Ron Perlman),
Spewing linguistic gibberish in a variety of vernaculars:
“Lord, I am not worthy to live anywhere west of the Gowanus Canal.”
By East River waters I weep bitter tears,
The promise of a promised land denied.
I am a garlic-eating Chuck Yeager,
Auguring in, burnt beyond recognition,
An ethnic trope, a defiant Private Maggio
From here and for eternity,
Forever a swarthy ethnic stereotype
Trying to escape thru a small but significant
Hole in the ozone layer above South Ozone Park,
New York, zip code 11420.
That’s right, Ozone Park.
If you don’t believe me, look it up.
GO ******* GOOGLE IT!

And I just don’t know when to quit.
So why quit there?
Work with me, fratello mio, mon lecteur.
Like you, I took the LSAT so long ago.
Why am I not a distinguished American jurist
Asking the one question that seems to be on
Everyone’s eugenic lips today:
“Aren’t three generations of imbeciles enough?”
I am Charly from Flowers for Algernon,
A slow learner with a push broom, swept up in
Some dust from Leonard Cohen’s cuff.
Lenny: a grey-beard loon himself now, singing
“Hallelujah” for fish & chips in London’s O2 Arena.
“Suzanne takes you down, Babaloo!”
At last, I am Jesus Quintana—
John Turturro stealing the movie as usual--
This time in a hair net and a jumpsuit,
"Made of a comfortable 65% polyester/35%
Cotton poplin, you can even add your own
Ribbon leg trim and monogramming
For just the right look to be one of
The Big Lebowski’s favorite characters.
Mouse-over the thumbnail below to see our actual style
(Color must be purple). Style #: 98P, Price: $55.95. On sale: $50.36.www.myjumpsuit.com."
Fortunately, I am a savvy marketeer:
I understand the artistic potential, the venal
Possibilities of product placement. Go with me
To that undiscovered country.
The humanities uncorrupted till now by
Crass gimcrack television ads. That’s right:
******* commercials smack dab in the
Middle of a ******* poem. Why not?
Great literature has always been about
Selling something, even if only an idea.
Hey, **** me, Herman Melville!
We both know the publication costs of
Moby **** were underwritten by the tattoo artists &
Harpoon manufacturers of New Bedford,
Matched by a small research grant from some
Proto-Greenpeace, Poseidon adventure in some
Great white whale-watching swinging soiree.
Murray the ******* K, pendejo!
At last, I am The Jesus, a pervert & pederast,
According to Walter Sobjak—another post-traumatic
Post Toasty, like me, still out there in the jungle,
Still in love with the smell of ****** in the morning.
My bowling buddy, Walter, comfortably far to the right of
The Dude, and Attila the *** for that matter,
But who gives a **** if Lenin was The Walrus?
(“Shut the **** up, Buscemi!”)
“Once you hang a right at Hubert Humphrey,”
Said the streets of 1968 Chicago,
"It’s all ******* fascism anyway.”
That creep could roll, though, and as we know so well:
“Nobody ***** with The Jesus.”
Can you dig it, Travolta?
I knew that you could!

INCOMING!
I just heard from an old girlfriend who is miles away,
Teaching school in Navajo Land.
The Big Rez:  a long day’s interstate katzenjammer,
A Route 66 nightmare by car, but by email,
Just down the block and round the corner.
I had previously closed an email to her with a frivolous
“Say hello to my stinky friend.”
It was a total non-sequitur, an iconic-moronic,
Ace Ventura-mutant line from Scarface,
Which may have meant–in my herbal lunch delirium—
That she should say hi to some mutual acquaintance
We mutually loathe, Or, perhaps an acknowledgement that she–
My surrogate Cameron Diaz–has a new **** buddy,
Of whom I am insanely jealous.
Or maybe it was a simple Seinfeld “about nothing.”
Who knows what goes on in that twisted *****’s head?
She spends the next two hours in a flood of funk,
A deluge of insecurity.
A veritable Katrina ****** of self-consciousness,
Interpreting my inane nonsense in terms of vaginal health.

