Submit your work, meet writers and drop the ads. Become a member
Jimmy King Jul 2014
I commit to poems the second that I begin writing them,
And here I am committing to this one,
My cursor on the screen
Tap tap tapping like tap-roots across it’s blue-glowing surface.
With every push of every button,
I begin seeing the blue light
As more than it is. I begin seeing it as a poem.
The blue light that illuminated the Never Sink sinkhole
Was not from a screen.
Nor was it from glowworms.
As I write on this screen though, there is that same blue light
With me still. It is
Streaming from the walls of the cavern,
Still massaging the bags of tiredness
That hang beneath my eyelids to remind me
Of where I just was, having *** with my ex-girlfriend,
And of all the places that I was before that: to remind me
Of the blue lights in Never Sink,
The sinkhole that is 120 feet wide and 170 feet deep that I
Climbed out of on a rope and in the dark,
Which was anything but dark—an unlocked lock
Sat in my driveway after I got home

From having *** with my ex-girlfriend tonight,
And there, in that lock, was a comparison to or an analogy for or a metaphor of
My climb out of Never Sink: gradual ascension
And then a moment
Of absolute awe and profundity so unlike any other profundity
That the clarity I felt absolutely throughout my body tonight
Can only really be brought into my mind with full force
Through a comparison and analogy and metaphor
To, for, and of the blue lights
That that temple provided us. Looking into that lock’s
Reflective gleam, I discovered that I felt
The way I’d felt ever since climbing out of Never Sink, which was exactly
How I’d spent the past year or so wanting to feel.

“Bring me,” I said to Duane, who went with me to Never Sink,
“To the hole in the ground
Where the blue light glows; where the glow-worms lightly blaze” and Duane
Said “okay” and he brought me there without
My ever having to say those words. And then,
In the moments after the sun went down we discovered
That the glowworms were not glowworms but
Armillaria mellea, a bioluminescent fungus.
Not glowworms but Armillaria mellea,
Which rose through and across the cave walls, coating the rock
With its skin. The whole pit was covered in that skin—the skin
Of that single individual.
As I methodically climbed out of the sinkhole on my rope, I felt that
Fungus (that individual) extending
Its black shoelace looking taproots into my lungs too,
And into my skin,
Where I was but where
I wasn’t quite yet. Where I was but
Where I couldn’t yet describe to myself without the use of glowworms—
Without the use of made-up and childish sounding words
Like Depropheria, which I wrote a book about but which
I never really understood, and I, the whole concept of which is flawed,
Feel like I could be the plant on Joe’s counter,
Which he said I already am.
Because if my “I” was in all of its molecules and its “I” was in all of my molecules
Then we would both just be exactly what we already were, Joe said, and so
By the very logic I extended in posing the question
I was and am the plant.

I could be Armillaria mellea too
But what am I if I think that I am glowworms? but really
The glowworms are fungus, and while I ****** my ex-girlfriend tonight, falling
Further into the space away from her, I was also
Scraping away at the walls of Never Sink
To see the tiny little hairs that revealed to Duane and I what really was there,
The Armillaria mellea, of course, but how could something so different
(“**** me, Daniel,” she said, “I feel you inside of me, I want you.”
“**** me,” I said
“”
“I feel myself inside of you, I”)
Be the thing that I am? I would never

Stop the car because I saw something shining on my driveway.
And I would never
Open the car door
And step out into the night with the engine running.
Step out into the night to find an
Unlocked lock
Lying there on the pavement while the song that I tried to live all year
Called In the Aeroplane Over the Sea by Neutral Milk Hotel blasts loudly
From my Buick’s speakers. Step out into the night
With that song blaring through my open car door, surely waking
My soon to be empty-nested mother from her sleep behind
That second story window
Right up ahead.

I did those things though—I
Stopped the car because I saw something shining on my driveway, and I
Did those things.
I am glow-worms.
I am, and so
I am the plant on Joe’s counter, and so
I can be a glow-worm.
I can be what I already am without knowing or comprehending that I am it.
I can be the whole universe.
I am the whole universe.
I saw over one hundred salamanders at the bottom of Never Sink.
And I saw four different species of salamanders at the bottom of Never Sink.
And I saw six different species of frogs, and I saw
Three brown rat snakes, which thankfully were not copperheads, but which
Could have been glowworms that were copperheads,
I guess. If you ask Joe, anyway. I’m not sure
I believe it fully
Even though when you strip away sentimental definitions of “I”
It’s pretty **** convincing. He was convincing.

