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When Hamlet was young,
All was good,
Elsinore was proud,
Hamlet was young,
Ophelia too.  

Now he is older,
Not everything is good,
Some things still are,
His uncle is his father in law,
This is not so good.  

Now he is dead,
Ophelia is dead,
Laertes is dead,
Gertrude is dead,
Cladius is dead,
Yorick... is dead,
but he was at the start,
so he doesn't count.  
Rosen... Guilden... dead
Old hamlet is dead,
Plonius is dead.
Horatio is alive;
can't imagine he's very happy,
because everyone else is dead.

Laurence Olivier is handsome,
he's dead too.
Francie Lynch Jan 2016
It's difficult to tell
When something as big as this started.
He was witnessed holding my little brother
As though he were a fawn drinking milk
From a snub-nosed brown bottle.
He was indifferent with a cuff,
It could've been a hug.
His aquaintances used his talents
For personal gain;
They sat at our table,
Enjoying chops and fried onions.
He was never in the audience,
Never in the stands beaming;
He was as dysfunctional as Claudius
Among melancholy princesses and princes
Who clasped palms to foreheads.
If I'd known Alas and Woe,
That's when I'd voice them.
One night, I considered pouring poison
In his ear.
Alice Weatherley Apr 2020
We feel ourselves rogue and peasant slaves -
In that is no disgust.
Collectively yet to have been stripped of
Our formalities, plunged into fiction, devoid of normality -
An undiscovered country, if you must.

We doze cosy in dreams of passion
Where space and silence nudges pens; they bleed.
Though liquidity stiffens
Flair and genius warm the air
Assuming a pleasing shape, indeed.

We weep under a broken voice
When seas of trouble rise to strike us down.
Remorseless - how can it pause to pick and choose?
Treacherous - anxiety bedevils our news
But temporary, false is its crown.

When we think or moan, twiddle thumbs or disengage,
There is nothing, not even tears, that dares to drown our stage.
John F McCullagh Apr 2013
She was on a crowded Uptown "A",
with one hand holding on.
In her other hand, a paperback,
dog eared, its cover gone.

Hamlet and Polonius
were with the player King
Bed-Sty might well be Elsinore-
when the plays the thing.

