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This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Out of the mid-wood’s twilight
Into the meadow’s dawn,
Ivory limbed and brown-eyed,
Flashes my Faun!

He skips through the copses singing,
And his shadow dances along,
And I know not which I should follow,
Shadow or song!

O Hunter, snare me his shadow!
O Nightingale, catch me his strain!
Else moonstruck with music and madness
I track him in vain!
Ted Scheck Dec 2012
This one time,

12. or 13, when me
And a bunch of other kids
From a different neighborhood
Played. Outside. From about sunup
To 9:00 at night. I dimly remember
(This light-bulb memory is the barest bit of energy
In an ancient filament of thought:)

It was a nightmare come to life.
There was this one kid across the River
(Rock Island)
They found him naked and dead,
In a discarded pile of coal.
His life brutally taken from him.
But that was the only time
I'd ever heard of something so horrible. Happening.
It was as commonplace as school shootings.
Which is to say, it didn’t happen in the
World that was ‘As Far As I Knew’.
Outside, everywhere, as far as I knew;
Was just where you went. No matter what.
It’s just what we did. And we did a LOT.

We played. On a job application, I would have
Written that. “Player”. As in: “Hey, I’m a kid.
I mess around. I’m unhygienic and smelly and
My hair is long and arms sunburned and sweaty
And tired and about as happy as any kid
Could be in 1975.

This one time,
I go in this dumpster and grab a
Sandwich the Mgr. of the 7-11 mistakenly threw out
It smelled. Badly. I pretended to take a gigantic
Bite out of it. My buddies weren’t ROTFL.
That stupid phrase was pre-born.
They laughed so hard they fell off their bikes.
Probably painfully so.
I worshiped this praise. Ate it like
Seinfeld eats applause.
They were rolling
On hot Iowa summer pavement, laughing fit to split.
On top of that dumpster, that day, in that single moment,
I was the King of Whatever

The manager heard some kind of ruckus.
The sandwich was in my hand, a cheesy spoiled grenade.
Which I promptly threw at him. ‘Cause he was the Adult
And I obviously wasn't Victor Mature.
He waddled back inside and called the Cops.
Not amazingly,
They were literally right around the corner.
My buddies took off like scalded dogs
I got on my homemade trail bike, laughing so
Hard I pedaled into a sticker-tree.

I didn't know what "irony" was back then.
Back then, I was so inherently goofy, that funny
Hilarious crap was somehow attracted to me.
Ironically, when I tried being funny on purpose...
Fill in the blank. There's a lesson in there somewhere.
I'm pretty sure.

We met at that French word I still can't spell.
Ron Day View.
Cackling like
Loony loons. We laughed out little butts off.

And we rode bikes EVERYWHERE.
Through the trails. There were bike
Trails trailing everywhere, short-cuts from point
Hay to Tree. And oh yeah, I climbed trees.
Constantly. And ate apples and plums from
That mean lady’s yard. She stood in her
Kitchen and glared through cat-eyed glasses,
Daring us. Daring me.
GO AHEAD. PICK JUST ONE SINGLE PLUM.
THEN I'LL CALL YOUR MOTHER!
(Interestingly, we didn't hang out with the
plums which didn't fall too far from Mrs. Tree)

Ate whatever was edible. Wild clover.
Yeah. Grass. And
Crab-apples that held the promise of
Painful bowel movements squirting out of
Your ****. Not ‘***’ because cussing wasn’t
All that big of a deal. You heard it in R movies.
But it hadn’t permeated the marrow of
Our entire culture. Not yet. It wasn’t all over
TV after, say, 8:45.

Nothing about ***. Absolutely Nuttin' Honey.
'Cause I'd be making stuff up in 1975,
When I was 12. Kissing was just...
You know.

We messed around, got into and out of trouble.
We laughed. The future hung over us like
Those mean-sounding thunderclouds,
Miles away, but moving from the North-East,
Because severe weather in Iowa always came
In the same direction.

It’s what we did. It’s just about
All we did as kids. Man, we were crazy, and had
Crazy fun.

We built bikes out of spare parts. They were low-
Slung and cool. Mine was always breaking.
I did a lot of stupid things, and somehow,
Somehow I got away with doing a lot of
Stupid things.