I danced around Joe’s counter (where the plant sat, even then)
In September. At the time,
The counter was quickly becoming Alex’s counter,
Because I was becoming close friends with Alex,
And because Alex was Joe’s little sister, and because
Joe had left for the college he’d drop out of,
And during his hiatus from what he’d wanted to run from
It was just
Alex’s counter. It is Joe’s counter again now,
Because Alex has a dumb boyfriend who she likes to kiss
And doesn’t really like to ****
But who she does **** anyway and as a result
Doesn’t really like spending much time not ******* me anymore.
Anyway, I danced

Around Joe’s counter in September, when it was becoming Alex’s counter,
And I sank songs like In the Aeroplane Over the Sea by Neutral Milk Hotel
With all my new friends. I thought that I
Was living those songs
Because, if my “I” was in the molecules that vibrated when the song played,
And the “I” of those molecules was in me
Then I would be those songs and those songs would be me.
Being the songs wasn’t the same as living the songs, though.
Rising out of Never Sink I saw myself
Reflected in the blue dots of light that Armillaria mellea created.
I saw that I hadn’t been living everything
That I was; I saw that I was the blue dots then, but I also saw
That I didn’t know that the blue dots weren’t glowworms.

When I was dancing
Around Joe’s counter, I didn’t yet know the words
To In the Aeroplane Over the Sea by Neutral Milk Hotel.
But all my new friends were singing those words, and so I
Screamed out barely-syllabic nonsense
With a smile on my face,
Speaking like a baby who recognizes the existence of language
But can’t yet put it into use.

Rising out of Never Sink
The whole cave opened up, as more and more levels of the sinkhole
Were revealed to be stars and galaxies
Of blue fungus to climb through.
Rising out of Never Sink, I held in my hand
The unlocked lock which I would use later
To weight my pocket as I would sit with these bags of tiredness hanging
Writing this poem late at night on the screen illuminated
By the blue lights of Never Sink. To weight my pocket
As I would sit writing this poem, with
***** excreted thirty minutes prior still resting on my ****
Like the name I haven’t yet learned to call her—
Caterina, Caterina, why did she change it? Maria
Was so pretty, why did she change her name, it was
To get away from me, it was to get away from me like
I wanted to get away from her, it was to get away from me it was
Because she always hated the name Maria. And
To grow more confident in herself
She needed to become
Caterina. She needed to rebrand herself like she worked on rebranding
That company’s logo for her senior thesis project in high school
When I first fell in love with her because
Glowworms lit up Never Sink at night.

They were glowworms in Never Sink
Because the glowworms are fungus
And I am the glowworms.

If you ask Joe.

I want to take some time now to describe
Rising out of Never Sink
Without giving any time
To the lock I found in my drive-way this evening, or
To Joe’s counter-top and how I danced around it knowing
That it wasn’t his but that it was him,
Or to the remnants of Maria, Caterina, and I which are all I, and which
Stick to my ***** still. Never Sink is a sinkhole
That is 170 feet deep
And 120 feet wide at its top.

I went spelunking in Alamaba, Georgia, and/or Tennesse last week
Where I never knew which state or time zone I was in,
And where an annoying but charming guy named Glenn
Led me and my best friend through epic places of infinite beauty.
One of those places was Never Sink,
Which is a sinkhole that is
170 feet deep and
120 feet wide at its top. We repelled into Never Sink
Because Glenn wanted to show us the glowworms
(Which were fungus that were glowworms that were
**** it) and because my friend Duane, who is my best friend, who is
A 39 year-old factory worker who worries that he is much older than he is,
Wanted to see the glowworms too.
We found over a hundred salamanders in Never Sink
And Duane and I discovered that it wasn’t glowworms
That illuminated the pit, but Armillaria mellea, which is a fungus, and
It was very cool.
But ascending through Never Sink was more than very cool,
And it was much more than fungus,
Just as the fungus which I took into my body in August (which it
Almost is again now) after the summer music festival was more
Than just fungus. That fungus was more than just fungus because
I took it into my body right after breaking up with Maria-Caterina (who
I can’t not talk about) For Good (which was
The name of a song they sang
At Maria-Caterina’s high school graduation a year ago, after which
We made love (which was what we called it
Because we were cliché and in love
(Which is what we made.)))