Hey, you want to ruin a woman’s day?
Tell her, her **** smells.
Mateuš Conrad Nov 2015
i'm just the one that says words that all sound like blah blah blah... i don't mind... i sometimes ease into a swagger and tickle avalanches into sounding like nursery: blah blah black sheep... i have to belong somewhere... even if my love is a communist leftism of the missing forearm, i still have to be an aware plantagenet gardener missing my normandy and my aquitaine... (tulip and jasmine respectively).*

where man speaks, there
lies the gods' onomatopoeia
akin to creativity
the plank of wood, the burning
coal in amber,
the twinkle toes of nursery rhyme
acquiring stars,
there too the shuffling bud of keratin
bundled to suitor the execution
of the banged uvula in
spare skull named metal for cranium
and brains;
ah multiplicity of tongues for a brain,
and no multiplicity of brains for a tongue...
let the one-eyed speak... i feel
i write with an avalanche cherub
swinging my gravity to the east of my central left...
let the tongue speak...
love said: love's not there!
faith said: god's not there!
existentialism said: "i'm" ~not "there,"
i.e. i wasn't
there... mind if i am?
mind my politics *******, i mind you
politicising while i sing my big lebowski soprano:
the elitist sure care for the palette of the caterpillar tongue...
and they care more if the fun is done free...
there's a messiah among
them thus... free ****?! we got them scolded...
butterflies are awry and suo gan beatified:
iron heated burning the skin load of cover...
we'll drive these ******* out till next november...
and next november we'll have the boxing match
before boxing day...
then we'll ku klux **** the turkey into
the burning cross and wait for the jew...
if the jew don't come we'll burn the cross anyway....
and say our messiah was a nigerian with
appropriation from lady madonna the pop **** of
15min ****** warhol...
then, should we feed being displeased,
we will gather the wood bearers
and ignite the ****** wood on affirmative spin
initiatives for politicisation of non-political affirmatives...
lest they come... party-to-the-last-one-hooded-one,
we'll wave the confederate flag like a 12" **** of a ****** hanging
to displease us...
frankly my dear... i give a ****...
all those cosmopolitan one-night-stands
that gave my marriage a hats' off trombone,
i was there, when
the treaty was sound and written down -
here i return to the vulture of culture in reprimand of tastes,
here i return to eagle eyes and hyena fangs,
here i return with the mole-sight or the arching stalinist
kissing the shovel...
here i re-enter with the prickly detail of eyesight external
of the hedgehog giving me guidance / giving me vectors to
spike and incisor the plum that missed the bruised eye /
here i re-enter with the skin-headed vultures of
sunken dystopia lived in a state of atlantis
below the coaled mark of signature
in watershed hours of exempt moralism testified
as a truancy - here the skinhead vulture
heeded prior to the lion's feast.
Kurtis Cullen Feb 2014
Prairie winds howling from the south, the entire southern plane a gaping maw issuing forth wide frozen tides in the air scorching the land. peering thru the open blotches of the windshield on the way home, headlights revealing the rolling billows of misty scintillating snow devouring the gravel road way, old raised green truck roars thru the drifts. Earlier, twilight. Freezing. Everything the wind touches, everything that blocks its path becomes still and solid and severely dense. Had a bubble bath before i went out. AB =Long Johns 7 mo's. outta the year. Cheeks barely exposed to the elements, cells begin to deteriorate instantly, the strong stolid ache appears seconds afterward, and spreads in my blood quickly, and doesn't stop till some minutes after i seek refuge in the truck. Taking an elk. old bull. my step dad bumbles the first shot and the beast runs down the *****. He shoots it again. Cuts the throat and eventually takes off the head. Draining Blood is steaming. Leave the entrails in the snowscaped pasture land. Chain the legs to the bale mover on the back of the truck and make for the shop a few miles away. There Fire rages in an old steel drum in the corner, burning wood blocks and black petroleum wax leftover from the pigs that blast out from the pipelines. Feeney's in my coffee mug. The heat radiates just enough to reach us in middle room but we still wear full coveralls against to stifle the endless cold. We hang the carcass by running a steel rod through its achilles tendons. Grandpa & Stepdad refer to a murdered family in Consort whose place was burned down, suspect the son was involved in a drug deal gone bad. (Cohen bros. come to mind. Real life in Alberta & BC seems a blend of Big Lebowski and No Country). Skinning the elk. Carving it up. Learning the different cuts of meat, where t-bones come from, tenderloin, round steak, sirloin. Cool. Mass more than a 100 lbs of meat for jerky making. Country cousins comin over the next few days to help with cutting it all up. Striking a balance between fine articulation and the art of laughing. Turns out Everyone respects poetry for the audience. Good god y'all.
Written during Xmas break
Mateuš Conrad Feb 2016
i was eating a pepperoni pizza today,
and took a salty tongue into the night,
£270 on my bank account - great stuff -
took five quid out, felt like buying four
oranjeboom reds at 8.5% each,
instead bought two, and
perrier carbonated glass-bottled water...
god the thirst in this cement sahara...