I believe in God. Now.
Way back then, I was Catholic. I don’t
Know if that sufficiently explains it
Or not. We ate fishsticks on Fridays during
Lent. We went to church sometimes
On Wednesday nights, the Guitar Mass,
And on Sundays. The Mass felt like it
Lasted 93 minutes, like our services do
Now. But it seemed to go on forever.
It as about 45 minutes, and we would always
“Leave Early” which meant, we’d take
Our Communion, solemnly, eyes
Downcast and humble, but I would slow,
Then stop, lost in the visage:
I looked up at the Man on the Cross and
Wondered when the Priest would ever
Get around to explaining why He
Died for my sins.
Someone would wake me from my
Reverie, and whisper, “Please move ahead.”
Shamefaced, I would say, truthfully,
“I’m sorry, Ma’am.” Because, in 1975,
When I was 12, I really was.
Sorry.

Then an hour
Later I was dressed in
Salvation Army rags (today)
And I would jump in the creek with my
Jean-shorts and off-color shirt on.
Sometimes, the bikes weren’t in the picture.
So we hiked. Never ‘walked’ but “hiked” which
Was moving with a greater purpose.
Great distances. The distances weren’t the great
Part. I forget what the great part was, because
This was when I was a kid. When I was 12.

The things you did
As a kid
You store them in a secret kid-locker
In your heart
And your heart, it grows, along with the rest of
You, like a quarter pounded into the meat of
A young tree. The tree envelops the quarter,
Taking it in to itself, swallowing time
That you only try to clumsily relive
(Like I’m trying right now)

It used to be cold, icy, and snowy in Iowa.
I know this; I was out in it most of the time.
Does anyone sled anymore? Toboggan?
Round-saucer spinning uncontrollably at
About 12 mph? Metal sleds with runners
And power steering? Down crazy-steep
Barreling down frozen white hills, crashing
Into copses of thin pliable young trees.
You only see this kind of stuff on Youtube
In somebody’s ‘All-time Epic Fail List
The failure is epic, alright. We’ve moved on.
And not necessarily to a bigger, brighter future.

Ice! I skated on long-bladed racer skates.
I could stop on a dollar’s worth of
Dimes.

And this one time
I
Fell right on my knee hard enough to
Grind a hole in my jeans. It looked like a ******
Meteor crater. A pretty girl named Tina
Felt sorry for me and sat right next to me
She wore pink pom-poms and I fell in
Puppy with her for about three hours.
Then she smiled and hugged me and
I was more frozen than the ice outside
And she left, her Mom picking her up
And eying me balefully as I stood
Pink-faced and flushed and utterly
Confused about the randomness of
What had just happened to me.
Girls from my town all knew
More about myself than myself knew
About me. They had me PEGGED, brothers
And sisters. But not this girl. She was from
The next town over.
That was a good day, if I’m remembering
It correctly. If. I’m pretty sure I am.
Or, I’m pretty sure it doesn’t matter.

We played a game called ‘Blackman’
Like a tag game in Gym, where
One kid is “IT” and a mass of skaters
Goes from one end of the ice pond
To the other, and the people you capture
(I couldn’t catch an old man in front-wheel
Drive figure skates and I got so frustrated
I gave up to jeers and yells and found the
Trees were good listeners to kids
Who couldn’t skate as coordinated as
They wanted to.

So ten minutes later
I would go into the Warming House, and
Listen to am radio. All the Hits! KSTT! Davenport,
Iowa. On ******* Blvd., which was really
River Drive, because the Hostess Plant stood
Sentinel on top of the hill, pushing out
Sponge-cake filling and HoHos and Cupcakes
And those awful coconut snowballs, and
This one time, in high school, I shoved one
Inside my mouth and tried to swallow it
And about choked to death.

I walked to Mark Twain Elementary School
And ran home for lunch, and was usually
Late because I was easily distracted
And when the school day ended,
I walked or ran home, hurrying, because
Captain Ernie and Bugs Bunny Cartoons were on,
And then Gilligan’s Island from about 4:00 to
5:30, when the news would come on,
And then Dinner,
And I couldn’t stand to sit still
To save my life. I have ADD. I
Know this now. I didn’t know it
(Nobody knew what it was)
I knew something was wrong with me
Or not-right. It was just the way
The World Turned.