It was a spiritual journey through the cosmos,
In Never Sink,
Or at least that’s how it felt,
And when I climbed out of Never Sink’s mouth, I hugged Duane
And he hugged me and we
Thought that it was beautiful.

I am the plant in Joe’s kitchen.
I am glowworms.
Nina JC Jan 2015
Last week I was taught that
no matter how complex an expression may seem
if you multiply it by its conjugate pair
you will always end up with a non-negative real solution.
That is a metaphor for how we have learned to love.

I used to like mathematics, as strange as it may sound,
because memorising the value of pi was
somehow easier than forgetting the notion of you
and I thought maybe comprehending the mechanics of the universe
would lead me one step closer to cracking the combination.

In a world that spins at the rate of 27,900m per minute, a constant can prove tricky to find.
Hence, there is solace to be felt in knowing that even when it is all said and done –
when the final bullet has slipped from our tongues and we are left trembling
upon nothing but the rubble of our own destruction,
two plus three will still be equal to five.

In an attempt to clarify a theory to the class, my teacher analogised
that mathematics is like one big giant jigsaw puzzle:
everything always fits together perfectly in the end
Since then I have learned it is the method without the madness,
the passion for the predictable; it is everything - that love is not.

Not even the greatest mathematician in the world
has been able to measure how much a heart can hold.
There is no algorithm for how to make you come back;
I cannot draw a line graph on the speed at which love left
and even if I could, our gradients would never be the same.

I may have both halves of the bed,
but there is never enough space to fill it with.
If a task takes four hours for ten people to complete
and the same job takes five people twice that time,
how long will it take for a human to feel whole again?

Sometimes I think we are nothing more
than two parallel lines that accidentally crossed paths.
st64 Mar 2014
When the night wind makes the pine trees creak
And the pale clouds glide across the dark sky,
Go out my child, go out and seek
Your soul: The Eternal I.


For all the grasses rustling at your feet
And every flaming star that glitters high
Above you, close up and meet
In you: The Eternal I.



Yes, my child, go out into the world; walk slow
And silent, comprehending all, and by and by
Your soul, the Universe, will know
Itself: the Eternal I.
Dame Jane Morris Goodall, DBE (born Valerie Jane Morris-Goodall on 3 April 1934) is a British primatologist, ethologist, anthropologist, and UN Messenger of Peace.
Considered to be the world's foremost expert on chimpanzees, Goodall is best known for her 45-year study of social and family interactions of wild chimpanzees in Gombe Stream National Park, Tanzania.
She is the founder of the Jane Goodall Institute and the Roots & Shoots program, and she has worked extensively on conservation and animal welfare issues. She has served on the board of the Nonhuman Rights Project since its founding in 1996.

Goodall is the former president of Advocates for Animals, an organization based in Edinburgh, Scotland, that campaigns against the use of animals in medical research, zoos, farming and sport.

Goodall is a devoted vegetarian and advocates the diet for ethical, environmental, and health reasons. In The Inner World of Farm Animals, Goodall writes that farm animals are "far more aware and intelligent than we ever imagined and, despite having been bred as domestic slaves, they are individual beings in their own right. As such, they deserve our respect. And our help. Who will plead for them if we are silent?”
Goodall has also said, “Thousands of people who say they 'love' animals sit down once or twice a day to enjoy the flesh of creatures who have been treated so with little respect and kindness just to make more meat."

