There's a huge bean bag in the corner
the color of rusted tree
and a white painted outline to hold two drawers
of colorful condoms next to the Keurig Machine.
Three circular winded fanciful lights strung above,
shedding semicircular splotches on the walls.
Looking out on the Brooklyn Bridge in the 1893
painted on in black and grey haunts.
There's a magnetic pillar to the left of the too-deep chairs
that at least are comfortable,
but no one has legs that long.
A magazine rack to the right lends a variety of color, from
Love Match to Lavender, it's a mismatch island.
Smells like plastic and a cold air, with a hint of college sweat.
And there's the squeaky roller chair full of business textbooks and drawings of pigeons and bitten fingernails and arms that lead to the edges of the paper.
Masked with worn All Star sketchers and three clocks ticking,
Long labored skies and horcruxes gathered round the edges.
Yet somehow with all the oddities combined,
it's safe and sound under the flag including.