Back then. I had no sense of ‘self’.
I was a changeling. I tried to fit into
Whatever people expected of me, which
Was very often extremely difficult, because
These people I emulated and thought were
So **** cool were just as messed up
As I was, maybe more; But I
Didn’t have the emotional maturity
(Or I couldn’t face the awful responsibility
That went with that awful truth)
To deal with it, so under the rug it went.

I was moody and happy and singing
One moment and crying in the shower
The next.

This one time, I was stuck
In the borderlands of childhood
And the beginning of a man
It was safe, for awhile
This one time.
To-night retired, the queen of heaven
  With young Endymion stays;
And now to Hesper it is given
Awhile to rule the vacant sky,
Till she shall to her lamp supply
  A stream of brighter rays.

Propitious send thy golden ray,
  Thou purest light above!
Let no false flame ****** to stray
Where gulf or steep lie hid for harm;
But lead where music’s healing charm
  May soothe afflicted love.

To them, by many a grateful song
  In happier seasons vow’d,
These lawns, Olympia’s haunts, belong:
Oft by yon silver stream we walk’d,
Or fix’d, while Philomela talk’d,
  Beneath yon copses stood.

Nor seldom, where the beechen boughs
  That roofless tower invade,
We came, while her enchanting Muse
The radiant moon above us held:
Till, by a clamorous owl compell’d,
  She fled the solemn shade.

But hark! I hear her liquid tone!
  Now Hesper guide my feet!
Down the red marl with moss o’ergrown,
Through yon wild thicket next the plain,
Whose hawthorns choke the winding lane
  Which leads to her retreat.

See the green space: on either hand
  Enlarged it spreads around:
See, in the midst she takes her stand,
Where one old oak his awful shade
Extends o’er half the level mead,
  Enclosed in woods profound.

Hark! how through many a melting note
  She now prolongs her lays:
How sweetly down the void they float!
The breeze their magic path attends;
The stars shine out; the forest bends;
  The wakeful heifers graze.

Whoe’er thou art whom chance may bring
  To this sequester’d spot,
If then the plaintive Siren sing,
O softly tread beneath her bower
And think of Heaven’s disposing power,
  Of man’s uncertain lot.

O think, o’er all this mortal stage
  What mournful scenes arise:
What ruin waits on kingly rage;
How often virtue dwells with woe;
How many griefs from knowledge flow;
  How swiftly pleasure flies!

O sacred bird! let me at eve,
  Thus wandering all alone,
Thy tender counsel oft receive,
Bear witness to thy pensive airs,
And pity Nature’s common cares,
  Till I forget my own.
Locksley Hall

by Alfred, Lord Tennyson

Comrades, leave me here a little, while as yet 't is early morn:
Leave me here, and when you want me, sound upon the bugle-horn.

'T is the place, and all around it, as of old, the curlews call,
Dreary gleams about the moorland flying over Locksley Hall;

Locksley Hall, that in the distance overlooks the sandy tracts,
And the hollow ocean-ridges roaring into cataracts.

Many a night from yonder ivied casement, ere I went to rest,
Did I look on great Orion sloping slowly to the West.

Many a night I saw the Pleiads, rising thro' the mellow shade,
Glitter like a swarm of fire-flies tangled in a silver braid.

Here about the beach I wander'd, nourishing a youth sublime
With the fairy tales of science, and the long result of Time;

When the centuries behind me like a fruitful land reposed;
When I clung to all the present for the promise that it closed:

When I dipt into the future far as human eye could see;
Saw the Vision of the world and all the wonder that would be.--

In the Spring a fuller crimson comes upon the robin's breast;
In the Spring the wanton lapwing gets himself another crest;

In the Spring a livelier iris changes on the burnish'd dove;
In the Spring a young man's fancy lightly turns to thoughts of love.

Then her cheek was pale and thinner than should be for one so young,
And her eyes on all my motions with a mute observance hung.

And I said, "My cousin Amy, speak, and speak the truth to me,
Trust me, cousin, all the current of my being sets to thee."