In April 2008, Goodall gave a lecture entitled "Reason for Hope" at the University of San Diego's Joan B. Kroc Institute for Peace & Justice Distinguished Lecture Series.
onlylovepoetry Jul 2016
for Sally, Bex and Tonya, Denel and my beloved

<>

gods do not seek forgiveness,
or comprehension,
desertion, desecration, ascension
or condemning condescension

but how how they crave
just a good conversation,
to get a word in edgewise,
a nice chat,
entrée à, la tête-à-tête,
entre deux, deluxe-amis

a casually talking,
absent of
words of need and beseech,
reason and causality,
and no I or We pronouns,
sans enunciations and annunciations,
false hopes for incarnations, incantations,
set asides for life's grievous aches
all human requests, and some of God's commandments
for now, set aside,
annulled

just a talk,
some repartee,
but mostly an open ear lent,
an early morn quiet listen
over tea (he/she) and coffee (me),
paying attention to
both sides of an interactive story

as recompense for my willingness to be,
his engaged counter party,
my mourning gloomier cloudiness,
quick exchanged for instant,
rising sunshine warming glorious

my vista
of a bay dancing
to Tchaikovsky Swan Lake ballet music,
deftly inserted between
an Agnus Dei and an Ave Maria

mood music he said,
and we chuckled,
he/she was god and orchestrated
my tastes,
Adele et Dudamel,
comprehending my undesirable apprehension,
by granting my needy wish for
poetic inspirational composition contentment

all exchanged,
for just a good listen,
no judgements, in either direction

I am the god of love,
the one who makes you weep,
when you study your beloved's rising chest,
each uplifted breast heaving,
a confirmation blessing,
that her life is present
for at least the next second,
ready for your magi adoration

be not fearful,
this day we talk only,
as I pass by,
I have no business to conduct,
on your island of sheltering redoubt,
but to engage and unburden
for even gods
are required to confess,
and aging godheads do adore
a human shoulder
upon to rest,
a great invention,
(If I may say so myself)
and to whom better to address
than my only love poetry
poète personnelle

here he off-guards me
with a favorite injection,
Samuel Barber's Adagio for Strings,
music so sweet that it never fails
to weaken my knees,
sweeping my eyes unto weeping
priming me with this first coat of
sounds so elementary soothing

he half-bows before me and says,


forgive me human, for I have sinned

in Dallas and Nice,
just this past week,
with forays here and there,
doing god's work

read your bitterness and struggle,
anger and forgiveness all in one crust,
furious curses and wails so plaintive,
my heavenly musicians weep from jealousy,
at the cries emanating from the fired fury song
of human hearts torn and love plundered

I am the god of love

and

the god of pain and all that is the

anti-love

(and to make me better understand,  
Schindler's List score, so sweetly,
he plays for me,
to clarify the atmosphere,
that death and love -
and the courage of understanding,
so oft go hand in hand)

write me a love poem for me,
no hymn or sonnet do I require,
for love is essence of forgive,
there is no perfect union,
that cannot stand,
with out this emotion of
conciliatory intermediation

tell me you understand
that the scales
of bereft befallen,
disparate chance interrupting randomized,
must periodic perforce
sometimes weigh more,
than the good of simple

balance tip that creative god spark within,
of which you write,
away from my bloodied, unsightly hand

write me one more love poem
a frisson semi-sweet and cleanly neat,
of good things sad,
but worthy of remembrance

you are not the first for this bequest to receive,
other poet's before and after,
will Jacob-wrestle with my angels,
battling to find the...

no matter

"my love to thee is sound sans crack or flaw"^

let your love poem
to me
be of whole healing,
for these disarrayed feelings
cannot forever persist,
the perfect balance you desire
is not on your Earth existent,
unobtainable

these cracks and flaws must and will come


and yet

love poems
will be our common language

and then he/she left,
leaving this poem behind,
born from my mind, yet,
carved on my skin,
written with the nib of my rib,
sealed and signed,
future undefined,
but dated upon my
cleansed hand's lifeline,
hand held outstretched
as if to say


“and yet"
^ "my love to thee is sound sans crack or flaw".
William Shakespeare

Sunday, July 17th 2016
8:42am
Anno ab incarnatione Domini
Dondaycee Oct 2018
I’m a new kid,
I have a new name.
A new game?
I’m; here…
Undisputed,
I can’t reMember My Old name-
-I’m… Here…

Why do adults live with separation?
I mean; people don’t communicate,
“Consuming assumptions so you can hate”,
But know it is only the variables that are even exchangeable when reaching solutions in mind,
Peep thee illusions of time,
If we live in the moments, it’s fine-
Until we come across a choice and we’re absent from our voice,
It’s the voices we’re fed that sides;
Uhh DECIIDE!,
(“be humble”)
There’s THREE TIMES,
(“sit down”)
Now breathe…
The dreams I’m having, reiterated “I” in past;
But yet, I’m here,
Right now, my last thought is the last, last,
Cause says be; clear,
On my intentions,
I want love and affection,
That’s why I put myself sec (secondary) and,
Call me Reese Bobby;
In a world of duality,
“If you ain’t first-”
-You’re definitely not second,