the best transition accompanying drinking
and listening to music comes
from the heights of reggae to creedence clearwater
revival... no, not the eagle, not Leonard the skin-head
with an 'ard on... creedence... lebowski who
was bukowski's posthumous alter-ego...
so i did a galileo while drinking,
the light on my side-table by the bed light
glowed, put my sunglasses on...
the stars disappeared and the planets appeared...
oddly enough, as is usual the case of
counter-intuitive matters when looking
at astronomical geographies...
mars far left... venus in the middle,
and jupiter the biggest and therefore the brightest
far right...
i worked it out against linear tactics...
the distance of the earth from venus doesn't
make a difference with the distance from mars,
but the distance of mars from jupiter is greater,
see you in 100 years to prove the point
and whether it matches up to HARD, NECESSARY,
PROOFS... LIKE MAINTENANCE ***...
******* a girl with a really really exaggerated
libido, having to wear a ****** while she was
on her period, in the toilet and she bewildered
saying: 'most guys don't dig the female bits...'
hell... i'd do necrophilia...
shame the relationship turned to a sour toast with her,
shame, really... really really.
oh yeah, after smashing that £600 martin & co.
guitar to celebrate valentines day
(
chłopiec z gitarą był by dla mnie parą
my grandmother used to sing...
well... sorry to disappoint,
i had her rastafarian shoelaces for
a pin-up belt to walk and play, or simply
stand still and note string twangs...
*była giiitara... ni ma giiitary
...)
and bought myself a drum-kit:
well... just my finger-drumming antics
on my legs;
or as a wise man said: **** her, leave the rest
for a backward trek into life
without maps but only premonitions.
Mateuš Conrad Feb 2016
upon the universal statement:
once upon a time...
and subsequently to end with a universal
statement: they lived happily ever after.

well poet ought to shatter the narrator,
he should never allow the narrator
a narrative so well consistent
as to remember a character's standstill
psychology from one writing session
to the next, in between living his very
eventful life (i don't know how irony
is noted, italics or en-dittoed?),
but moving words about is high treason
against materialism, encapsulated by
the merchants' motto: move a stone
make a penny, move a mountain,
make a fortune. so beautifying language
is so horrid? really? we are all going
to be satiated by a dull numbed expression
like adding numbers, while the birds sing?
poetry is just hushed opera, to appreciate
the birds, and on the odd chance,
a raised human verse sung;
so when i give you examples, i wonder,
will you agree or wilt beside me,
from the italicised introduction,
four examples to invoke particularity / chirality
rather than universalism / parallelism:
a. *breakfast at tiffany's (truman capote)