On her pallid cheek and forehead came a colour and a light,
As I have seen the rosy red flushing in the northern night.

And she turn'd--her ***** shaken with a sudden storm of sighs--
All the spirit deeply dawning in the dark of hazel eyes--

Saying, "I have hid my feelings, fearing they should do me wrong";
Saying, "Dost thou love me, cousin?" weeping, "I have loved thee long."

Love took up the glass of Time, and turn'd it in his glowing hands;
Every moment, lightly shaken, ran itself in golden sands.

Love took up the harp of Life, and smote on all the chords with might;
Smote the chord of Self, that, trembling, pass'd in music out of sight.

Many a morning on the moorland did we hear the copses ring,
And her whisper throng'd my pulses with the fulness of the Spring.

Many an evening by the waters did we watch the stately ships,
And our spirits rush'd together at the touching of the lips.

O my cousin, shallow-hearted! O my Amy, mine no more!
O the dreary, dreary moorland! O the barren, barren shore!

Falser than all fancy fathoms, falser than all songs have sung,
Puppet to a father's threat, and servile to a shrewish tongue!

Is it well to wish thee happy?--having known me--to decline
On a range of lower feelings and a narrower heart than mine!

Yet it shall be; thou shalt lower to his level day by day,
What is fine within thee growing coarse to sympathize with clay.

As the husband is, the wife is: thou art mated with a clown,
And the grossness of his nature will have weight to drag thee down.

He will hold thee, when his passion shall have spent its novel force,
Something better than his dog, a little dearer than his horse.

What is this? his eyes are heavy; think not they are glazed with wine.
Go to him, it is thy duty, kiss him, take his hand in thine.

It may be my lord is weary, that his brain is overwrought:
Soothe him with thy finer fancies, touch him with thy lighter thought.

He will answer to the purpose, easy things to understand--
Better thou wert dead before me, tho' I slew thee with my hand!

Better thou and I were lying, hidden from the heart's disgrace,
Roll'd in one another's arms, and silent in a last embrace.

Cursed be the social wants that sin against the strength of youth!
Cursed be the social lies that warp us from the living truth!

Cursed be the sickly forms that err from honest Nature's rule!
Cursed be the gold that gilds the straiten'd forehead of the fool!

Well--'t is well that I should bluster!--Hadst thou less unworthy proved--
Would to God--for I had loved thee more than ever wife was loved.

Am I mad, that I should cherish that which bears but bitter fruit?
I will pluck it from my *****, tho' my heart be at the root.

Never, tho' my mortal summers to such length of years should come
As the many-winter'd crow that leads the clanging rookery home.

Where is comfort? in division of the records of the mind?
Can I part her from herself, and love her, as I knew her, kind?

I remember one that perish'd; sweetly did she speak and move;
Such a one do I remember, whom to look at was to love.

Can I think of her as dead, and love her for the love she bore?
No--she never loved me truly; love is love for evermore.

Comfort? comfort scorn'd of devils! this is truth the poet sings,
That a sorrow's crown of sorrow is remembering happier things.

Drug thy memories, lest thou learn it, lest thy heart be put to proof,
In the dead unhappy night, and when the rain is on the roof.

Like a dog, he hunts in dreams, and thou art staring at the wall,
Where the dying night-lamp flickers, and the shadows rise and fall.

Then a hand shall pass before thee, pointing to his drunken sleep,
To thy widow'd marriage-pillows, to the tears that thou wilt weep.

Thou shalt hear the "Never, never," whisper'd by the phantom years,
And a song from out the distance in the ringing of thine ears;

And an eye shall vex thee, looking ancient kindness on thy pain.
Turn thee, turn thee on thy pillow; get thee to thy rest again.

Nay, but Nature brings thee solace; for a tender voice will cry.
'T is a purer life than thine, a lip to drain thy trouble dry.

Baby lips will laugh me down; my latest rival brings thee rest.
Baby fingers, waxen touches, press me from the mother's breast.

O, the child too clothes the father with a dearness not his due.
Half is thine and half is his: it will be worthy of the two.

O, I see thee old and formal, fitted to thy petty part,
With a little hoard of maxims preaching down a daughter's heart.

"They were dangerous guides the feelings--she herself was not exempt--
Truly, she herself had suffer'd"--Perish in thy self-contempt!