There were plots and counter plots-
to do young Hamlet harm.
"My money is on Fortinbras-
I said, then I was gone.
I didn't expect to find an adult strap hanger reading Hamlet on the "A" train. You most usually see that on the Uptown #1 train.
Duncan Brown Apr 2018
Loan me a pyramid
Methinks I’ll create a desert
And a few things laid to waste
Hamlet’s now been discredited
His girlfriend went to his head
And the bald bard is now dead
Put that in your jest good fellow
And play with it until’ it’s finite
Cos’ I’ve got a life of my own
Dramatists an’ their princes
I ask you; who needs any of 'em?
This skull will paint the town
An' the treachery of Elsinore
A deep and blood soaked red
Life's much better red and dead
At last this poor, poor Yorrick
Wants his rich an' cold revenge
The pink champagne's on ice
An Ophelia's really quite nice
Twice a maiden for half the price
Chaining daisies for her prince
Will she jump or shall I shove
It’s jolly difficult to determine
If she’s coming or if she’s going
With half her bunnery to a nunnery
Or all her nakery to a bakery
It’s all really quite *******
I must mismatch that doxy later
She's such a lovely little mover
An’ quite the mountain shaker
She’s wasted on that lunatic
Besotted with his hollow crown
And everyone loves the mad prince
The odd fellow’s such an infinite pest
And an absolute calamity of error
Now the loser’s love will love  
This fool who looks and acts
Like me, a prince with brains
That's my own unkind of justice
Laced with the sweetest contempt
Her father was a broken pawn
Shop keeping’s in his blood
He had madness in his method
But his ambition was quite flawed
Shallow depth betrayed his thought
He could’ve have been a contender
Not just a two bit part of a player
Upstaged by a curtain. How tragic!
Death by drapery; don’t you just love it?
His son is now a polished footman
And such an excellent head waiter
He spends his life in glass mirrors
Reflecting on his boney features
As I make sure he waits forever
So much better never than Laertes
That’s my motto for another day
He may count himself so fortunate
He was such a snappy dresser
(Do take me to your tailor
I'll deal with your leader later)
‘Tis a pity he was such an idiot
If brains were more his fashion
And skulduggery were his judge
He might have fared much better
Of characters faithful to a grudge
He could’ve lived much longer
I'll make him beg and borrow
At my very own convenience
Then dispatch him to his father
That eternally serial draper
Ashes to ashes and curtains to curtains
There’s a poetic justice in that
And it’s ever so sweetly prosaic
I might even copyright that
It’s so great to be (sic) on the up
And watch the shallow pale cast
And all their precious thought
Come tumbling, tumbling down
Life’s just great for a vicious close
Horatio; a name to conjure with              
Is now my personal skull dresser
His life is in his hand held mirror
And vanity was his saving feature
But not enough to save the creature
Vanished in the puff of a hairspray
Mist and then tragically unspoken
By all outside his fractured image
Hair today and bald tomorrow
More in boredom than in sorrow
That’s the way life goes in Elsinore
A place of lunacy and ditch fillers
Bedevilled by ghosts and spectres
Wearied by the mortality of trespass
But lovely for their dramatic effect
With dreary words in opaque coats
Whose only life was useless death
Haunted by their unbroken breath
Killing the living is as easy as pie
Deceasing the dead takes real talent
But some how I know I’ll manage
Burying them is a different matter
Perfect for the professional digger
Such simple souls with nice shovels
To gouge their own infernal trench
'Neath the crust of an all receiving earth
Their trade is part of my obsession
And their undertake is imminent
I’ll ditch them with an eternal trowel
And let them shovel hell as well
Isn’t that so me, generous to a fault
I’ll let them share a double vault
Two messengers and a message
Arrived in time for their departure
Later’s so much better than sooner
When your life’s the dying business
Overtime’s a bonus. Die one get one free!
Who’d resist such a generous bargain?
Certainly not a haggling fool like me
Most consanguineous with his deed
The King and Queen were in their dream
Before they met their nightmare      
Now they’re gone to match their deeds
And the kingdom is quite empty
There’s nothing left in their possession
A perfect state for my accession
The hollow hat suits this skull
At a jaunty and a rakish angle
And Ophelia will look great on me
Do bring that doxy closer to her maker
She can bring her chain of flowers
They’re perfect for the occasion
Tonight’s the night for her accession
Tomorrows the date of her departure
She can take her mad, mad prince
To that too, too solid earth
That gladly awaits their tenure
And I’ll be king of the castle
It’s so true; nobility fits me like a glove
And power is my one true love
Down the below and up the above
But alas and alack it came to an end
The doxy brought her princely friend
Who wasn’t quite full round the bend
Neither was he my best friend
With a daisy chain in every hand
And designs upon my scrawny neck
He stretched it ‘til it made that sound
Which left me crumpled on the ground
Rattling bones and kicking legs
Gasping for that sweet fresh air
Which forsooth was never there
And thus it was I met my fate
Both outrageous and unfortunate
The shallow earth consumed my flesh
And stole my ****** hollow bones
More in vengeance than in sorrow
They let me rot for all tomorrow
Perished by their flowery garotte
The precocious pair claimed the lot
Castles, kingdoms and a ****** moat
And all that rots in old Denmark              
All by the method of their madness
And I their puppet on a string
I do believe they planned it thus
To leave me squirming in the dirt
To take the blame and feel the hurt
A cat’s paw for the embrace of death
By the doxy and the scheming heir
My my, my, what a precious pair
Death by daisy chain, how pathetic
A comedy more tragic than divine
I’ll never be able to live it down
And they will never dredge it up
Alas, this last poor Yorrick’s gone
And all their ***** doings are done
Less in grandeur than in greed
The beggars planned the ****** deed
And all I got was this floral ****
Oh what a foolish fool dies in me
And oh what a pity rules in Elsinore
A greedy prince an’ a scarlet *****
That’s their lot, there’s nothing more
Except this one true final score
The bald bard knew the old trap door
Concealed a fall in the rakish floor
Is everything wormwood, wormwood?
That’s the question, and there’s the scrub.
They’d never got on before the dance
And they certainly wouldn’t now,
For Geoffrey Raise had showered praise
On the Fireman’s girl, somehow,
And she, Charlene, was impressed, it seems
With the Engine driver’s call,
And changed her date, though it seemed too late
To the Fireman, at the ball.

