Deep in the creek
where speckled light kisses the saline shore
and mud hole bubbles leave crab trails
I knock upon her door.

She opens with a whisper on her skin
licks my **** with her southern tongue
winds rise the dusts within
the mangrove falls quiet to her moaning song.

Down by the sea
where the marram grass grows
there's a ******* the beach
in a rusting boat
with a tablecloth sail
and it's rudder broke
and her eyes are an ocean wide..

it is the night
lit by the moon  
    best if it’s full
that gives strange shadows to familiar things
when poets are supposedly inspired
to write about their pain   their love  
     often the same
important thoughts of life and death
their joys of the quotidian   and
that you catch the day
and live it like it were your last

    you never know
    just a split second
    and your life has turned into your past

benignly, though, the moonlight introduces softer thoughts
of passion and of the beloved
    distant in space but always close in mind
romantic moments lingering in afterthoughts

some times  I think  that if it were not for the distance
that always separates those who have pined
for their reunion
the world’s treasure of poetry might just be half
of what it is today

the same may well be true for all the lines
penned under tears about that unrequited love
addressed to those unwilling subjects of desire
who often  in the course of writing
turn into objects of the writers’ ire

the moonlight’s pristine shine
    in fact a mere reflection of the sun
for a few hours of the night
changes our vision
opens up doors to different worlds
    full of desire, hope, and desperation
allows us glimpses of ourselves
that daylight never shows

we feel we can speak words
under the pale light of the moon
or the dark corners of the night
that would not make much sense
under the brilliance of the sun

the quiet splendor of the moonlight’s grace
lets us experience that other space
we tend to close and keep apart
in our hasty tour of every day

that’s why
in our few calm moments
we all should listen to what they
    our poets
have to say about the night
the moon’s  strange light
and how it keeps their thoughts in flight

"Do you like me?"
I asked the blue blazer.
No answer.
Silence bounced out of his books.
Silence fell off his tongue
and sat between us
and clogged my throat.
It slaughtered my trust.
It tore cigarettes out of my mouth.
We exchanged blind words,
and I did not cry,
and I did not beg,
blackness lunged in my heart,
and something that had been good,
a sort of kindly oxygen,
turned into a gas oven.
Do you like me?
How absurd!
What's a question like that?
What's a silence like that?
And what am I hanging around for,
riddled with what his silence said?

I was wrapped in black
fur and white fur and
you undid me and then
you placed me in gold light
and then you crowned me,
while snow fell outside
the door in diagonal darts.
While a ten-inch snow
came down like stars
in small calcium fragments,
we were in our own bodies
(that room that will bury us)
and you were in my body
(that room that will outlive us)
and at first I rubbed your
feet dry with a towel
becuase I was your slave
and then you called me princess.
Princess!

Oh then
I stood up in my gold skin
and I beat down the psalms
and I beat down the clothes
and you undid the bridle
and you undid the reins
and I undid the buttons,
the bones, the confusions,
the New England postcards,
the January ten o'clcik night,
and we rose up like wheat,
acre after acre of gold,
and we harvested,
we harvested.