Overlive it--lower yet--be happy! wherefore should I care?
I myself must mix with action, lest I wither by despair.

What is that which I should turn to, lighting upon days like these?
Every door is barr'd with gold, and opens but to golden keys.

Every gate is throng'd with suitors, all the markets overflow.
I have but an angry fancy; what is that which I should do?

I had been content to perish, falling on the foeman's ground,
When the ranks are roll'd in vapour, and the winds are laid with sound.

But the jingling of the guinea helps the hurt that Honour feels,
And the nations do but murmur, snarling at each other's heels.

Can I but relive in sadness? I will turn that earlier page.
Hide me from my deep emotion, O thou wondrous Mother-Age!

Make me feel the wild pulsation that I felt before the strife,
When I heard my days before me, and the tumult of my life;

Yearning for the large excitement that the coming years would yield,
Eager-hearted as a boy when first he leaves his father's field,

And at night along the dusky highway near and nearer drawn,
Sees in heaven the light of London flaring like a dreary dawn;

And his spirit leaps within him to be gone before him then,
Underneath the light he looks at, in among the throngs of men:

Men, my brothers, men the workers, ever reaping something new:
That which they have done but earnest of the things that they shall do:

For I dipt into the future, far as human eye could see,
Saw the Vision of the world, and all the wonder that would be;

Saw the heavens fill with commerce, argosies of magic sails,
Pilots of the purple twilight dropping down with costly bales;

Heard the heavens fill with shouting, and there rain'd a ghastly dew
From the nations' airy navies grappling in the central blue;

Far along the world-wide whisper of the south-wind rushing warm,
With the standards of the peoples plunging thro' the thunder-storm;

Till the war-drum throbb'd no longer, and the battle-flags were furl'd
In the Parliament of man, the Federation of the world.

There the common sense of most shall hold a fretful realm in awe,
And the kindly earth shall slumber, lapt in universal law.

So I triumph'd ere my passion sweeping thro' me left me dry,
Left me with the palsied heart, and left me with the jaundiced eye;

Eye, to which all order festers, all things here are out of joint:
Science moves, but slowly, slowly, creeping on from point to point:

Slowly comes a hungry people, as a lion, creeping nigher,
Glares at one that nods and winks behind a slowly-dying fire.

Yet I doubt not thro' the ages one increasing purpose runs,
And the thoughts of men are widen'd with the process of the suns.

What is that to him that reaps not harvest of his youthful joys,
Tho' the deep heart of existence beat for ever like a boy's?

Knowledge comes, but wisdom lingers, and I linger on the shore,
And the individual withers, and the world is more and more.

Knowledge comes, but wisdom lingers, and he bears a laden breast,
Full of sad experience, moving toward the stillness of his rest.

Hark, my merry comrades call me, sounding on the bugle-horn,
They to whom my foolish passion were a target for their scorn:

Shall it not be scorn to me to harp on such a moulder'd string?
I am shamed thro' all my nature to have loved so slight a thing.

Weakness to be wroth with weakness! woman's pleasure, woman's pain--
Nature made them blinder motions bounded in a shallower brain:

Woman is the lesser man, and all thy passions, match'd with mine,
Are as moonlight unto sunlight, and as water unto wine--

Here at least, where nature sickens, nothing. Ah, for some retreat
Deep in yonder shining Orient, where my life began to beat;

Where in wild Mahratta-battle fell my father evil-starr'd,--
I was left a trampled orphan, and a selfish uncle's ward.

Or to burst all links of habit--there to wander far away,
On from island unto island at the gateways of the day.

Larger constellations burning, mellow moons and happy skies,
Breadths of tropic shade and palms in cluster, knots of Paradise.

Never comes the trader, never floats an European flag,
Slides the bird o'er lustrous woodland, swings the trailer from the crag;

Droops the heavy-blossom'd bower, hangs the heavy-fruited tree--
Summer isles of Eden lying in dark-purple spheres of sea.

There methinks would be enjoyment more than in this march of mind,
In the steamship, in the railway, in the thoughts that shake mankind.

There the passions cramp'd no longer shall have scope and breathing space;
I will take some savage woman, she shall rear my dusky race.