They stood on the plate of the Duke of Kent
With the fireman raising steam,
Shovelling coal to the firebox
In a movement swift and clean,
He scattered the coals on the glowing bed
With a practised twist of his wrist,
While the driver kept his eyes ahead
As the steam built up, and hissed.

‘Why did you jump on Charlene then,’
Said the Fireman, Henry Rice,
During a break, his back was bent
With sweat, but his eyes were ice,
‘I don’t have to answer to you,’ said Raise,
‘Charlene was anyone’s girl,
I liked the way that she held herself
And she sure knew how to twirl.’

The train pulled out of the station with
A puff and a cloud of steam,
And clattered along the track from Klifft
On its way to Essingdean,
Pulling a dozen coaches and
A Guards van at the rear,
And a hundred and twenty passengers
At the high time of the year.

‘What would you say if I did to you
What you did to me, back then,
Cutting in on your date that night,
What was her name, that Gwen?’
‘She wouldn’t have looked at you,’ said Raise,
As he pulled the chord to toot,
‘And as far as your feelings go, old chum,
I really don’t give a hoot.’

The train was rocketing down the line,
And flew past the water tower,
While Raise had opened the ***** right up
To give the Express more power,
The gauge was inching at sixty five
As they flew past Barton Dale,
While Rice was shovelling coal once more
Though his face was pinched and pale.

He took Raise down with the shovel as
They raced through Weston Town,
Who lay, half stunned on the footplate
Hanging off and looking down.
He kicked on out at the Fireman with
His size twelve steel-capped boots,
Who reached and hung on the chord that gave
The Duke of Kent its *****.

The train was racking up seventy five
As they kicked and punched and swore
Totally out of control it passed
The Halt at Elsinore,
They narrowly missed a rumbling freight
As the points took it aside,
While Raise had yelled, ‘You can go to hell,
But control your wounded pride.’

The Fireman opened the firebox
Spraying hot coals on the plate,
‘Now dance again as you danced Charlene,
If you think that you’re oh so great.’
‘Just let me get to my feet,’ said Raise
‘Or you’re going to wreck the train.’
‘It might be time,’ said the Fireman,
‘For your life to fill with pain.’

They hit the buffers at Essingdean
And the engine left the track,
It leapt up over the platform as
The roof ripped off the stack.
Raise was told when they went to court
That he’d never be re-hired,
And Rice, for want of the girl he sought,
The Fireman was fired.

David Lewis Paget
Joel M Frye Mar 2011
Hamlet wandered Elsinore;
saw father's ghost appear,
"Son, stick it to your uncle
who stuck it in my ear."
More nonsense for History Light!
3-1-2011  JMF
Qualyxian Quest Feb 2019
late night motel quiet
  no future, no past
     words, words
           words
Qualyxian Quest Jul 2021
a little bit of Europe
a little bit of Asia
a lot of USA
the need for yon Fantasia

i'm aging and i'm lonely
basketball at night
i go down go down broken
but not without a fight

          Kierkegaard
      Not Sein und Zeit
Qualyxian Quest Jun 2021
I'm tired and I'm scared
Walk the little way
Do my best, a little rest
Thank you and xie xie

Life is suffering
But blue sky up above
Amidst the panic fears
Please a little love

        a little love.
Jonathan Moya Mar 2019
In Elsinore the poppies grow
Despite the constant selfies show
     That stake their place in yellow high,
      No birds photo bomb their big I
Show not seen by same throngs below.

We are the influencers you know.
We shine, svelte pose, for good ad flow,
     Post for your likes, so we can lie,
        In poppy groves.

Take your quarrel elsewhere you trolls:
You will follow us we all know
     Your phones, held high to your good side.
      Poseurs keeping faith with the lie
That your green screen poppies all grew
          In Elsinore fields.

— The End —