    'i am always drawn back to places where i have lived,
     the houses and their neighbourhoods.
    "african hut or whatever, i hope holly has, too.
b. the catcher in the rye (j. d. salinger)
     'if you really want to hear about it, the first thing
      you'll probably want to know is where i was born,
      and what my lousy childhood was like, and how
      my parents were occupied and all before they had me,
      and all that david copperfield kind of crap, but i don't
      feel like going into it, if you want to know the truth.
     "don't ever tell anybody anything; if you do, you
       start missing everybody.
c. steppenwolf (hermann hesse)
     'this book contains the records left us by a man whom
      we called the steppenwolf, an expression he often used
      himself.
     "pablo was waiting for me, and mozart too.
d. don quixote (cervantes)
      'somewhere in la mancha, in a place whose name
       i do not care to remember, a gentleman lived not long ago,
       one of those who has a lance and ancient shield on
       a shelf and keeps a skinny nag and a greyhound for racing.
       "vale.
the ninth gate is truly a film about bibliophiles,
and the alley where i popped open a beer bottle
while two lovers kissed waiting for me to
craft a scene as if a forbidden love was revealed to me,
and indeed it was: no dread of jealousy at not
being coupled, but all the same, hatred
invokes apathy, it cannot claim platonic pathologies
of lovers (first), poets (second) and sibyls / prophets
(third)... hatred is tiresome, it walks no thirteenth mile
the same day, and when hatred exposes apathy
it is assured: apathy breeds no pathology,
love on the other hand breeds a lacerated maggot pit
of pathology; whereas atheism just breeds factual
reevaluation and constant reinterpretation
without proofs, theism plagiarises, and wants
to prove... really really prove... and get *******,
or at least roman catholic castrato songs to boot...
pure narration? just now, you spotted it?
poetic digression is the only way a poet can
become akin to a narrator in the medium of fiction,
poets digress... fictional narrators are all bound
to the titanic... on course for unchangeable history...
poets digress to create their own narrative.
so to begin with (need to ***, need to ***, will
i survive the wording to the end?)...
the generic and easily analogous once upon
a time
is akin to an open field... many directions,
much open space, many congregational opportunities...
in the end few books of fiction are finished,
too much inanimate details and symbols,
not enough images, books without pictures
are stupid, as alice would have said...
slowly but surely the readers drop off,
a bound book with a thread of silk that acts
as a bookmark end halfway through the thickening:
undercooked pasta, raw tomatoes...
but the process from the beginning to the end
makes the acre of gold-simmering wheat
turn into a pinhead...
writers forget the element they're writing
parallel to is claustrophobia, i know,
how can a phobia become elemental?
people get killed, that's the foremost proof for me...
narration in grand novels is a bit like
a growing bulging claustrophobia...
the acre of a wheat field becomes a box-room...
and as this happens the paradox emerges:
we all wish to embark upon a and they
lived happily ever after
, but we're given
a once upon a time, in reality we begin
with they lived happily once,
and end with it was once the case...
i figured i did the worded arithmetic better
in my head a few minutes prior...
but then i became bothered by julien torma's
words. who was julien torma,
he was a would-be-poet on the fringes of the Dada
movement: Dada being like black panthers
and big lebowski movements against the war in
vietnam, although more to do with world war i,
let me cite him just so you get a feel...
lyricism: a venereal disease.
             a poet who is preoccupied with
poetry is a shopkeeper.

on the second point... i think he's more of an antique
dealer, but never mind that,
i get the point, and i don't mind what he minds,
i find any if all poetic endeavours a futility,
but i rather write a poem to be discrete and actually
read fully / contently / due course to express
the way a poem is written with ensō fluid
spontaneity: than oblige myself to write a novel:
better a stack of stones dismantled from a pyramid
shape than a mountain never climbed;
as i told you, poets can't narrate, they can digress,
and poets aren't like writers of fiction,
they can't latch themselves to the narrowing
from acre of field to a box, or a room,
they can't grasp claustrophobia as the drive
for that perfected the end, it's impossible...
they're always shrapnel narrators, a free moment,
a guess; as the paradox of writing dramas,
they're written because they're intended
for what the populace expresses: an uneventful
life to the limit of the total of all predictability:
death - dare not tire of boredom, keep it
like a constantly stretching rubber band, and then
death comes... SNAP! cushion cosy on that morphine
are we?

— The End —