Iron-jointed, supple-sinew'd, they shall dive, and they shall run,
Catch the wild goat by the hair, and hurl their lances in the sun;

Whistle back the parrot's call, and leap the rainbows of the brooks,
Not with blinded eyesight poring over miserable books--

Fool, again the dream, the fancy! but I know my words are wild,
But I count the gray barbarian lower than the Christian child.

I, to herd with narrow foreheads, vacant of our glorious gains,
Like a beast with lower pleasures, like a beast with lower pains!

Mated with a squalid savage--what to me were sun or clime?
I the heir of all the ages, in the foremost files of time--

I that rather held it better men should perish one by one,
Than that earth should stand at gaze like Joshua's moon in Ajalon!

Not in vain the distance beacons. Forward, forward let us range,
Let the great world spin for ever down the ringing grooves of change.

Thro' the shadow of the globe we sweep into the younger day;
Better fifty years of Europe than a cycle of Cathay.

Mother-Age (for mine I knew not) help me as when life begun:
Rift the hills, and roll the waters, flash the lightnings, weigh the Sun.

O, I see the crescent promise of my spirit hath not set.
Ancient founts of inspiration well thro' all my fancy yet.

Howsoever these things be, a long farewell to Locksley Hall!
Now for me the woods may wither, now for me the roof-tree fall.

Comes a vapour from the margin, blackening over heath and holt,
Cramming all the blast before it, in its breast a thunderbolt.

Let it fall on Locksley Hall, with rain or hail, or fire or snow;
For the mighty wind arises, roaring seaward, and I go.
John Milton  Jul 2009
Lycidas
In this Monody the author bewails a learned Friend, unfortunately
drowned  in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.


Yet once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
         Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
         For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven’s descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
         But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o’ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd’s ear.
         Where were ye, Nymphs, when the remorseless deep
Closed o’er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
         Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd’s trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,”
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed.”
         O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune’s plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
         Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft,” quoth he, Rmy dearest pledge?”
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:—
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies’ sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers’ feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more.”
         Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf **** the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the ***** freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where’er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep’st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona’s hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
         Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
         Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
pitch black god8 May 2019
~

dark early pre-dawn

body suspended between the-dark ochre earth tones of night,
and the teal pealing notes of warning of an impending morning,
signs aborning, me rising with urgency of the leaden half deaden,
torn from the bed casket to venture into a different kind of twi-lights,
nature demanding both intake and outtake, a restoration of balance

but first a bumbling wobbling, the body as carnival bumper car,
installing soon-to-be-bruising for later examination-exhumation,
lurching from handhold crevices in the walls like crazy cliff climbers,
my balance disturbed, eyes try  tearing apart the sticky glue of night,
my sense of direction keeping me from free falling into green glass
edges of glass tables, barely, and not always, red cuts evidentiary

“my balance disturbed” words fresh formed, and a poem expulsion
required to balance the unjust scales of spirit soul and the body cage,
patch an negotiated agreement between warring cousins, just a
twenty four hour ceasefire to retrieve the wounded and the
corpses unfounded in the small copses of false shelter,
like my ancestors expelled from Spain, making escape to be
strangers in strange lands, or remain hidden in place neath disguises
of clothes of new poems, prayers for old and new gods

this new poem comes quick like a young man making first love,
for the poem has been written by thousands nights of practicing,
so ready for quick retrieving in a smattering of a few minutes,
expulsion expulsion
what a perfect verbiage to capture the night terrors, the differentials,
the procession path between what was and what will be,
when my balance restored and this poem’s completion installation
in the body of my work, as a nail disguised in the works of my body,
entering by command of the pitch black gods
5:29am April 24th
I do not see the hills around,
Nor mark the tints the copses wear;
I do not note the grassy ground
And constellated daisies there.

I hear not the contralto note
Of cuckoos hid on either hand,
The whirr that shakes the nighthawk’s throat
When eve’s brown awning hoods the land.

Some say each songster, tree and mead—
All eloquent of love divine—
Receives their constant careful heed:
Such keen appraisement is not mine.