What is transgression?
-If we were made to be,
Why does the resurrection of thy self only exist in make belief?
How can I indulge and embrace realities that weren’t made for me?
Especially when I was giving my own, it seems foolish to trade my ability to see,

I experienced her;
It’s a blessing, how she’d hold me tight,
I experienced him,
I never questioned who he was, inside,
I never fight… unless it’s by side,
It is beside, I fought with them; I speak of internal conflict,
Control accomplished,
The ego beyond it; we realize it’s the experience that takes us to a place in time, I speak of a space in a line that curves on a geometric plane that consists of circles intertwined that is often perceived as the fabrics of the universe but to save us the stretch of time, we see that it is the experience that defines life,
So who am I?
That question’s redundant,
It is all that resides in me;
I.e. abundance,
It is because of everyone in my reality, that I was able to see the cohesion, and it is because of that reason that I experience oneness,
I’m simply done with,
Using other people’s beliefs to constitute how I interact,
Because their realities are incompatible with what I essentially, intend to attract,
Certain interactions can remain abstract,
I can no longer take opinions on thoughts, if I’m the only one experiencing thoughts;
Your imagination shouldn’t be programed to be comprehensive with the past- extract,
There’s no math in that,
You’re just rearranging the variables, there’s no flow towards the conclusion;
Perspectives placed in fact,
And although this realization can be an impact,
We’d only turn our focus into a debate on what you did lack rather than embracing the thoughts that occurred that would only exploit one thing,
The solutions to the equations that you did have,
As the creators of our realities,
If it is problematic, the writer of the problem encodes an Easter egg that exploits how it is; it was you who did it,
How can we enjoy new thoughts, if they are the old thoughts?
We revisit.
It’s impossible to allude in digits if it is one we elicit…

People love my personality; they obviously love themselves,
Seeing myself in them is why I became an advocate for the conscious body of thought...and it’s health,
I.e. I express our extrinsic abundance of wealth;
I’ll reiterate; I.a. free man,
That’s: free thought, free love, free plan,
I’ll obliterate the mean-in; AI by using IA,
U-no reverse cards was the cause of humans comprehending backwards my friend,
We live backwards because we look back first,
So I’m confused on the AI fuss,
If an Artificial Intelligence is constructed based off our current level of intelligence, and is only responsive to our negligence because of the installment of IA (information architecture), then there’s no possible way for this room to have an elephant being that an AI is just an extension of us,

Who do you love?
-Is it enough?
-curious in, experiencing experiences other than lust…

I’m hearing some things,
“Who do I touch?”
Rhetorical questions; my love is a gift which seeded from trust,
I’m not one of them, I’m one of us,
One of a kind yet mind; innumerous,

I was born and knew nothing,
Only sure of my existence,
I experienced life and only found myself,
Time is only distorted when mind is missing,
Be mindful of your thoughts, it is the structure of your personality,
We just went through seven chakras expressing rationality;
I think we all can agree that T-B.O.P’s in another dimension,
And all she wants is for us to merge into our bodies potential extension...
PHI
chip carter Oct 2010
You could careless about another
You just fiqured, why bother
Your only out for yourself

You have no conscience
And show no emotion
The only time your nice
Is when you need something

You play games with peoples minds
But its coming to an end and i promise you
You won't like what you find

There will be no mending
And no comprehending
You may have won the battle
But the war is just begginning
Jia Ming Feb 2023
What if in comprehending us —
I find Reality
With unkindly beauty snug
In Compatibility —

Some countless plants entwining us
Identify the Pause
Our stridulations take to live —
Unseparating Us —
brandon nagley May 2015
There's a difference between listening and hearing!!!!
When a man just hears you, he sometimes will look at you sometimes not, but either way he could be looking at you yet just hearing the words coming from your mouth, yet not comprehending the things that you tell him, and not being able to come back with an answer to your question, or a comment to your fact... When you ask him something when your finished talking he just sais huh?

