Morning drops like a parachute,
circumnavigating
the irrational things within her.

She drew the grim cartwheel
--crayoned images of kids in closets,
and blackens them into
illustrations of war.

She sleeps on bleak days
with young cameras,
Lucy under the tongue,
rosaries at the border
feel like pins and needles
to an adrenaline sorceress
in giallo approach,
her eye in a labyrinth,
the eye she lost in the Crusades,
filming streets below
the color of dark Roman wine.

It's a staring contest,
waiting on rooftops
in stages of collapse,
there she lives or dies
at the dividing line with the grave.