The tones around me that I hear,
The aspects, meanings, shapes I see,
Are those far back ones missed when near,
And now perceived too late by me!
Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.—Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
’Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit’s cave, where by his fire
The Hermit sits alone.

                                        These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man’s eye:
But oft, in lonely rooms, and ’mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration:—feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man’s life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened:—that serene and blessed mood,
In which the affections gently lead us on,—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.

                                                    If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro’ the woods,
      How often has my spirit turned to thee!

  And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o’er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.—And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,—both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.

                                         Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; ’tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary ******* of daily life,
Shall e’er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service: rather say
With warmer love—oh! with far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!
Grace Nottingham Feb 2014
It's September; cold in the copses,
Feverish in the kitchen.
The sink clinks and exorcises
The china like an Italian sonata.
My lips merge into ether
At the sky, a periwinkle parallax
With the pork lard carbon monoxide
Clouds, at drive with suicide.  
My Buddha hisses at the window,
Ripping the tentacles off weedy carrots.

The knives are clever & precise
Hiding in their handled shoals
Like luminescent Jackanapes
Out for the thrill of the ****;
The **** of the stake of steak,
A 'Cow'ardly act.
I wrap the red & dead
Into a Beef Wellington.
It is not pretty at all;
But neither am I.

I'll drink tea to keep my peace,
Swallow my spirituality like a pain killer.
The teabag sags its straggled string,
Scolding me.
The pillbox is dead on the edge
Of the ornamented kitchen sill
A lot like me; sullen and teasing.
I wanted to roast my head like a potato
If the pudding *** over boiled,
A cauldron of sugar and cream
Fattening me ugly and crazy.


The weather is miserable; I mustn't lie,
It's enough to make any young woman want to die.
Stirring my thoughts with the dishes,
Trashing potato peels like my wishes.
And the stacks and stacks of ****-me pills
Surround like troops in their barricade cupboards.
I have no allies,
Everyone is asleep;
I curl up like a fat snail and weep
Blackening the words of the miracle-working Priest.
Marshal Gebbie Apr 2013
Autumn in New Zealand is a masterpiece on canvas
Patternings of goldens and bright rose hips in their beds,
Copses of coniferous in deep and darkly avenues
To the brilliance of a country lane awash with leafy reds.
Chimney fires are smoking in the rural country cottages
The warming glow of lanterns in the windows as I pass,
A tantalising whiff of hot buttered scones is wafting
And somewhere in the distance I can hear a red deer bark.
Strolling by the lakeside in the early morning stillness
My breathing fogs before me in the chillness of the air,
Rowan trees glow scarlet and the naked ***** willow
Has shed her golden carpet on the emerald hillock there.
Rushes rattle softly in the mistyness of lowlands
Treeeferns in their glory of silver filagree,
Sparrows ruffle feathers to insulate the coolness
As wheeling flocks of starling mass to migrate to be free.
Gossamer as fairy dust the thistledown is floating
A harbinger of autumn leaves and freezing frost to come,
Those Coriollis forces are determining the changeling
Where the snowy days approaching means the Autumn tones are done.


Marshalg
27 April 2013
In rural Pukekohe.
New Zealand
Paul M Chafer Sep 2010
A late summer sun, sinking in the west,
Shimmering, ablaze with fiery colour,
Appearing suspended above the trees,
Greens transformed to reds and golds,
Summer’s daughter, borne on a breeze.

As I wander amongst treasured places,
Copses, glades; peace of a woodland path,
Breathing subtle scents, pollen filled haze,
Nature’s unstinting magic edging change,
Accepting the shortening of summer days.

Barely escaping before lengthening shadows,
Race to the door of my countryside home,
Animal calls echoing, preceding night’s rest,
Autumn shakes out her gown; smiles to see,
A late summer sun, sinking in the west.
Inspired by Pat D’Arcy © copyright with Author
Ted Scheck Aug 2014
I'm on the road, but not
Actually on. A. Road.
Per se.
I avoid roads like cliches
Avoid plagues.

Fields are much better
Travel companions. As
If a lined-paper stretch of
hoed land could thought to be
Friendly to your feet, and knees,
And mind
Not that you traipse across it.
Specially
Corn. Inside corn fields is always
Maze-Y.
The Wind loves singing through
Discordant notes of thistle and
Thatsle; whatsle you'll hear
Musically is really up
To you.
But at night, the stars shining
Through the feathery filters of what is
More than knee-high by 7/4/whatever
Is a forget that's hard to memory.

