I’m chilling and doing homework tonight. Leaning into it.

Last night one of our suitemates (Julia) turned 21 - she’s barable. Not that we get carded anywhere - I’ve never had trouble getting into clubs or ordering drinks - I mean never have I ever.

She had her birthday party at a place called Mory’s, in New Haven, which is very Yale themed. We ate dinner in the “captain’s room,” where every picture on the wall is a Yale team captain of some sort. They even have a whiffenpoof plaque. It’s so Yale-core it’s funny.

Have you ever heard of a drink called a “Singapore Sling?” Me neither, until last night. Then, somehow, there were undrinkable oceans of it. I had six of them, sitting at a bar and I felt nothing. Then I stood up and my bones seemed to liquify. Leong and Anna reeled me in.

I was hangin this morning though, I mean rocky-socks drunkover. My senses seemed sharper, my optical nerves dialed up all the way. The air seemed bright and I swear I could’ve heard the sun burning if people would’ve just stopped all that annoying breathing.

I had a biochemistry quiz at 9am and I can’t wait to see how I did. Later, at breakfast (I had a piece of toast), Peter felt free to offer his sensible, 26-year-old, bropinion. I said, “You’re so wise,” as I steel-eyed him, “I-guess-you-never.”

By the afternoon I was back on my toes. Almost every night my roommates and I sit around a low table in the common room of our suite, crossed legged, on cushions and do our homework. It’s less claustrophobic than sitting in our rooms alone and we usually have some music on, lowkey, in the background.
We’d just heard “Love Story,” by Taylor Swift.

“I like songs that make love sound easy.” I stated.
“Oh, because it IS easy,” Anna says sarcastically, “grab yourself a physicist and make a TikTok song.”

“Hey! I’ve got a beef with TikTok artists, I said. “At first, they release these stripped down, intimate, acoustic songs that feel personal, and then, if a song hits, they put out a new version that’s totally overproduced.”
“Right.” Leong agreed.  
“Oh, yeah,” Sophie said, putting her hair back out of her face with a comb, “and some artists' voices are suited to simple accompaniment and the newer versions just don’t hit as hard.”

“I think Phoebe Bridgers is an example of production done right.” Anna said. “Her material continues to sound intimate and stripped down even though it’s no longer just her and a guitar,”

“On Tiktok,” Lisa adds, “when a new song works, I feel a connection, like it could be me recording a song with my guitar - so, I support them.”

“Don’t get me wrong,” I updogged, “there’s a place for overproduction but sometimes the instruments don’t even sound real, like when they go all out electronic - then they lose me.”

“The big-music might drown-out the artistry we liked,” Anna opined, “but maybe that’s how they heard it, as songwriters, in their imagination, but they couldn’t afford it - the new version rectifies it.”