Hearing is when one will make eye contact with you, being able to comprehend all that you say, and being able to give an answer to your question, or an answer to your statement or fact...comprehending all that you say...

There's a difference between listening and hearing, something men and not just men but women do to,

A little hint for some ...():
This would be helpful to you men who pay ATTN to thine own t.v and not the queen and love sitting right next to you, for you must remember, tomorrow may not always come!!!show thy queen your love brother!!!
And women, same goes/to/you.. You have a king who adores you next to you treat him as such, and If you dont have one. Find one who will listen!!! Not just hear you...
Thanks for reading!!
Living on borrowed time
Decision at drop of a hat
Down an empty vandalized street, I walk
through the horror of silence
and silence of serenity
perdurable pathway of life

The ghastly sights
and the rustling gates
scattered people with unknown tastes
emptiness in their eyes, anger in their words
void is profound
down the perdurable pathway of life

Bifurcated roads upfront
my perception, one to hell and one to heaven
the other end of roads, a mystery
I stood there comprehending, while
my mind harks back to before I came
down the perdurable pathway of life

Endurance of a toiler
Stoicism, a rare trait, out of gratitude to employer
pain and suffering he undergoes for common good
loyalty to his master, inspire of hardships
sincerity and humbleness of the bloke
will inspire me, down the perdurable pathway of life

Deprived of education
desolated on streets laboring
disparate from parental love, subject to father's fury
fractious relations but still ignores himself, for family and domicile
The kid's love and determination, will inspire me
down the perdurable pathway of life

Spurn love took her down
Her heart wrenched and pushed her beyond limits
killed herself, leaving her parents to sore reality
not a wise choice, but courageous
I ponder upon courage, rather than cowardly suicide
Death is not an option down the perdurable pathway of life

Happy faces around taunt me to do simplest
Reality speaks otherwise
Reckoning on past, the pathway is wrought
conscious and hard choices right ahead
The bifurcated roads to heaven and hell?
I've seen it all, down the perdurable pathway of life
JJ Hutton Jul 2011
A bad mix of Shorty's Irish Whisky
and a whimper riding the wind,
has got me lying about my past.
A roomful of men in nooseties surround,
crowbar stares prying at my mindsafe of secrets--
I drink until the grimace gives way to birthday cake grin
and my watering eyes burst in confetti.

Martha emerges from the black suits
in her spiderweb burgundy dress.
Jack and Nathan drool in the corner.
Martha whispers, "Hey Harvey," and then a terribly long
something-or-other in my ear,
but I'm too far gone to comprehend
or to care about comprehending.
The crafted playlist for this party
hiccups and dies, creating a suffocating silence.
The beady eyes turn shifty, erratic strayfire gazes
fill the room.

I begin to laugh.

I notice Jack talking to a grey-haired man and pointing at me.
Martha looks at me and nods with a sense of urgency.
New music coughs across the room,
I slide into a small, desperate clan of dreamy-talkers,
hungry for a new pair of ears to beesting with *******.
I listen, while my aging wolf scours the room.
I make a swift break for the door,
the night lies naked in front of me--
light pollution pours fake beams on the contours of the evening.
A middle-aged woman snags my arm before I can reach my car.
I pull until my arm frees, but she delays me enough
for the grey-haired man to catch up.

He introduces himself with a lightning one-two punch.
One being a sharp left hook.
Two being a dusting right uppercut.

"You stay the hell away from my daughter!"

I begin to ***** a river of orange, red, dotted with black chunks.
More than a few drops land on his shiny black leather shoes,
so he proceeds to break my nose with a vicious kick.

Amidst my moans, I am able to ask, "Who is your daughter?"

"Karen, Karen Newman."

"I have no idea who that is!" I cry.

"Don't lie to me, Jack! She told us all about you."

"My name is Harvey."

I look out into the road.
A blue sedan stops momentarily.

"I owe you one, buddy!" Jack shouts.

The Newman parents disappear without
so much as an apology.
I lay listening to the low hum of the city's traffic.
A few minutes pass, sending me into a haze.
Delicate fingers lift my head from the concrete,
I look up.
Martha begins to clean the blood and ***** from
my face with a wash cloth.
I feel soft and pure in her hands.

— The End —