Sleep in cornfields and you'll
Wake to the pleasant murmurings
(And nocturnal rustlings)
Of mice using your clothes
Body boots shaggy unkempt hair
For warmth. Sore neck, sore back,
Worth it, comically ship-jumping-so:
The little furry squeakers realizing the
Empty soft boat wasn't empty at all
And the critters abandoning you
With the flicker of tails, gone. A
Maze-ing.

Forests. Hmm...Temperate
Temperament. More
Crazies in the woods than amongst
Iowa's cash crop: 1 must B careful.
They generally want to be left A
Lone; I specifically avoid them, or
Will travel act like their long
Lost crazy cousin.
Just to fit
Out.

Small fires in copses of woods,
Huddled near flames, ears
Prickled for the sound of
Angels dancing on the pins of
Heads.

Occasionally, I tire of the peace of fields of
Green tassels and tall deciduous
Trees, and I hear cars, and imagine
I hear the conversations held within.
So I take my bottled strangeness out
Of seclusion and rejoin the race
Humana.
More often than not, I meet up with
The Angry.
They congregate in coffee houses.
Huddle in hostels.
Mob motels.
You get the jpeg.
The Angry desire to
Do what I do by second nature, and
By nature, first. I've thrown off my
Self-imposed chains, and walk free.
They see this - in me - or see the magic
Dust my boots tracked all the way across
Their own barren linoleum flo.
They are trapped in their mind-traps.
The Angry would imprison me and
Masquerade as me simply for spite.
(If they could CATCH me, bwaa-haa!)

I walk quickly, lope along I80.
I hate to do this. It's Russian Roulette
With 6 bullets in 6 chambers.
But to get to the back roads, you some
Times have to travel the fore roads.
Troopers of State do NOT like
Peds on the road. But many of
Them, after stern sternly Drill-
Sergeanting you with their Smokey-
Bear hats, will drop you off to
Your destination. "Keep safe,
Sir." They intone with such
Seriousness that I'm always
Biting the insides of my
Mouth. They could use a
Few dewy misty nights
Slumbering in an Iowa
City cornfield, waking with
A brood of mice nestled in
your knapsack.

Food. There's an issue there,
For some. Not me - not then, not
Now. The future is only the future
When it's tomorrow. Candy bar
Smashed by a bike tire in the
Gutter? What, some puke-eating
Dog should have that? Gross.
Gross is grossly
Defined by how long you'd
Not eat when your food ran
Away. Since I have almost
Nothing except a small green
Canvas satchel and a larger
Knapsack of essentials
(A few tools, a fire-starter,
Water purifiers, and my pen and
Notebook) and my good...

...Boots and thick socks and 1-
Piece Union Suit and many
Layers I'm glad to have at
Night but make me sweat
Heavily in the sultry
Iowa summers, I eat on the
Fly. Sometimes I chase away
The Fly to munch on what
It munched. Gross.
It's a living, because moving
Is work, blessedly peaceful, yes,
But have you ever seen a fat
Walker? They either get skinnier
Or they expire. So I eat
Whenever and whatever and how
Ever.

Dumpsters. Garbage cans.
The backs of grocery stores.
I trade sudsy soapy pruned hands
For burnt pizzas and more bread
Sticks sticking to my stomach
Like doughy glue. People out
There - people alone in crowded
Rooms - will trade kindness and
Conversation for food they may
Have taken home with them, or
May have just thrown away.

Lowered
Expectations, skinny middle,
Sore feet, leg muscles wanting
To stay up and watch late-night
TV, swollen ankles eventually
Going to sleep with the rest of
The body as I'm huddled in a
Little snow cave in Iowa, or
Waiting a rain beneath an old
Wagon, or bunking with my
Mice-buddies in an old barn.
There's a lot of life out there,
A skinny man with long, blonde,
And usually ***** hair, sweaty,
Smiling, eyes bright, nostrils flaring
At the scent of humanity: a
Peaceful Mind wandering
Around the belly-button of
America.

— The End —