Your crooked smile flows upward
and I can see it from the ground.
Haunting myself with
a film teacher's creature feature
in black and white,
an old orchestra for sound.

You said you'd get nervous
when on our clunky telephone;
saying that customer service
could hear the fibers
in your voice
rustle like tall, dry grass,
with a wind whispering through
confirming, with every breath,
that you feel alone.

We'd recite fifties sitcoms:
Honey, do you --
do you have the keys?
Well, gee whillikers,
I could use someone to
open me, close me, and
dispose of me, please.

I write this for no one,
which is the category you fall in.

Sincerely,
signed Issues,
P.S. The television
is in color,
and I don't miss you.

- There ain't hope in the U,
the S is for Show me your soul,
the A is for Always forget:
the United States of
Killing it, Killing it -

When I was eight, I threw a rock at my cat.
I wanted something to love me, and he
didn't. Unfamiliar with rage and unskilled
at throwing rocks, I missed and hit the fence.
I was and am ashamed of this.
I wasn't that kind of kid.

Once, a boy sent me photos from Scotland,
daybreak over  the snowy moors where he
hunted grouse with his father. He was skinny,
and sweet. I stopped writing him because I
had a thousand words for love, and he
couldn't spell any of them.

And once, I took your love for granted. It was vanity;
I felt like the lost works of a prolific master.
I wanted someone to delight in discovering me,
to wonder where I had been. It was easy to
blame you; all those years and you didn't
know what you had.

If you believe in all possible universes,
I aimed for the fence and hit the cat.
I married a sweet, skinny boy who will never
love a poem. I never had anything to prove
and I don't need you to forgive me.